| | Anna Tomowa-Sintow, Herbert von Karajan, Berliner Philharmoniker, Agnes Baltsa, Wiener Singverein, Werner Krenn, José Van Dam & Rudolf Scholz | Mass in C, K. 317 "Coronation": VI. Agnus Dei | |
| | José Carreras, Plácido Domingo, Agnes Baltsa, Philip Simms, Tallis Chamber Choir & London Symphony Orchestra | Libiamo (Drinking Song) From la Traviata, Act I | |
| | Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, José Van Dam, Berliner Philharmoniker, Herbert von Karajan, Rudolf Scholz & Wiener Singverein | Mass in C, K. 317 "Coronation": VI. Agnus Dei | |
| | Janet Perry, Agnes Baltsa, Vinson Cole, José Van Dam, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein & Helmut Froschauer | Symphony No. 9 in D Minor, Op. 125 "Choral": IVb. "O Freunde nicht diese Töne" | |
| | Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, José Van Dam, Berliner Philharmoniker, Herbert von Karajan, Rudolf Scholz & Wiener Singverein | Mass in C, K. 317 "Coronation": VII. Agnus Dei. Dona nobis pacem - Allegro con spirito | |
| | Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, José Van Dam, Berliner Philharmoniker, Herbert von Karajan, Rudolf Scholz & Wiener Singverein | Mass in C, K. 317 "Coronation": I. Kyrie | |
| | Renata Scotto, Agnes Baltsa, Ambrosian Chorus, Philharmonia Orchestra, Riccardo Muti & John McCarthy | Messa da Requiem (1995 Remastered Version), No. 1 - Introit & Kyrie: Requiem aeternam | |
| | Klaus Tennstedt, Agnes Baltsa & London Philharmonic Orchestra | Das Lied von der Erde: II. Der Einsame im Herbst | |
| | Philharmonia Orchestra, Riccardo Muti, Agnes Baltsa & Leslie Pearson | Orfeo ed Euridice (Viennese version, 1762) (1997 Remastered Version), Scene 1: Che farò senza Euridice? (Orfeo) | |
| | Sir Thomas Allen, Agnes Baltsa, Dame Kiri Te Kanawa, Richard Van Allan, Chorus of the Royal Opera House, Covent Garden, Sir Colin Davis, Orchestra of the Royal Opera House, Covent Garden, Christa Mayer, Daniela Mazzuccato & Stuart Burrows | Cosi fan tutte, K. 588 : Act II Scene 1: Aria: Una donna a quindici anni (Despina, Fiordiligi, Dorabella) | |
| | Sir Thomas Allen, Agnes Baltsa, Dame Kiri Te Kanawa, Richard Van Allan, Chorus of the Royal Opera House, Covent Garden, Sir Colin Davis, Orchestra of the Royal Opera House, Covent Garden, Christa Mayer, Daniela Mazzuccato & Stuart Burrows | Cosi fan tutte, K. 588 : Act I Scene 2: Terzet: Soave sia il vento (Don Alfonso, Fiordiligi, Dorabella) | |
| | José Carreras, Plácido Domingo, Agnes Baltsa, Philip Simms, Tallis Chamber Choir & London Symphony Orchestra | Libiamo (Drinking Song) From la Travíata, Act I | |
| | Agnes Baltsa, Berliner Philharmoniker, Herbert von Karajan & Chœurs de l'Opéra national de Paris | Carmen, Act 1: "L'amour est un oiseau rebelle" (Havanaise) | |
| | Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, José Van Dam, Berliner Philharmoniker, Herbert von Karajan, Rudolf Scholz & Wiener Singverein | Mass in C, K. 317 "Coronation": III. Credo | |
| | Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, José Van Dam, Berliner Philharmoniker, Herbert von Karajan, Rudolf Scholz & Wiener Singverein | Mass in C, K. 317 "Coronation": V. Benedictus | |
| | Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, José Van Dam, Berliner Philharmoniker, Herbert von Karajan, Rudolf Scholz & Wiener Singverein | Mass in C, K. 317 "Coronation": II. Gloria | |
| | Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, José Van Dam, Berliner Philharmoniker, Herbert von Karajan, Rudolf Scholz & Wiener Singverein | Mass in C, K. 317 "Coronation": IV. Sanctus | |
| | Janet Perry, Herbert von Karajan, Berliner Philharmoniker, Agnes Baltsa, Wiener Singverein, Vinson Cole, José Van Dam & Helmut Froschauer | Symphony No. 9 in D Minor, Op. 125 - "Choral": IV.b. "O Freunde nicht diese Töne" - | |
| | Margaret Marshall, Agnes Baltsa, José Van Dam, Wiener Philharmoniker & Riccardo Muti | Così fan tutte, K. 588: Soave sia il vento | |
| | Francisco Araiza, Agnes Baltsa, Francesco Ellero d'Artegna, Edita Gruberová, Simone Alaimo, Iris Vermillion, Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester & Giuseppe Patanè | Maria Stuarda / Act 2: "Deh! l'accogli" - "Morta al mondo, e morta al trono" | |
| | Agnes Baltsa, Sir Neville Marriner & Academy of St Martin in the Fields | Le nozze di Figaro, K. 492, Act I: Non so più cosa son, cosa faccio | |
| | Dame Margaret Price, Trudeliese Schmidt, Agnes Baltsa, Wiener Philharmoniker, Leonard Bernstein & Rudolf Scholz | Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2, Final Scene from Goethe's "Faust": "Bei der Liebe" - "Bei dem Bronn" - Bei dem hochgeweihten Orte" | |
| | Anna Tomowa-Sintow, Agnes Baltsa, Peter Schreier, José Van Dam, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein & Rudolf Scholz | Te Deum, WAB 45: V. in te, Domine, speravi | |
| | Anna Tomowa-Sintow, Agnes Baltsa, José Carreras, José Van Dam, Wiener Philharmoniker, Herbert von Karajan, Chor der Wiener Staatsoper, Chorus of the Sofia National Opera & Walter Hagen-Groll | Messa da Requiem: II. Lacrymosa | |
| | Anna Tomowa-Sintow, Janet Perry, Agnes Baltsa, Wiener Philharmoniker & Herbert von Karajan | Der Rosenkavalier, Op. 59, Act III: Heut oder morgen oder den übernächsten Tag | |
| | Janet Perry, Agnes Baltsa, Wiener Philharmoniker & Herbert von Karajan | Der Rosenkavalier, Op. 59: Mit Ihren Augen voll Tränen | |
| | Sir Thomas Allen, Agnes Baltsa, Dame Kiri Te Kanawa, Richard Van Allan, Chorus of the Royal Opera House, Covent Garden, Sir Colin Davis, Orchestra of the Royal Opera House, Covent Garden, Christa Mayer, Daniela Mazzuccato & Stuart Burrows | Cosi fan tutte, K. 588 : Act II Scene 4: Sani e salvi agli (Ferrando, Guglielmo, Don Alfonso, Fiordiligi, Dorabella, Despina) | |
| | Riccardo Muti, Agnes Baltsa, Wiener Philharmoniker, Kathleen Battle & Margaret Marshall | Così fan tutte, K. 588, Act 1: Recitativo: Che vita maledetta (Despina, Fiordiligi, Dorabella) [Live] | |
| | Anna Tomowa-Sintow, Herbert von Karajan, Berliner Philharmoniker, Agnes Baltsa, Wiener Singverein, Werner Krenn, José Van Dam & Rudolf Scholz | Mass in C, K. 317 "Coronation": VI. Agnus Dei | |
| | Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, José Van Dam, Berliner Philharmoniker, Herbert von Karajan, Rudolf Scholz & Wiener Singverein | Requiem in D Minor, K. 626: VI. Benedictus | |
| | Riccardo Muti, Agnes Baltsa, Catherine Malfitano, Robert Gambill, Orchestra del Maggio Musicale Fiorentino & Coro del Maggio Musicale Fiorentino | Stabat Mater: II. Cujus animam gementem | |
| | Janet Perry, Agnes Baltsa, Anna Tomowa-Sintow, Wiener Philharmoniker & Herbert von Karajan | Der Rosenkavalier, Op. 59, Act 3: "Mein Gott, es war nicht mehr als eine Farce" | |
| | Alessandro Corbelli, Agnes Baltsa, Wiener Philharmoniker, Claudio Abbado, Chor der Wiener Staatsoper, Helmut Froschauer & Ion Marin | L'italiana in Algeri, Act 1: Quanto roba! amor tiranno! | |
| | Christine Barbaux, Jane Berbié, Agnes Baltsa, Michel Marinpouille, Alexander Malta, José Van Dam, Berliner Philharmoniker, Herbert von Karajan & Chœurs de l'Opéra national de Paris | Carmen, Act 2: Couplets: "Votre toast, je peux vous le rendre" | |
| | Agnes Baltsa, Philharmonia Orchestra, Leslie Pearson & Riccardo Muti | Orfeo ed Euridice (Viennese version, 1762) (1997 Remastered Version), Scene 1: Chiamo il mio ben così (Orfeo) | |
| | Agnes Baltsa, Leopold Hager, Mozarteumorchester Salzburg, Edith Mathis & Peter Schreier | Ascanio in Alba, K. 111: "Che bel piacer io sento" - No.32 Piccola parte del terzetto | |
| | James Morris, Riccardo Muti, Agnes Baltsa & Wiener Philharmoniker | Così fan tutte, K. 588, Act 2: Duetto. "Il core vi domo" (Guglielmo, Dorabella) [Live] | |
| | Agnes Baltsa, Mozarteumorchester Salzburg & Leopold Hager | Mitridate, re di Ponto, K. 87: "Son reo; l'error confesso" | |
| | Ion Marin, Wiener Philharmoniker & Agnes Baltsa | Una Voce Poco Fa from the Barber of Seville | |
| | Agnes Baltsa, Edith Mathis, Arleen Auger, Mozarteumorchester Salzburg & Leopold Hager | Ascanio in Alba, K. 111, Pt. 2: "Cerco di loco in loco" - "Silvia, ove sei?" - Recitativo | |
| | Montserrat Caballé, Neil Jenkins, Geoffrey Shaw, Luciano Pavarotti, Agnes Baltsa, National Philharmonic Orchestra & Bruno Bartoletti | La Gioconda / Act 4: Ecco il velen di Laura | |
| | Werner Hollweg, Leopold Hager, Mozarteumorchester Salzburg, Christine Weidinger & Agnes Baltsa | Mitridate, re di Ponto, K. 87: "Teme Ismene a ragion" | |
| | Agnes Baltsa, Münchner Rundfunkorchester & Heinz Wallbert | La Cenerentola: Nacqui all'affano - Non più mesta | |
| | José Van Dam, Kenneth Riegel, Trudeliese Schmidt, Agnes Baltsa, Hermann Prey, Margaret Price, Judith Blegen, Rudolf Scholz, Wiener Philharmoniker & Leonard Bernstein | Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: V. Infirma nostri corporis II | |
| | Jonathan Summers, Agnes Baltsa, Symphonieorchester des Bayerischen Rundfunks & Sir Colin Davis | Samson et Dalila, Op. 47, R. 288, Act II: J'ai gravi la montagne | |
| | Christine Barbaux, Herbert von Karajan, Berliner Philharmoniker, Chœurs de l'Opéra national de Paris, Jane Berbié, Agnes Baltsa, José Carreras, Gino Quilico, Heinz Zednik & Jean Laforge | Carmen: Introduction: "Ecoute, compagnon, écoute!" | |
| | Riccardo Muti, Agnes Baltsa, Edita Gruberová, Leslie Pearson & Philharmonia Orchestra | Orfeo ed Euridice, Wq. 30, Act I: T'assiste Amore! (Amore, Orfeo) | |
| | Agnes Baltsa, Berliner Philharmoniker & Herbert von Karajan | Don Giovanni, ossia Il dissoluto punito, K. 527, Act II: "Mi tradi quell'alma ingrata" (K. 540c, Aria) | |
| | Agnes Baltsa, Mozarteumorchester Salzburg & Leopold Hager | Mitridate, re di Ponto, K. 87: "Va, l'error mio palesa" | |
| | Agnes Baltsa, Giuseppe Sinopoli, Philharmonia Orchestra, Richard Van Allan, Ambrosian Opera Chorus & John McCarthy | La forza del destino, Act II: Al suon del tamburo | |
