| | Hendrickje van Kerckhove, Heidi Brunner, Erik Arman, Michelle Breedt, Yann Beuron, Matjaz Robavs, Jean-Philippe Lafont, Sally Matthews, Arnold Schoenberg Choir, Vienna Radio Symphony Orchestra, Nenad Marinkovic, Bertrand De Billy, Jurgen Sacher, Dominik Koninger, Magdalena Anna Hofmann, Deborah Polaski, Craig Smith & Christa Ratzenbock | Dialogues des Carmelites, FP 159: Act III Scene 4: Salve Regina (La Foule, Les Carmelites, Constance, Blanche) | |
| | London Symphony Orchestra, Richard Farnes, Sally Matthews & Katherine Broderick | The Turn of the Screw, Op. 54, Act II, Scene 3: "Miss Jessel" | |
| | Michael Tilson Thomas, San Francisco Symphony & Sally Matthews | Cantata on the Death of Emperor Joseph II, WoO 87: VI. "Hier schlummert seinen stillen Frieden" | |
| | Vienna Radio Symphony Orchestra, Nenad Marinkovic, Bertrand De Billy, Jurgen Sacher, Dominik Koninger, Hendrickje van Kerckhove, Michelle Breedt, Yann Beuron, Matjaz Robavs, Jean-Philippe Lafont, Sally Matthews, Arnold Schoenberg Choir, Heidi Brunner, Erik Arman, Magdalena Anna Hofmann, Deborah Polaski, Craig Smith & Christa Ratzenbock | Dialogues des Carmelites, FP 159: Act I Scene 4: Prelude | |
| | Arnold Schoenberg Choir, Heidi Brunner, Erik Arman, Michelle Breedt, Yann Beuron, Matjaz Robavs, Jean-Philippe Lafont, Sally Matthews, Christa Ratzenbock, Vienna Radio Symphony Orchestra, Nenad Marinkovic, Magdalena Anna Hofmann, Deborah Polaski, Craig Smith, Bertrand De Billy, Jurgen Sacher, Dominik Koninger & Hendrickje van Kerckhove | Dialogues des Carmelites, FP 159: Act II Scene 3: Dans des temps comme ceux-ci (Le Chevalier, Blanche) | |
| | Dominik Koninger, Hendrickje van Kerckhove, Craig Smith, Christa Ratzenbock, Vienna Radio Symphony Orchestra, Nenad Marinkovic, Bertrand De Billy, Jurgen Sacher, Michelle Breedt, Yann Beuron, Matjaz Robavs, Jean-Philippe Lafont, Sally Matthews, Arnold Schoenberg Choir, Heidi Brunner, Erik Arman, Magdalena Anna Hofmann & Deborah Polaski | Dialogues des Carmelites, FP 159: Act III Scene 3: Mes filles, j'ai desire de tout mon coeur (La Prieure) | |
| | Sir Colin Davis, London Symphony Chorus, Alastair Miles, John Mark Ainsley, Sara Mingardo, London Symphony Orchestra & Sally Matthews | Mass in C Major, Op. 86: V. Benedictus | |
| | La Monnaie Chamber Orchestra, Ben Glassberg, Julian Hubbard, Giselle Allen & Sally Matthews | The Turn of the Screw, Op. 54, Act 2, Scene 1: Colloquy and Soliloquy | |
| | Vladimir Jurowski, London Philharmonic Orchestra & Sally Matthews | Les Illuminations, Op. 18: X. Départ. Largo mesto | |
| | London Symphony Orchestra, London Symphony Chorus, Valery Gergiev, Sally Matthews & Ekaterina Gubanova | Stabat Mater, Op. 53: IV. Fac me tecum pie flere | |
| | La Monnaie Chamber Orchestra, Ben Glassberg & Sally Matthews | The Turn of the Screw, Op. 54, Act 1, Scene 1: The Journey | |
| | Sir Colin Davis, Sally Matthews, Alastair Miles, London Symphony Chorus, John Mark Ainsley, Sara Mingardo & London Symphony Orchestra | Mass in C Major, Op. 86: I. Kyrie | |
| | London Symphony Orchestra, Sally Matthews, Catherine Wyn-Rogers, Richard Farnes & Lucy Hall | The Turn of the Screw, Op. 54, Act II, Scene 6: "The Piano" | |
| | Malcolm Martineau & Sally Matthews | Fiançailles pour rire, on Poems by Louise de Vilmorin, FP 101: II. Dans l’herbe, "Je ne peux plus rien dire" | |
| | Vladimir Jurowski, London Philharmonic Orchestra & Sally Matthews | Les Illuminations, Op. 18: III. Phrase. Lento ed estatico | |
| | Sir Colin Davis, Sara Mingardo, London Symphony Orchestra, Sally Matthews, London Symphony Chorus, Alastair Miles & John Mark Ainsley | Mass in C Major, Op. 86: VI. Agnus Dei | |
| | Sally Matthews, Sara Mingardo, John Mark Ainsley, Alastair Miles, Sir Colin Davis, London Symphony Chorus & London Symphony Orchestra | Mass in C, Op. 86: VI. Agnus Dei | |
| | Sir Colin Davis, Ian Bostridge, Dietrich Henschel, Sally Matthews & London Symphony Orchestra | The Creation, Hob.XXI:2, Part II, No. 28: Zu Dir, O Herr, Blickt Alles Auf | |
| | Malcolm Martineau & Sally Matthews | 4 Lieder, Op. 27, TrV 170: No. 1, Ruhe, meine Seele!, "Nicht ein Lüftchen regt sich leise" (Langsam) | |
| | Sally Matthews, Sara Mingardo, John Mark Ainsley, Alastair Miles, Sir Colin Davis, London Symphony Chorus & London Symphony Orchestra | Mass in C, Op. 86: II. Gloria | |
| | Sally Matthews, Stanislav Trofimov, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Howard Arman & Mariss Jansons | Mass No. 3 in F Minor, WAB 28 (Nowak Edition): I. Kyrie. Moderato [Live] | |
| | Sally Matthews, Salzburger Bachchor, Mozarteumorchester Salzburg & Ivor Bolton | Die letzten Dinge, WoO 61, Pt. I: Solo e coro. Das Lamm, das erwürget ist | |
| | Michelle Breedt, Yann Beuron, Matjaz Robavs, Jean-Philippe Lafont, Sally Matthews, Arnold Schoenberg Choir, Vienna Radio Symphony Orchestra, Nenad Marinkovic, Bertrand De Billy, Jurgen Sacher, Dominik Koninger, Hendrickje van Kerckhove, Heidi Brunner, Erik Arman, Magdalena Anna Hofmann, Deborah Polaski, Craig Smith & Christa Ratzenbock | Dialogues des Carmelites, FP 159: Act I Scene 3: Oh! Soeur Blanche (Constance, Blanche) | |
| | Michelle Breedt, Yann Beuron, Matjaz Robavs, Jean-Philippe Lafont, Sally Matthews, Arnold Schoenberg Choir, Heidi Brunner, Erik Arman, Magdalena Anna Hofmann, Deborah Polaski, Craig Smith, Christa Ratzenbock, Vienna Radio Symphony Orchestra, Nenad Marinkovic, Bertrand De Billy, Jurgen Sacher, Dominik Koninger & Hendrickje van Kerckhove | Dialogues des Carmelites, FP 159: Act II Scene 3: Pourquoi vous tenez-vous ainsi? (Le Chevalier, Blanche) | |
| | Matjaz Robavs, Jean-Philippe Lafont, Bertrand De Billy, Jurgen Sacher, Dominik Koninger, Magdalena Anna Hofmann, Deborah Polaski, Craig Smith, Arnold Schoenberg Choir, Vienna Radio Symphony Orchestra, Nenad Marinkovic, Christa Ratzenbock, Michelle Breedt, Yann Beuron, Hendrickje van Kerckhove, Heidi Brunner, Erik Arman & Sally Matthews | Dialogues des Carmelites, FP 159: Act I Scene 4: Dieu se glorifie dans ses saints (La Prieure, Blanche) | |
| | Sir Colin Davis, Sally Matthews & London Symphony Orchestra | The Creation, Hob.XXI:2, Part II, No. 16: Auf Starkem Fittiche Schwinget Sich | |
| | Sally Matthews, Karen Cargill, Ilker Arcayürek, Stanislav Trofimov, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Howard Arman & Mariss Jansons | Mass No. 3 in F Minor, WAB 28 (Nowak Edition): II. Gloria. Allegro [Live] | |
| | Vladimir Jurowski, Sally Matthews & London Philharmonic Orchestra | Les Illuminations, Op. 18: IX. Parade. Alla marcia | |
| | Marc Minkowski, Les Musiciens du Louvre, Eesti Filharmoonia Kammerkoor, Bernard Richter, Heli Jürgenson, Sally Matthews, Ugo Rabec & Russell Braun | Le vaisseau fantôme, Acte II, scène VI: Minna, de cet époux donné par votre père | |
| | London Symphony Orchestra, Sally Matthews & Richard Farnes | The Turn of the Screw, Op. 54, Act I, Scene 1: "The Journey" | |
| | Morgan Pochin, Chamber Domaine, James Morgan, Juliette Pochin, Peter Savidge & Sally Matthews | Cosi fan Tutte: Soave sia il vento | |
| | Vladimir Jurowski, Sally Matthews & London Philharmonic Orchestra | Les Illuminations, Op. 18: VIII. Being Beauteous. Lento ma comodo | |
| | Vladimir Jurowski, London Philharmonic Orchestra & Sally Matthews | Les Illuminations, Op. 18: VII. Interlude. Moderato ma comodo | |
| | Hendrickje van Kerckhove, Arnold Schoenberg Choir, Heidi Brunner, Erik Arman, Matjaz Robavs, Jean-Philippe Lafont, Sally Matthews, Magdalena Anna Hofmann, Deborah Polaski, Craig Smith, Christa Ratzenbock, Vienna Radio Symphony Orchestra, Nenad Marinkovic, Bertrand De Billy, Jurgen Sacher, Dominik Koninger, Michelle Breedt & Yann Beuron | Dialogues des Carmelites, FP 159: Act I Scene 4: Relevez-vous, ma fille (La Prieure) | |
| | Sir Colin Davis, Sally Matthews, Ian Bostridge, Dietrich Henschel & London Symphony Orchestra | The Creation, Hob.XXI:2, Part II, No. 20: Der Herr Ist Gross In Seiner Macht | |
| | Malcolm Martineau & Sally Matthews | Nacht und Träume, D. 827 | |
| | Sir Colin Davis, London Symphony Orchestra, John Mark Ainsley, Sara Mingardo, Sally Matthews, Alastair Miles & London Symphony Chorus | Mass in C Major, Op. 86: III. Credo | |
| | Sir Colin Davis, Sally Matthews & London Symphony Orchestra | The Creation, Hob.XXI:2, Part II, No. 15: Und Gott Sprach: Es Bringe Das Wasser | |
| | La Monnaie Chamber Orchestra, Ben Glassberg, Sally Matthews & Giselle Allen | The Turn of the Screw, Op. 54, Act 2, Scene 3: Miss Jessel | |
| | London Symphony Orchestra, Catherine Wyn-Rogers, Michael Clayton-Jolly, Lucy Hall, Richard Farnes & Sally Matthews | The Turn of the Screw, Op. 54, Act II, Scene 2: "The Bells" | |
| | Berliner Philharmoniker, Sally Matthews & Sir Simon Rattle | Carmina Burana - III. Cours d'amours: "In trutina" (Soprano) | |
| | Richard Farnes, Catherine Wyn-Rogers, London Symphony Orchestra, Andrew Kennedy, Michael Clayton-Jolly, Katherine Broderick, Lucy Hall & Sally Matthews | The Turn of the Screw, Op. 54, Act I, Scene 8: "At Night" | |
| | London Symphony Orchestra, Sally Matthews & Sir Colin Davis | Der Freischütz, Act III: Romanze und Arie - "Einst traumte meiner sel'gen Base" | |
| | Dominik Koninger, Hendrickje van Kerckhove, Nenad Marinkovic, Bertrand De Billy, Jurgen Sacher, Michelle Breedt, Craig Smith, Christa Ratzenbock, Vienna Radio Symphony Orchestra, Yann Beuron, Matjaz Robavs, Jean-Philippe Lafont, Sally Matthews, Arnold Schoenberg Choir, Heidi Brunner, Erik Arman, Magdalena Anna Hofmann & Deborah Polaski | Dialogues des Carmelites, FP 159: Act III Scene 3: Mes filles, voila que s'acheve (La Prieure, Mere Jeanne, Constance, Mathilde) | |
| | Malcolm Martineau, Sally Matthews & Thomas Watmough | Der Hirt auf dem Felsen, D. 965: "In tiefen Gram verzehr' ich mich" | |
| | Sally Matthews, Sara Mingardo, John Mark Ainsley, Alastair Miles, Sir Colin Davis, London Symphony Chorus & London Symphony Orchestra | Mass in C, Op. 86: V. Benedictus | |
| | Yann Beuron, Matjaz Robavs, Jean-Philippe Lafont, Sally Matthews, Arnold Schoenberg Choir, Heidi Brunner, Erik Arman, Magdalena Anna Hofmann, Deborah Polaski, Craig Smith, Christa Ratzenbock, Vienna Radio Symphony Orchestra, Nenad Marinkovic, Bertrand De Billy, Jurgen Sacher, Dominik Koninger, Hendrickje van Kerckhove & Michelle Breedt | Dialogues des Carmelites, FP 159: Act III: Interlude: Elles sont condamnees a mort (L'Aumonier, Mere Marie) | |
| | Christa Ratzenbock, Vienna Radio Symphony Orchestra, Nenad Marinkovic, Yann Beuron, Matjaz Robavs, Jean-Philippe Lafont, Sally Matthews, Arnold Schoenberg Choir, Heidi Brunner, Erik Arman, Magdalena Anna Hofmann, Deborah Polaski, Craig Smith, Michelle Breedt, Bertrand De Billy, Jurgen Sacher, Dominik Koninger & Hendrickje van Kerckhove | Dialogues des Carmelites, FP 159: Act I Scene 4: Monsieur Javelinot, je vous prie de me donner (La Prieure, M. Javelinot, Mere Marie) | |
| | Andrew Foster-Williams, San Francisco Symphony Chorus, Michael Tilson Thomas, Ragnar Bohlin, Tamara Mumford, San Francisco Symphony, Sally Matthews & Barry Banks | Cantata on the Death of Emperor Joseph II, WoO 87: VII. "Todt! Todt!" (Reprise) | |
| | Marc Minkowski, Les Musiciens du Louvre, Eesti Filharmoonia Kammerkoor, Heli Jürgenson, Sally Matthews & Ugo Rabec | Le vaisseau fantôme, Acte I. Tableau II, scène I: La plus belle de nos filles | |
