| | London Symphony Orchestra, Rosalind Elias, Robert Tear, Paul Hudson, Lucia Popp, Leonard Bernstein & London Symphony Chorus | Mass in B-Flat Major, Hob. XXII:12 "Theresienmesse": VI. Agnus Dei. Adagio - Allegro. Dona Nobis Pacem! | |
| | London Symphony Orchestra, Rosalind Elias, Robert Tear, Paul Hudson, Lucia Popp, Leonard Bernstein & London Symphony Chorus | Mass in B-Flat Major, Hob. XXII:12 "Theresienmesse": V. Benedictus. Qui venit in nomine Domini. Moderato | |
| | London Symphony Orchestra, Rosalind Elias, Robert Tear, Paul Hudson, Lucia Popp, Leonard Bernstein & London Symphony Chorus | Mass in B-Flat Major, Hob. XXII:12 "Theresienmesse": IV. Sanctus. Adagio - Pleni Sunt Coeli. Allegro | |
| | London Symphony Orchestra, Rosalind Elias, Robert Tear, Paul Hudson, Lucia Popp, Leonard Bernstein & London Symphony Chorus | Mass in B-Flat Major, Hob. XXII:12 "Theresienmesse": IIIb. Credo. Et incarnatus est. Allegro - Et resurrexit tertia. Allegro - Et vitam venturi. Adagio | |
| | London Symphony Orchestra, Rosalind Elias, Robert Tear, Paul Hudson, Lucia Popp, Leonard Bernstein & London Symphony Chorus | Mass in B-Flat Major, Hob. XXII:12 "Theresienmesse": IIIa. Credo. Credo in unum Deum. Allegro | |
| | London Symphony Orchestra, Rosalind Elias, Robert Tear, Paul Hudson, Lucia Popp, Leonard Bernstein & London Symphony Chorus | Mass in B-Flat Major, Hob. XXII:12 "Theresienmesse": IIc. Gloria. Quoniam tu solus sanctus. Vivace | |
| | London Symphony Orchestra, Rosalind Elias, Robert Tear, Paul Hudson, Lucia Popp, Leonard Bernstein & London Symphony Chorus | Mass in B-Flat Major, Hob. XXII:12 "Theresienmesse": IIb. Gloria. Moderato - Gratias Agimus Tibi. Piu Animato - Qui Tollis Peccata | |
| | London Symphony Orchestra, Rosalind Elias, Robert Tear, Paul Hudson, Lucia Popp, Leonard Bernstein & London Symphony Chorus | Mass in B-Flat Major, Hob. XXII:12 "Theresienmesse": IIa. Gloria. Gloria in excelsis Deo. Allegro | |
| | London Symphony Orchestra, Rosalind Elias, Robert Tear, Paul Hudson, Lucia Popp, Leonard Bernstein & London Symphony Chorus | Mass in B-Flat Major, Hob. XXII:12 "Theresienmesse": I. Kyrie Eleison! Adagio - Allegro | |
| | City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Robert Tear & Sir Simon Rattle | Ballad of Heroes, Op. 14: III. Recitative and Choral - Epilogue (Funeral March) | |
| | Benjamin Luxon, English Chamber Orchestra, Raymond Leppard, Robert Tear & George Frideric Handel | Samson : Act 2 "Go, Baffled Coward, Go" [Samson] "Presume Not On Thy God" [Harapha] | |
| | Choir of Clare College, Cambridge, John Harle & Robert Tear | The Mystery of Love: V. Go So Gently | |
| | Choir of Clare College, Cambridge, John Harle & Robert Tear | The Mystery of Love: IV. I Saw a Plant | |
| | Choir of Clare College, Cambridge, John Harle & Robert Tear | The Mystery of Love: II. Come With Me | |
| | Choir of Clare College, Cambridge, John Harle & Robert Tear | The Mystery of Love: I. A Finer Truth | |
| | Choir of Clare College, Cambridge, John Harle & Robert Tear | Hodie | |
| | Choir of Clare College, Cambridge, John Harle & Robert Tear | Of One That Is So Fair | |
| | Choir of Clare College, Cambridge, John Harle & Robert Tear | Grown My Heart | |
| | Ileana Cotrubas, Robert Tear, Schola Cantorum Of Oxford, Academy of St Martin in the Fields, George Malcolm & Sir Neville Marriner | Mass in C, K. 317 "Coronation": I. Kyrie | |
| | John Shirley-Quirk, The Choir of King's College, Cambridge, Sir David Willcocks, Dame Janet Baker, English Chamber Orchestra, Teresa Zylis-Gara & Robert Tear | Dixit Dominus, HWV 232: VI. Dominus a dextris tuis | |
| | Robert Tear, Alexander Oliver, Stafford Dean, Joy Hall & Raymond Leppard | Non voglio amare - Madrigali, Canzonette e Scherzi musicali (Book IX) | |
| | Leonard Bernstein, Rosalind Elias, Robert Tear, Paul Hudson, Lucia Popp, London Symphony Orchestra & London Symphony Chorus | Mass in B-Flat Major, Hob. XXII:12 "Theresia": II. Gloria: "Quoniam tu solus sanctus" | |
| | Stephen Roberts, London Symphony Chorus, Malcom Hicks, Richard Hickox, London Symphony Orchestra, Yvonne Kenny & Robert Tear | The Canterbury Pilgrims: XIII. L'envoi | |
| | Anna Tomowa-Sintow, Patricia Payne, Robert Tear, Robert Lloyd, John Constable, London Symphony Chorus, London Symphony Orchestra & Sir Colin Davis | Mass in D Major, Op. 123 "Missa Solemnis": Sanctus Dominus Deus Sabaoth | |
| | Katherine Willis, Mary Wells, Catherine Wearing, Robert Tear, Sam Monck, Medici String Quartet, Robert Lloyd, Sir Philip Ledger, Colin Huehns, Francis Grier, David Glick, Tristan Fry, Cato Fordham, Finchley Children's Music Group, John Constable, Choral Scholars of King's College, Cambridge, Catherine Benson & Heather Begg | The Little Sweep Op. 45, Scene Three: The Next Morning: XVII. Trio and Ensemble: "Ready, Alfred?" (Tom/Alfred/Miss Baggott/Rowan/Children) | |
| | Marga Schiml, Rotraud Hansmann, Robert Tear, Herbert Lackner, Christa Ludwig, Gottlob Frick, Wiener Philharmoniker & Sir Georg Solti | Parsifal: "Seht dort, die wilde Reiterin" | |
| | Franklyn Whiteley, Sarah Walker, Stephen Varcoe, Robert Tear, Paul Taylor, Neville Taweel, Pauline Stevens, John Shirley-Quirk, Royal Philharmonic Orchestra, Doreen Price, Ian Partridge, Felicity Palmer, John Noble, Corin Manley, Noel Mangin, Benjamin Luxon, Martyn Hill, Elizabeth Harwood, Bryn Evans, Wendy Eathorne, Meredith Davies, John Huw Davies, Mavis Beattie, Robert Bateman, Elaine Barry, John Alldis Choir & John Alldis | A Village Romeo and Juliet - Music drama in six scenes from Gottfried Keller's novel, Scene VI. The Paradise Garden: The twilight closes round the garden (Sali, Vrenchen, The Dark Fiddler) | |
| | Robert Tear, Joy Hall & Raymond Leppard | Io che armato sin hor - Madrigali, Canzonette e Scherzi musicali (Book X) | |
| | Felicity Palmer, George Guest, Choir of St John’s College, Cambridge, Helen Watts, Academy of St Martin in the Fields, Robert Tear & Christopher Keyte | Mass in C Major, Op. 86: VI. Agnus Dei | |
| | Robert Tear & Sir Philip Ledger | On A Time The Amorous Silvy | |
| | Robert Lloyd, Richard Van Allan, Robert Tear, Dame Janet Baker, London Symphony Orchestra & Sir Colin Davis | Béatrice et Bénédict, Act II: "Approcher, Claudio!" | |
| | Josephine Barstow, Sir Colin Davis, Orchestra of the Royal Opera House, Covent Garden, Thomas Carey & Robert Tear | The Knot Garden, Act III "Charade": "Mel! O Crude, O Obscene" | |
| | André Previn, Robert Tear, London Philharmonic Choir & London Philharmonic Orchestra | Grande messe des morts, Op. 5 'Requiem': X. Agnus Dei | |
| | André Previn, London Philharmonic Choir, London Philharmonic Orchestra & Robert Tear | Grande messe des morts (Requiem) Op.5: Sanctus | |
| | Academy of St Martin in the Fields, Yvonne Kenny, Sir Neville Marriner, Robert Tear & Robert Lloyd | Pulcinella - Ballet avec chante: Con queste paroline (Bass) | |
| | Robert Tear & English Chamber Orchestra | Nocturne, Op. 60: No. 8, Sonnet LXIII | |
| | André Previn, London Symphony Orchestra, John Shirley-Quirk, London Symphony Chorus, Robert Tear & Sheila Armstrong | The Bells, Op. 35: IV. Lento lugubre | |
| | Robert Tear, London Symphony Orchestra & Sir Colin Davis | Béatrice et Bénédict, Act I: "Ah! Je vais l'aimer" | |
| | Robert Tear, Jeffrey Tate & English Chamber Orchestra | Nocturne, Op.60: But that night when on my bed I lay (Wordsworth) (David Corkhill, timpani) | |
| | Teresa Zylis-Gara, Sir David Willcocks, Robert Tear, John Shirley-Quirk, Martin Lane, The Choir of King's College, Cambridge, English Chamber Orchestra & Dame Janet Baker | Dixit Dominus (Psalm 109): IV. Juravit Dominus | |
| | Robert Tear, Sir Philip Ledger, The Choir of King's College, Cambridge, English Chamber Orchestra, Helen Donath, Sally Burgess & Sir Thomas Allen | Alexander's Feast, Part 1: The praise of Bacchus | |
| | April Cantelo, Helen Watts, Robert Tear, Barry McDaniel, Sir Stephen Cleobury, Academy of St Martin in the Fields & George Guest | Missa in tempore belli, Hob. XXII:9 "Paukenmesse": V. Benedictus | |
| | Benjamin Luxon, André Previn & Robert Tear | The Dicky Bird and the Owl | |
| | Robert Tear, Sir David Willcocks, Thames Chamber Orchestra & Paul Hillier | St. Matthew Passion, BWV 244: Recit: "The governor answered." | |
| | Dame Janet Baker, Hans Sotin, Heather Harper, London Philharmonic Orchestra, New Philharmonia Chorus & Robert Tear | Missa Solemnis In D Major, Op. 123: Gloria In Excelcis | |
| | English Chamber Orchestra, Sir Charles Mackerras, Elizabeth Harwood, Dame Janet Baker, Paul Esswood, Robert Tear, Raimund Herincx & The Ambrosian Singers | Messiah, HWV 56, Pt. I Scene 3: No. 12, For Unto Us a Child is Born (Chorus: Andante allegro) | |
| | Robert Tear, Sir Philip Ledger, The Choir of King's College, Cambridge, Dietrich Fischer-Dieskau, Dame Janet Baker, Elly Ameling & Academy of St Martin in the Fields | Christmas Oratorio, BWV 248, Cantata 5: Ach! Wann wird die Zeit erscheinen? | |
| | English Chamber Orchestra, Michael Rippon, Norma Burrowes, Michael Langdon, Robert Tear & Steuart Bedford | The Wandering Scholar, Op. 50: When boughs are green in April (Louis) | |
| | Sir Philip Ledger, Sally Burgess, English Chamber Orchestra, Sir Thomas Allen, The Choir of King's College, Cambridge, Helen Donath & Robert Tear | Alexander's Feast (2002 Remastered Version), Part 1: Sooth'd with the sound | |
| | Bryan Drake, Sir Peter Pears, John Shirley-Quirk, Robert Tear, Stafford Dean, English Opera Group Chorus, English Opera Group Orchestra & Benjamin Britten | The Burning Fiery Furnace, Op. 77: Sirs, What is This? | |
