| | Nikolaus Harnoncourt, Concentus Musicus Wien, Arnold Schoenberg Choir, Julia Kleiter & Anton Scharinger | Cantata BWV 140 "Wachet Auf, Ruft Uns Die Stimme": VI. Aria (Duetto): Mein Freund Ist Mein | |
| | Anton Scharinger, Barbara Bonney, Chorus of De Nederlandse Opera, Christian Boesch, Edita Gruberová, Elisabeth von Magnus, Marjana Lipovšek, Nikolaus Harnoncourt, Het Koninklijk Concertgebouworkest & Werner Hollweg | Die Fledermaus, Act 2 "Im Feuerstrom der Reben" | |
| | Anton Scharinger, Hans Peter Blochwitz, Les Arts Florissants & William Christie | Die Zauberflöte: Act 1 "Der Vogelfänger Bin Ich Ja" [Tamino, Papageno] | |
| | Anton Scharinger, Les Arts Florissants & William Christie | Die Zauberflöte: Act 1 "Der Vogelfänger Bin Ich Ja" [Papageno] | |
| | Enoch zu Guttenberg, Bach Collegium München, Anton Scharinger, Thomas Quasthoff, Albrecht Mayer, Dieter Salewski, Achim Weigel, Lothar Haass, Dorothea Jappe, Michael Sendtner, Hubert Huber, Anja Lechner, Herbert Duft & Friedemann Winklhofer | Johannespassion, BWV 245: Betrachte, Meine Seele, Mit Ängstlichem Vergnügen | |
| | Anton Scharinger, Les Arts Florissants, Rosa Mannion & William Christie | Die Zauberflöte KV 620 : Act I : Duet "Bei Männern, Welche Liebe Fühlen" | |
| | Anton Scharinger, Nikolaus Harnoncourt & Het Koninklijk Concertgebouworkest | Le nozze di Figaro, Act 4: "Tutto è disposto...Aprite un po' quegl' occhi" (Figaro) | |
| | Inga Nielsen, Anton Scharinger, Kammerorchester Carl Philipp Emanuel Bach & Peter Schreier | L'oca del Cairo, K. 422, Act I: "Se fosse qui nascoso" | |
| | Anton Scharinger, Hans Peter Blochwitz, Les Arts Florissants & William Christie | Die Zauberflöte: Act 2 "Eine Schreckliche Nacht" [Tamino, Papageno] | |
| | Gabriele Schreckenbach, Regina Schudel, Robert Worle, Berlin Radio Children's Choir, Gerd Albrecht, Roland Hermann, Jorg Gottschick, RIAS Chamber Chorus, Deutsches Symphony Orchestra, Berlin, Endrik Wottrich, Anton Scharinger, Celina Lindsley, Christiane Berggold & Reinhart Ginzel | Wozzeck, Op. 16, Scene 5: Wie Die Steine Glanzen! (Marie, Wozzeck) - Unter Deinen Fingern Glanzt's Ja (Wozzeck, Marie) | |
| | Anton Scharinger, Barbara Bonney, Glen Wilson, Nikolaus Harnoncourt & Het Koninklijk Concertgebouworkest | Le nozze di Figaro, Act 1: "Or bene - ascolta" (Susanna, Figaro) | |
| | Anton Scharinger, Arnold Schoenberg Choir, Nikolaus Harnoncourt, Concentus Musicus Wien & Maria Venuti | Samson, HWV 57, Act III, Scene 2: Aria with Chorus. "Glorious hero" - Recitative. "Come, come! No time for lamentation now" (Manoah, Israelites, Israelite Woman) | |
| | Jochen Kowalski, John Constable, Nico van der Meel, Anton Scharinger, Henk Sekreve, Concertgebouw Chamber Orchestra & Vittorio Negri | Confitebor, R. 596: IV. Intellectus bonus omnibus (Allegro) | |
| | Nikolaus Harnoncourt, Anton Scharinger, Concentus Musicus Wien & Arnold Schoenberg Choir | St. John Passion, BWV 245, Pt. 2: No. 32, Mein teurer Heiland (Bass, Chorus) | |
| | Anton Scharinger, Barbara Bonney, Charlotte Margiono, Glen Wilson, Nikolaus Harnoncourt, Het Koninklijk Concertgebouworkest & Thomas Hampson | Le nozze di Figaro, Act 2: "Signori, di fuori" (Figaro, Il Conte, Susanna, La Contessa) | |
| | Anton Scharinger, Nikolaus Harnoncourt & Concentus Musicus Wien | Samson, HWV 57, Act III, Scene 2: A Symphony of Horror and Confusion - Recitative. "Heav'n! What noise!" (Manoah) | |
| | Claus Peter Flor, Anton Scharinger, Bamberger Symphoniker, Chor der Bamberger Symphoniker & Monica Graul | Die erste Walpurgisnacht, Op. 60: Verteilt euch, wackre Männer, hier (Allegro leggiero) | |
| | Anton Scharinger, Peter Schreier & Staatskapelle Dresden | Mass in B Minor, BWV 232 - Gloria: Quoniam tu solus sanctus | |
| | Robert Wörle, Deutsches Symphonie-Orchester Berlin, Gerd Albrecht, Roland Hermann & Anton Scharinger | Wozzeck, Op. 16, Scene 6: "Wohin so eilig, geehrtester Herr Sargnagel?" (Hauptmann, Doktor, Wozzeck) | |
| | Nikolaus Harnoncourt, Angela Maria Blasi, Anthony Rolfe Johnson, Anton Scharinger, Franz Leitner, Robert Holl & Concentus Musicus Wien | St. John Passion, BWV 245, Pt. 1: No. 10, Derselbige Jünger (Evangelist, Maid, Petrus, Jesus, Officer) | |
| | Eva Lind, Hans Peter Blochwitz, Anton Scharinger, Dresdner Philharmonie & Jörg-Peter Weigle | Mandina amabile, K. 480 (Trio for F. Bianchi: "La villanella rapita") | |
| | Anton Scharinger, Les Arts Florissants, Linda Kitchen & William Christie | Die Zauberflöte: Act 2 "PA: Pa: Pa" [Papageno, Papagena] | |
| | Julie Kaufmann, Jörg-Peter Weigle, Münchner Rundfunkorchester, Hans Peter Blochwitz, Anton Scharinger & René Pape | Dite Almeno, in Che Mancai, K. 479 (Quartet for F. Bianchi: "La Villanella Rapita") | |
| | Inga Nielsen, Dietrich Fischer-Dieskau, Anton Scharinger, Kammerorchester Carl Philipp Emanuel Bach & Peter Schreier | L'oca del Cairo, K. 422, Act I: "Siano pronte alle gran nozze" | |
| | Anton Scharinger, Les Arts Florissants, Rosa Mannion & William Christie | Die Zauberflöte: Act 1 "Bei Männern, welche Liebe fühlen" [Pamina, Papageno] | |
| | Carlo Maria Giulini, Wiener Philharmoniker, Ileana Cotrubas, Piero Cappuccilli & Anton Scharinger | Rigoletto: Ah! solo per me l'infamia (Rigoletto, Gilda) | |
| | Anton Scharinger, Nikolaus Harnoncourt, Jochen Kowalski & Concentus Musicus Wien | Samson, HWV 57, Act III, Scene 2: Aria. "How willing my paternal love" - Recitative. "Your hopes of his deliv'ry seem not vain" (Manoah, Micah) | |
| | Julie Kaufmann, Hans Peter Blochwitz, Anton Scharinger, René Pape, Münchner Rundfunkorchester & Jörg-Peter Weigle | Dite almeno, in che mancai, K. 479 (Quartet for F. Bianchi: "La villanella rapita") | |
| | Thomas Hampson, Anton Scharinger, László Polgár, Nikolaus Harnoncourt, Het Koninklijk Concertgebouworkest & Barbara Bonney | Don Giovanni, K. 527, Act 1: "Manco male è partita" (Don Giovanni, Leporello, Zerlina, Masetto) | |
| | Anton Scharinger, Christian Boesch, Koor van de Nederlandse Opera, Nikolaus Harnoncourt, Elisabeth von Magnus, Marjana Lipovšek, Het Koninklijk Concertgebouworkest, Barbara Bonney, Edita Gruberová, Josef Protschka & Werner Hollweg | Die Fledermaus, Act 3: "O Fledermaus, o Fledermaus" (Rosalinde, Adele, Ida, Orlofsky, Eisenstein, Alfred, Frank, Falke, Chor) | |
| | Anton Scharinger, Concentus Musicus Wien, Dawn Upshaw, Monica Bacelli, Nikolaus Harnoncourt & Thomas Moser | La Finta Giardiniera, K 196, Act 2 : Recitativo "Che accidente, che casol" | |
| | Anton Scharinger, Jean-Luc Chaignaud, Julie Kaufmann, John Aler, Münchner Rundfunkorchester & Stefan Soltesz | Don Giovanni o sia il convitato di pietra: Oh, oh! Poffar Diana! | |
| | Eva Lind, Jörg-Peter Weigle, Dresdner Philharmonie & Anton Scharinger | Nun, Liebes Weibchen, Ziehst Mit Mir, K. 625/K. 592a | |
| | Ann Murray, Anton Scharinger, Barbara Bonney, Charlotte Margiono, Isabel Rey, Kevin Langan, Netherlands Opera Chorus, Nikolaus Harnoncourt, Petra Lang, Philip Langridge, Het Koninklijk Concertgebouworkest & Thomas Hampson | Le nozze di Figaro, Act 4: "Pace, pace, mio dolce tesoro" (Il Conte, Susanna, Figaro) | |
| | Inga Nielsen, Peter Schreier, Kammerorchester Carl Philipp Emanuel Bach, Douglas Johnson & Anton Scharinger | L'oca del Cairo, K. 422: "Buon Pro', Signori" | |
| | Inga Nielsen, Peter Schreier, Kammerorchester Carl Philipp Emanuel Bach, Dietrich Fischer-Dieskau & Anton Scharinger | L'oca del Cairo, K. 422: "Siano Pronte Alle Gran Nozze" | |
| | Gabriele Schreckenbach, Regina Schudel, Robert Worle, Berlin Radio Children's Choir, Gerd Albrecht, Roland Hermann, Jorg Gottschick, RIAS Chamber Chorus, Deutsches Symphony Orchestra, Berlin, Endrik Wottrich, Anton Scharinger, Celina Lindsley, Christiane Berggold & Reinhart Ginzel | Wozzeck, Op. 16, Scene 13: Und Ist Kein Betrug in Seinem Munde Erfunden Worden (Marie) | |
| | Anton Scharinger, Arnold Schoenberg Choir, Concentus Musicus Wien & Nikolaus Harnoncourt | St John Passion, BWV 245, Pt. 2 "Eilt: Ihr Angefochtnen Seelen" [Bass, Chorus] | |
| | Anton Scharinger, Nikolaus Harnoncourt, Concentus Musicus Wien & Anthony Rolfe Johnson | Samson, HWV 57, Act I, Scene 3: Aria. "Thy glorious deeds inspir'd my tongue" - Recitative. "Justly these evils have befall'n thy son" (Manoah, Samson) | |
| | Inga Nielsen, Edith Wiens, Pamela Coburn, Douglas Johnson, Dietrich Fischer-Dieskau, Anton Scharinger, Berlin Radio Choir, Kammerorchester Carl Philipp Emanuel Bach & Peter Schreier | L'oca del Cairo, K. 422, Act I: "Su via putti, presto, presto!" | |
| | Anton Scharinger, Charlotte Margiono, Glen Wilson, Nikolaus Harnoncourt, Petra Lang & Het Koninklijk Concertgebouworkest | Le nozze di Figaro, Act 4: "Perfida, e in quella forma" (Figaro, Cherubino, La Contessa) | |
| | Inga Nielsen, Douglas Johnson, Anton Scharinger, Kammerorchester Carl Philipp Emanuel Bach & Peter Schreier | L'oca del Cairo, K. 422, Act I: "Auretta mia, Chichibio, vi saluto" | |
| | Nikolaus Harnoncourt, Anthony Rolfe Johnson, Anton Scharinger, Robert Holl, Concentus Musicus Wien & Arnold Schoenberg Choir | St. John Passion, BWV 245, Pt. 2: No. 16, Da führeten sie Jesum... Auf dass erfüllet würder das Wort (Evangelist, Pilate, Jesus, Chorus) | |
| | Jochen Kowalski, John Constable, Nico van der Meel, Anton Scharinger, Henk Sekreve, Concertgebouw Chamber Orchestra & Vittorio Negri | Confitebor, R. 596: III. Sanctum et terribile nomen (Andante - Andante molto) | |
| | Jochen Kowalski, John Constable, Nico van der Meel, Anton Scharinger, Henk Sekreve, Concertgebouw Chamber Orchestra & Vittorio Negri | Confitebor, R. 596: IV. Intellectus bonus omnibus (Allegro) | |
| | Enoch zu Guttenberg, Malin Hartelius, Anton Scharinger, Chorgemeinschaft Neubeuern & RSO Saarbrücken | Die Schöpfung, Teil 3: XV. Duett Mit Chor: 9:27 Von Deiner Güt, O Herr (Heaven and Earth Is Full of Your Clemency, O God) | |
| | Nikolaus Harnoncourt, Concentus Musicus Wien, Arnold Schoenberg Choir, Julia Kleiter & Anton Scharinger | Cantata BWV 140 "Wachet auf, ruft uns die Stimme": III. Aria (Duetto): Wann kömmst du, mein Heil? | |
| | Alison Browner, Hans Peter Blochwitz, Darmstadt Concert Choir, Maria Zedelius, Wolfgang Seeliger, Anton Scharinger, Darmstadt Philharmonic Orchestra & Wolfgang Schmidt | St. Matthew Passion: Recitative: Und Beugten Die Knie Vor Ihm (Evangelist) - Gegrussest Seist Du, Juden-Konig (Chorus) | |
| | Anton Scharinger, Les Arts Florissants, Rosa Mannion & William Christie | Die Zauberflöte: Act 1 "Bei Männern, Welche Liebe Fühlen" [Pamina, Papageno] | |
| | Anton Scharinger, Arnold Schoenberg Choir, Nikolaus Harnoncourt, Jochen Kowalski & Concentus Musicus Wien | Samson, HWV 57, Act III, Scene 2: Chorus. "Great Dagon has subdued our foe" - Recitative. "What noise of joy was that?" (Philistines, Manoah, Micah) | |
