| | The King's Consort, Matthew Halls & Diana Moore | Parnasso in Festa, HWV 73: Part 2 II. Recitative: Qual tetra nube, Orfeo (Apollo) | |
| | King's Consort Choir, Matthew Halls, Rebecca Outram, The King's Consort, Carolyn Sampson & Diana Moore | Parnasso in Festa, HWV 73, Pt. 1: No. 20, Coro e Soli. S'accenda pur di festa il cor (Clio/Calliope/Apollo) | |
| | Philharmonia Baroque Orchestra, Nicholas McGegan & Diana Moore | La gloria di primavera, Pt. 2: XXXII. Recitativo. Giove, e tu non rispondi? | |
| | Philharmonia Baroque Orchestra, Nicholas McGegan & Diana Moore | La gloria di primavera, Pt. 2: III. Vieni ò re dell'alte sfere | |
| | Philharmonia Baroque Orchestra, Nicholas McGegan & Diana Moore | La gloria di primavera, Pt. 1: XVIII. Aria. È più caro il fonte e'l rio | |
| | Diana Moore, Gabrielle Haigh, Nicholas Phan, Philip Cutlip, Philharmonia Baroque Orchestra & Nicholas McGegan | Joseph and His Brethren, HWV 59, Pt. 3: I Can no Longer | |
| | Philip Cutlip, Diana Moore, Philharmonia Baroque Orchestra & Nicholas McGegan | Joseph and His Brethren, HWV 59, Pt. 1: Thus Stranger, I Have Laid My Troubled Thoughts | |
| | Abi Levis, Diana Moore, Philharmonia Baroque Orchestra & Nicholas McGegan | Joseph and His Brethren, HWV 59, Pt. 1: Joseph, Thy Fame Has Reach'd Great Pharaoh's Ear | |
| | Glenn Dale | On My Knees (feat. Diana Moore) | |
| | Diana Moore, Sherezade Panthaki, Philharmonia Baroque Orchestra & Nicholas McGegan | Joseph and His Brethren, HWV 59, Pt. 2: Whence, Asenath, This Grief That Hangs upon Thee? | |
| | Diana Moore, Philharmonia Baroque Orchestra & Nicholas McGegan | La gloria di primavera, Pt. 1: Già fermò sull'empia ruota (Primavera) | |
| | Diana Moore, Philharmonia Baroque Orchestra & Nicholas McGegan | La gloria di primavera, Pt. 1: Solca il mar, scioglie le vele (Primavera) | |
| | Philharmonia Baroque Orchestra, Nicholas McGegan & Diana Moore | La gloria di primavera, Pt. 1: XIX. Recitativo. Vidi anch'io con orrore più d'un Regno | |
| | Diana Moore & John Reid | There Have Been Happy Days: II. The Soldier | |
| | The King's Consort, Matthew Halls & Diana Moore | Parnasso in Festa, HWV 73: Part 3 XV. Recitative: Di virtù, di valor, pietà, e clemenza (Apollo) | |
| | Diana Moore, Suzana Ograjenšek, Clint Van Der Linde, Nicholas Phan, Philharmonia Chorale, Philharmonia Baroque Orchestra & Nicholas McGegan | La gloria di primavera, Pt. 2: Vieni ò Re dell'alte sfere (Primavera, Estate, Autunno, Inverno, Chorus) | |
| | Philharmonia Baroque Orchestra, Nicholas McGegan & Diana Moore | La gloria di primavera, Pt. 2: X. Recitativo. Pria di formar le stele | |
| | Diana Moore & John Reid | Rest | |
| | Diana Moore, Festspiel Orchester Gottingen & Laurence Cummings | The Choice of Hercules, HWV 69: No. 17, Oh! Whither, Reason, Dost Thou Fly? (Live) | |
| | Diana Moore, Suzana Ograjenšek, Clint Van Der Linde, Nicholas Phan, Philharmonia Chorale, Philharmonia Baroque Orchestra & Nicholas McGegan | La gloria di primavera, Pt. 2: Se spuntò già di piacere (Primavera, Estate, Autunno, Inverno, Chorus) | |
| | Philharmonia Baroque Orchestra, Nicholas McGegan & Diana Moore | La gloria di primavera, Pt. 2: XXXVII. Coro. Ò bell'età dell'oro | |
| | Diana Moore, Concert Artists of Baltimore Symphonic Chorale, Baltimore Symphony Orchestra & Edward Polochick | Messiah, HWV 56, Pt. 1 (Ed. W. Shaw): No. 9, O Thou That Tellest Good Tidings to Zion | |
| | Philharmonia Baroque Orchestra, Nicholas McGegan & Diana Moore | La gloria di primavera, Pt. 2: XXIV. Recitativo. Gran padre delle stele | |
| | Gabrielle Haigh, Diana Moore, Nicholas Phan, Philharmonia Baroque Orchestra & Nicholas McGegan | Joseph and His Brethren, HWV 59, Pt. 2: This Kiss, My Gracious Lord | |
| | The King's Consort, King's Consort Choir, Matthew Halls & Diana Moore | Parnasso in Festa, HWV 73: Part 3 XVI. Solo e Coro: Lunga serie d'alti eroi (Apollo) | |
| | Philharmonia Baroque Orchestra, Nicholas McGegan & Diana Moore | La gloria di primavera, Pt. 2: IV. Recitativo. Ecco che a noi sen viene | |
| | Diana Moore & John Reid | Weep You No. More | |
| | Diana Moore, Edward Polochick & Baltimore Symphony Orchestra | Messiah, HWV 56, Pt. 2 (Ed. W. Shaw): No. 23, He Was Despised and Rejected of Men | |
| | The King's Consort, Matthew Halls & Diana Moore | Parnasso in Festa, HWV 73: Part 1 VIII. Aria: Gran Tonante, Giove immenso (Apollo) | |
| | Diana Moore, Matthew Halls & The King's Consort | Parnasso in Festa, HWV 73, Pt. 1: No. 12, Recit. Rimembranza gradita (Apollo) | |
| | The King's Consort, Matthew Halls, King's Consort Choir & Diana Moore | Parnasso in Festa, HWV 73, Pt. 1: No. 5, Solo e Coro. Deh! cantate un bell'amor (Apollo) | |
| | Philharmonia Baroque Orchestra, Nicholas McGegan & Diana Moore | La gloria di primavera, Pt. 2: XXX. Recitativo. Chiaro qual nacque al mondo | |
| | Diana Moore, Matthew Halls & The King's Consort | Parnasso in Festa, HWV 73, Pt. 2: No. 15, Recit. Figlio, diletto Orfeo (Apollo) | |
| | Glenn Dale | On My Knees (Jazzyfunk Remix) [feat. Diana Moore] | |
| | The King's Consort, Matthew Halls & Diana Moore | Parnasso in Festa, HWV 73: Part 2 III. Aria: Torni pure un' bel splendore (Apollo) | |
| | Philharmonia Baroque Orchestra, Nicholas McGegan & Diana Moore | La gloria di primavera, Pt. 2: VII. Se spuntò già di piacere | |
| | Philharmonia Baroque Orchestra, Nicholas McGegan & Diana Moore | La gloria di primavera, Pt. 2: XIX. Aria. Canta dolce il rosignuolo | |
| | Diana Moore, Suzana Ograjenšek, Clint Van Der Linde, Nicholas Phan, Philharmonia Baroque Orchestra & Nicholas McGegan | La gloria di primavera, Pt. 1: Tal virtù seco trasse (Primavera,Estate, Autunno, Inverno) | |
| | Diana Moore, Matthew Halls & The King's Consort | Parnasso in Festa, HWV 73, Pt. 1: No. 8, Aria. Gran Tonante, Giove immenso (Apollo) | |
| | Philharmonia Baroque Orchestra, Nicholas McGegan & Diana Moore | La gloria di primavera, Pt. 2: XXII. Recitativo. E voi che parte aveste | |
| | Matthew Halls, Lucy Crowe, Diana Moore, Peter Harvey, The King's Consort, Rebecca Outram, Ruth Massey & Carolyn Sampson | Parnasso in Festa, HWV 73, Pt. 1: No. 4, Recit. Germane, figlio amato (Apollo/Clio/Calliope/Orfeo/Clori/Euterpe/Marte) | |
| | Philharmonia Baroque Orchestra, Nicholas McGegan & Diana Moore | La gloria di primavera, Pt. 2: XX. Recitativo. Trassi dal nulla il tutto | |
| | Diana Moore, Philharmonia Baroque Orchestra & Nicholas McGegan | Joseph and His Brethren, HWV 59, Pt. 1: Be Firm, My Soul | |
| | Philharmonia Baroque Orchestra, Nicholas McGegan & Diana Moore | La gloria di primavera, Pt. 1: V. Recitativo. Non più sterili, e meste | |
| | Diana Moore, Matthew Halls & The King's Consort | Parnasso in Festa, HWV 73, Pt. 1: No. 19, Aria. Sciolga dunque al balla al canto (Apollo) | |
| | Sherezade Panthaki, Diana Moore, Philharmonia Baroque Orchestra & Nicholas McGegan | Joseph and His Brethren, HWV 59, Pt. 3: Whence So Disturb'd, My Lord | |
| | Philharmonia Baroque Orchestra, Nicholas McGegan & Diana Moore | La gloria di primavera, Pt. 1: XVII. Recitativo. Quante volte quante volte mirai | |
| | Philharmonia Baroque Orchestra, Nicholas McGegan & Diana Moore | La gloria di primavera, Pt. 2: XXIX. Aria. L'offra sempre in pace, e in guerra | |
| | Diana Moore, Philharmonia Baroque Orchestra & Nicholas McGegan | Joseph and His Brethren, HWV 59, Pt. 2: Ye Departed Hours | |
| | The King's Consort, Matthew Halls & Diana Moore | Parnasso in Festa, HWV 73: Part 1 XIX. Aria: Sciolga dunque al balla al canto (Apollo) | |
