| | Camerata Transsylvanica, Elsbeth Moser & Maria Kliegel | Sieben Worte, for cello, bayan and strings: VII. Vater, ich befehle meinen Geist in deine Hande (Father, into thy hands I commend my spirit) | |
| | Camerata Transsylvanica, Elsbeth Moser & Maria Kliegel | Sieben Worte, for cello, bayan and strings: VI. Es ist vollbracht (It is accomplished) | |
| | Camerata Transsylvanica, Elsbeth Moser & Maria Kliegel | Sieben Worte, for cello, bayan and strings: V. Mich durstet (I Thirst) | |
| | Camerata Transsylvanica, Elsbeth Moser & Maria Kliegel | Sieben Worte, for cello, bayan and strings: IV. Mein Gott, mein Gott, warum hast du mich verlassen? (My God, my God, why hast thou forsaken me?) | |
| | Camerata Transsylvanica, Elsbeth Moser & Maria Kliegel | Sieben Worte, for cello, bayan and strings: I. Vater, vergib ihnen, denn sie wissen nicht, was sie tun (Father, forgive them....) | |
| | Camerata Transsylvanica & Adrian Sunshine | Chamber Symphony, Op. 110a: III. Allegretto | |
| | Camerata Transsylvanica & György Selmeczi | Valses oubliée, S. 215/3: No. 3 | |
| | Camerata Transsylvanica & György Selmeczi | Csárdás obstiné, S. 225: No. 2, 2 Csárdás | |
| | Camerata Transsylvanica, Elsbeth Moser & Maria Kliegel | Sieben Worte, for cello, bayan and strings: II. Weib, siehe, das ist dein Sohn. Siehe, das ist deine Mutter (Woman, behold thy Son. Son, behold....) | |
| | Camerata Transsylvanica & Adrian Sunshine | Transfigured Night | |
| | Camerata Transsylvanica & György Selmeczi | Historical Hungarian Portraits, S. 205: No. 4, Teleki László | |
| | Camerata Transsylvanica & Adrian Sunshine | Chamber Symphony, Op. 110a: V. Largo | |
| | Camerata Transsylvanica & György Selmeczi | Valses oubliée, S. 215/2: No. 2 | |
| | Camerata Transsylvanica & György Selmeczi | Historical Hungarian Portraits,, S. 205: No. 7, Mosonyi Mihály | |
| | Maria Kliegel, Elsbeth Moser, Camerata Transsylvanica & Gyorgy Selmeczi | 7 Worte: No. 4, Mein Gott, mein Gott, warum hast du mich verlassen? | |
| | Camerata Transsylvanica & György Selmeczi | Valses oubliée, S. 215/1: No. 1 | |
| | Camerata Transsylvanica & György Selmeczi | Historical Hungarian Portraits, S. 205: No. 1, Széchenyi István | |
| | Camerata Transsylvanica & Erich Bergel | Symphony No. 2, H.153: II. Adagio mesto | |
| | Camerata Transsylvanica & György Selmeczi | Csárdás macabre, S. 224 | |
| | Janos Selmeczi, Gyorgy Selmeczi & Camerata Transsylvanica | Thais: Thais, Act II: Meditation | |
| | Maria Kliegel, Elsbeth Moser, Kathrin Rabus, Gyorgy Selmeczi & Camerata Transsylvanica | Silenzio: II | |
| | Camerata Transsylvanica & György Selmeczi | Historical Hungarian Portraits, S. 205: No. 5, Deák Ferenc | |
| | Camerata Transsylvanica & Adrian Sunshine | Chamber Symphony, Op. 110a: I. Largo | |
| | Camerata Transsylvanica & Adrian Sunshine | Chamber Symphony, Op. 110a: IV. Largo | |
| | Camerata Transsylvanica & Janos Selmeczi | Thais, Act II: Meditation | |
| | Camerata Transsylvanica & György Selmeczi | Historical Hungarian Portraits, S. 205: No. 6, Petőfi Sándor | |
| | Camerata Transsylvanica & György Selmeczi | Valses oubliée, S. 215/4: No. 4 | |
| | József Balogh, József Gábor, Camerata Transsylvanica, Gyorgy Selmeczi & János Selmeczi | Valse Triste | |
| | Camerata Transsylvanica & Erich Bergel | Symphony No. 2, H.153: I. Molto moderato / Allegro | |
| | Camerata Transsylvanica & Erich Bergel | Symphony No. 2, H.153: III. Vivace, non troppo | |
| | Camerata Transsylvanica & Erich Bergel | Metamorphoses | |
| | Camerata Transsylvanica, Elsbeth Moser & Maria Kliegel | Sieben Worte, for cello, bayan and strings: III. Wahrlich, ich sage dir: Heute wirst du mit mir im Paradiese sein (Verily, I say unto thee....) | |
| | Camerata Transsylvanica | Silenzio (for Accordion, Violin and Cello): II | |
| | Camerata Transsylvanica & Adrian Sunshine | Chamber Symphony, Op. 110a: II. Allegro molto | |
| | Camerata Transsylvanica & György Selmeczi | Historical Hungarian Portraits, S. 205: No. 3, Vörösmarty Mihály | |
| | Camerata Transsylvanica & György Selmeczi | Historical Hungarian Portraits, S. 205: No. 2, Eötvös József | |
