| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant, Robert Arnold, Robert Shaw Chorale, Robert Shaw Orchestra & Robert Shaw Chorale and Orchestra | Messiah - Part the Second: No. 23. Air: He Was Despised | |
| | Chicago Symphony Orchestra, Chorus, Fritz Reiner, Phyllis Curtin, Florence Kopleff, John McCollum & Donald Gramm | Symphony No. 9 in D Minor, Op. 125: IV. Presto - Allegro ma non troppo | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant, Robert Arnold, Robert Shaw Chorale, Robert Shaw Orchestra & Robert Shaw Chorale and Orchestra | Messiah - Part the Third: No. 50. Duet: O Death, Where Is Thy Sting? | |
| | Florence Kopleff, Louis Quilico, University of Utah Chorus, Utah Symphony & Maurice Abravanel | L'homme Et Son Desir: Reapparition De La Femme | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant & Robert Arnold | Messiah: No. 48 Air: The Trumpet Shall Sound | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant & Robert Arnold | Messiah: No. 4 Chorus: And the Glory of the Lord | |
| | Florence Kopleff, Gérard Souzay, Charles Munch, Lorna Cooke de Varon, New England Conservatory Chorus & Boston Symphony Orchestra | L'enfance du Christ, Op. 25, Pt. III: Dans cette ville immense | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant, Robert Arnold, Robert Shaw Orchestra, Robert Shaw Chorale and Orchestra & Robert Shaw Chorale | Messiah - Part the Second: No. 31. Recitative: He Was Cut Off Out of the Land of the Living | |
| | Charles Munch, Phyllis Curtin, Mac Morgan, Tanglewood Choir, Blake Stern, Boston Symphony Orchestra & Florence Kopleff | Requiem in D Minor, K. 626: VII. Confutatis | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant & Robert Arnold | Messiah: No. 1 Sinfonia (Overture) | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant, Robert Arnold, Robert Shaw Chorale and Orchestra, Robert Shaw Orchestra & Robert Shaw Chorale | Messiah - Part the Second: No. 34. Recitative: Unto Which of the Angels Said He At Any Time | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant & Robert Arnold | Messiah: No. 18 Air: Rejoice Greatly, O Daughter of Zion | |
| | Robert Shaw, Saramae Endich, Florence Kopleff & Robert Shaw Orchestra | Mass in B Minor, BWV 232: Credo. Et in unum Dominum | |
| | Charles Munch, Florence Kopleff, Catherine Akos & Boston Symphony Orchestra | Le martyre de Saint Sébastien (Abridged Version), L. 124, CD 130, Act 1, "La Cour des lys": "Frère, que sera-t-il le monde" (Les jumeaux) | |
| | Charles Munch, Mac Morgan, Tanglewood Choir, Blake Stern, Florence Kopleff, Boston Symphony Orchestra & Phyllis Curtin | Requiem in D Minor, K. 626: XIV. Lux aeterna | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant & Robert Arnold | Messiah: No. 3 Air: Every Valley Shall Be Exalted | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant, Robert Arnold, Robert Shaw Chorale, Robert Shaw Orchestra & Robert Shaw Chorale and Orchestra | Messiah - Part the First: No. 14a. Recitative: There Were Shepherds Abiding In the Field; No. 14b and Lo, the Angel of the Lord Came Upon Them | |
| | Beverly Sills, Florence Kopleff, Maurice Abravanel, Natania Davrath, University Of Utah Civic Chorale & Utah Symphony | Symphony No. 4, IV. Sehr behaglich: Langsam, Ruhevoll, Empfunden | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant, Robert Arnold, Robert Shaw Chorale and Orchestra, Robert Shaw Chorale & Robert Shaw Orchestra | Messiah/Part the Second/No. 44 Chorus: Hallelujah | |
| | Charles Munch, Phyllis Curtin, Boston Symphony Orchestra, Florence Kopleff, Mac Morgan, Blake Stern & Tanglewood Choir | Requiem in D Minor, K. 626: XI. Sanctus | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant, Robert Arnold, Robert Shaw Chorale, Robert Shaw Orchestra & Robert Shaw Chorale and Orchestra | Messiah - Part the Third: No. 53. Chorus: Worthy Is the Lamb That Was Slain | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant, Robert Arnold, Robert Shaw Chorale, Robert Shaw Orchestra & Robert Shaw Chorale and Orchestra | Messiah - Part the First: No. 6. Air: But Who May Abide the Day of His Coming? | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant, Robert Arnold, Robert Shaw Chorale, Robert Shaw Chorale and Orchestra & Robert Shaw Orchestra | Messiah - Part the Second: No. 40. Air: Why Do the Nations So Furiously Rage Together? | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant, Robert Arnold, Robert Shaw Chorale and Orchestra, Robert Shaw Chorale & Robert Shaw Orchestra | Messiah - Part the Second: No. 27. Recitative: All They That See Him Laugh Him to Scorn | |
| | Judith Raskin, Florence Kopleff, Ernst Haefliger, Thomas Paul, The Cleveland Orchestra, Cleveland Orchestra Chorus & Georg Szell | Requiem in D Minor, K. 626: VI. Benedictus (Live) | |
| | Robert Shaw, Florence Kopleff & Robert Shaw Chorale | Nobody Knows (Duh Trouble I See) | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant, Robert Arnold, Robert Shaw Orchestra, Robert Shaw Chorale & Robert Shaw Chorale and Orchestra | Messiah - Part the First: No. 11. Air: The People That Walked In Darkness | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant, Robert Arnold, Robert Shaw Chorale, Robert Shaw Chorale and Orchestra & Robert Shaw Orchestra | Messiah - Part the First: No. 17. Chorus: Glory to God | |
| | Robert Shaw Orchestra, Robert Shaw Chorale, Robert Shaw Chorale and Orchestra, Robert Shaw, Robert Conant, Robert Arnold, Florence Kopleff & Richard Lewis | Messiah: O Death, Where Is They Sting? But Thanks Be To God | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant & Robert Arnold | Messiah: No. 38 Air: How Beautiful Are the Feet | |
| | Florence Kopleff, Louis Quilico, University of Utah Chorus, Utah Symphony & Maurice Abravanel | Pacem In Terris: Pacem In Terris | |
| | Charles Munch, Boston Symphony Orchestra, Florence Kopleff, Catherine Akos, Phyllis Curtin & New England Conservatory Choir | Le Martyre de saint Sébastien, L. 124, Act I: La cour des lys | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant, Robert Arnold, Robert Shaw Chorale and Orchestra, Robert Shaw Orchestra & Robert Shaw Chorale | Messiah - Part the Second: No. 28. Chorus: He Trusted In God | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant & Robert Arnold | Messiah: No. 35 Chorus: Let All the Angels of God Worship Him | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant & Robert Arnold | Messiah: No. 13 Pifa (Pastoral Symphony) | |
| | Robert Shaw Chorale, Robert Shaw & Florence Kopleff | Silent, O Moyle | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant & Robert Arnold | Messiah: No. 47 Recitative: Behold, I Tell You a Mystery | |
| | Florence Kopleff, Louis Quilico, University of Utah Chorus, Utah Symphony & Maurice Abravanel | L'homme Et Son Desir: L'homme Qui Dort Debout | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant & Robert Arnold | Messiah: No. 29 Recitative: Thy Rebuke Hath Broken His Heart | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant & Robert Arnold | Messiah: No. 9 Air: O Thou That Tellest Good Tidings to Zion | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant, Robert Arnold, Robert Shaw Chorale and Orchestra, Robert Shaw Orchestra & Robert Shaw Chorale | Messiah - Part the Third: No. 49. Recitative: Then Shall Be Brought to Pass | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant & Robert Arnold | Messiah: No. 45 Air: I Know That My Redeemer Liveth | |
| | Charles Munch, Phyllis Curtin, Boston Symphony Orchestra, Mac Morgan, Blake Stern, Florence Kopleff & Tanglewood Choir | Requiem in D Minor, K. 626: XII. Benedictus | |
| | Charles Munch, Blake Stern, Florence Kopleff, Phyllis Curtin, Mac Morgan, Tanglewood Choir & Boston Symphony Orchestra | Requiem in D Minor, K. 626: III. Dies irae | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant & Robert Arnold | Messiah: No. 6 Air: But Who May Abide the Day of His Coming? | |
| | Fritz Reiner, Chicago Symphony Orchestra, Phyllis Curtin, Florence Kopleff, John McCollum, Donald Gramm & Chicago Symphony Chorus | Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto - Allegro assai - Rezitativo - "O Freunde, nicht diese Töne!" - Allegro assai | |
| | Judith Raskin, Florence Kopleff, Ernst Haefliger, Thomas Paul, The Cleveland Orchestra & Georg Szell | Requiem in D Minor, K. 626: IIIb. Tuba mirum (Live) | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant, Robert Arnold, Robert Shaw Orchestra, Robert Shaw Chorale & Robert Shaw Chorale and Orchestra | Messiah - Part the Second: No. 22. Chorus: Behold the Lamb of God | |
| | Beverly Sills, Florence Kopleff, Maurice Abravanel, University Of Utah Civic Chorale & Utah Symphony | Symphony No. 2 in C Minor: 5. Langsam. Misterioso (No. 31) | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant, Robert Arnold, Robert Shaw Orchestra, Robert Shaw Chorale & Robert Shaw Chorale and Orchestra | Messiah: Part the Second: No. 44 Chorus: Hallelujah | |
