| | Margaret Marshall, Claudio Abbado, London Symphony Orchestra, Lucia Valentini-Terrani & Leslie Pearson | Stabat Mater: I. Stabat Mater | |
| | Felicity Palmer, John Eliot Gardiner, Margaret Marshall, Monteverdi Choir, Monteverdi Orchestra & George Frideric Handel | Dixit Dominus, HWV 232: VII. de Torrente in Via Bibet [Chorus, Sopranos] | |
| | Claudio Abbado, London Symphony Orchestra, Margaret Marshall, Lucia Valentini-Terrani & Leslie Pearson | Stabat Mater: XII. Quando Corpus - Amen | |
| | Margaret Marshall, Claudio Abbado, London Symphony Orchestra, Lucia Valentini-Terrani & Leslie Pearson | Stabat Mater: III. O Quam Tristis | |
| | Margaret Marshall, Agnes Baltsa, José Van Dam, Wiener Philharmoniker & Riccardo Muti | Così fan tutte, K. 588: Soave sia il vento | |
| | Margaret Marshall, Vittorio Negri, English Chamber Orchestra, Olga Hegedus, Adrian Beers & John Constable | Gloria, R.588: 10. Allegro: Quoniam Tu Solus Sanctus | |
| | Margaret Marshall, George Guest, Choir of St John’s College, Cambridge, Margaret Cable, The Wren Orchestra, Wynford Evans & Stephen Roberts | Litaniae de venerabili altaris sacramento, K. 243: IV. Hostia sancta | |
| | Enoch zu Guttenberg, Bach Collegium München & Margaret Marshall | Matthäuspassion, BWV 244: 52. Können Tränen meiner Wangen | |
| | Margaret Marshall, Ann Murray, Hans Peter Blochwitz, Radio-Sinfonieorchester Stuttgart & Sir Neville Marriner | Die Schuldigkeit des ersten Gebots, K. 35: "Ein ergrimmter Löwe brüllet.Was glaubst du" | |
| | Jörg-Peter Weigle, Sir Neville Marriner, Staatskapelle Dresden, Carolyn Watkinson, Chor Des Reichssenders Leipzig, Christine Schonknecht, Hansjürgen Scholze, Keith Lewis, Margaret Marshall & Robert Holl | Mass No. 11 in D Minor, Hob. XX11:11 'Nelsonmesse': Sanctus | |
| | Margaret Marshall, Margaret Cable, Wynford Evans, Stephen Roberts, Choir of St John’s College, Cambridge, The Wren Orchestra, David Hill & George Guest | Vesperae de Dominica in C, K. 321: VI. Magnificat (Luc. 1:46-55) | |
| | Margaret Marshall, Margaret Cable, Wynford Evans, Stephen Roberts, Choir of St John’s College, Cambridge, The Wren Orchestra & George Guest | Litaniae de venerabili altaris sacramento in E-Flat, K. 243: I. Kyrie eleison | |
| | Margaret Marshall, Margaret Cable, Wynford Evans, Stephen Roberts, Choir of St John’s College, Cambridge, The Wren Orchestra & George Guest | Litaniae de venerabili altaris sacramento in E-Flat Major, K. 243: IX. Agnus Dei | |
| | Margaret Marshall, Ann Murray, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Jeffrey Tate & Alastair Ross | Beatus Vir (Psalm 111), R. 597: III. Allegro: Gloria et divitiae | |
| | Enoch zu Guttenberg, Bach Collegium München & Margaret Marshall | Matthäuspassion, BWV 244: 12. Wiewohl mein Herz in Tränen schwimmt | |
| | Margaret Marshall, Sir Stephen Cleobury, The Choir of King's College, Cambridge, Ann Murray, English Chamber Orchestra, Rogers Covey-Crump & David Wilson-Johnson | Missa Solemnis in C, K. 337: VI. Agnus Dei | |
| | English Chamber Orchestra, Margaret Marshall & Vittorio Negri | Introduzione al Gloria, RV 642 : 3. Allegro: Linguis favete | |
| | Robert Holl, Rundfunkchor Leipzig, Sir Neville Marriner, Carolyn Watkinson, Staatskapelle Dresden, Hansjürgen Scholze, Christine Schonknecht, Margaret Marshall & Keith Lewis | Mass in D Minor, Hob. XXII/11, "Nelsonmesse": I. Kyrie (Chorus, Sopranos, Alto, Tenor, Bass). Allegro moderato | |
| | Margaret Marshall, Ann Murray, Rogers Covey-Crump, David Wilson-Johnson, The Choir of King's College, Cambridge, English Chamber Orchestra & Sir Stephen Cleobury | Missa solemnis in C Major, K. 337: II. Gloria | |
| | Riccardo Muti, Agnes Baltsa, Wiener Philharmoniker, Kathleen Battle & Margaret Marshall | Così fan tutte, K. 588, Act 1: Recitativo: Che vita maledetta (Despina, Fiordiligi, Dorabella) [Live] | |
| | José Van Dam, Riccardo Muti, Agnes Baltsa, Wiener Philharmoniker & Margaret Marshall | Così fan tutte, K. 588, Act 1: Recitativo. "Dove son?" (Dorabella, Don Alfonso, Fiordiligi) [Live] | |
| | Margaret Marshall, George Guest, Choir of St John’s College, Cambridge, The Wren Orchestra, Margaret Cable, Wynford Evans, Stephen Roberts & David Hill | Vesperae de Dominica, K. 321: I. Dixit Dominus | |
| | Ann Murray, Sir Neville Marriner, Radio-Sinfonieorchester Stuttgart, Hans Peter Blochwitz & Margaret Marshall | Die Schuldigkeit des ersten Gebots, K. 35: II. Recitativo: "Die Löblich' Und Gerechte Bitte" | |
| | Aldo Baldin, Hans Peter Blochwitz, Inga Nielsen, Margaret Marshall, Ann Murray, Radio-Sinfonieorchester Stuttgart & Sir Neville Marriner | Die Schuldigkeit des ersten Gebots, K. 35: "Er hält mich einen Kranken gleich.Hast du nunmehr erfahren" | |
| | Sjaak Zoon, Jacques Ogg, Margaret Marshall, Henk Sekreve, Concertgebouw Chamber Orchestra & Vittorio Negri | Laudate pueri Dominum, R. 601: II. Sit nomen Domini (Allegro) | |
| | Margaret Marshall, John Eliot Gardiner, Monteverdi Choir & English Baroque Soloists | Messiah: 30. Aria: "But Thou Didst Not Leave" | |
| | José Van Dam, Riccardo Muti, Agnes Baltsa, Wiener Philharmoniker & Margaret Marshall | Così fan tutte, K. 588, Act 1: Terzetto. "Soave sia il vento" (Fiordiligi, Dorabella, Don Alfonso) [Live] | |
| | Stephen Roberts, Philharmonia Orchestra, Margaret Marshall, London Symphony Chorus & Richard Hickox | A Sea Symphony, IV. The Explorers (Grave e molto adagio - Andante cono moto): O we can wait no longer (baritone & soprano) | |
| | Stephen Roberts, Philharmonia Orchestra, Margaret Marshall, London Symphony Chorus & Richard Hickox | A Sea Symphony, I. A Song for All Seas, All Ships (Moderato maestoso): Token of all brave captains (chorus) | |
| | Riccardo Muti, Agnes Baltsa, Wiener Philharmoniker, Kathleen Battle & Margaret Marshall | Così fan tutte, K. 588, Act 2: Recitativo. "Ora vedo che siete una donna di garbo" (Despina, Dorabella, Fiordiligi) [Live] | |
| | Margaret Marshall & Geoffrey Parsons | Sieben frühe Lieder (Piano Version): No. 7. Sommertage | |
| | Margaret Marshall, Südfunk-Chor Stuttgart, Iris Vermillion, Hans Peter Blochwitz, Radio-Sinfonieorchester Stuttgart & Sir Neville Marriner | Davidde Penitente, K. 469: 10. Coro: "Chi in Dio sol spera" | |
| | Margaret Marshall, Academy of St Martin in the Fields Chorus, Academy of St Martin in the Fields & Sir Neville Marriner | Mass in C Minor, K. 427 "Grosse Messe" - Rev. and reconstr. by H.C. Robbins Landon: Kyrie | |
| | Stephen Roberts, Philharmonia Orchestra, Margaret Marshall, London Symphony Chorus & Richard Hickox | A Sea Symphony, IV. The Explorers (Grave e molto adagio - Andante cono moto): O vast Rondure, swimming in Space (chorus) | |
| | Robert Holl, Rundfunkchor Leipzig, Sir Neville Marriner, Staatskapelle Dresden, Hansjürgen Scholze & Margaret Marshall | Mass in D Minor, Hob. XXII:11 "Nelson Mass": Qui tollis | |
| | Margaret Marshall, Margaret Cable, Wynford Evans, Stephen Roberts, Choir of St John’s College, Cambridge, The Wren Orchestra & George Guest | Litaniae de venerabili altaris sacramento in E-Flat, K. 243: IV. Hostia sancta | |
| | Margaret Marshall, Deutsche Radio Philharmonie Saarbrücken Kaiserslautern & Hanns-Martin Schneidt | Ah, lo prevadi, K. 272 | |
| | Margaret Marshall, Deutsche Radio Philharmonie Saarbrücken Kaiserslautern & Hans Zender | Non sa che sia dolore, Cantata BWV 209: II. Recitative "Non Sa che sia dolore" | |
| | Jörg-Peter Weigle, Sir Neville Marriner, Staatskapelle Dresden, Carolyn Watkinson, Chor Des Reichssenders Leipzig, Christine Schonknecht, Hansjürgen Scholze, Keith Lewis, Margaret Marshall & Robert Holl | Mass No. 11 in D Minor, Hob. XX11:11 'Nelsonmesse', Credo: Et incarnatus est | |
| | Jörg-Peter Weigle, Sir Neville Marriner, Staatskapelle Dresden, Carolyn Watkinson, Chor Des Reichssenders Leipzig, Christine Schonknecht, Hansjürgen Scholze, Keith Lewis, Margaret Marshall & Robert Holl | Mass No. 11 in D Minor, Hob. XX11:11 'Nelsonmesse', Credo: Credo in unum Deum | |
| | James Morris, José Van Dam, Riccardo Muti, Agnes Baltsa, Wiener Philharmoniker, Kathleen Battle, Margaret Marshall & Francisco Araiza | Così fan tutte, K. 588, Act 1: Recitativo. "Che sussurro! Che sprepito!" (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) [Live] | |
| | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Margaret Marshall, Günter Wand, Karl Ridderbusch, Adolf Dallapozza & Cornelia Wulkopf | Mass In C Major, Op. 86: Benedictus | |
| | Berlin Chamber Orchestra, Vittorio Negri & Margaret Marshall | Tito Manlio, RV 738, Act III: Non basta al labbro | |
| | Enoch zu Guttenberg, Claes H. Ahnsjö, Hermann Prey, Christoph Dobmeier, Bach Collegium München & Margaret Marshall | Matthäuspassion, BWV 244: 33. Und wiewohl viel falsche Zeugen herzutraten | |
| | Margaret Marshall & Geoffrey Parsons | Sieben frühe Lieder (Piano Version): No. 1. Nacht | |
| | Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Günter Wand, Adolf Dallapozza, Karl Ridderbusch, Cornelia Wulkopf & Margaret Marshall | Litaniae de Venerabili Altaris Sacramento, K. 243: Pignus | |
| | Agnes Baltsa, Margaret Marshall, Philharmonia Orchestra, Leslie Pearson & Riccardo Muti | Orfeo ed Euridice (Viennese version, 1762) (1997 Remastered Version), Scene 1: Ecco un nuovo tormento! (Orfeo/Euridice) | |
| | Margaret Marshall, Alfreda Hodgson, Mainzer Kammerorchester & Gunter Kehr | Stabat Mater, P. 77: XI. Inflammatus et accensus | |
| | James Morris, José Van Dam, Riccardo Muti, Wiener Philharmoniker, Kathleen Battle & Margaret Marshall | Così fan tutte, K. 588, Act 2: Recitativo. "Come tutto conguira a sedurre il mio cor!" (Fiordiligi, Despina, Don Alfonso, Guglielmo) [Live] | |
| | Margaret Marshall, English Chamber Orchestra, Vittorio Negri, Jeffrey Tate & Alastair Ross | Introduzione al Dixit, R. 636: II. Recitativo: Sacra fulgescit nobis | |
