| | Nicholas Phan & Myra Huang | Goethe-Lieder: No. 11, Der Rattenfänger | |
| | San Francisco Symphony Chorus, Michael Tilson Thomas, San Francisco Symphony & Nicholas Phan | Roméo et Juliette, Op. 17, H. 79: Pt. 3, Finale - Oath of Reconciliation | |
| | Nicholas Phan & Myra Huang | Cantique | |
| | American Symphony Orchestra, Leon Botstein, Deanna Breiwick, Margaret O'Connell, Kate Maroney, Camille Zamora, Nathan Stark, Nicholas Phan & Matthe Tuell | Die Verschworenen, D. 787: VIII. Chor der Ritter und Frauen. Willkommen, schön willkommen (Live) | |
| | Venice Baroque Orchestra, Franziska Gottwald, Karina Gauvin, Markellos Chryssicos, Nicholas Phan, Nicholas Spanos, Romina Basso & Ruth Rosigue | L'Olimpiade, Act III: VII. Viva il figlio delinquente | |
| | Nicholas Phan, Myra Huang & Jennifer Montone | The Heart of the Matter: Canticle III. Still Falls the Rain, Op. 55 | |
| | Nicholas Phan & Brooklyn Rider | Stranger: III. All Men | |
| | Nicholas Phan & Myra Huang | Folksong Arrangements for Voice and Piano: Greensleeves | |
| | Nicholas Phan, Marie Tachouet, Stephen Taylor, Charles Neidich, Virgil Blackwell, Peter Kolkay, Jim Pugh, Aaron Boyd, Miranda Cuckson, Tai Murray, Katie Hyun, Richard O'Neill, David Fulmer, Michael Nicolas, Jay campbell, Donald Palma, Jeremy McCoy, Stephen Gosling, Mike Truesdell, Ryan McAdams & Gordon Gottlieb | A Sunbeam's Architecture: III. My Sweet Old Etcetera | |
| | Nicholas Phan, Telegraph Quartet & Myra Huang | La bonne chanson, Op. 61: VIII. N’est-ce pas? | |
| | Diana Moore, Gabrielle Haigh, Nicholas Phan, Philip Cutlip, Philharmonia Baroque Orchestra & Nicholas McGegan | Joseph and His Brethren, HWV 59, Pt. 3: I Can no Longer | |
| | Nicholas Phan & Myra Huang | Seven Sonnets of Michelangelo, Op. 22: Sonnetto XXXVII | |
| | Venice Baroque Orchestra, Markellos Chryssicos & Nicholas Phan | L'Olimpiade, Act III: VI. Non sò d'onde viene | |
| | Nicholas Phan & Myra Huang | 15 Volkskinderlieder, WoO 31: No. 4, Sandmännchen | |
| | Nicholas Phan & Myra Huang | Lydia | |
| | Tyler Oliphant, Deborah Selig, Pei Yi Wang, Sarah Elizabeth Williams, Thomas Glenn, Brian Pfaltzgraf, Nicholas Phan, Jesse Blumberg, Mark Kent, Michigan University Opera Chorus, Kenneth Kiesler & Michigan University Symphony Orchestra | The Final Ingredient: Scene 10 | |
| | Nicholas Phan & Myra Huang | Seven Sonnets of Michelangelo, Op. 22: Sonnetto XXXI | |
| | Apollo's Fire, Jeannette Sorrell & Nicholas Phan | St. John Passion, BWV 245 Pt. 2: No. 27, Die Kriegsknechte aber - Lasset uns den nicht zerteilen – Auf daß erfüllet würde die Schrift (Recitative) | |
| | Joanne Lunn, Robin Blaze, Katsuhiko Nakashima, Christian Immler, Nicholas Phan, Dominik Wörner, Bach Collegium Japan & Masaaki Suzuki | Geschwinde, ihr wirbelnden Winde, BWV 201: No. 12, Wie, Midas, bist du toll | |
| | Nicholas Phan & Myra Huang | Clairières dans le ciel: IV. Un poete disait | |
| | Nicholas Phan, Ann Marie Morgan & Michael Leopold | Fairest Work of Happy Nature | |
| | Nicholas Phan & Myra Huang | Ariettes oubliées, L. 60: II. Il pleure dans mon coeur | |
| | Diana Moore, Suzana Ograjenšek, Clint Van Der Linde, Nicholas Phan, Philharmonia Chorale, Philharmonia Baroque Orchestra & Nicholas McGegan | La gloria di primavera, Pt. 2: Vieni ò Re dell'alte sfere (Primavera, Estate, Autunno, Inverno, Chorus) | |
| | Meigui Zhang, Nicholas Phan, Matthew Worth, Amir Hoshang Farsi, Arnaud Sussmann, Jennifer Frautschi, Tien-Hsin Cindy Wu, Inbal Segev, Scott Pingel & Mika Sasaki | Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata": VI. Aria. Mädchen, die von Harten Sinnen (Live) | |
| | Nicholas Phan, Philharmonia Baroque Orchestra & Nicholas McGegan | Joseph and His Brethren, HWV 59, Pt. 3: O Gracious God | |
| | Nicholas Phan & Myra Huang | Soleils couchants | |
| | Tyler Duncan, San Francisco Symphony Chorus, Michael Tilson Thomas, San Francisco Symphony & Nicholas Phan | Canticum sacrum: I. Dedicatio | |
| | Diana Moore, Suzana Ograjenšek, Clint Van Der Linde, Nicholas Phan, Philharmonia Chorale, Philharmonia Baroque Orchestra & Nicholas McGegan | La gloria di primavera, Pt. 2: Se spuntò già di piacere (Primavera, Estate, Autunno, Inverno, Chorus) | |
| | Nicholas Phan, Edward Polochick & Baltimore Symphony Orchestra | Messiah, HWV 56, Pt. 2 (Ed. W. Shaw): No. 34, Unto Which of the Angels Said He at Any Time | |
| | Apollo's Fire, Jeannette Sorrell, Nicholas Phan, Jeffrey Strauss & Jesse Blumberg | St. John Passion, BWV 245 Pt. 2: No. 18, Da sprach Pilatus zu ihm – Nicht diesen, sondern Barrabam! – Barrabam aber war ein Mörder (Recitative) | |
| | Gabrielle Haigh, Diana Moore, Nicholas Phan, Philharmonia Baroque Orchestra & Nicholas McGegan | Joseph and His Brethren, HWV 59, Pt. 2: This Kiss, My Gracious Lord | |
| | Meigui Zhang, Nicholas Phan, Matthew Worth, Amir Hoshang Farsi, Arnaud Sussmann, Jennifer Frautschi, Tien-Hsin Cindy Wu, Inbal Segev, Scott Pingel & Mika Sasaki | Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata": V. Recitativo. Wenn du mir Nicht den Kaffee Läßt (Live) | |
| | Nicholas Phan, Ann Marie Morgan & Michael Leopold | Evening Hymn, Z. 193 | |
| | Nicholas Phan & Brooklyn Rider | Stranger: VII. My Love | |
| | Nicholas Phan, Philharmonia Baroque Orchestra & Nicholas McGegan | La gloria di primavera, Pt. 2: Anch'io potea di tenebrosi orrori (Inverno) | |
| | Palaver Strings & Nicholas Phan | I Dreamed I Saw Joe Hill Last Night (Arr. for Voice & Chamber Ensemble by Domenic Salerni) | |
| | Tyler Duncan, San Francisco Symphony Chorus, Michael Tilson Thomas, San Francisco Symphony & Nicholas Phan | Canticum sacrum: IV. Ad tres virtutes hortationes (caritas, spes fides) | |
| | Nicholas Phan & Myra Huang | Clairières dans le ciel: XI. Par ce que j’ai souffert | |
| | Nicholas Phan, The Knights & Eric Jacobsen | Les Illuminations, Op. 18: IIIa. Phrase | |
| | Nicholas Phan, Colin Jacobsen, The Knights & Eric Jacobsen | Impossible Things: Part I: The Hereafter, Near an Open Window | |
| | Joanne Lunn, Robin Blaze, Nicholas Phan, Dominik Wörner, Bach Collegium Japan & Masaaki Suzuki | Auf, schmetternde Töne der muntern Trompeten, BWV 207a: No. 8, Ihr Fröhlichen, herbei | |
| | Nicholas Phan, Philharmonia Baroque Orchestra & Nicholas McGegan | La gloria di primavera, Pt. 1: Vidi anch'io con orrore più d'un Regno (Inverno) | |
| | Evan Premo, Kenneth Kiesler, Michigan University Symphony Orchestra, Anne Carolyn Bird, Nicholas Phan & Tim Eriksen | The Old Burying Ground, Book 1: III. O Say Grim Death | |
| | Michigan University Opera Orchestra, Alissa Mercurio, Michigan University Opera Chorus, Gary Moss, Megan Besley, Kenneth Kiesler, Theodore Bikel, Michael Gallant & Nicholas Phan | Gimpel the Fool: Act II Scene 11c: Gimpel and the Goat (Gimpel, Goat, Elka) | |
| | Venice Baroque Orchestra, Markellos Chryssicos & Nicholas Phan | L'Olimpiade, Act II: V. Sò ch'è fanciullo Amore | |
| | Tyler Duncan, San Francisco Symphony Chorus, Michael Tilson Thomas, San Francisco Symphony & Nicholas Phan | Canticum sacrum: V. Brevis motus cantilenae | |
| | Palaver Strings & Nicholas Phan | It Isn't Nice (Arr. for Voice & Chamber Ensemble by Domenic Salerni) | |
| | Nicholas Phan, Pierre Boulez, Chicago Symphony Orchestra, Roxana Constantinescu & Kyle Ketelsen | Pulcinella: Gavotta Con Due Variazioni: Variation 2 | |
| | Nicholas Phan, Philharmonia Baroque Orchestra & Nicholas McGegan | Joseph and His Brethren, HWV 59, Pt. 2: Our Rev'rend Sire Intreats Thee | |
| | Anne Carolyn Bird, Nicholas Phan, Kenneth Kiesler, Tim Eriksen, Michigan University Symphony Orchestra & Evan Premo | The Old Burying Ground, Book 2: II. Her Void (Poem) | |
