| | London Symphony Orchestra, John Relyea, Sir Colin Davis, Peter Coleman-Wright, Isabelle Cals, Gregory Kunde, Darren Jeffery & Laura Claycomb | Benvenuto Cellini, Op. 23, H. 76, Acte II, Troisième Tableau: No. 22 - Final. "Ah, Maintenant de Sa Folle Impudence" | |
| | Lauren Flanigan, Peter Coleman-Wright, Leon Botstein & American Symphony Orchestra | Die Liebe der Danae, Op. 83, Act III: Ew'ge Pfade trennen sich | |
| | London Philharmonic Orchestra, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt, Andrew Kennedy, Lisa Milne, Anja Kampe, Nathan Vale, Anthony Cleverton, Torsten Kerl, Thomas Blunt & Sir Mark Elder | Fidelio, Op. 72, Act 1: Arie "O wär' ich schon mit dir vereint" | |
| | Cheryl Barker, Peter Coleman-Wright, Tasmanian Symphony Orchestra & Martin André | Ernani, Pt. 1: "Da quel dì che t'ho veduta" | |
| | Peter Coleman-Wright, BBC National Chorus of Wales, Richard Hickox, BBC National Orchestra of Wales & Barry Banks | Paulus, Op. 36, MWV A14, Part II: Da das die Apostel hörten (Tenor) - Ihr Manner, was macht ihr da? (Bass) - Aber unser Gott ist im Himmel (Chorus) | |
| | Hugh Smith, Peter Coleman-Wright, Leon Botstein & American Symphony Orchestra | Die Liebe der Danae, Op. 83, Act II: Was tat ich? | |
| | Jacques Imbrailo, Peter Coleman-Wright, Sir Colin Davis & London Symphony Orchestra | Benvenuto Cellini, Op. 23, H 76, Act I, Scene 12: C'est Trop Fort | |
| | Peter Coleman-Wright, Darren Jeffery, Sir Colin Davis, Laura Claycomb & London Symphony Orchestra | Benvenuto Cellini, Op. 23, H 76, Act I, Scene 6: Ah! Maître Drôle, Ah, Libertin! | |
| | Peter Coleman-Wright, Hilary Davan Wetton, Royal Philharmonic Orchestra & Neal Davies | Job: Scene 1 No. 1: There Was a Man in the Land of Uz (Narrator/Job) | |
| | Hallé, Sir Mark Elder, Peter Coleman-Wright, Attila Jun & Lars Cleveman | Götterdämmerung : Act I, Scene 1, "Jagt er auf Taten wonnig umher" (Hagen) | |
| | Cheryl Barker, Peter Coleman-Wright, Tasmanian Symphony Orchestra & Martin André | La traviata, Act II: "Madamigella Valéry?" | |
| | London Philharmonic Orchestra, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt, Andrew Kennedy, Lisa Milne, Anja Kampe, Nathan Vale, Anthony Cleverton, Torsten Kerl, Thomas Blunt & Sir Mark Elder | Fidelio, Op. 72, Act 1: Duett "Jetzt, Alter, jetzt hat es Eile!" | |
| | Teddy Tahu Rhodes, Taryn Fiebig, Peter Coleman-Wright, Opera Australia Chorus, Australian Opera and Ballet Orchestra, Patrick Summers & Wolfgang Amadeus Mozart | The Marriage of Figaro - Act 1: Giovani liete, fiori spargete | |
| | Gregory Kunde, Isabelle Cals, Laura Claycomb, Andrew Kennedy, Peter Coleman-Wright, London Symphony Chorus & Andrew Foster-Williams | Benvenuto Cellini, Op. 23, H 76, Act II, Scenes 16-17: Couvrez-moi Ce Drôle | |
| | Royal Philharmonic Orchestra, Peter Coleman-Wright, Neal Davies & Hilary Davan Wetton | Job, Scene 1: No. 1, There Was a Man in the Land of Uz (Narrator/Job) | |
| | Ian Bostridge, Peter Coleman-Wright, Oliver Knussen, Christopher Purves, Benjamin Russell & Aldeburgh Festival Ensemble | Rape of Lucretia, Act I Scene I: Who Reaches Heaven First Is the Best Philosopher | |
| | Taryn Fiebig, Peter Coleman-Wright, Rachelle Durkin, Australian Opera and Ballet Orchestra, Claire Lyon, Clifford Plumpton, Patrick Summers, Sian Pendry & Wolfgang Amadeus Mozart | The Marriage of Figaro - Act 3: Eh cospettaccio! è questo l'ufficiale | |
| | Hallé, Sir Mark Elder, Attila Jun, Lars Cleveman & Peter Coleman-Wright | Götterdämmerung : Act I, Scene 2, "Begrüsse froh, o Held" (Gunther) | |
| | Cheryl Barker, Peter Coleman-Wright, Tasmanian Symphony Orchestra & Martin André | Manon Lescaut, Act II: "Una casetta augusta era la tua dimora" | |
| | Peter Coleman-Wright, Leon Botstein & American Symphony Orchestra | Die Liebe der Danae, Op. 83, Act II: Treulose Danae! Du hast gewählt! | |
| | Peter Coleman-Wright, Richard Hickox, Randi Stene, Danish National Symphony Orchestra & Mark Tucker | Fennimore and Gerda, Picture III: Warum arbeitest du nicht? (You're not working today) (Fennimore, Erik, Niels) | |
| | Sir Colin Davis, Peter Coleman-Wright, London Symphony Orchestra & London Symphony Chorus | Belshazzar's Feast: VIII. "And in That Same Hour" | |
| | London Philharmonic Orchestra, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt, Andrew Kennedy, Lisa Milne, Anja Kampe, Nathan Vale, Anthony Cleverton, Torsten Kerl, Thomas Blunt & Sir Mark Elder | Fidelio, Op. 72, Act 2: Duett "Nur hurtig fort, nur frisch gegraben" | |
| | Teddy Tahu Rhodes, Taryn Fiebig, Warwick Fyfe, Peter Coleman-Wright, Australian Opera and Ballet Orchestra, Jacqueline Dark, Kanen Breen, Patrick Summers & Wolfgang Amadeus Mozart | The Marriage of Figaro - Act 3: Riconosci in questo amplesso | |
| | Hilary Davan Wetton, Peter Coleman-Wright & Royal Philharmonic Orchestra | Job, Scene 3: The Lamentation of Job No. 6. O That I Were as in the Months Past (Job) | |
| | Peter Coleman-Wright & Nexas Quartet | Jugendlieder: 1. Die Rosen und der Flieder (Arr. Michael Duke) | |
| | London Symphony Orchestra, Isabelle Cals, London Symphony Chorus, Darren Jeffery, Laura Claycomb, Peter Coleman-Wright, Gregory Kunde & Sir Colin Davis | Benvenuto Cellini, Op. 23, H. 76, Acte I, Deuxième Tableau: No. 12 - "Venez, Venez Peuple de Rome" | |
| | Peter Coleman-Wright, Sian Pendry, Claire Lyon, Australian Opera and Ballet Orchestra, Patrick Summers & Wolfgang Amadeus Mozart | The Marriage of Figaro - Act 3: Hai già vinta la causa | |
| | Peter Coleman-Wright, Rachelle Durkin, Australian Opera and Ballet Orchestra, Patrick Summers & Wolfgang Amadeus Mozart | The Marriage of Figaro - Act 2: Dunque, voi no aprite? | |
| | Peter Coleman-Wright, Lorina Gore, Opera Australia Orchestra & Elgar Howarth | Bliss, Act II, "The Heart-Throb Hotel": "Johnny! What the hell is happening?" | |
| | Cheryl Barker, Peter Coleman-Wright, Tasmanian Symphony Orchestra & Martin André | La traviata, Act II: "Dite alla giovine" | |
| | Peter Coleman-Wright, Jacques Imbrailo, Sir Colin Davis & London Symphony Orchestra | Benvenuto Cellini, Op. 23, H 76, Act I, Scene 12: C'est Trop Fort | |
| | Peter Coleman-Wright, Oliver Knussen, Christopher Purves, Benjamin Russell & Aldeburgh Festival Ensemble | Rape of Lucretia, Act I Scene I: Goodnight!....there Goes a Happy Man! | |
| | Peter Coleman-Wright, Richard Hickox & BBC National Orchestra of Wales | Paulus, Op. 36, MWV A14, Part I: Gott sei mir gnädig (Bass) | |
| | Alan Opie, Peter Coleman-Wright, Richard Hickox, City of London Sinfonia, James Gilchrist & Janice Watson | Owen Wingrave, Op. 85, Act I Scene 3: Your sherry, Mrs. Coyle (Lechmere, Mrs. Coyle, Coyle, Owen) | |
| | Peter Coleman-Wright, Darren Jeffery, John Relyea, London Symphony Chorus, Gregory Kunde, Laura Claycomb & Isabelle Cals | Benvenuto Cellini, Op. 23, H 76, Act II, Scene 6: Ah, Maintenant de Sa Folle Impudence | |
| | Peter Coleman-Wright, Nexas Quartet & Benjamin Burton | Trauminsel: Ich hab' mich tausendmal verliebt (Arr. Michael Duke) | |
| | London Philharmonic Orchestra, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt, Andrew Kennedy, Lisa Milne, Anja Kampe, Nathan Vale, Anthony Cleverton, Torsten Kerl, Thomas Blunt & Sir Mark Elder | Fidelio Op. 72: Ouvertüre | |
| | London Symphony Orchestra, Sir Colin Davis, Laura Claycomb, Peter Coleman-Wright & Gregory Kunde | Benvenuto Cellini, Op. 23, H. 76, Acte I, Première Tableau: No. 4 - "Cellini!" | |
| | Hallé, Sir Mark Elder, Attila Jun, Nancy Gustafson & Peter Coleman-Wright | Götterdämmerung : Act III, Scene 3, "Siegfried, Siegfried erschlagen!" (Gutrune) | |
| | Peter Coleman-Wright, Andrew Foster-Williams, London Symphony Chorus, Sir Colin Davis, Laura Claycomb, Gregory Kunde & London Symphony Orchestra | Benvenuto Cellini, Op. 23, H 76, Act II, Scenes 16-17: Ciel, C'est Fieramosca! | |
| | London Philharmonic Orchestra, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt, Andrew Kennedy, Lisa Milne, Anja Kampe, Nathan Vale, Anthony Cleverton, Torsten Kerl, Thomas Blunt & Sir Mark Elder | Fidelio, Op. 72, Act 1: Dialog "Ihr habt schon recht, Meister Rocco" | |
| | Hallé, Sir Mark Elder, Peter Coleman-Wright & Attila Jun | Götterdämmerung : Act I, Scene 1, "Wen rätst du nun zu frein" (Gunther) | |
| | Peter Coleman-Wright, Oliver Knussen, Susan Gritton & Aldeburgh Festival Ensemble | Rape of Lucretia, Act II Scene I: Within This Frail Crucible of Light | |
| | London Philharmonic Orchestra, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt, Andrew Kennedy, Lisa Milne, Anja Kampe, Nathan Vale, Anthony Cleverton, Torsten Kerl, Thomas Blunt & Sir Mark Elder | Fidelio, Op. 72, Act 1: Quartett "Mir ist so wunderbar" | |
| | London Philharmonic Orchestra, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt, Andrew Kennedy, Lisa Milne, Anja Kampe, Nathan Vale, Anthony Cleverton, Torsten Kerl, Thomas Blunt & Sir Mark Elder | Fidelio, Op. 72, Act 1: Dialog "Aber Marzelline" | |
| | Peter Coleman-Wright, Richard Hickox & Royal Opera House Orchestra Covent Garden | Paul Bunyan, Op. 17, Act II Scene 1: Third Ballad Interlude (Narrator) | |
| | Hallé, Sir Mark Elder, Peter Coleman-Wright, Hallé Choir, BBC Symphony Chorus, London Symphony Chorus & The Royal Opera Chorus and Extra Chorus | Götterdämmerung : Act II, Scene 4, "Heil dir, Gunther!" (Vassals) | |
| | London Philharmonic Orchestra, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt, Andrew Kennedy, Lisa Milne, Anja Kampe, Nathan Vale, Anthony Cleverton, Torsten Kerl, Thomas Blunt & Sir Mark Elder | Fidelio, Op. 72, Act 1: Arie "Komm, Hoffnung, lass den letzten Stern" | |
| | London Philharmonic Orchestra, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt, Andrew Kennedy, Lisa Milne, Anja Kampe, Nathan Vale, Anthony Cleverton, Torsten Kerl, Thomas Blunt & Sir Mark Elder | Fidelio, Op. 72, Act 2: Dialog "Alles ist bereit; ich gehe, das Signal zu geben" | |
