| | Maria Kliegel, Michael Halász & Royal Philharmonic Orchestra | Cello Concerto in E Minor, Op. 85: I. Adagio-Moderato | |
| | Maria Kliegel & Nina Tichman | Cello Sonata No. 2 in G Minor, Op. 117: II. Andante | |
| | Bernd Glemser & Maria Kliegel | Cello Sonata in G minor, Op. 65: III. Largo | |
| | Maria Kliegel, Michael Halász & Royal Philharmonic Orchestra | Cello Concerto in E Minor, Op. 85: III. Adagio | |
| | Bournemouth Sinfonietta | The Swan (Adagio) | |
| | Maria Kliegel & Raimund Havenith | Schwanengesang, D. 957: No. 4, Standchen (Serenade) (trans. H. Marteau) | |
| | Maria Kliegel & Nina Tichman | Elegie, Op. 24 | |
| | Maria Kliegel, Michael Halász & Royal Philharmonic Orchestra | Cello Concerto in E Minor, Op. 85: II. Lento-Allegro Molto | |
| | Béla Drahos, Doug-Suk Kang, Jenő Jandó, Maria Kliegel & Nicolaus Esterházy Sinfonia | Concerto in C Major for Violin, Cello, and Piano, Op. 56: Largo | |
| | Gerhard Markson, Maria Kliegel & RTÉ National Symphony Orchestra | 6 Pieces, Op. 19, TH 133: No. 4, Nocturne (Version for Cello & Orchestra) | |
| | Maria Kliegel & RTÉ National Symphony Orchestra | Kol Nidrei, Adagio on Hebrew Melodies, Op. 47 | |
| | Maria Kliegel & Nina Tichman | Cello Sonata in A major, Op. 69: III. Adagio cantabile - Allegro vivace | |
| | Maria Kliegel & Tabea Zimmerman | Duet in A-Flat Major for Viola and Cello, WoO 32 (Duet with Two Obbligato Eyeglasses): II. Minuetto | |
| | Maria Kliegel & Tabea Zimmerman | Duet in A-Flat Major for Viola and Cello, WoO 32 (Duet with Two Obbligato Eyeglasses): I. Allegro | |
| | Bournemouth Sinfonietta & Maria Kliegel | Cello Concerto No.1 in A Minor, Op.33: Allegro non troppo | |
| | Maria Kliegel | Suite No. 1 in G Major, BWV 1007: I. Prelude | |
| | Camerata Transsylvanica, Elsbeth Moser & Maria Kliegel | Sieben Worte, for cello, bayan and strings: VII. Vater, ich befehle meinen Geist in deine Hande (Father, into thy hands I commend my spirit) | |
| | Elsbeth Moser, Kathrin Rabus & Maria Kliegel | Silenzio, for Bayan, Violin, and Cello: I | |
| | Maria Kliegel & Nina Tichman | Sicilienne, Op. 78 | |
| | Maria Kliegel | Cello Suite No. 1 in G Major, BWV 1007: V. Menuet I and II | |
| | Bournemouth Sinfonietta & Maria Kliegel | Carnival of the Animals: The Swan (Adagio) | |
| | Bournemouth Sinfonietta & Maria Kliegel | Cello Concerto No.1 in A Minor, Op.33: Allegro non troppo | |
| | Maria Kliegel & Nina Tichman | Figaro Variations from Rossini's the Barber of Seville: Figaro Variations from Rossini's the Barber of Seville (ed. G. Piatigorsky) | |
| | Maria Kliegel & Raimund Havenith | 10 Violin Sonatas, Book 1: No. 5 in D minor: Allegro spiritoso (trans. J. Salmon) | |
| | Maria Kliegel & Raimund Havenith | Intermezzo from Goyescas (trans. G. Cassado) | |
| | Maria Kliegel & Raimund Havenith | Dance of the Green Devil | |
| | Maria Kliegel, Jean-Francois Monnard & Bournemouth Sinfonietta | Carnival of the Animals: XIII. Le cygne (The Swan) (Arr. for Cello and Orchestra) | |
| | Maria Kliegel & Raimund Havenith | Overture (Suite) No. 3 in D Major, BWV 1068: II. Air, "Air On a G String" [Arr. L. Rose] | |
| | Camerata Transsylvanica, Elsbeth Moser & Maria Kliegel | Sieben Worte, for cello, bayan and strings: VI. Es ist vollbracht (It is accomplished) | |
| | Camerata Transsylvanica, Elsbeth Moser & Maria Kliegel | Sieben Worte, for cello, bayan and strings: V. Mich durstet (I Thirst) | |
| | Camerata Transsylvanica, Elsbeth Moser & Maria Kliegel | Sieben Worte, for cello, bayan and strings: IV. Mein Gott, mein Gott, warum hast du mich verlassen? (My God, my God, why hast thou forsaken me?) | |
| | Camerata Transsylvanica, Elsbeth Moser & Maria Kliegel | Sieben Worte, for cello, bayan and strings: I. Vater, vergib ihnen, denn sie wissen nicht, was sie tun (Father, forgive them....) | |
| | Bournemouth Sinfonietta & Maria Kliegel | Suite, Op.16: Serenade: Allegro non troppo | |
| | Bournemouth Sinfonietta & Maria Kliegel | Cello Concerto No.1 in A Minor, Op.33: Allegretto con moto | |
| | Maria Kliegel, Nicolaus Esterházy Sinfonia & Gerhard Markson | Wiegenlied (Lullaby) | |
| | Maria Kliegel & Nina Tichman | Berceuse, Op. 16 (arr. for Cello and Piano) | |
| | Maria Kliegel & Nina Tichman | Violin Sonatina in G Major, Op. 100 (arr. O. Hartwieg for Cello): II. Larghetto | |
| | Maria Kliegel, Michael Halász & Royal Philharmonic Orchestra | Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | |
| | Bernd Glemser & Maria Kliegel | Nocturne in C Sharp Minor, B.I. 49 | |
| | Maria Kliegel | Adagio Non Troppo | |
| | Maria Kliegel, Royal Philharmonic Orchestra & Michael Halász | Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | |
| | Maria Kliegel, Michael Halász & Royal Philharmonic Orchestra | Cello Concerto in B Minor, Op. 104, B. 191: III. Finale: Allegro moderato - Andante - Allegro vivo | |
| | Maria Kliegel | Suite No. 2 in D Minor, BWV 1008: IV. Sarabande | |
| | Maria Kliegel | Suite No. 6 in D Major, BWV 1012: II. Alemande | |
| | Maria Kliegel, Nina Tichman & Ib Hausmann | Clarinet Trio in E flat major, Op. 38, "Piano Trio No. 8" (arr. from Septet, Op. 20): V. Scherzo: Allegro molto e vivace | |
| | Maria Kliegel & Jörg Demus | Sonata for Violoncello and Piano in A Major, M. 8 (1886): Allegro [Remastered Version] [Live] | |
| | Maria Kliegel, Helmut Müller-Brühl & Cologne Chamber Orchestra | Cello Concerto No. 2 in D major, Hob.VIIb:2: III. Allegro | |
| | Maria Kliegel & Nina Tichman | String Trio in E flat major, Op. 3 (arr. for cello and piano): II. Andante | |
| | Jenő Jandó, Dong-Suk Kang, Maria Kliegel, Béla Drahos & Nicolaus Esterházy Sinfonia | Triple Concerto for Violin, Cello and Piano in C Major, Op. 56: III. Rondo alla polacca | |
| | Kristin Merscher & Maria Kliegel | Arpeggione Sonata In A Minor, D. 821: II. Adagio | |
