| | Heinz Wallberg, Münchner Rundfunkorchester, Chor des Bayerischen Rundfunks, Alexander Malta, Hermann Prey, Lucia Popp, Gwendolyn Killebrew, Karl Kreile, Albert Gassner & Siegfried Jerusalem | Schwanda the Bagpiper: Act I: Scene 3: Dieweil der Dudelsack nirgends gefunden wurde | |
| | Mstislav Rostropovich, Alexander Malta, London Philharmonic Orchestra, Leslie Fyson & Ambrosian Opera Chorus | Lady Macbeth of Mtsensk, Act IV, Scene 9: Vstaváy! Po mestám! Zh'vo (Officer, Chorus, Old convict) | |
| | Birgit Finnila, Leslie Fyson, Alexander Malta, Ambrosian Opera Chorus, London Philharmonic Orchestra & Mstislav Rostropovich | Lady Macbeth of Mtsensk, Op. 29, Act 4: "Akh!... Bózhe moy! Shto takóe?" (Sonyetka, Chorus, Officer, Old Convict) | |
| | Alexander Malta, Herbert von Karajan, Berliner Philharmoniker, Chœurs de l'Opéra national de Paris, Anne-Marie Tostain, Michel Marinpouille & Alain Pilard | Carmen, Act III: Choeur: "A dos cuartos!" | |
| | Lucia Popp, Lamberto Gardelli, Bernd Weikl, Jan-Hendrik Rootering, Alexander Malta & Münchner Rundfunkorchester | Rigoletto - Opera in three Acts: Act III: Della vendetta alfin giunge l'istante | |
| | Kathleen Battle, Samuel Ramey, Ferruccio Furlanetto, Alexander Malta, Berliner Philharmoniker & Herbert von Karajan | Don Giovanni, ossia Il dissoluto punito, K. 527, Act I: "Manco male, è partita" | |
| | Nigel Rogers, Alexander Malta, Hamburger Bläserkreis für alte Musik, Camerata Accademica Hamburg & Jürgen Jürgens | L'Orfeo, Act 4: "Qual onor di te" - "Rott' hai la legge" | |
| | Lucia Popp, Lamberto Gardelli, Bernd Weikl, Klára Takács, Alexander Malta & Münchner Rundfunkorchester | Rigoletto - Opera in three Acts: Act III: Un di, se ben rammentomi | |
| | Hildegard Laurich, Heinz Wallberg, Jörn Wilsing, Theodor Nicolai, Alexander Malta, Tölz Boys' Choir, Chor des Bayerischen Rundfunks & Münchner Rundfunkorchester | Romeo and Julia, Act I Scene 1: Streit der Familien Capulet und Montague (Montagues, Capulets, Gräfin Capulet, Furst Escalus) | |
| | Alexander Malta, Herbert von Karajan, Berliner Philharmoniker, Anne-Marie Tostain, Chœurs de l'Opéra national de Paris, Michel Marinpouille & Alain Pilard | Carmen: a Deux Cuartos! (Des Marchandes, Des Marchands, Un Soldat, Andrès, Un Bohémien) | |
| | Lucia Popp, Lamberto Gardelli, Bernd Weikl, Klára Takács, Jan-Hendrik Rootering, Alexander Malta & Münchner Rundfunkorchester | Rigoletto - Opera in three Acts: Act III: M'odi! Ritorna a casa | |
| | Fritz Rieger & Symphonieorchester des Bayerischen Rundfunks | Der Vampyr, Act Two: Im Herbst, Da Muss Man Trinken! | |
| | Alexander Malta, Heinz Zednik, Wiener Philharmoniker & Christoph von Dohnányi | Wozzeck, Act 2, Scene 2: Street in Town. "Wohin so eilig" | |
| | Lucia Popp, Lamberto Gardelli, Helena Jungwirth, Alexander Malta & Münchner Rundfunkorchester | Rigoletto - Opera in three Acts: Act I: Giovanna, ho dei rimorsi | |
| | Christine Barbaux, Jane Berbié, Agnes Baltsa, Michel Marinpouille, Alexander Malta, Jean-Noel Sissia, Claudine Coster, David Clair, Isabelle Karajan, Robert Manuel, Berliner Philharmoniker, Herbert von Karajan & Chœurs de l'Opéra national de Paris | Carmen, Act 2: Choeur et Ensemble: "Vivat! vivat le Toréro!" | |
| | Wolfgang Brendel, Heinz Zednik, Alfred Šramek, Alexander Malta, Helen Donath, Karl Ridderbusch, Trudeliese Schmidt, Symphonieorchester des Bayerischen Rundfunks & Rafael Kubelik | Die lustigen Weiber von Windsor, Act II: Wer klopft? Mach auf, Herr Fluth | |
| | Anna Reynolds, John Elwes, Stafford Dean, Alexander Malta, Hamburger Bläserkreis für alte Musik, Camerata Accademica Hamburg & Jürgen Jürgens | L'Orfeo, Act 4: Signor, quell'infelice | |
| | Alexander Malta, Ambrosian Opera Chorus, London Philharmonic Orchestra & Mstislav Rostropovich | Lady Macbeth of Mtsensk, Op. 29, Act 4: "Vyórsty odná za drugóy" (Old Convict, Chorus) | |
| | Kathleen Battle, Samuel Ramey, Alexander Malta, Berliner Philharmoniker & Herbert von Karajan | Don Giovanni, ossia Il dissoluto punito, K. 527, Act I: "Tra quest'arbori celata" | |
| | Christine Barbaux, Jane Berbié, Agnes Baltsa, Michel Marinpouille, Alexander Malta, José Van Dam, Berliner Philharmoniker, Herbert von Karajan & Chœurs de l'Opéra national de Paris | Carmen, Act 2: Couplets: "Votre toast, je peux vous le rendre" | |
| | Samuel Ramey, Alexander Malta, Berliner Philharmoniker & Herbert von Karajan | Don Giovanni, ossia Il dissoluto punito, K. 527, Act II: "Zitto. Lascia ch'io senta. Ottimamente" | |
| | Janet Perry, Herbert von Karajan, Wiener Philharmoniker, Helga Müller-Molinari, Wiener Singverein, Gösta Winbergh, Alexander Malta & Rudolf Scholz | Te Deum For Soloists, Chorus And Orchestra, WAB 45: 5. in te, Domine, speravi | |
| | Mstislav Rostropovich, Alexander Malta, London Philharmonic Orchestra & Ambrosian Opera Chorus | We trudge along day after day (Lady Macbeth of Mtsensk, Act IV) | |
| | Alexander Malta, Berliner Philharmoniker & Herbert von Karajan | Don Giovanni, ossia Il dissoluto punito, K. 527, Act I: "Ho capito, signor sì!" | |
| | Heinz Wallberg, Alexander Malta, Hildegard Laurich & Münchner Rundfunkorchester | Romeo and Julia, Act I Scene 1: Madrigal der verliebten Paare - Szenenverwandlung (Gräfin Capulet) | |
| | Kathleen Battle, Herbert von Karajan, Berliner Philharmoniker, Alexander Malta & Chor der Deutschen Oper Berlin | Don Giovanni, K. 527: "Giovinette, Che Fate All'amore" | |
| | Giuseppe Patané, Alexander Malta & Münchner Rundfunkorchester | Samson Et Dalila - Opera In Three Acts: Act 1: Scene 2: Qui Donc Élève Ici la Voix? | |
| | Herbert von Karajan, Berliner Philharmoniker, Christine Barbaux, Chœurs de l'Opéra national de Paris, Jane Berbié, Agnes Baltsa, Michel Marinpouille, Alexander Malta & José Van Dam | Carmen, Act II: Couplets: "Votre toast, je peux vous le rendre" | |
| | Galina Vishnevskaya, Taru Valjakka, Robert Tear, Mstislav Rostropovich, Linda Richardson, Dimiter Petkov, John Noble, Leonard Mróz, Alexander Malta, London Philharmonic Orchestra, James Lewington, Werner Krenn, Martyn Hill, Aage Haugland, Nicolai Gedda, Leslie Fyson, Edgar Fleet, Birgit Finnila, Steven Emmerson, Alan Byers, Oliver Broome, David Beavan, Colin Appleton & Ambrosian Opera Chorus | Lady Macbeth of Mtsensk, Act III, Scene 6: Interlude (Orchestra) | |
| | Christine Barbaux, Jane Berbié, Agnes Baltsa, Michel Marinpouille, Alexander Malta, José Van Dam, Berliner Philharmoniker, Herbert von Karajan & Chœurs de l'Opéra national de Paris | Carmen, Act II: Couplets: "Votre toast, je peux vous le rendre" | |
| | Kathleen Battle, Alexander Malta, Berliner Philharmoniker & Herbert von Karajan | Don Giovanni, ossia Il dissoluto punito, K. 527, Act II: Ahi, ahi! La testa mia! | |
| | Anne-Marie Tostain, Herbert von Karajan, Berliner Philharmoniker, Michel Marinpouille, Chœurs de l'Opéra national de Paris, Alain Pilard & Alexander Malta | Carmen, Act III: Choeur: "A dos cuartos!" | |
| | Lucia Popp, Lamberto Gardelli, Bernd Weikl, Helena Jungwirth, Alexander Malta & Münchner Rundfunkorchester | Rigoletto - Opera in three Acts: Act I: Pari siamo!... Io la lingua | |
| | Alexander Malta, Hamburger Bläserkreis für alte Musik, Camerata Accademica Hamburg & Jürgen Jürgens | L'Orfeo, Act 3: O tu, ch'innanzi morte | |
| | Herbert von Karajan, Berliner Philharmoniker, Christine Barbaux, Chœurs de l'Opéra national de Paris, Jane Berbié, Agnes Baltsa, Michel Marinpouille, Alexander Malta & José Van Dam | Carmen: Couplets: "Votre Toast, Je Peux Vous Le Rendre" | |
| | Alexander Malta, Nigel Rogers, Hamburger Bläserkreis für alte Musik, Camerata Accademica Hamburg & Jürgen Jürgens | L'Orfeo, Act 3: "Ben mi lusinga" - "Ahi, sventurato amante" - Sinfonia - "Ei dorme" | |
| | Alexander Malta, Eberhard Wächter, Heinz Zednik, Wiener Philharmoniker & Christoph von Dohnányi | Wozzeck, Act 2, Scene 2: He Wozzeck! | |
| | Janet Perry, Herbert von Karajan, Wiener Philharmoniker, Helga Müller-Molinari, Wiener Singverein, Gösta Winbergh, Alexander Malta & Rudolf Scholz | Te Deum For Soloists, Chorus And Orchestra, WAB 45: 5. in te, Domine, speravi | |
| | Heinz Wallberg, Theodor Nicolai, Alexander Malta, Adolf Dallapozza, Raimund Grumbach, Ferry Gruber & Münchner Rundfunkorchester | Romeo and Julia, Act I Scene 1: Einladung Romeos zum Fest der Capulets (Balthasar, Romeo, Montague, Capulet, Der Bediente) | |
| | Anna Tomowa-Sintow, Kathleen Battle, Agnes Baltsa, Gösta Winbergh, Alexander Malta, Ferruccio Furlanetto, Berliner Philharmoniker & Herbert von Karajan | Don Giovanni, ossia Il dissoluto punito, K. 527, Act II: "Ah! dov'è il perfido?" | |
| | Kathleen Battle, Alexander Malta, Samuel Ramey, Berliner Philharmoniker & Herbert von Karajan | Don Giovanni, ossia Il dissoluto punito, K. 527, Act I: "Guarda un po' come seppe questa strega" | |
| | Anne-Marie Tostain, Michel Marinpouille, Alain Pilard, Alexander Malta, Berliner Philharmoniker, Herbert von Karajan & Chœurs de l'Opéra national de Paris | Carmen, Act 3: Choeur: "A dos cuartos!" | |
| | Kölner Rundfunk-Sinfonie-Orchester, Pinchas Steinberg, Kölner Rundfunkchor, Herbert Schernus & Alexander Malta | Die Grossherzogin von Gerolstein, Act I: Hoch zu Roß | |
| | Janet Perry, Herbert von Karajan, Wiener Philharmoniker, Helga Müller-Molinari, Wiener Singverein, Gösta Winbergh, Alexander Malta & Rudolf Scholz | Te Deum For Soloists, Chorus And Orchestra, WAB 45: 4. Salvum fac | |
| | Lucia Popp, Alexandrina Milcheva, Franco Bonisolli, Alan Titus, Raimund Grumbach, Sofia Lis, Bernd Weikl, Alexander Malta, Heinz Wallberg & Münchner Rundfunkorchester | La bohème, Act I: Mimi Pinson la biondinetta | |
| | Alexander Malta, Karl Ridderbusch, Alfred Šramek, Heinz Zednik, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks & Rafael Kubelik | Die lustigen Weiber von Windsor, Act III: Mücken, Wespen, Fliegenchor | |
| | Janet Perry, Herbert von Karajan, Wiener Philharmoniker, Helga Müller-Molinari, Wiener Singverein, Gösta Winbergh, Alexander Malta & Rudolf Scholz | Te Deum For Soloists, Chorus And Orchestra, WAB 45: 3. Aeterna fac | |
| | Janet Perry, Herbert von Karajan, Wiener Philharmoniker, Helga Müller-Molinari, Wiener Singverein, Gösta Winbergh, Alexander Malta & Rudolf Scholz | Te Deum For Soloists, Chorus And Orchestra, WAB 45: 2. Te ergo | |
| | Janet Perry, Herbert von Karajan, Wiener Philharmoniker, Helga Müller-Molinari, Wiener Singverein, Gösta Winbergh, Alexander Malta & Rudolf Scholz | Te Deum For Soloists, Chorus And Orchestra, WAB 45: 3. Aeterna fac | |
| | Galina Vishnevskaya, Taru Valjakka, Robert Tear, Mstislav Rostropovich, Linda Richardson, Dimiter Petkov, John Noble, Leonard Mróz, Alexander Malta, London Philharmonic Orchestra, James Lewington, Werner Krenn, Martyn Hill, Aage Haugland, Nicolai Gedda, Leslie Fyson, Edgar Fleet, Birgit Finnila, Steven Emmerson, Alan Byers, Oliver Broome, David Beavan, Colin Appleton & Ambrosian Opera Chorus | Lady Macbeth of Mtsensk, Act II, Scene 5: Katerina!....Kto tam? (Zinoviy, Katerina, Sergey) | |
