| | Catherine Denley, English Baroque Soloists, John Eliot Gardiner, Norma Burrowes & George Frideric Handel | Semele: Act 2 "Prepare Then, Ye Immortal Choir" [Semele, Ino] | |
| | Norma Burrowes, John Eliot Gardiner, English Baroque Soloists, Martyn Hill, Paul Elliott, Anthony Rolfe Johnson & Sir Willard White | Acis & Galatea, HWV 49, Act II: Must I my Acis still bemoan | |
| | Lorin Maazel, Ann Murray, Philharmonia Orchestra, Ann-Marie Connors & Norma Burrowes | Thaïs, Act 2, Scene 2: "Celle qui vient est plus belle" (Crobyle, Myrtale, La charmeuse) | |
| | Norma Burrowes, Early Music Consort of London, Christopher Hogwood & David Munrow | Love's goddess sure - Birthday Ode for Queen Mary (1692) Z331 (1990 Remastered Version): May she to heaven (chorus) | |
| | David Rendall, Norma Burrowes, English Chamber Orchestra & Raymond Leppard | Ariodante HWV 33, Act 3: "Dite spera, e son contento" | |
| | Michael Langdon, Steuart Bedford, English Chamber Orchestra, English Opera Group & Norma Burrowes | The Wandering Scholar, Op. 50: "The Time, Then, Was Well Chosen" (Philippe, Alison) | |
| | Catherine Denley, English Baroque Soloists, John Eliot Gardiner, Norma Burrowes, Timothy Penrose & George Frideric Handel | Semele: Act 1 "Ah Me! What Refuge Now Is Left Me?" "O Jove! In Pity Teach Me Which to Choose" [Semele] "Alas, She Yields" [Ino, Athamas] | |
| | Norma Burrowes, Dame Janet Baker, English Chamber Orchestra & Raymond Leppard | Ariodante HWV 33, Act 3: "Perfidi! io son tradita!" | |
| | English Baroque Soloists, John Eliot Gardiner & Norma Burrowes | Semele, HWV 58, Act 3: "Ah, me! too late I now repent" (Semele) | |
| | Louis Frémaux, City of Birmingham Symphony Orchestra, David Bell, City of Birmingham Symphony Chorus, Norma Burrowes, Brian Rayner Cook & Gordon Clinton | Requiem Op.48 (1989 Remastered Version): Introit and Kyrie | |
| | Della Jones, English Baroque Soloists, John Eliot Gardiner & Norma Burrowes | Semele, HWV 58, Act 3: "O ecstasy of happiness!" (Semele) "Myself I shall adore" (Semele) "Be wise, as you are beautiful" (Juno, Semele) | |
| | John Shirley-Quirk, Southend Boys Choir, Antal Doráti, Royal Philharmonic Orchestra, Norma Burrowes & Brighton Festival Chorus | Carmina Burana - Pt. III. Cour D'amours: "Tempus Est Iocundum" | |
| | Norma Burrowes, Rudiger Wohlers, James Morris, Chicago Symphony Chorus, Chicago Symphony Orchestra & Sir Georg Solti | Die Schöpfung, Hob. XXI:2, Pt. 2: No. 25, Und Gott sah jedes Ding - No. 26, Vollendet ist das grosse Wer - No. 27, Zu dir, o Herr - No. 28, Vollendet ist das grosse Werk | |
| | John Carol Case, John Noble, Robert Lloyd, London Philharmonic Choir, Sir Adrian Boult, Alfreda Hodgson, London Philharmonic Orchestra & Norma Burrowes | The Pilgrim's Progress, Act II, Scene 2: The Pilgrim Meets Apollyon. "Whence Come You?" (Apollyon, Doleful Creatures, Pilgrim, Branch Bearer, Cup Bearer, Evangelist) | |
| | Catherine Denley, English Baroque Soloists, John Eliot Gardiner, Norma Burrowes & Robert Lloyd | Semele, HWV 58, Act 1: "Why dost thou untimely grieve" (Cadmus, Ino, Athamas, Semele) | |
| | Stephen Varcoe, Monteverdi Choir, John Eliot Gardiner, Charles Brett, Monteverdi Orchestra, Norma Burrowes & Martyn Hill | Funeral Anthem for Queen Caroline, HWV 264 "The Ways of Zion Do Mourn": IV. Soli and Chorus. "When the ear heard her" | |
| | Charles Brett, John Eliot Gardiner, Martyn Hill, Monteverdi Choir, Monteverdi Orchestra, Norma Burrowes, Stephen Varcoe & George Frideric Handel | The Ways of Zion Do Mourn, HWV 264: V. "When the Ear Heard Her" [Chorus, Bass, Counter-Tenor, Tenor, Soprano] | |
| | René Kollo, Leontyne Price, Deborah Cook, Enid Hartle, Norma Burrowes, London Philharmonic Orchestra & Sir Georg Solti | Ariadne auf Naxos, Op. 60: Circe, Circe, kannst du mich hören? | |
| | Catherine Denley, English Baroque Soloists, John Eliot Gardiner & Norma Burrowes | Semele, HWV 58, Act 2: "Dear sister, how was your journey hither?" (Semele, Ino) "But hark! the heav'nly sphere turns round" (Ino) | |
| | Elisabeth Priday, English Baroque Soloists, John Eliot Gardiner & Norma Burrowes | Semele, HWV 58, Act 2: "Come, Zephyrs, come" (Cupid) "O sleep, why dost thou leave me?" (Semele) | |
| | Dame Janet Baker, Norma Burrowes, Aldeburgh Festival Strings & Steuart Bedford | Dido and Aeneas: "Whence could so much virtue spring?" | |
| | Norma Burrowes, John Eliot Gardiner & English Baroque Soloists | Acis & Galatea, HWV 49, Act II: Cease, o cease | |
| | Antal Doráti, Orchestre de Chambre de Lausanne & Norma Burrowes | Armida: "Se tu seguir mi vuoi" | |
| | Elly Ameling, Norma Burrowes, Peter Knapp, John Noble, Early Music Consort of London, The Choir of King's College, Cambridge & Sir Philip Ledger | Vespro della Beata Vergine (1610) (1976 Remastered Version): Psalm 126 - Nisi Dominus | |
| | Alexander Oliver, Norma Burrowes, Edith Mathis, Samuel Ramey, English Chamber Orchestra & Raymond Leppard | Ariodante HWV 33, Act 2: "Quante sventure un giorno sol ne porta!" | |
| | Norma Burrowes, Early Music Consort of London, Christopher Hogwood & David Munrow | Love's goddess sure - Birthday Ode for Queen Mary (1692) Z331 (1990 Remastered Version): Long may she reign (sop. verse & chorus) | |
| | Norma Burrowes, John Eliot Gardiner, English Baroque Soloists, Paul Elliott, Anthony Rolfe Johnson, Sir Willard White & Martyn Hill | Acis & Galatea, HWV 49, Act II: Galatea, dry thy tears | |
| | Norma Burrowes, English Chamber Orchestra & Benjamin Britten | The Fairy Queen: "See, even Night herself is here" | |
| | Christiane Eda-Pierre, Sir Colin Davis, John Alldis Choir, Stuart Burrows, Academy of St Martin in the Fields, Norma Burrowes, Robert Tear & Robert Lloyd | Die Entführung aus dem Serail, K. 384: "Nie Werd' Ich Deine Huld Verkennen" - "Bassa Selim Lebe Lange" | |
| | Norma Burrowes, The London Opera Chorus, Aldeburgh Festival Strings & Steuart Bedford | Dido and Aeneas: "Shake the cloud from off your brow" | |
| | City of Birmingham Symphony Orchestra Chorus, Louis Frémaux, City of Birmingham Symphony Orchestra & Norma Burrowes | Gloria, FP 177: II. Laudamus te | |
| | English Chamber Orchestra, Michael Rippon, Norma Burrowes, Michael Langdon, Robert Tear & Steuart Bedford | The Wandering Scholar, Op. 50: When boughs are green in April (Louis) | |
| | Elly Ameling, Norma Burrowes, Peter Knapp, John Noble, Early Music Consort of London, The Choir of King's College, Cambridge & Sir Philip Ledger | Vespro della Beata Vergine (1610) (1976 Remastered Version): Psalm 121 - Laetatus sum | |
| | Louis Frémaux, City of Birmingham Symphony Orchestra, David Bell, City of Birmingham Symphony Chorus, Norma Burrowes, Brian Rayner Cook & Gordon Clinton | Requiem Op.48 (1989 Remastered Version): Sanctus | |
| | Norma Burrowes, Christopher Hogwood, Early Music Consort of London & David Munrow | Come ye sons of art away - Birthday Ode for Queen Mary (1694) Z323 (1990 Remastered Version): Come ye sons of art away (ritornello, ct I verse & chorus) | |
| | Tatiana Troyanos, Norma Burrowes, Jane Berbié, Pierre Thau, José Van Dam, John Alldis Choir, London Philharmonic Orchestra & Sir Georg Solti | Carmen, Act II: "Votre toast, je peux vous le rendre" - "Toréador, en garde" | |
| | Louis Frémaux, City of Birmingham Symphony Orchestra, David Bell, City of Birmingham Symphony Chorus, Norma Burrowes, Brian Rayner Cook & Gordon Clinton | Requiem Op.48 (1989 Remastered Version): In paradisum | |
| | Christiane Eda-Pierre, Sir Colin Davis, Academy of St Martin in the Fields, Stuart Burrows, Norma Burrowes & Robert Tear | Die Entführung aus dem Serail, K. 384: "Wenn Unsrer Ehre Wegen" | |
| | Michael Rippon, Steuart Bedford, English Chamber Orchestra & Norma Burrowes | The Wandering Scholar, Op. 50: "When Boughs Are Green in April" (Louis, Alison) | |
| | Leontyne Price, Sir Georg Solti, London Philharmonic Orchestra, Deborah Cook, Enid Hartle, Norma Burrowes, Barry McDaniel, Edita Gruberová, Kurt Equiluz & Manfred Jungwirth | Ariadne auf Naxos, Op. 60: Ein schönes war: hieß Theseus | |
| | John Eliot Gardiner, Martyn Hill, Monteverdi Choir, Monteverdi Orchestra, Norma Burrowes & Stephen Varcoe | The Ways of Zion do Mourn, HWV 264: V "When the ear heard her" (Chorus, Bass, Counter-Tenor, Tenor, Soprano) | |
| | Catherine Denley, English Baroque Soloists, John Eliot Gardiner & Norma Burrowes | Semele, HWV 58, Act 2: "Prepare then, ye immortal choir" (Semele, Ino) | |
| | City of Birmingham Symphony Orchestra Chorus, Louis Frémaux, City of Birmingham Symphony Orchestra, David Bell & Norma Burrowes | Requiem, Op. 48: IV. Pie Jesu | |
| | English Chamber Orchestra, Michael Rippon, Norma Burrowes, Michael Langdon, Robert Tear & Steuart Bedford | The Wandering Scholar, Op. 50: The time, then, was well chosen (Philippe) | |
| | Elisabeth Priday, English Baroque Soloists, John Eliot Gardiner & Norma Burrowes | Semele, HWV 58, Act 2: "Come, Zephyrs, come" (Cupid) "O sleep, why dost thou leave me?" (Semele) | |
| | Tatiana Troyanos, Sir Georg Solti, London Philharmonic Orchestra, Norma Burrowes & Jane Berbié | Carmen: "Les Tringles Des Sistres Tintaient" | |
| | Della Jones, English Baroque Soloists, John Eliot Gardiner, Norma Burrowes & George Frideric Handel | Semele: Act 3 "Thus Let My Thanks Be Pay'd" [Semele] "Rich Odours Fill the Fragrant Air" [Semele, Juno] | |
| | Norma Burrowes, John Eliot Gardiner & English Baroque Soloists | Acis & Galatea, HWV 49, Act II: Heart, the seat of soft delight | |
| | Michael Langdon, Steuart Bedford, English Chamber Orchestra, English Opera Group, Norma Burrowes & Robert Tear | The Wandering Scholar, Op. 50: "Someone Is Coming!" (Alison, Philippe, Pierre) | |
| | Robert Tear, Michael Rippon, Michael Langdon, English Chamber Orchestra, Norma Burrowes & Steuart Bedford | The Wandering Scholar, Op.50/H.176: When boughs are green in April (Louis) | |
