| | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti, Arleen Auger, John Van Kesteren & Jonathan Summers | Carmina Burana: V. Primo vere: Ecce gratum (Behold the Welcome of Spring) | |
| | Arleen Auger, Jonathan Summers, Philharmonia Chorus, Philharmonia Orchestra & Riccardo Muti | Carmina Burana (1997 Remastered Version): Veni, veni, venias | |
| | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti, Arleen Auger, John Van Kesteren & Jonathan Summers | Carmina Burana: VIII. Uf dem Anger: Chramer, gip die varwe mir (Monger, Give me Coloured Paint) | |
| | Jonathan Summers, Maurits Sillem, Royal Opera House Orchestra at Covent Garden & Sir Charles Mackerras | Alceste, Wq. 44, Act III: Au pouvoir de la mort je saurai la ravir (Live) | |
| | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti, Arleen Auger, John Van Kesteren & Jonathan Summers | Carmina Burana: XX. Cour d'amours: Veni, veni, venias (Come, Come, Pray Come) | |
| | Bernard Haitink, Dame Felicity Lott, Jonathan Summers & London Philharmonic Orchestra | A Sea Symphony: IVa. The Explorers, O We Can Wait No Longer (Grave e molto adagio - Andante cono moto) (Baritone & Soprano) | |
| | Christopher Cornall, Sir Charles Mackerras, Welsh National Opera Orchestra, Philip Langridge, Jonathan Summers, Bryn Terfel & Chorus of the Welsh National Opera | Gloriana, Op. 53: 2. The Tornament | |
| | Jonathan Summers, Nova Thomas, Patrick Power, Tim German, John del Carlo, Radio Telefis Eireann Philharmonic Choir, RTÉ National Symphony Orchestra & Richard Bonynge | The Bohemian Girl, Act II: Hold! Hold! | |
| | Sherrill Milnes, Zubin Mehta, Orchestra of the Royal Opera House, Covent Garden, Carol Neblett, Chorus of the Royal Opera House, Covent Garden, Jonathan Summers, John Dobson, Tom McDonnell, Paul Crook, Robin Leggate, William Elvin, Robert Lloyd, Francis Egerton & Robin Stapleton | La fanciulla del West, Act I: Hello, Minnie! | |
| | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti, Arleen Auger, John Van Kesteren & Jonathan Summers | Carmina Burana: XXIII. Cour d'amours: Dulcissime (Sweetest Boy) | |
| | Philharmonia Orchestra, Riccardo Muti, Arleen Auger, John Van Kesteren, Jonathan Summers & Philharmonia Chorus | Carmina Burana: VI. Tanz | |
| | Arleen Auger, Jonathan Summers, Philharmonia Chorus, Philharmonia Orchestra & Riccardo Muti | Carmina Burana (1997 Remastered Version): In taberna quando sumus | |
| | Jonathan Summers, London Philharmonic Choir, Bernard Haitink & London Philharmonic Orchestra | Symphony No. 1 "A Sea Symphony": I. (b) A Song for All Seas, All Ships. "Today a Rude Brief Recitative" | |
| | Arleen Auger, Jonathan Summers, Philharmonia Chorus, Philharmonia Orchestra & Riccardo Muti | Carmina Burana (1997 Remastered Version): Ecce gratum | |
| | Tim German, Nova Thomas, Bernadette Cullen, Jonathan Summers, RTÉ National Symphony Orchestra & Richard Bonynge | The Bohemian Girl, Act III: Welcome the present | |
| | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti, Arleen Auger, John Van Kesteren & Jonathan Summers | Carmina Burana: III. Primo vere: Veris leta facies (The Joyous Face of Spring) | |
| | Philharmonia Orchestra, Riccardo Muti, Arleen Auger, John Van Kesteren, Jonathan Summers & Philharmonia Chorus | Carmina Burana: XXIII. Dulcissime | |
| | Arleen Auger, John Van Kesteren, Jonathan Summers, Philharmonia Chorus, Philharmonia Orchestra & Riccardo Muti | Carmina Burana: XIX. Si puer cum puellula | |
| | Jonathan Summers, Agnes Baltsa, Symphonieorchester des Bayerischen Rundfunks & Sir Colin Davis | Samson et Dalila, Op. 47, R. 288, Act II: J'ai gravi la montagne | |
| | Arleen Auger, Jonathan Summers, Philharmonia Chorus, Philharmonia Orchestra & Riccardo Muti | Carmina Burana (1997 Remastered Version): Amor volat undique | |
| | Janice Watson, Yvonne Kenny, Della Jones, Philip Langridge, Peter Hoare, Jonathan Summers, Chorus of the Welsh National Opera, Welsh National Opera Orchestra & Sir Charles Mackerras | Gloriana, Op. 53, Act II Scene 3: 26. Conversation | |
| | Arleen Auger, Jonathan Summers, Philharmonia Chorus, Philharmonia Orchestra & Riccardo Muti | Carmina Burana (1997 Remastered Version): O Fortune plango vulnera | |
| | Riccardo Muti, Arleen Auger, John Van Kesteren, Jonathan Summers, Philharmonia Orchestra & Philharmonia Chorus | Carmina Burana: XIII. Ego sum abbas | |
| | Sherrill Milnes, Zubin Mehta, Orchestra of the Royal Opera House, Covent Garden, Carol Neblett, Chorus of the Royal Opera House, Covent Garden, Jonathan Summers, John Dobson, Tom McDonnell, Paul Crook, Robin Leggate, William Elvin, Robert Lloyd, Francis Egerton & Robin Stapleton | La Fanciulla del West / Act 1: Hello, Minnie! | |
| | Philharmonia Orchestra, Riccardo Muti, Arleen Auger, John Van Kesteren, Jonathan Summers & Philharmonia Chorus | Carmina Burana: III. Veris leta facies | |
| | Arleen Auger, John Van Kesteren, Jonathan Summers, Philharmonia Chorus, Philharmonia Orchestra & Riccardo Muti | Carmina Burana: XXIII. Dulcissime | |
| | The Proclaimers & Jonathan Summers | Every Time I Feel the Spirit | |
| | Philharmonia Orchestra, Riccardo Muti, Arleen Auger, John Van Kesteren, Jonathan Summers & Philharmonia Chorus | Carmina Burana: I. O Fortuna | |
| | Arleen Auger, John Van Kesteren, Jonathan Summers, Philharmonia Chorus, Philharmonia Orchestra & Riccardo Muti | Carmina Burana: XVII. Stetit puella | |
| | Jonathan Summers, Orchestra of the Royal Opera House, Covent Garden, Philip Langridge, Donald Kaasch, Graeme Danby, Chorus of the Royal Opera House, Covent Garden & Thomas Adès | The Tempest, Act 3 Scene II: Murder! | |
| | Jonathan Summers, Orchestra of the Royal Opera House, Covent Garden, Donald Kaasch, Graeme Danby, Chorus of the Royal Opera House, Covent Garden, Ian Bostridge & Thomas Adès | The Tempest, Act 2 Scene II: Friends don't fear... | |
| | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti, Arleen Auger, John Van Kesteren & Jonathan Summers | Carmina Burana: XXI. Cour d'amours: In trutina (On the Scales) | |
| | Riccardo Muti, Arleen Auger, John Van Kesteren, Jonathan Summers, Philharmonia Orchestra & Philharmonia Chorus | Carmina Burana: XII. Olim lacus colueram | |
| | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti, Arleen Auger, John Van Kesteren & Jonathan Summers | Carmina Burana: III. Primo vere: Veris leta facies (The Joyous Face of Spring) | |
| | Josephine Barstow, Sir Charles Mackerras, Welsh National Opera Orchestra, Philip Langridge, Jonathan Summers, Richard Van Allan & Chorus of the Welsh National Opera | Gloriana, Op. 53, Act I Scene 1: 6. The two Lords' Explanation | |
| | Josephine Barstow, Sir Charles Mackerras, Welsh National Opera Orchestra, Philip Langridge, Jonathan Summers, Richard Van Allan & Chorus of the Welsh National Opera | Gloriana, Op. 53: 6. The Two Lords' Explanation | |
| | Dame Joan Sutherland, Richard Bonynge, National Philharmonic Orchestra, Della Jones, Sir John Tomlinson, Alexander Oliver, Luciano Pavarotti, Jonathan Summers & The London Opera Chorus | La traviata, Act I: Dell'invito trascorsa è già l'ora | |
| | Yvonne Kenny, Sir Charles Mackerras, Welsh National Opera Orchestra, Della Jones & Jonathan Summers | Gloriana, Op. 53, Act III Scene 3: 51. Trio | |
| | Riccardo Muti, Arleen Auger, John Van Kesteren, Jonathan Summers, Philharmonia Orchestra & Philharmonia Chorus | Carmina Burana: XXI. In trutina | |
| | The Proclaimers & Jonathan Summers | Jesus Christ, What a Man | |
| | Jonathan Summers, Cyndia Sieden, Orchestra of the Royal Opera House, Covent Garden, Philip Langridge, Simon Keenlyside, Donald Kaasch, Graeme Danby, Chorus of the Royal Opera House, Covent Garden & Thomas Adès | The Tempest, Act 3 Scene II: Help us! | |
| | Jonathan Summers, Australian Virtuosi, Cantillation, Synergy Percussion & Antony Walker | Carmina Burana: II. In Taberna: 13. "Ego sum abbas" | |
| | Arleen Auger, Jonathan Summers, Philharmonia Chorus, Philharmonia Orchestra & Riccardo Muti | Carmina Burana (1997 Remastered Version): In trutina | |
| | Philharmonia Orchestra, Riccardo Muti, Arleen Auger, John Van Kesteren, Jonathan Summers & Philharmonia Chorus | Carmina Burana: IX. Reie - Swaz hie gat umbe - Chume, chum geselle min - Swaz hie gat umbe: Reie | |
| | Philip Langridge, Sir Charles Mackerras, Welsh National Opera Orchestra & Jonathan Summers | Gloriana, Op. 53, Act I Scene 1: 3. Recitative & Fight | |
| | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti, Arleen Auger, John Van Kesteren & Jonathan Summers | Carmina Burana: XIV. In taberna: In taberna quando sumus (When We are in the Tavern) | |
| | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti, Arleen Auger, John Van Kesteren & Jonathan Summers | Carmina Burana: XVIII. Cour d'amours: Circa mea pectora (In my Breast) | |
| | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti, Arleen Auger, John Van Kesteren & Jonathan Summers | Carmina Burana: VII. Uf dem Anger: Floret Silva (The Forest Flowers) | |
| | Jonathan Summers, Philip Gelling, Royal Opera Chorus, Maurits Sillem, Royal Opera House Orchestra at Covent Garden & Sir Charles Mackerras | Alceste, Wq. 44, Act III: Aprés de longs travaux (Live) | |
| | Riccardo Muti, Arleen Auger, John Van Kesteren, Jonathan Summers, Philharmonia Orchestra & Philharmonia Chorus | Carmina Burana: XV. Amor volat undique | |
