| | Bruce Blyth, The Choir of King's College, Cambridge, Richard Farnes & Sir Stephen Cleobury | Abide With Me | |
| | Bruce Blyth, The Choir of King's College, Cambridge, Richard Farnes & Sir Stephen Cleobury | Abide With Me | |
| | The Choir of King's College, Cambridge, Richard Farnes & Sir Stephen Cleobury | Holy! Holy! Holy! Lord God Almighty (tune: Nicaea) | |
| | The Choir of King's College, Cambridge, Richard Farnes & Sir Stephen Cleobury | Love Divine, All Loves Excelling | |
| | The Choir of King's College, Cambridge, Richard Farnes & Sir Stephen Cleobury | Christ Is Made the Sure Foundation (Westminster Abbey) | |
| | William Dazeley, Alastair Miles, Julian Close, Richard Farnes, Opera North Orchestra, Julian Gavin, Janice Watson & Julia Sporsen | Don Carlos, Act II Scene 2: O Heav'n! It's Carlos! (Elisabeth, Rodrigo, Philip, Don Carlos, Thibault, Flemish Deputies, Chorus of Monks) | |
| | London Symphony Orchestra, Richard Farnes, Sally Matthews & Katherine Broderick | The Turn of the Screw, Op. 54, Act II, Scene 3: "Miss Jessel" | |
| | The Choir of King's College, Cambridge, Sir Stephen Cleobury & Richard Farnes | The Great Service: VII. Nunc dimittis | |
| | Sir John Tomlinson, Richard Farnes & Opera North Orchestra | Bluebeard's Castle, Op. 11. Sz. 48, BB 62, Prologue: Bluebeard's castle, a myth, a legend (Minstrel) | |
| | Richard Farnes, Opera North Orchestra, Julian Gavin & Janice Watson | Don Carlos, Act I Scene 2: I come before the Queen and I ask for a favour (Don Carlos, Elisabeth) | |
| | The Choir of King's College, Cambridge, Richard Farnes & Sir Stephen Cleobury | O God, our help in ages past (Op.137) (1963). chorus & organ | |
| | Charles Brett, Philip Jones Brass Ensemble, The Choir of King's College, Cambridge, Richard Farnes, Stephen Layton & Sir Stephen Cleobury | O Magnum Mysterium | |
| | Bruce Blyth, The Choir of King's College, Cambridge, Richard Farnes & Sir Stephen Cleobury | Abide With Me | |
| | Richard Farnes & London Symphony Orchestra | The Turn of the Screw, Op. 54, Act II: Variation XI | |
| | Alastair Miles, Richard Farnes & Opera North Orchestra | Don Carlos, Act III Scene 1: She has no love for me! (Philip) | |
| | The Choir of King's College, Cambridge, Richard Farnes & Sir Stephen Cleobury | Now thank we all our God (Nun danket) | |
| | London Symphony Orchestra, Sally Matthews, Catherine Wyn-Rogers, Richard Farnes & Lucy Hall | The Turn of the Screw, Op. 54, Act II, Scene 6: "The Piano" | |
| | Richard Farnes & London Symphony Orchestra | The Turn of the Screw, Op. 54, Act I: Variation III | |
| | Sir John Tomlinson, Richard Farnes, Sally Burgess & Opera North Orchestra | Bluebeard's Castle, Op. 11. Sz. 48, BB 62, The Lake of Tears: Look! Brightness has filled my castle (Bluebeard, Judith) | |
| | William Dazeley, Richard Farnes, Jane Dutton, Opera North Orchestra & Julian Gavin | Don Carlos, Act II Scene 1: Treacherous son, adult'rous lover (Eboli, Rodrigo, Don Carlos) | |
| | Richard Farnes & London Symphony Orchestra | The Turn of the Screw, Op. 54, Act I: Variation IV | |
| | William Dazeley, Richard Farnes & Opera North Orchestra | Don Carlos, Act III Scene 2: My last day has dawned forever (Rodrigo) | |
| | Alastair Miles, Sir John Tomlinson, Richard Farnes & Opera North Orchestra | Don Carlos, Act III Scene 1: In this land of Spain no heresy has thrived (Grand Inquisitor, Philip) | |
| | Richard Farnes & Opera North Orchestra | Don Carlos, Act II Scene 1: Prelude | |
| | Sir John Tomlinson, Richard Farnes, Sally Burgess & Opera North Orchestra | Bluebeard's Castle, Op. 11. Sz. 48, BB 62, Opening: Ah! I can see seven doorways (Judith, Bluebeard) | |
| | Grant Doyle, Alastair Miles, Julian Close, Richard Farnes, Opera North Orchestra, Julian Gavin, Janice Watson & Rebecca Ryan | Don Carlos, Act II Scene 2: O heav'n! (Elisabeth, Don Carlos, Philip, Voice from Heaven, Flemish Deputies, Monks, Chorus of People) | |
| | The Choir of King's College, Cambridge, Sir Stephen Cleobury & Richard Farnes | Praise, My Soul, the King of Heaven | |
| | London Symphony Orchestra, Sally Matthews & Richard Farnes | The Turn of the Screw, Op. 54, Act I, Scene 1: "The Journey" | |
| | Sir John Tomlinson, Richard Farnes, Sally Burgess & Opera North Orchestra | Bluebeard's Castle, Op. 11. Sz. 48, BB 62, The Treasury: Glittering gold! (Judith, Bluebeard) | |
| | Charles Brett, Philip Jones Brass Ensemble, The Choir of King's College, Cambridge, Richard Farnes, Stephen Layton & Sir Stephen Cleobury | O magnum mysterium | |
| | John Bowen, Sir Stephen Cleobury, The Choir of King's College, Cambridge & Richard Farnes | When I Survey the Wondrous Cross | |
| | The Choir of King's College, Cambridge, Richard Farnes & Sir Stephen Cleobury | Love Divine, All Loves Excelling | |
| | William Dazeley, Richard Farnes, Opera North Orchestra & Julian Gavin | Don Carlos, Act I Scene 1: There he is! The Prince (Don Carlos, Rodrigo) | |
| | William Dazeley, Alastair Miles, Richard Farnes & Opera North Orchestra | Don Carlos, Act I Scene 2: O King, I come here from Flanders (Rodrigo, Philip) | |
| | London Symphony Orchestra, Catherine Wyn-Rogers, Michael Clayton-Jolly, Lucy Hall, Richard Farnes & Sally Matthews | The Turn of the Screw, Op. 54, Act II, Scene 2: "The Bells" | |
| | The Choir of King's College, Cambridge, Richard Farnes & Sir Stephen Cleobury | All Glory, Laud and Honour (Tune, St. Theodulph) | |
| | William Dazeley, Richard Farnes & Opera North Orchestra | Don Carlos, Act III Scene 2: O Carlos, now listen, your mother awaits you (Rodrigo) | |
| | Richard Farnes, Opera North Orchestra, Janice Watson & Julian Gavin | Don Carlos, Act IV: She's there! (Don Carlos, Elisabeth) | |
| | Richard Farnes, Catherine Wyn-Rogers, London Symphony Orchestra, Andrew Kennedy, Michael Clayton-Jolly, Katherine Broderick, Lucy Hall & Sally Matthews | The Turn of the Screw, Op. 54, Act I, Scene 8: "At Night" | |
| | Alastair Miles, Sir John Tomlinson, Richard Farnes, Opera North Orchestra & Stephen Briggs | Don Carlos, Act III Scene 1: The Grand Inquisitor (Count of Lerma, Grand Inquisitor, Philip) | |
| | London Symphony Orchestra & Richard Farnes | The Turn of the Screw, Op. 54, Act II: Variation XI | |
| | Sir John Tomlinson, Richard Farnes, Sally Burgess & Opera North Orchestra | Bluebeard's Castle, Op. 11. Sz. 48, BB 62, Bluebeard's Former Wives: Daybreak - when I found the first one (Bluebeard, Judith) | |
| | The Choir of King's College, Cambridge, Richard Farnes & Sir Stephen Cleobury | Now Thank We All Our God (Nun Danket) | |
| | Roland Martin Roberts, The Choir of King's College, Cambridge, Richard Farnes & Sir Stephen Cleobury | Dear Lord and Father of Mankind | |
| | The Choir of King's College, Cambridge, Richard Farnes & Sir Stephen Cleobury | Christ Is Made the Sure Foundation | |
| | William Dazeley, Alastair Miles, Richard Farnes & Opera North Orchestra | Don Carlos, Act I Scene 2: Remain here! I've seen you at my court (Philip, Rodrigo) | |
| | Richard Farnes, Catherine Wyn-Rogers & London Symphony Orchestra | The Turn of the Screw, Op. 54, Act II: Variation XIV | |
| | Sir John Tomlinson, Richard Farnes, Sally Burgess & Opera North Orchestra | Bluebeard's Castle, Op. 11. Sz. 48, BB 62, The Armoury: Trembling seizes all my castle (Bluebeard, Judith) | |
| | The Choir of King's College, Cambridge, Richard Farnes & Sir Stephen Cleobury | Christ Is Made The Sure Foundation | |
| | The Choir of King's College, Cambridge, Richard Farnes & Sir Stephen Cleobury | Praise, My Soul, the King of Heaven | |
