| | Marco Beasley, Nigel Rogers & Sandro Naglia | Concerto: Duo Seraphim | |
| | Dame Emma Kirkby, Taverner Consort, Choir & Players, Rogers Covey-Crump, Taverner Consort, Andrew Parrott, Nigel Rogers & Roger Covey-Crump | Selva morale e spirituale, Venetia 1640 (1984 Remastered Version): Psalmus 111: Beatus vir (primo) a 6 | |
| | Dame Emma Kirkby, Rogers Covey-Crump, Taverner Consort, Andrew Parrott, Nigel Rogers & Taverner Choir | Selva morale e spirituale, Venetia 1640 (1984 Remastered Version): Psalmus 111: Beatus vir (primo) a 6 | |
| | Andrew Parrott, Taverner Choir, Taverner Consort, Taverner Consort, Choir & Players, Dame Emma Kirkby, Rogers Covey-Crump, Nigel Rogers & Roger Covey-Crump | Vespro della beata Vergine (1610): Hymnus - Ave maris stella | |
| | Max van Egmond, The Choir of King's College, Cambridge, Gustav Leonhardt, James Bowman, Leonhardt-Consort & Nigel Rogers | Blow Up the Trumpet in Sion, Z. 10 | |
| | Concentus Musicus Wien, Nigel Rogers & Nikolaus Harnoncourt | Il Ritorno D'Ulisse in Patria: Act 1 "Duri e Penosi" [Melanto, Eurimaco] | |
| | Nigel Rogers & Anthony Bailes | Indarno Febo | |
| | Paul O'Dette & Nigel Rogers | The Second Booke of Songs or Ayres: No. 12, Fine Knacks for Ladies | |
| | Nigel Rogers, Alexander Malta, Hamburger Bläserkreis für alte Musik, Camerata Accademica Hamburg & Jürgen Jürgens | L'Orfeo, Act 4: "Qual onor di te" - "Rott' hai la legge" | |
| | London Baroque, Charles Medlam, London Cornett and Sackbut Ensemble, London Cornett & Sackbut Ensemble, Theresa Caudle, Chiaroscuro, Nigel Rogers, Patrizia Kwella, Dame Emma Kirkby, Jennifer Smith, Rogers Covey-Crump, Helena Afonso, John Potter, Catherine Denley, Guillemette Laurens, Stephen Varcoe, John Potter Clay, Mario Bolognesi & Roger Covey-Crump | L'Orfeo, favola in musica, Act 1: In questo lieto (Pastore) | |
| | Anthony Bailes & Nigel Rogers | Airs mis en tablature de luth, Troisème livre: Ce penser qui sans fin tirannise ma vie (Arr. Bataille) | |
| | Eugen Dombois, Nigel Rogers & Nikolaus Harnoncourt | The First Booke of Ayres: No. 2, Thyrsis and Milla - No. 3, She Straight her Light | |
| | Nigel Rogers & Anthony Rooley | Le lagrime d'Erminia: Nuntio | |
| | Chiaoscuro Ensemble, Nigel Rogers, Sonatori de la Gioiosa Marca & Theatrum Intrumentorum | Magnificat: Sicut Locutus Est | |
| | David Thomas, Taverner Players, Taverner Consort, Taverner Choir, Nigel Rogers, Andrew Parrott, Dame Emma Kirkby & Roger Covey-Crump | Vespro della beata Vergine (1610): Versiculus (Canto gregoriano) - Deus in adiutorium | |
| | Coro Della RTSI, Diego Fasolis, Ensemble Chiaroscuro, Nigel Rogers & Sonatori de la Gioiosa Marca Theatrum Instrumentorum | Vespro Dell Beata Vergine - Part I: Psalmus - Nisi Dominus | |
| | Nigel Rogers, Hamburger Bläserkreis für alte Musik, Camerata Accademica Hamburg & Jürgen Jürgens | L'Orfeo, Act 2: Sinfonia - "Ecco pur ch'a voi ritorno" | |
| | Max van Egmond, The Choir of King's College, Cambridge, Gustav Leonhardt, James Bowman, Leonhardt-Consort & Nigel Rogers | Rejoice in the Lord Alway, Z. 49 "The Bell Anthem" | |
| | Nigel Rogers | Psalmus: Laudate Pueri | |
| | The English Concert, Trevor Pinnock, Elisabeth Priday, Carol Hall, The English Concert Choir & Nigel Rogers | Dido and Aeneas: "Ruin'd Ere the Set of Sun" . "But Ere We This Perform" | |
| | Andrew Parrott, Taverner Choir, Taverner Consort, Taverner Consort, Choir & Players, Dame Emma Kirkby, Rogers Covey-Crump, Nigel Rogers & Roger Covey-Crump | Vespro della beata Vergine (1610): Concerto - Audi coelum | |
| | Paul O'Dette, Andrew Lawrence-King & Nigel Rogers | Le musiche a una e due voci, Book 4: No. 2, Quell'infedele | |
| | Nigel Rogers, Paul O'Dette & Andrew Lawrence-King | Le musiche a una e due voci, Book 4: No. 11, Pallidetta qual viola | |
| | David Thomas, Taverner Players, Taverner Consort, Taverner Choir, Nigel Rogers, Andrew Parrott, Dame Emma Kirkby & Roger Covey-Crump | Vespro della beata Vergine (1610): Versus et responsorium (Canto gregoriano) - Ora pro nobis | |
| | Coro Della RTSI, Diego Fasolis, Ensemble Chiaroscuro, Nigel Rogers & Sonatori de la Gioiosa Marca Theatrum Instrumentorum | Vespro Dell Beata Vergine - Part I: Antifona - Ne Timeas Maria | |
| | Geoffrey Shaw, Charles Medlam, London Baroque & Nigel Rogers | L'Orfeo, favola in musica, SV 318, Act 4: Ritornello - "Qual honor di te fia degno … Rott'hai la legge" (Orfeo, Spirito III) | |
| | Coro Della RTSI, Diego Fasolis, Ensemble Chiaroscuro, Nigel Rogers & Sonatori de la Gioiosa Marca Theatrum Instrumentorum | Vespro Dell Beata Vergine - Part I: Concerto - Duo Serephim | |
| | Dame Emma Kirkby, Andrew Parrott, Taverner Choir, Martyn Hill, London Cornett & Sackbut Ensemble & Nigel Rogers | Symphoniae Sacrae II, 1615: Magnificat a 14 | |
| | London Baroque, Charles Medlam, London Cornett and Sackbut Ensemble, London Cornett & Sackbut Ensemble, Theresa Caudle, Chiaroscuro, Nigel Rogers, Patrizia Kwella, Dame Emma Kirkby, Jennifer Smith, Helena Afonso, Catherine Denley, Guillemette Laurens, Stephen Varcoe, John Potter Clay, Mario Bolognesi & Roger Covey-Crump | L'Orfeo, favola in musica, Act 3: O tu ch'innanzi ... Sinfonia (Caronte/Orchestra) | |
| | Coro Rtsi, Orchestra Ensemble Chiaroscuro, Nigel Rogers & Sandro Naglia | Vespro della Beata Vergine, Magnificat II: No. 3, Quia respexit | |
| | Coro Della RTSI, Diego Fasolis, Ensemble Chiaroscuro, Nigel Rogers & Sonatori de la Gioiosa Marca Theatrum Instrumentorum | Vespro Dell Beata Vergine - Part I: Antifona - Dabit Ei Dominus | |
| | Andrea Von Ramm, Thomas E. Binkley, Studio der frühen Musik, Grayston Burgess, Nigel Rogers & Karl-Heinz Klein | A Pilgrim's Solace (1612): Thou Mighty God | |
| | London Baroque, Charles Medlam, London Cornett and Sackbut Ensemble, London Cornett & Sackbut Ensemble, Theresa Caudle, Chiaroscuro, Nigel Rogers, Patrizia Kwella, Dame Emma Kirkby, Jennifer Smith, Helena Afonso, Catherine Denley, Guillemette Laurens, Mario Bolognesi, Roger Covey-Crump, John Potter Clay & Stephen Varcoe | L'Orfeo, favola in musica, Act 3: Scorto da te, moi nume (Orfeo) | |
| | Andrew Parrott, Taverner Choir, Taverner Consort, Taverner Consort, Choir & Players, Dame Emma Kirkby, Rogers Covey-Crump, Nigel Rogers & Roger Covey-Crump | Vespro della beata Vergine (1610): Versiculus (Canto gregoriano) - Deus in adiutorium | |
| | Charles Medlam, London Baroque & Nigel Rogers | L'Orfeo, favola in musica, SV 318, Act 3: "Ei dorme, e la mia cetra … Mentre versan quest'occhi amari" (Orfeo) | |
| | Anthony Bailes & Nigel Rogers | Airs mis en tablature de luth, Troisème livre: Vous que le bonheur rappelle (Arr. Bataille) | |
| | Max van Egmond, Gustav Leonhardt, Leonhardt-Consort, Nelly van der Spek, Marius Van Altena & Nigel Rogers | Il ottavo libro de madrigali "Guerrieri et amorosi": Lamento della Ninfa | |
| | Charles Medlam, London Baroque & Nigel Rogers | L'Orfeo, favola in musica, SV 318, Act 3: Recitativo, "Scorto da te, moi nume" (Orfeo) | |
| | Rogers Covey-Crump, Dame Emma Kirkby, Andrew Parrott, Nigel Rogers, Taverner Choir, Taverner Consort, Taverner Players & David Thomas | Vespro della beata Vergine: Concerto - Pulchra es | |
| | David Thomas, Taverner Players, Taverner Consort, Taverner Choir, Nigel Rogers, Andrew Parrott, Dame Emma Kirkby & Roger Covey-Crump | Vespro della beata Vergine (1610): Versus et responsorium (Canto gregoriano) - Exaltata est sancta Dei Genitrix | |
| | Studio der frühen Musik & Thomas Binkley | Gar Wunniklaich (with Nigel Rogers & Andrea Von Ramm) | |
| | Eric Garrett, Norman Lumsden, Bryan Drake, David Bowman, Nigel Rogers, Delme Bryn-Jones, Robert Tear, Robert Bowman, Ambrosian Opera Chorus, Wandsworth School Boys Choir & London Symphony Orchestra | Billy Budd, Op. 50, Act 1: Pull, My Bantams! | |
| | Nigel Rogers, Paul O'Dette & Andrew Lawrence-King | Le musiche a una e due voci, Book 5: No. 3, Su, destati, Clori | |
| | Barbara Schlick, Jürgen Jürgens, Camerata Academica, Norma Lerer & Nigel Rogers | La Dafne: Scena seconda "Che tu vadia cercando" (Amore/Apollo/Venere) | |
| | Nigel Rogers, Colin Tilney, Anthony Bailes, Pere Ros & Jordi Savall | Bellissima Regina | |
| | Nigel Rogers, Chiaroscuro Ensemble & His Majestys Sagbutts & Cornetts | Resvelons Nous | |
| | London Baroque, Charles Medlam, London Cornett and Sackbut Ensemble, London Cornett & Sackbut Ensemble, Theresa Caudle, Chiaroscuro, Nigel Rogers, Jennifer Smith, Patrizia Kwella, Dame Emma Kirkby, Helena Afonso, Catherine Denley, Guillemette Laurens, Stephen Varcoe, Mario Bolognesi, Roger Covey-Crump & John Potter Clay | L'Orfeo, favola in musica, Act 4: Quali grazie ti rendo (Proserpina/Plutone) | |
| | London Baroque, Charles Medlam, London Cornett and Sackbut Ensemble, London Cornett & Sackbut Ensemble, Theresa Caudle, Chiaroscuro, Patrizia Kwella, Dame Emma Kirkby, Jennifer Smith, Helena Afonso, Catherine Denley, Guillemette Laurens, Roger Covey-Crump, John Potter Clay, Stephen Varcoe, Mario Bolognesi & Nigel Rogers | L'Orfeo, favola in musica, Act 5: Sinfonia ...Perch'a lo sdegno (Orchestra/Apollo/Orfeo) | |
| | Mary Thomas, Maureen Lehane, Nigel Rogers, Michael Rippon, English Chamber Orchestra & Norman Del Mar | Stabat Mater, Op. 28: No. 8, Virgo virginum præclara - No. 9, Fac me plagis vulnerari (Live) | |
| | Dame Emma Kirkby, John Skinner, Martyn Hill, Nigel Rogers, Taverner Choir, London Cornett & Sackbut Ensemble & Andrew Parrott | Symphoniae Sacrae II, 1615: Magnificat a 17 | |
