| | Hans Zimmer, Vienna Radio Symphony Orchestra & Martin Gellner | Inception: Time - Orchestra Version | |
| | Milan Horvat & Vienna Radio Symphony Orchestra | Serenade for Strings in E Major, Op.22, B 52: II. Tempo di Valse | |
| | Hans Zimmer, Vienna Radio Symphony Orchestra & Martin Gellner | The Dark Knight Orchestra Suite | |
| | Milan Horvat & Vienna Radio Symphony Orchestra | Serenade for Strings in E Major, Op.22, B 52: V. Finale | |
| | Milan Horvat & Vienna Radio Symphony Orchestra | Serenade for Strings in E Major, Op.22, B 52: IV. Larghetto | |
| | Milan Horvat & Vienna Radio Symphony Orchestra | Serenade for Strings in E Major, Op.22, B 52: III. Scherzo: Vivace | |
| | Milan Horvat & Vienna Radio Symphony Orchestra | Serenade for Strings in E Major, Op.22, B 52: I. Moderato | |
| | Hans Zimmer, Vienna Radio Symphony Orchestra & Martin Gellner | The Lion King Orchestra Suite | |
| | Hans Zimmer, Vienna Radio Symphony Orchestra & Martin Gellner | King Arthur Orchestra Suite | |
| | Hans Zimmer, Lisa Gerrard, Vienna Radio Symphony Orchestra & Martin Gellner | Gladiator Orchestra Suite: Part 3, Now We Are Free | |
| | Hans Zimmer, Vienna Radio Symphony Orchestra & Martin Gellner | Rush Orchestra Suite | |
| | Hans Zimmer, Vienna Radio Symphony Orchestra & Martin Gellner | Pirates of The Caribbean Orchestra Suite: Part 1, I Don't Think Now Is The Best Time / At Wit's End | |
| | Hans Zimmer, Vienna Radio Symphony Orchestra & Martin Gellner | Pearl Harbor Orchestra Suite | |
| | Hans Zimmer, Vienna Radio Symphony Orchestra, Martin Gellner & Lisa Gerrard | Mission Impossible 2 Orchestra Suite: Part 1 | |
| | Hendrickje van Kerckhove, Heidi Brunner, Erik Arman, Michelle Breedt, Yann Beuron, Matjaz Robavs, Jean-Philippe Lafont, Sally Matthews, Arnold Schoenberg Choir, Vienna Radio Symphony Orchestra, Nenad Marinkovic, Bertrand De Billy, Jurgen Sacher, Dominik Koninger, Magdalena Anna Hofmann, Deborah Polaski, Craig Smith & Christa Ratzenbock | Dialogues des Carmelites, FP 159: Act III Scene 4: Salve Regina (La Foule, Les Carmelites, Constance, Blanche) | |
| | Hans Zimmer, Vienna Radio Symphony Orchestra & Martin Gellner | Spirit Orchestra Suite | |
| | Hans Zimmer, Vienna Radio Symphony Orchestra & Martin Gellner | Pirates of The Caribbean Orchestra Suite: Part 2, Drink Up Me Hearties Yo Ho | |
| | Hans Zimmer, Lisa Gerrard, Vienna Radio Symphony Orchestra & Martin Gellner | Gladiator Orchestra Suite: Part 1, The Wheat / The Battle | |
| | Hans Zimmer, Vienna Radio Symphony Orchestra & Martin Gellner | The Holiday Orchestra Suite | |
| | Hans Zimmer, Vienna Radio Symphony Orchestra & Martin Gellner | The Da Vinci Code Orchestra Suite: Part 4 | |
| | Hans Zimmer, Vienna Radio Symphony Orchestra & Martin Gellner | Kung Fu Panda: Oogway Ascends - Orchestra Version | |
| | Dennis Russell Davies, Relache Ensemble & Vienna Radio Symphony Orchestra | Persephone: I. Family | |
| | Hans Zimmer, Vienna Radio Symphony Orchestra, Martin Gellner & Lisa Gerrard | Gladiator Orchestra Suite: Part 2, Elysium | |
| | Hans Zimmer, Vienna Radio Symphony Orchestra & Martin Gellner | Madagascar: Best Friends - Orchestra Version | |
| | Wiener Staatsopernchor, Bertrand De Billy, Giuseppe Sabbatini, Wiener Singakademie & Vienna Radio Symphony Orchestra | Grande messe des morts, Op. 5, "Requiem": Lacrimosa | |
| | Pascal Rogé, Vienna Radio Symphony Orchestra & Bertrand De Billy | Piano Concerto in G major: II. Adagio Assai | |
| | Hans Zimmer, Lisa Gerrard, Vienna Radio Symphony Orchestra & Martin Gellner | Mission Impossible 2 Orchestra Suite: Part 2 | |
| | Cornelius Meister & Vienna Radio Symphony Orchestra | Kossuth, BB 31: Jojjetek, jojjetek! Szep magyar vitezek, aranyos leventek! (Come, come! You splendid lads, You valiant Hungarian Warriors!) - | |
| | Bertrand De Billy, Pascal Rogé & Vienna Radio Symphony Orchestra | Piano Concerto in G major: I. Allegramente | |
| | Bertrand De Billy & Vienna Radio Symphony Orchestra | Overture to Collin's Coriolan, Op. 62, "Coriolan Overture" | |
| | Regina Schorg, Michaela Schuster, Johan Botha, Vienna Radio Symphony Orchestra & Simone Young | Die Meistersinger Von Nurnberg (The Mastersingers of Nuremberg): Act III : Morgenlich Leuchtet In Rosigem Schein | |
| | Ludvig Gudim, Vienna Radio Symphony Orchestra & Howard Griffiths | Violin Concerto No. 4 in D Major, K. 218: III. Rondeau. Andante grazioso | |
| | Hans Zimmer, Rusanda Panfili, Eliane Correa, Vienna Radio Symphony Orchestra & Martin Gellner | Inception: Time - Orchestra Version | |
| | Hans Zimmer, Vienna Radio Symphony Orchestra, Valentina Naforniță, Rusanda Panfili, Marie Spaemann & Martin Gellner | The Da Vinci Code Orchestra Suite: Part 4 (Live) | |
| | Bertrand De Billy, Pascal Rogé & Vienna Radio Symphony Orchestra | Piano Concerto in F major : II. Andante con moto | |
| | Dennis Russell Davies & Vienna Radio Symphony Orchestra | Sinfonia - Sinfonietta, Op. 73: III. Ubersturzt, Ungeduldig Vorantreibend | |
| | Vienna Radio Symphony Orchestra, Alexander Jenner & Milan Horvat | Concerto No. 3 In e Major for Piano and Orchestra, Sz 119 (BB 127): II. Adagio Religioso (attacca) | |
| | Arnold Schoenberg Choir, Heidi Brunner, Erik Arman, Michelle Breedt, Yann Beuron, Matjaz Robavs, Jean-Philippe Lafont, Sally Matthews, Christa Ratzenbock, Vienna Radio Symphony Orchestra, Nenad Marinkovic, Magdalena Anna Hofmann, Deborah Polaski, Craig Smith, Bertrand De Billy, Jurgen Sacher, Dominik Koninger & Hendrickje van Kerckhove | Dialogues des Carmelites, FP 159: Act II Scene 3: Dans des temps comme ceux-ci (Le Chevalier, Blanche) | |
| | Carlo Bergonzi, Vienna Radio Symphony Orchestra & Paul Angerer | Ellens Gesang III, Op. 52 No. 6, D. 839 "Hymne an die Jungfrau - Ave Maria" (Arr. P. Angerer for Tenor & Orchestra) | |
| | Vienna Radio Symphony Orchestra, Howard Griffiths, Diren Duran & Elisabeth Plank | Flute and Harp Concerto in C Major, K. 299/297c: III. Rondeau. Allegro | |
| | Friedrich Cerha & Vienna Radio Symphony Orchestra | Monumentum Für Karl Prantl (1988) for large orchestra | |
| | Johan Botha, Vienna Radio Symphony Orchestra & Simone Young | Der Fliegende Hollander (The Flying Dutchman): Act II: Bleib, Senta! Bleib Nur Einen Augenblick! | |
| | Hans Zimmer, Lisa Gerrard, Pedro Eustache, Anna Baulina, Vienna Radio Symphony Orchestra & Martin Gellner | Gladiator Orchestra Suite: Part 3, Now We Are Free | |
| | Kwangchul Youn, Falk Struckmann, Vienna Radio Symphony Orchestra, Jochen Schmeckenbecher, Béatrice Petitet-Kircher, Lisa Gasteen, Anna Maria Pammer, Wiener Singakademie, Ulrike Pichler-Steffen, Johan Botha, Bertrand De Billy, Raymond Very & Adriane Queiroz | Tiefland: Act I Scene 8: Marta! (Sebastiano, Marta) | |
| | Kwangchul Youn, Lisa Gasteen, Falk Struckmann, Wiener Singakademie, Adriane Queiroz, Anna Maria Pammer, Bertrand De Billy, Vienna Radio Symphony Orchestra, Jochen Schmeckenbecher, Raymond Very, Johan Botha, Béatrice Petitet-Kircher & Ulrike Pichler-Steffen | Tiefland: Act II Scene 7: Recht guten Tag! Was gibt es Neues? (Sebastiano, Pedro, Farmer, Marta) | |
| | Vienna Radio Symphony Orchestra, Philharmonia Slavonica & Alfred Scholz | The Bartered Bride, T. 93, Act 2: II. Furiant | |
| | Milan Horvat & Vienna Radio Symphony Orchestra | Sinfonietta for Orchestra "Military", JW 6/18: III. Moderato. Králové kláster (The Queen's Monastery) | |
| | Vienna Radio Symphony Orchestra & Michael Broder | Coptic Light | |
| | Kurt Schwertsik & Vienna Radio Symphony Orchestra | Goldlockchen, Op. 74: XVII. Freudentanz | |
| | Lena Belkina, Vienna Radio Symphony Orchestra, Andrea Sanguineti & Andrea Bacchetti | Ch'io mi scordi di te?, K. 505: Scenae and Rondo | |
