| | Jessye Norman, BBC Symphony Chorus, London Philharmonic Choir, Richard Cooke, London Philharmonic Orchestra & Klaus Tennstedt | Ein deutsches Requiem Op. 45: V. Ihr habt nun Traurigkeit (Langsam) | |
| | Jessye Norman, London Philharmonic Orchestra & Klaus Tennstedt | Tristan und Isolde, WWV 90, Act 3: "Mild und leise" (Liebestod) | |
| | Klaus Tennstedt, London Philharmonic Orchestra & Nigel Kennedy | Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | |
| | Lucia Popp, London Philharmonic Orchestra & Klaus Tennstedt | Vier letzte Lieder (Four Last Songs) AV150 (Op. posth): III. Beim Schlafengehen (Hesse) | |
| | Klaus Tennstedt, Agnes Baltsa & London Philharmonic Orchestra | Das Lied von der Erde: II. Der Einsame im Herbst | |
| | Klaus Tennstedt & London Philharmonic Orchestra | Symphony No. 6 in F Major, Op. 68: IV. Allegro | |
| | Klaus Tennstedt & London Philharmonic Orchestra | Prelude from Die Meistersinger von Nürnberg, WWV 96 (1868) | |
| | Klaus Tennstedt, Lucia Popp & London Philharmonic Orchestra | Vier letzte Lieder (Four Last Songs) AV150 (Op. posth): III. Beim Schlafengehen (Hesse) | |
| | NDR Elbphilharmonie Orchestra & Klaus Tennstedt | Symphony No. 5 in C-Sharp Minor: IV. Adagietto | |
| | Symphonieorchester des Bayerischen Rundfunks & Klaus Tennstedt | Symphony No. 1 in E-Flat Major, K. 16: II. Andante | |
| | Klaus Tennstedt, London Philharmonic Orchestra & Jessye Norman | Closing scene from Salome: Ah! Ich habe deinen Mund geküsst, Jochanaan | |
| | Benjamin Luxon, Klaus Tennstedt, London Philharmonic Orchestra, Lucia Popp & Anthony Rolfe Johnson | The Creation "Die Schöpfung" Hob XXI: 2, Part 3: Duett "Holde Gattin! dir zur Seite" (Adam, Eva) | |
| | Klaus Tennstedt & Berliner Philharmoniker | Die Walküre: Wotan's Farewell and Magic Fire Music | |
| | Klaus Tennstedt & London Philharmonic Orchestra | Der Ritt der Walküren from Die Walküre, WWV 86B (concert version) | |
| | Thomas Hampson, Klaus Tennstedt & London Philharmonic Orchestra | Lieder eines fahrenden Gesellen: II. Hing heut' morgan übers Feld | |
| | Bernd Weikl, Klaus Tennstedt, Lucia Popp & London Philharmonic Orchestra | Lieder aus 'Des Knaben Wunderhorn': Revelge | |
| | Klaus Tennstedt & London Philharmonic Orchestra | Symphony No. 8 in F Major, Op. 93: I. Allegro Vivace e Con Brio | |
| | Edith Wiens, Richard Versalle, Tiffin Boys' School Choir, Klaus Tennstedt, Hans Sotin, Trudeliese Schmidt, Dame Felicity Lott, London Philharmonic Orchestra, London Philharmonic Choir, Jorma Hynninen, Nadine Denize & Elizabeth Connell | Symphony No. 8 in E Flat, Part II: Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) | |
| | Klaus Tennstedt & London Philharmonic Orchestra | Symphony No. 5 in C-Sharp Minor: II. Stürmisch bewegt, mit größter Vehemenz | |
| | Yuval Yaron, Symphonieorchester des Bayerischen Rundfunks & Klaus Tennstedt | Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | |
| | Klaus Tennstedt, Jessye Norman & London Philharmonic Orchestra | Tristan und Isolde, WWV 90, Act III: Mild und leise | |
| | Lucia Popp, London Philharmonic Orchestra & Klaus Tennstedt | Vier letzte Lieder (Four Last Songs) AV150 (Op. posth): I. Frühling (Hesse) | |
| | Klaus Tennstedt, Benjamin Luxon, London Philharmonic Orchestra, Anthony Rolfe Johnson & Lucia Popp | The Creation "Die Schöpfung" Hob XXI: 2, Part 2: Arie "Auf starkem Fittiche schwinget sich" (Gabriel) | |
| | Klaus Tennstedt & Berliner Philharmoniker | Symphony No. 4 in A Major, Op. 90, MWV N16 "Italian": II. Andante con moto | |
| | NDR Elbphilharmonie Orchestra & Klaus Tennstedt | Symphony No. 5 in C-Sharp Minor: I. Trauermarsch | |
| | Klaus Tennstedt & London Philharmonic Orchestra | Symphony No. 1 in D: I. Langsam. Schleppend - Immer sehr gemächlich | |
| | Klaus Tennstedt & London Philharmonic Orchestra | Overture from Rienzi, WWV 49 (1842) | |
| | Berliner Philharmoniker & Klaus Tennstedt | Lohengrin, WWV 75: Prelude to Act I | |
| | Klaus Tennstedt, London Philharmonic Orchestra & Lucia Popp | Symphony No. 4: IV. Sehr behaglich, "Wir geniessen die Himmlischen Freuden" (Soprano) | |
| | London Philharmonic Orchestra & Klaus Tennstedt | Symphony No. 41 in C Major, K. 551 "Jupiter": I. Allegro vivace | |
| | Klaus Tennstedt & Het Koninklijk Concertgebouworkest | Symphony No. 4 in E-Flat Major, WAB 104 (1880 Version): II. Andante quasi allegretto | |
| | Klaus Tennstedt & London Philharmonic Orchestra | Symphony No. 4 in E-Flat Major, "Romantic": III. Scherzo. Bewegt (Haas Edition) | |
| | Berliner Philharmoniker & Klaus Tennstedt | Götterdämmerung, WWV 86D: Siegfried Rheinfahrt | |
| | Klaus Tennstedt & Berliner Philharmoniker | Symphony No. 4 in A Major, Op. 90, MWV N16 "Italian": IV. Saltarello. Presto | |
| | Jessye Norman, London Philharmonic Orchestra & Klaus Tennstedt | Tannhäuser: Act III, Allmächt'ge Jungfrau, hör mein Flehen (Elisabeth's Prayer) | |
| | London Philharmonic Choir, Neville Creed, Klaus Tennstedt, Jard van Nes, London Philharmonic Orchestra & Yvonne Kenny | Symphony No. 2 "Resurrection": II. Andante Moderato. Sehr gemächlich. Nie eilen | |
| | Elizabeth Connell, Nadine Denize, Jorma Hynninen, London Philharmonic Choir, London Philharmonic Orchestra, Dame Felicity Lott, Trudeliese Schmidt, Hans Sotin, Klaus Tennstedt, Tiffin Boys' School Choir, Richard Versalle & Edith Wiens | Symphony No. 8 in E-Flat, Pt. II: Dir, der Unberührbaren (Chorus, a Penitent) | |
| | Klaus Tennstedt & London Philharmonic Orchestra | Symphony No. 4 in G Major: III. Ruhevoll | |
| | Martha Argerich, Klaus Tennstedt & NDR Elbphilharmonie Orchestra | Piano Concerto No. 2 in F Minor, Op. 21, B. 43: II. Larghetto | |
| | Klaus Tennstedt, Lucia Popp, Benjamin Luxon, London Philharmonic Orchestra & Anthony Rolfe Johnson | The Creation "Die Schöpfung" Hob XXI: 2, Part 1: The First Day. Die Vorstellung des Chaos - Rezitativ und Chor "Im Anfange schuf Gott Himmel und Erde" (Raphael, Uriel) | |
| | South West German Radio Symphony Orchestra, Baden-Baden & Klaus Tennstedt | Symphony No. 64 in A major, Hob.I:64, "Tempora mutantur": II. Largo | |
| | Klaus Tennstedt, London Philharmonic Orchestra & Kyung Wha Chung | Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | |
| | Klaus Tennstedt & Berliner Philharmoniker | Symphony No. 9 in C Major, D. 944 "The Great": III. Scherzo. Allegro vivace - Trio | |
| | Benjamin Luxon, Klaus Tennstedt, London Philharmonic Orchestra, Lucia Popp & Anthony Rolfe Johnson | The Creation "Die Schöpfung" Hob XXI: 2, Part 2: Rezitativ. Und Gott sprach "Es bringe das Wasser" (Gabriel) | |
| | SWR Sinfonieorchester Baden-Baden und Freiburg & Klaus Tennstedt | Symphony No. 4 in G Major: III. Ruhevoll, poco adagio | |
| | Benjamin Luxon, Klaus Tennstedt, London Philharmonic Orchestra, Lucia Popp & Anthony Rolfe Johnson | The Creation "Die Schöpfung" Hob XXI: 2, Part 2: Rezitativ "Und Gott sah jedes Ding" (Raphael) | |
| | Elizabeth Connell, Nadine Denize, Jorma Hynninen, London Philharmonic Choir, London Philharmonic Orchestra, Dame Felicity Lott, Trudeliese Schmidt, Hans Sotin, Klaus Tennstedt, Tiffin Boys' School Choir, Richard Versalle & Edith Wiens | Symphony No. 8 in E-Flat, Pt. II: Waldung, sie schwankt heran (Holy Anchorites) | |
| | Symphonieorchester des Bayerischen Rundfunks & Klaus Tennstedt | Symphony No. 3 in D Minor, WAB 103: II. Adagio. Bewegt, quasi andante (1889 Version, Ed. L. Nowak) | |
| | Bernd Weikl, Klaus Tennstedt, Lucia Popp & London Philharmonic Orchestra | Lieder aus 'Des Knaben Wunderhorn': Das irdische Leben | |
| | Elizabeth Connell, Nadine Denize, Jorma Hynninen, London Philharmonic Choir, London Philharmonic Orchestra, Dame Felicity Lott, Trudeliese Schmidt, Hans Sotin, Klaus Tennstedt, Tiffin Boys' School Choir, Richard Versalle & Edith Wiens | Symphony No. 8 in E-Flat, Pt. II: Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) | |
