| | Barbara Hendricks, Gino Quilico, Orchestre National du Capitole de Toulouse, Michel Plasson, Wolff, Choeur Du Capitole De Toulouse & John Aler | Les Pecheurs de Perles) (new edition of original 1863 version: part orch. A. Hammond), ACTE I: Au fond du temple saint (Nadir/Zurga) | |
| | Barbara Hendricks, Orchestre National du Capitole de Toulouse, Gino Quilico, Michel Plasson, Wolff, Choeur Du Capitole De Toulouse & John Aler | Les Pecheurs de Perles) (new edition of original 1863 version: part orch. A. Hammond), ACTE I: Je crois entendre encore (Nadir) | |
| | Christine Brewer, Ding Gao, John Aler, Marietta Simpson & The Washington Chorus | Psalm 149 Cxlix, Op. 79 | |
| | Christine Brewer, Ding Gao, John Aler, Marietta Simpson & The Washington Chorus | Stabat Mater, Op. 58: Quando Corpus Morietur | |
| | Bernard Haitink, John Aler & London Philharmonic Orchestra | Così fan tutte K588: Un' aura amorosa | |
| | Gino Quilico, Michel Plasson, Orchestre National du Capitole de Toulouse & John Aler | Les Pecheurs de Perles), ACTE I: Au fond du temple saint (Nadir/Zurga) | |
| | Barbara Hendricks, Gino Quilico, Choeurs du Capitole de Toulouse, Choeur Du Capitole De Toulouse, Orchestre National du Capitole de Toulouse, Michel Plasson, Wolff & John Aler | Les Pecheurs de Perles) (new edition of original 1863 version: part orch. A. Hammond), ACTE III - Seconde partie: Le jour enfin perce la nue! (Tous) | |
| | Choeurs du Capitole de Toulouse, Barbara Hendricks, John Aler, Gino Quilico, Michel Plasson, Choeur Du Capitole De Toulouse, Orchestre National du Capitole de Toulouse & Wolff | Les Pecheurs de Perles) (new edition of original 1863 version: part orch. A. Hammond), ACTE III - Seconde partie: Dès que le soleil (Choeur) | |
| | Arleen Auger, Jennifer Larmore, John Aler, Steven Kimbrough & Dalton Baldwin | La pesca | |
| | John Aler, John Nelson & English Chamber Orchestra | Semele HWV 58: Where'er You Walk | |
| | Esa-Pekka Salonen, Sir John Tomlinson, David Wilson-Johnson, Nigel Robson, John Aler & London Sinfonietta | Renard the Fox - A burlesque tale in song and dance: Con brio | |
| | John Aler, John Eliot Gardiner & Orchestre de l'Opéra de Lyon | Iphigénie en Aulide: Act I, Scene 8. Air: "Cruelle, non jamais" | |
| | Jan Opalach, John Cheek, Hugh Wolff, The Saint Paul Chamber Orchestra, Frank Kelley & John Aler | Renard: "Oh where, oh where, oh where?" | |
| | Jan Opalach, John Cheek, Hugh Wolff, The Saint Paul Chamber Orchestra, Frank Kelley & John Aler | Renard: Salto mortale - "Don't break your fast, Foxy" | |
| | Stuttgart Radio Symphony Orchestra, Amanda Halgrimson, Alastair Miles, John Aler, Cornelia Kallisch, North German Radio Chorus, Stuttgart Vocal Ensemble & Sir Roger Norrington | Mass in D Major, Op. 123, "Missa Solemnis": IV. Sanctus / Benedictus | |
| | Evgeny Kissin, Claudio Abbado, Berliner Philharmoniker, RIAS Kammerchor, Cheryl Studer, Kristina Clemenz, Camille Capasso, John Aler, Hiroshi Oshima & Friedrich Molsberger | Fantasia for Piano, Chorus and Orchestra in C Minor, Op. 80: Adagio | |
| | José Van Dam, Kent Nagano, Hallé & John Aler | Saint Francois D'Assise: Une Louange! un Point D'exclamation! (Saint Francois, Frère Massée) | |
| | Corydon Orchestra, Corydon Singers, John Aler & Matthew Best | L'enfance du Christ, H. 130, Pt. 3 (Arrival at Sais): X. Epilogue: No. 2, Ô mon âme, pour toi que reste-t-il à faire (Le récitant/Chœur) | |
| | John Aler, Jean-Luc Chaignaud, Münchner Rundfunkorchester & Stefan Soltesz | Don Giovanni o sia il convitato di pietra: Eh? Pasquariello | |
| | Sir Andrew Davis, Toronto Symphony Orchestra, Toronto Mendelssohn Choir, Samuel Ramey, Florence Quivar, Elmer Iseler Singers, Kathleen Battle & John Aler | Messiah, Part One: Comfort ye my people (tenor) | |
| | John Aler, Sumi Jo, Orchestre de l'Opera National de Lyon & John Eliot Gardiner | Le Comte Ory: Ce téméraire | |
| | Anton Scharinger, Jean-Luc Chaignaud, Julie Kaufmann, John Aler, Münchner Rundfunkorchester & Stefan Soltesz | Don Giovanni o sia il convitato di pietra: Oh, oh! Poffar Diana! | |
| | Arleen Auger, Jennifer Larmore, John Aler, Steven Kimbrough & Dalton Baldwin | Musique Anodine: VI. IIIII | |
| | Sir Andrew Davis, Toronto Symphony Orchestra, Toronto Mendelssohn Choir, Samuel Ramey, Florence Quivar, Elmer Iseler Singers, Kathleen Battle & John Aler | Messiah, Part Two: Their sound is gone out into all lands | |
| | Esa-Pekka Salonen, Yvonne Kenny, Sir John Tomlinson, John Aler & London Sinfonietta | Pulcinella - Ballet (Complete Ballet) for small orchestra with three solo voices (after Giambattista Pergolesi): Allegro - alla breve | |
| | Michel Plasson, Barbara Hendricks, John Aler, Orchestre National du Capitole de Toulouse & Choeur Du Capitole De Toulouse | Les pêcheurs de perles, WD 13, Act I: O Dieu Brahma ! (Leïla, Nadir, Choeur) | |
| | Martin Pearlman, Boston Baroque, Cyndia Sieden, Sharon Baker, John Aler & Kevin Deas | The Impresario, K. 486: Vaudeville. Jeder Künstler strebt nach Ehre | |
| | Michel Trempont & John Aler | Le toréador, Act I: Elle est partie! | |
| | Esa-Pekka Salonen, Yvonne Kenny, Sir John Tomlinson, John Aler & London Sinfonietta | Pulcinella - Ballet (Complete Ballet) for small orchestra with three solo voices (after Giambattista Pergolesi): Allegro | |
| | Sir Andrew Davis, Toronto Symphony Orchestra, Toronto Mendelssohn Choir, Samuel Ramey, Florence Quivar, Elmer Iseler Singers, Kathleen Battle & John Aler | Messiah, Part Two: Unto which of the Angels (tenor) | |
| | John Aler & Cord Garben | Le Maure Jaloux (H.9B Romance): Moderato Ma Non Troppo | |
| | Arleen Auger, Jennifer Larmore, John Aler, Steven Kimbrough & Dalton Baldwin | Chanson de Zora, la Petite Bohemienne | |
| | Westminster Choir, Riccardo Muti, The Philadelphia Orchestra & John Aler | Roméo et Juliette, Op. 17, H. 79, Pt. 1: "Bientôt de Roméo la pâle rêverie ... Mab la messagère ... Bientôt la mort est souveraine" (Tenor, Chorus) | |
| | Evgeny Kissin, Cheryl Studer, Kristina Clemenz, Camille Capasso, John Aler, Hiroshi Oshima, Friedrich Molsberger, Berliner Philharmoniker, Claudio Abbado & RIAS Kammerchor | Choral Fantasy in C Minor for Piano, Chorus and Orchestra, Op. 80: II. Finale: e. Presto | |
| | Barbara Hendricks, Gino Quilico, John Aler, Orchestre National du Capitole de Toulouse, Michel Plasson, Wolff & Choeur Du Capitole De Toulouse | Les Pecheurs de Perles) (new edition of original 1863 version: part orch. A. Hammond), ACTE III - Première partie: O ciel, quel trouble (Zurga/Leïla) | |
| | Leonard Slatkin, Håkan Hagegård, Sylvia McNair, Saint Louis Symphony Chorus, St. Louis Symphony Orchestra & John Aler | Carmina burana: O Fortuna | |
| | Westminster Choir, Riccardo Muti, The Philadelphia Orchestra & John Aler | Roméo et Juliette, Op. 17, H. 79, Pt. 1: "Bientôt de Roméo la pâle rêverie ... Mab la messagère ... Bientôt la mort est souveraine" (Tenor, Chorus) | |
| | John Aler, Pierre Boulez, Chicago Symphony Orchestra, Sir John Tomlinson & Chicago Symphony Chorus | Cantata Profana, BB. 100, Sz. 94 - the Nine Splendid Stags: II. Andante | |
| | John Aler, Rodney Winther, College-Conservatory of Music Wind Symphony & Phyllis Pancella | Out of the Whirlwind: V. Shtil Di Nakht | |
| | Sir Andrew Davis, Toronto Symphony Orchestra, Toronto Mendelssohn Choir, Samuel Ramey, Florence Quivar, Elmer Iseler Singers, Kathleen Battle & John Aler | Messiah, Part Three: Since by man came death | |
| | Sir Andrew Davis, Toronto Symphony Orchestra, Toronto Mendelssohn Choir, Samuel Ramey, Florence Quivar, Elmer Iseler Singers, Kathleen Battle & John Aler | Messiah, Part One: Rejoice greatly, O daughter of Zion (soprano I) | |
| | Kurt Moll, Academy of St Martin in the Fields Chorus, Sir Neville Marriner, Academy of St Martin in the Fields, Ann Murray, Dawn Upshaw & John Aler | Te Deum, H. 146: IX. Aeterna fac cum sanctis | |
| | Boston Musica Viva, Richard Pittman & John Aler | Crossing The Meridian: I. July 18, 1846, Crossing The Great Divide | |
| | Anne Sofie von Otter, John Aler, John Eliot Gardiner & Orchestre de l'Opéra de Lyon | Iphigénie en Aulide : Act 2 "Reine, rassurez-vous" [Achille, Clytemnestre] | |
| | Christine Brewer, Ding Gao, John Aler, Marietta Simpson & The Washington Chorus | Stabat Mater, Op. 58: Eia, Mater | |
| | Sir Andrew Davis, Toronto Symphony Orchestra, Toronto Mendelssohn Choir, Samuel Ramey, Florence Quivar, Elmer Iseler Singers, Kathleen Battle & John Aler | Messiah, Part Two: Behold, and see if there be any sorrow (tenor) | |
| | John Aler, Kent Nagano, Hallé & Dawn Upshaw | Saint Francois D'Assise: Mais, Il Frappe Encore! (Frère Massée, L'Ange) | |
| | Leonard Slatkin, Håkan Hagegård, Sylvia McNair, Saint Louis Symphony Chorus, St. Louis Symphony Orchestra & John Aler | Carmina burana: Amor volat undique | |
| | François Le Roux, Ensemble choral Jean-Laforge, Thomas Fulton, Orchestre Philharmonique De Monte-Carlo & John Aler | Le postillon de Lonjumeau, Act 1: Ronde du postillon. ''Mes amis, écoutez l'histoire'' (Chapelou, Le Marquis, Chœur) | |
| | Bernard Haitink, London Philharmonic Orchestra & John Aler | Così fan tutte, K. 588, Act 1: "Un'aura amorosa del nostro tesoro" (Ferrando) | |
