| | Erich Leinsdorf, Sherrill Milnes, Valda Aveling, Tatiana Troyanos, Judith Raskin, George Shirley, Philharmonia Orchestra, Leontyne Price & Ezio Flagello | Ah! Che Tutta In un Momento (Finale) | |
| | Erich Leinsdorf, Philharmonia Orchestra, Leontyne Price, Sherrill Milnes, Tatiana Troyanos, George Shirley, Judith Raskin & Ezio Flagello | Così fan tutte, K. 588, Act I Scene 11: Che sussurro! Che strepito, che scompiglio è mai questo!... Temerari, sortite fuori di questo loco! | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant & Robert Arnold | Messiah: No. 4 Chorus: And the Glory of the Lord | |
| | Erich Leinsdorf, Philharmonia Orchestra, Sherrill Milnes, George Shirley, Judith Raskin & Ezio Flagello | Così fan tutte, K. 588, Act II: La mano a me date | |
| | George Szell, Judith Raskin & The Cleveland Orchestra | Exsultate Jubilate, K. 165 (158a): III. Allegro | |
| | Mario Lanza, Constantine Callinicos & Judith Raskin | The Vagabond King: Tomorrow | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant, Robert Arnold, Robert Shaw Orchestra, Robert Shaw Chorale & Robert Shaw Chorale and Orchestra | Messiah - Part the Second: No. 34. Recitative: Unto Which of the Angels Said He At Any Time | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant & Robert Arnold | Messiah: No. 18 Air: Rejoice Greatly, O Daughter of Zion | |
| | Mario Lanza & Judith Raskin | Only a Rose (From "The Vagabond King") | |
| | Mario Lanza, Raymond Murcell, Judith Raskin & Constantine Callinicos | I Want a Kiss (From "The Desert Song") | |
| | Judith Raskin | Ablösung im Sommer from Lieder und Gesänge (iii), No. 2 | |
| | Roberta Peters, Judith Raskin, Andrea Velis, The Metropolitan Opera Orchestra & Josef Krips | Die Zauberflöte, K. 620, Act II: Zurück! (Dialogue) | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant & Robert Arnold | Messiah: No. 3 Air: Every Valley Shall Be Exalted | |
| | Erich Leinsdorf, Philharmonia Orchestra & Judith Raskin | Così fan tutte, K. 588, Act II: Una donna a quindici anni | |
| | Erich Leinsdorf, Sherrill Milnes, Valda Aveling, Tatiana Troyanos, The Ambrosian Opera Chorus, Judith Raskin, John McCarthy, George Shirley, Philharmonia Orchestra, Leontyne Price & Ezio Flagello | Miei Signori, Tutto È Fatto | |
| | Judith Raskin & George Schick | Frühlingstraum from Winterreise, D.911 | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant, Robert Arnold, Robert Shaw Chorale and Orchestra, Robert Shaw Orchestra & Robert Shaw Chorale | Messiah - Part the Second: No. 40. Air: Why Do the Nations So Furiously Rage Together? | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant, Robert Arnold, Robert Shaw Chorale, Robert Shaw Orchestra & Robert Shaw Chorale and Orchestra | Messiah - Part the First: No. 6. Air: But Who May Abide the Day of His Coming? | |
| | Callinicos Orchestra, Constantine Callinicos, Judith Raskin & Callinicos Choir | The Desert Song, Act I: French Military Marching Song (Margot, Choir) | |
| | Judith Raskin, Florence Kopleff, Ernst Haefliger, Thomas Paul, The Cleveland Orchestra, Cleveland Orchestra Chorus & Georg Szell | Requiem in D Minor, K. 626: VI. Benedictus (Live) | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant, Robert Arnold, Robert Shaw Chorale, Robert Shaw Chorale and Orchestra & Robert Shaw Orchestra | Messiah - Part the First: No. 11. Air: The People That Walked In Darkness | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant, Robert Arnold, Robert Shaw Chorale and Orchestra, Robert Shaw Chorale & Robert Shaw Orchestra | Messiah - Part the First: No. 17. Chorus: Glory to God | |
| | Erich Leinsdorf, Philharmonia Orchestra, Leontyne Price, Tatiana Troyanos, Judith Raskin & Valda Aveling | Così Fan Tutte: Che vita maledetta | |
| | Judith Raskin | Die Liebende schreibt from Six Songs, Op. 86, No. 3 | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant & Robert Arnold | Messiah: No. 35 Chorus: Let All the Angels of God Worship Him | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant & Robert Arnold | Messiah: No. 13 Pifa (Pastoral Symphony) | |
| | Da Capo Chamber Players, John DeMain & Judith Raskin | Nocturnes: Witchery | |
| | The Cleveland Orchestra, George Szell & Judith Raskin | Exultate, jubilate, K. 165: Alleluja | |
| | Mario Lanza & Judith Raskin | Love Me Tonight (From "The Vagabond King") | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant & Robert Arnold | Messiah: No. 29 Recitative: Thy Rebuke Hath Broken His Heart | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant & Robert Arnold | Messiah: No. 9 Air: O Thou That Tellest Good Tidings to Zion | |
| | Judith Raskin & George Schick | Der Jüngling und der Quelle, D.300 | |
| | Igor Stravinsky, Jean Manning, Regina Sarfaty, Alexander Young, Kevin Miller, John Reardon, Judith Raskin, Don Garrard, Peter Tracey, Colin Tilney, Sadler's Wells Opera Chorus & Royal Philharmonic Orchestra | The Rake's Progress: "I go to him..." (Cabaletta) | |
| | Judith Raskin & George Schick | Liebe schwärmt auf allen Wegen from Claudine von Villa Bella (Ariette der Claudine), D.239 | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant, Robert Arnold, Robert Shaw Chorale and Orchestra, Robert Shaw Chorale & Robert Shaw Orchestra | Messiah - Part the First: No. 5. Recitative: Thus Saith the Lord | |
| | Mario Lanza & Judith Raskin | Tomorrow (From "The Vagabond King") | |
| | Erich Leinsdorf, Sherrill Milnes, Valda Aveling, Judith Raskin, Philharmonia Orchestra, Leontyne Price & Ezio Flagello | Come Tutto Conguira a Sedurre Il Mio Cor! | |
| | Mario Lanza, Judith Raskin & Constantine Callinicos | Tomorrow (From "The Vagabond King") | |
| | Robert Shaw, Judith Raskin, Florence Kopleff, Richard Lewis, Thomas Paul, Robert Conant & Robert Arnold | Messiah: No. 40 Air: Why Do the Nations So Furiously Rage Together? | |
| | Renato Fasano, Shirley Verrett, Anna Moffo, Judith Raskin, I Virtuosi Di Roma, Instrumental Ensemble of the Collegium Musicum Italicum & Polyphonic Chorus of Rome | Orfeo ed Euridice: Ah! se intorno | |
| | Judith Raskin | Six Songs, Op. 86: No. 3, Die Liebende schreibt | |
| | Judith Raskin & George Schick | Lied der Mignon, D.877 No.4 | |
| | Judith Raskin, George Shirley, Paul Franke, Raymond Michalski, The Metropolitan Opera Orchestra & Josef Krips | Die Zauberflöte, K. 620, Act II: Tamino mein! | |
| | Mario Lanza & Judith Raskin | French Military Marching Song | |
| | Leonard Bernstein, New York Philharmonic, Judith Raskin, John Reardon & Alexander Young | Die Schöpfung, Hob. XXI:2, Part Two: 19. Der Herr ist groß in seiner Macht (Terzett mit Chor) | |
| | Renato Fasano, Shirley Verrett, Anna Moffo, Judith Raskin, I Virtuosi Di Roma, Instrumental Ensemble of the Collegium Musicum Italicum & Polyphonic Chorus of Rome | Orfeo ed Euridice: Amici, quel lamento | |
| | Judith Raskin, Theodor Uppman, Andrea Velis, The Metropolitan Opera Orchestra, The Metropolitan Opera Chorus & Josef Krips | Die Zauberflöte, K. 620, Act I: Schnelle Füsse, rascher Mut | |
| | Erich Leinsdorf, Philharmonia Orchestra, Judith Raskin & Valda Aveling | Così Fan Tutte: Una donna a quindici anni (Aria) | |
| | George Szell, Judith Raskin & The Cleveland Orchestra | Exsultate Jubilate, K. 165 (158a): II. Andante | |
| | Leonard Bernstein, Judith Raskin, Alexander Young, John Reardon, Bruce Prince-Joseph, Bernard Altmann & New York Philharmonic | Die Schöpfung, Hob. XXI: 2: No. 34 - Singt dem Herren alle Stimmen! | |
