| | Cheryl Barker, Guillaume Tourniaire & Queensland Symphony Orchestra | Die Tode Stadt: Mariettas Lied | |
| | Frank Garfield, Grant Doyle, Paul Whelan, Sydney Symphony Orchestra, Garth Holcombe, Jonathan Hardy, Mark Pegler, Nathan Lovejoy, Sally-Anne Russell, Steve Davislim, Cheryl Barker & Alexander Briger | Don John of Austria: Act I: Overture | |
| | Cheryl Barker, Peter Coleman-Wright, Tasmanian Symphony Orchestra & Martin André | Ernani, Pt. 1: "Da quel dì che t'ho veduta" | |
| | Cheryl Barker, Grant Doyle & Steve Davislim | Don John of Austria: Act II, Scene II: Dialogue, "Hear then, cruel man, Christian without pity" (Donna Agnes, King Philip, Don John) | |
| | Gregory Yurisich, Yves Abel, Philharmonic Orchestra & Cheryl Barker | Madama Butterfly, SC 74, Act II Part 1: Now, at last! (Sharpless, Butterfly) | |
| | William Dazeley, David Parry, Cheryl Barker & London Philharmonic Orchestra | The End of the Affair: Nineteen forty-four. March. May. June (Sarah, Maurice), "A Bargain and a Prayer" | |
| | Yves Abel, Jean Rigby, Philharmonia Orchestra & Cheryl Barker | Madam Butterfly, SC 74, Act II Part 1: Shake the cherry tree (Madam Butterfly, Suzuki), "Flower Duet" | |
| | Cheryl Barker, Guillaume Tourniaire & Queensland Symphony Orchestra | Les contes d'Hoffmann: Elle a fui, la tourterelle | |
| | Richard Hickox, Anne-Marie Owens, Australian Opera and Ballet Orchestra & Cheryl Barker | Rusalka, Op. 114, B. 203, Act III: Aha! Are you back already? (Ježibaba, Rusalka) | |
| | Yves Abel, Philharmonic Orchestra & Cheryl Barker | Madama Butterfly, SC 74, Act II Part 2: Death with honour is better than life with dishonour (Butterfly) | |
| | Yves Abel, Jean Rigby, Philharmonic Orchestra & Cheryl Barker | Madama Butterfly, SC 74, Act II Part 1: Look, it's a man-of-war! (Suzuki, Butterfly) | |
| | John Wegner, Sir Charles Mackerras, English National Opera Orchestra, Cheryl Barker, Robert Brubaker, John Graham-Hall, Elena Xanthoudakis & Thomas Walker | The Makropulos Case, JW 1/10, Act II: Janek, come on. No one here will see us (Kristina, Janek, Prus, Marty, Gregor, Vitek) | |
| | Yves Abel, Jean Rigby, Philharmonic Orchestra, Paul Charles Clarke & Cheryl Barker | Madama Butterfly, SC 74, Act I: Dearest, my dearest, weep no more (Pinkerton, Butterfly, Suzuki) | |
| | Cheryl Barker, Grant Doyle, Steve Davislim, Sydney Symphony Orchestra & Alexander Briger | Don John of Austria: Act II, Scene IV: Trio, "On thy lips her doom is pending" (King Philip, Donna Agnes, Don John) | |
| | John Wegner, Sir Charles Mackerras, Kathleen Wilkinson, English National Opera Orchestra, Cheryl Barker, Robert Brubaker & Thomas Walker | The Makropulos Case, JW 1/10, Act II: Is that you, Bertie? (Marty, Gregor, Cleaner, Janek, Prus) | |
| | Cheryl Barker, Peter Coleman-Wright, Tasmanian Symphony Orchestra & Martin André | Ernani, Pt. 1: "Da quel dì che t'ho veduta" | |
| | Gregory Yurisich, Geoffrey Mitchell Choir, Yves Abel, Philharmonic Orchestra, Cheryl Barker, Paul Charles Clarke & Stuart Kale | Madama Butterfly, SC 74, Act I: We are honoured (Butterfly, Girl Friends, Pinkerton, Sharpless, Goro) | |
| | Richard Hickox, Australian Opera and Ballet Orchestra & Cheryl Barker | Rusalka, Op. 114, B. 203, Act III: Deprived of my youth (Rusalka) | |
| | Yves Abel, Philharmonic Orchestra, Paul Charles Clarke & Cheryl Barker | Madama Butterfly, SC 74, Act I: Child, from whose eyes the witchery is shining (Pinkerton, Butterfly) | |
| | Richard Hickox, Australian Opera and Ballet Orchestra & Cheryl Barker | Rusalka, Op. 114, B. 203, Act II: Oh, it's all in vain! (Rusalka) | |
| | Yves Abel, Jean Rigby, Philharmonic Orchestra & Cheryl Barker | Madama Butterfly, SC 74, Act II Part 1: Flower duet. Shake the cherry tree (Butterfly, Suzuki) | |
| | William Dazeley, David Parry, Cheryl Barker & London Philharmonic Orchestra | Arabella, Op. 79, TrV 263, Act III: I'm very glad, Mandryka (Das war sehr gut, Mandryka) (Arabella, Mandryka) | |
| | Carlo Rizzi, Jane Henschel, Victoria Simmonds, Welsh National Opera Orchestra, Peter Hoare & Cheryl Barker | Katya Kabanova, JW 1/8, Act I Scene 1: If you want to obey your mother (Kabanicha, Tichon, Katya, Varvara) | |
| | Sir Charles Mackerras, English National Opera Orchestra, Robert Brubaker & Cheryl Barker | The Makropulos Case, JW 1/10, Act I: Gone at last! (Gregor, Marty) | |
| | Cheryl Barker, Orchestra Victoria & Richard Bonynge | La bohème, SC 67: "Quando m'en vo" | |
| | Cheryl Barker, Grant Doyle & Steve Davislim | Don John of Austria: Act I, Scene V: Dialogue, "I cannot tell this lie to my heart" (Donna Agnes, Don John, King Philip) | |
| | Cheryl Barker, Peter Coleman-Wright, Tasmanian Symphony Orchestra & Martin André | La traviata, Act II: "Madamigella Valéry?" | |
| | Carlo Rizzi, Victoria Simmonds, Welsh National Opera Orchestra & Cheryl Barker | Katya Kabanova, JW 1/8, Act I Scene 2: I'm always wondering (Katya, Varvara) | |
| | Richard Hickox, Anne-Marie Owens, Australian Opera and Ballet Orchestra & Cheryl Barker | Rusalka, Op. 114, B. 203, Act I: I know that, I know that (Ježibaba, Rusalka) | |
| | Richard Hickox, Australian Opera and Ballet Orchestra, Cheryl Barker & Rosario La Spina | Rusalka, Op. 114, B. 203, Act III: Beloved, do you recognise me? (Rusalka, Prince) | |
| | John Wegner, Sir Charles Mackerras, English National Opera Orchestra & Cheryl Barker | The Makropulos Case, JW 1/10, Act II: Allow me to ask you this question (Prus, Marty) | |
| | Carlo Rizzi, Welsh National Opera Orchestra, Robert Brubaker, Cheryl Barker & Peter Wedd | Katya Kabanova, JW 1/8, Act II Scene 2: So you've found each other (Varvara, Boris, Kudryash, Katya) | |
| | David Parry, Cheryl Barker & London Philharmonic Orchestra | Mefistofele, Act IV: To the moonlit waves they cast him (La luna immobile innonda) (Marguerita) | |
| | Cheryl Barker & Timothy Young | The Green Hills of Somerset | |
| | D’Arcy Bleiker, Gregory Yurisich, Yves Abel, Philharmonic Orchestra, Cheryl Barker & Stuart Kale | Madama Butterfly, SC 74, Act II Part 1: Yamadori, and has your unrequitted love not yet released you? (Butterfly, Yamadori, Sharpless, Goro) | |
| | William Dazeley, David Parry, Cheryl Barker & London Philharmonic Orchestra | Pagliacci, Act I: Nedda! - My fate is in your hands (E allor perchè, di' tu m'hai stregato) (Nedda, Silvio) | |
| | Cheryl Barker, Orchestra Victoria & Richard Bonynge | Le villi, SC 60: "Se come voi piccina" | |
| | Cheryl Barker, Peter Coleman-Wright, Tasmanian Symphony Orchestra & Martin André | La traviata, Act II: "Dite alla giovine" | |
| | Yves Abel, Jean Rigby, Philharmonic Orchestra & Cheryl Barker | Madama Butterfly, SC 74, Act II Part 1: Izaghi Izanami (Suzuki, Butterfly) | |
| | Bruce Martin, Richard Hickox, Anne-Marie Owens, Australian Opera and Ballet Orchestra & Cheryl Barker | Rusalka, Op. 114, B. 203, Act I: The water feels cold! (Water Sprite, Rusalka, Ježibaba) | |
| | BBC National Chorus of Wales, Richard Hickox, BBC National Orchestra of Wales, Philip Langridge, Cheryl Barker, Jean Rigby, Roderick Williams & Royal Welsh College of Music and Drama Chamber Choir | Quo Vadis: V. O timely happy, timely wise (Quartet, Chorus, Semi-chorus) | |
| | Cheryl Barker, Orchestra Victoria & Richard Bonynge | La bohème, SC 67: "Mi chiamano Mimi" | |
| | John Wegner, Sir Charles Mackerras, English National Opera Orchestra, Cheryl Barker & Graham Clark | The Makropulos Case, JW 1/10, Act II: Excuse me. Excuse me, may I… (Hauk, Marty, Prus) | |
| | Cheryl Barker, Peter Coleman-Wright, Tasmanian Symphony Orchestra & Martin André | La traviata, Act II: "Non sapete quale affetto" | |
| | Carlo Rizzi, Welsh National Opera Orchestra, Cheryl Barker & Robert Brubaker | Katya Kabanova, JW 1/8, Act III Scene 2: And yet death won't come to me (Katya, Boris) | |
| | Carlo Rizzi, Welsh National Opera Orchestra & Cheryl Barker | Katya Kabanova, JW 1/8, Act II Scene 1: No, no, no one, yet my heart was beating (Katya) | |
| | Cheryl Barker | Don John of Austria: Act II, Scene II: Dialogue, "Poor Don John" (Donna Agnes) | |
| | David Parry, Cheryl Barker & London Philharmonic Orchestra | The Violins of Saint-Jacques: How can I explain to you (Berthe), "Berthe's Song" | |
| | Cheryl Barker, Grant Doyle, Paul Whelan, Sally-Anne Russell, Steve Davislim, Sydney Symphony Orchestra & Alexander Briger | Don John of Austria: Act II, Scene IV: Finale, "Hail to the star that in glory appears" (Chorus, Donna Agnes, King Philip, Don John, Dorothy, Don Quexada) | |
| | Cheryl Barker, Peter Coleman-Wright, Tasmanian Symphony Orchestra & Martin André | Manon Lescaut, Act II: "Una casetta augusta era la tua dimora" | |
