| | Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra | Messa da Requiem, II. Dies irae: Lacrymosa (quartet, chorus) | |
| | Elizabeth Connell, Queensland Symphony Orchestra & Muhai Tang | Salome: Ach, ich habe deinen Mund geküsst, Jochanaan | |
| | Elizabeth Connell, Royal Philharmonic Orchestra & Vernon Handley | The Song of Songs: The Second Day: No. 7, But I Found Him Whom My Soul Loveth (Shulamite) | |
| | Edith Wiens, Richard Versalle, Tiffin Boys' School Choir, Klaus Tennstedt, Hans Sotin, Trudeliese Schmidt, Dame Felicity Lott, London Philharmonic Orchestra, London Philharmonic Choir, Jorma Hynninen, Nadine Denize & Elizabeth Connell | Symphony No. 8 in E Flat, Part II: Blicket auf zum Retterblick (Doctor Marianus, Chorus) | |
| | National Philharmonic Orchestra, Riccardo Chailly, Sir John Tomlinson, Oliviero de Fabritiis, Della Jones, Elizabeth Connell, Cesar Antonio Suarez & Ambrosian Opera Chorus | William Tell: Act I, "Ciò ch'ei fece" | |
| | National Philharmonic Orchestra, Riccardo Chailly, Richard Van Allan, Elizabeth Connell & Mirella Freni | William Tell: Act IV, Scene 2, "Io lo vidi" | |
| | Kim Begley, Royal Philharmonic Orchestra, Vernon Handley & Elizabeth Connell | The Song of Songs: Day 5 No. 2. Set Me As a Seal Upon Thine Heart (Shulamite/Shepherd) | |
| | National Philharmonic Orchestra, Riccardo Chailly, Elizabeth Connell, Della Jones & Ambrosian Opera Chorus | William Tell: Act IV, Scene 2, "Resta omai; ah! ti perde il duolo" | |
| | Elizabeth Connell, Heinz Kruse, Deutsches Sinfonie-Orchester, Berlin & Lothar Zagrosek | Die Gezeichneten, Act 1: Ihr seid köstlich, Signor Alviano | |
| | Alan Opie, Peter Coleman-Wright, Richard Hickox, Pamela Helen Stephen, City of London Sinfonia, Sarah Fox, Elizabeth Connell & Janice Watson | Owen Wingrave, Op. 85, Act II Scene 1: And with his friend young Lechmere played … (Owen, Miss Wingrave, Kate, Mrs. Julian, Mrs. Coyle, Coyle) | |
| | Lamberto Gardelli, Katia Ricciarelli, ORF Chorus, Orf Symphony Orchestra & Elizabeth Connell | I due Foscari, Act I: Scena e Cabaletta: "Che mi rechi?" | |
| | Edith Wiens, Richard Versalle, Tiffin Boys' School Choir, Klaus Tennstedt, Hans Sotin, Trudeliese Schmidt, Dame Felicity Lott, London Philharmonic Orchestra, London Philharmonic Choir, Jorma Hynninen, Nadine Denize & Elizabeth Connell | Symphony No. 8 in E Flat, Part II: Uns bleibt ein Erdenrest (The More Perfect Angels, Choir of Blessed Boys) | |
| | Alan Opie, Peter Coleman-Wright, Richard Hickox, City of London Sinfonia & Elizabeth Connell | Owen Wingrave, Op. 85, Act I Scene 2: At last it's out. No doubt old Coyle will rage (Owen, Miss Wingrave, Coyle) - Interlude II. War is the stateman's game (Owen) | |
| | Edith Wiens, Richard Versalle, Tiffin Boys' School Choir, Klaus Tennstedt, Hans Sotin, Trudeliese Schmidt, Dame Felicity Lott, London Philharmonic Orchestra, London Philharmonic Choir, Jorma Hynninen, Nadine Denize & Elizabeth Connell | Symphony No. 8 in E Flat, Part II: Gerettet ist das edle Glied (Choir of Angels, Choir of Blessed Boys) | |
| | Orchestra del Teatro dell'Opera di Roma, Coro del Teatro dell'Opera di Roma, Jan Latham-Koenig & Elizabeth Connell | Poliuto, IDG 59, Atto I: Un turbamento arcano | |
| | Edith Wiens, Richard Versalle, Tiffin Boys' School Choir, Klaus Tennstedt, Hans Sotin, Trudeliese Schmidt, Dame Felicity Lott, London Philharmonic Orchestra, London Philharmonic Choir, Jorma Hynninen, Nadine Denize & Elizabeth Connell | Symphony No. 8 in E Flat, Part II: Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) | |
| | Elizabeth Connell & Graham Johnson | Die Sternenwelten, D. 307 | |
| | Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra | Messa da Requiem, II. Dies irae: Liber scriptus (mezzo, chorus) | |
| | Elizabeth Connell & Graham Johnson | Klage der Ceres, D. 323 | |
| | Elizabeth Connell, Hans Peter Blochwitz, London Symphony Orchestra & Claudio Abbado | Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Hymn of Praise": IX. Duet. Drum sing ich mit meinem Liede | |
| | Elizabeth Connell, Nadine Denize, Jorma Hynninen, London Philharmonic Choir, London Philharmonic Orchestra, Dame Felicity Lott, Trudeliese Schmidt, Hans Sotin, Klaus Tennstedt, Tiffin Boys' School Choir, Richard Versalle & Edith Wiens | Symphony No. 8 in E-Flat, Pt. I: Gloria Patri Domino | |
| | Elizabeth Connell, Heinz Kruse, Deutsches Sinfonie-Orchester, Berlin & Lothar Zagrosek | Die Gezeichneten, Act 2: Unsre Zeit ist voll seltsamer Dinge | |
| | National Philharmonic Orchestra, Riccardo Chailly, Elizabeth Connell, Mirella Freni & Ambrosian Opera Chorus | William Tell: Act IV, Scene 2, "Tu che l'appoggio del debol sei" | |
| | Elizabeth Connell & Graham Johnson | Lied, "Die Mutter Erde", D. 788 | |
| | Royal Philharmonic Orchestra, Vernon Handley & Elizabeth Connell | The Song of Songs: Day 2 No. 7. But I Found Him Whom My Soul Loveth (Shulamite) | |
| | Elizabeth Connell & Graham Johnson | Erinnerung, "Totenopfer", D. 101 | |
| | Graham Johnson & Elizabeth Connell | Klage der Ceres, D. 323 | |
| | Elizabeth Connell, Claudio Abbado, London Symphony Orchestra & Hans Peter Blochwitz | Symphony No. 2 in B-Flat, Op. 52 - "Hymn of Praise": 9. "Drum Sing Ich Mit Meinem Liede Ewig" | |
| | Elizabeth Connell, Heinz Kruse, Deutsches Sinfonie-Orchester, Berlin & Lothar Zagrosek | Die Gezeichneten, Act 2: Ich bitt' Euch, sprecht nicht und blickt mich nur an | |
| | Elizabeth Connell, Queensland Symphony Orchestra & Muhai Tang | Götterdämmerung, WWV 86D, Act III: "Starke Scheite schichtet mir dort" | |
| | Edith Wiens, Richard Versalle, Tiffin Boys' School Choir, Klaus Tennstedt, Hans Sotin, Trudeliese Schmidt, Dame Felicity Lott, London Philharmonic Orchestra, London Philharmonic Choir, Jorma Hynninen, Nadine Denize & Elizabeth Connell | Symphony No. 8 in E Flat, Part II: Alles Vergängliche (Mystic Choir) | |
| | Reginald Goodall, English National Opera Orchestra, Norman Bailey, Rita Hunter, Katie Clarke, Anne Conoley, Elizabeth Connell & Helen Attfield | The Valkyrie, WWV 86B, Act III Scene 2: No more will you ride from Walhall (Wotan, The Valkryies, Brünnhilde) | |
| | Orchestra del Teatro dell'Opera di Roma, Coro del Teatro dell'Opera di Roma, Jan Latham-Koenig, Elizabeth Connell & Renato Bruson | Poliuto, IDG 59, Atto II: Il più lieto | |
| | Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra | Messa da Requiem, II. Dies irae: Ingemisco (tenor) | |
| | Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra | Messa da Requiem, II. Dies irae: Mors stupebit (bass) | |
| | Elizabeth Connell & Graham Johnson | Die Allmacht, D. 852 | |
| | Orchestra del Teatro dell'Opera di Roma, Coro del Teatro dell'Opera di Roma, Jan Latham-Koenig, Elizabeth Connell & Renato Bruson | Poliuto, IDG 59, Atto II: Quest'alma | |
| | Elizabeth Connell, Nadine Denize, Jorma Hynninen, London Philharmonic Choir, London Philharmonic Orchestra, Dame Felicity Lott, Trudeliese Schmidt, Hans Sotin, Klaus Tennstedt, Tiffin Boys' School Choir, Richard Versalle & Edith Wiens | Symphony No. 8 in E-Flat, Pt. II: Dir, der Unberührbaren (Chorus, a Penitent) | |
| | Elizabeth Connell, Nadine Denize, Jorma Hynninen, London Philharmonic Choir, London Philharmonic Orchestra, Dame Felicity Lott, Trudeliese Schmidt, Hans Sotin, Klaus Tennstedt, Tiffin Boys' School Choir, Richard Versalle & Edith Wiens | Symphony No. 8 in E-Flat, Pt. I: Imple superna gratia | |
| | Elizabeth Connell & Graham Johnson | Lied "Ferne von der grossen Stadt", D. 483 | |
| | Elizabeth Connell & Graham Johnson | Erinnerung "Totenopfer", D. 101 | |
| | Elizabeth Connell & Graham Johnson | Die Allmacht, D. 852 | |
| | Royal Philharmonic Orchestra, Vernon Handley & Elizabeth Connell | The Song of Songs: Day 2 No. 6. By Night in My Dream (Shulamite) | |
| | National Philharmonic Orchestra, Riccardo Chailly, Della Jones, Elizabeth Connell & Ambrosian Opera Chorus | William Tell: Act I, "Gloria e onore al giovinetto" | |
| | Luciano Pavarotti, Dame Joan Sutherland, Elizabeth Connell, The London Opera Chorus, National Philharmonic Orchestra & Richard Bonynge | Aida, Act 4: La fatal pietra.O terra, addio | |
| | Edith Wiens, Richard Versalle, Tiffin Boys' School Choir, Klaus Tennstedt, Hans Sotin, Trudeliese Schmidt, Dame Felicity Lott, London Philharmonic Orchestra, London Philharmonic Choir, Jorma Hynninen, Nadine Denize & Elizabeth Connell | Symphony No. 8 in E Flat, Part II: Ewiger Wonnebrand (Pater Ecstaticus) | |
| | Edith Wiens, Richard Versalle, Tiffin Boys' School Choir, Klaus Tennstedt, Hans Sotin, Trudeliese Schmidt, Dame Felicity Lott, London Philharmonic Orchestra, London Philharmonic Choir, Jorma Hynninen, Nadine Denize & Elizabeth Connell | Symphony No. 8 in E Flat, Part I: Infirma nostri corporis | |
| | National Philharmonic Orchestra, Riccardo Chailly, Della Jones, Elizabeth Connell, Oliviero de Fabritiis, Sir John Tomlinson, Cesar Antonio Suarez & Ambrosian Opera Chorus | William Tell: Act I, "Che sento, ohimè!" | |
| | Woldemar Nelsson, Elizabeth Connell, Bayreuther Festspielorchester & Norbert Balatsch | Lohengrin (continued): Entweihte Gotter! Helft Jetzt Meiner Rache! (Ortrud) | |
| | Elizabeth Connell, Nadine Denize, Jorma Hynninen, London Philharmonic Choir, London Philharmonic Orchestra, Dame Felicity Lott, Trudeliese Schmidt, Hans Sotin, Klaus Tennstedt, Tiffin Boys' School Choir, Richard Versalle & Edith Wiens | Symphony No. 8 in E-Flat, Pt. II: Waldung, sie schwankt heran (Holy Anchorites) | |
