| | Teddy Tahu Rhodes, Taryn Fiebig, Peter Coleman-Wright, Rachelle Durkin, Clifford Plumpton, Australian Opera and Ballet Orchestra, Patrick Summers & Wolfgang Amadeus Mozart | The Marriage of Figaro - Act 3: Signor ... se trattenete tutte queste ragazze | |
| | Mitchell Butel, Warwick Fyfe, Taryn Fiebig, Samuel Dundas, Kanen Breen, Dominica Matthews, Annabelle Chaffey, Jacqueline Dark, Opera Australia Chorus, Orchestra Victoria, Brian Castles-Onion & Gilbert & Sullivan | The Mikado - Act 1: Your revels cease | |
| | Ensemble Battistin, Sara Macliver & Taryn Fiebig | Motet du très St Sacrement: I. Duo: Ad dapes salutis venite dilecti | |
| | Ensemble Battistin, Sara Macliver & Taryn Fiebig | Motet du très St Sacrement (Motet for Holy Communion): VII. Gayement: In voce exultationis et confessionis resonet caelum (May heaven resound in a voice of exultation and acclamation) | |
| | Teddy Tahu Rhodes, Taryn Fiebig, Australian Opera and Ballet Orchestra, Patrick Summers & Wolfgang Amadeus Mozart | The Marriage of Figaro - Act 1: Or bene, ascolta, e taci | |
| | Taryn Fiebig, Peter Coleman-Wright, Sian Pendry, Kanen Breen, Australian Opera and Ballet Orchestra, Patrick Summers & Wolfgang Amadeus Mozart | The Marriage of Figaro - Act 1: Cosa Sento! | |
| | Taryn Fiebig, Australian Opera and Ballet Orchestra, Patrick Summers & Wolfgang Amadeus Mozart | The Marriage of Figaro - Act 4: Deh vieni, non tardar, o gioia bella | |
| | Ensemble Battistin & Taryn Fiebig | Les Bains de Toméry: V. Récitatif: Et vous, dont le pouvoir s’étend sur tout le monde | |
| | Ensemble Battistin & Taryn Fiebig | Les Bains de Toméry: I. Récitatif: Quel spectacle pompeux orne ce bord tranquille? (What stately spectacle adorns this tranquil strand?) | |
| | Taryn Fiebig, Peter Coleman-Wright, Rachelle Durkin, Australian Opera and Ballet Orchestra, Patrick Summers & Wolfgang Amadeus Mozart | The Marriage of Figaro - Act 2: Susanna, or via, sortite | |
| | Ensemble Battistin & Taryn Fiebig | L'amant réconcilié: "Chantons, chantons les doux transports" | |
| | Scott Davie & Taryn Fiebig | Liederkreis, Op. 39: 10. Zwielicht | |
| | Scott Davie & Taryn Fiebig | Liederkreis, Op. 39: 1. In der Fremde | |
| | Scott Davie & Taryn Fiebig | Liederkreis, Op. 39: 5. Mondnacht | |
| | Ensemble Battistin & Taryn Fiebig | Les Bains de Toméry: VI. Air. Tendrement: Tendres Amours, accourez tous | |
| | David Corcoran, Kanen Breen, Merlyn Quaife, Taryn Fiebig, Opera Australia Orchestra & Elgar Howarth | Bliss, Act II, "The Heart-Throb Hotel": Home Cameo III, "I know how to do it" | |
| | Taryn Fiebig, Dominica Matthews, Annabelle Chaffey, Opera Australia Chorus, Orchestra Victoria, Brian Castles-Onion & Gilbert & Sullivan | The Mikado - Act 1: Three little maids from school are we | |
| | Taryn Fiebig & Andrew Greene | Ah! May The Red Rose Live Alway (Arr. by Warren Michel Swenson) | |
| | Ensemble Battistin & Taryn Fiebig | Les Bains de Toméry: I. Récitatif: Quel spectacle pompeux orne ce bord tranquille? | |
| | Scott Davie & Taryn Fiebig | Liederkreis, Op. 39: 12. Frühlingsnacht | |
| | Ensemble Battistin & Taryn Fiebig | L'amant réconcilié: "Enfin de ma Phillis j'ai calmé le courroux" | |
| | Ensemble Battistin & Taryn Fiebig | Céphale et Aurore: "La nuit d'un voile obscur courvrait encore les airs" | |
| | Taryn Fiebig, Rachelle Durkin, Sian Pendry, Australian Opera and Ballet Orchestra, Patrick Summers & Wolfgang Amadeus Mozart | The Marriage of Figaro - Act 2: Quanto duolmi, Susanna | |
| | Ensemble Battistin & Taryn Fiebig | Céphale et Aurore: "Ainsi l'Amour punit un calme trop coupable" | |
| | Ensemble Battistin & Taryn Fiebig | L'amant réconcilié: "Faisons retentir les airs des plus aimables concerts" | |
| | Taryn Fiebig & Andrew Greene | Why No One To Love? (Arr. by Warren Michel Swenson) | |
| | Taryn Fiebig, Juan Jackson & Andrew Greene | Jeanie with the Light Brown Hair (Arr. by Ned Rorem) | |
| | Ensemble Battistin & Taryn Fiebig | L'amant réconcilié: "Que les soupçons jaloux qui troublaient nos amours" | |
| | Ensemble Battistin, Sara Macliver & Taryn Fiebig | Motet du très St Sacrement: VII. Gayement: In voce exultationis et confessionis resonet caelum | |
| | Teddy Tahu Rhodes, Taryn Fiebig, Peter Coleman-Wright, Opera Australia Chorus, Australian Opera and Ballet Orchestra, Patrick Summers & Wolfgang Amadeus Mozart | The Marriage of Figaro - Act 1: Giovani liete, fiori spargete | |
| | Ensemble Battistin & Taryn Fiebig | L'amant réconcilié: "Chantons, chantons les doux transports" | |
| | Taryn Fiebig & Scott Davie | 9 Lives (A Song Cycle About Cats): No. 5, I Am the Cat of Cats | |
| | Scott Davie & Taryn Fiebig | Liederkreis, Op. 39: 8. In der Fremde ("Ich hör die Bachlein rauschen") | |
| | Ji-Min Park, José Carbó, David Parkin, Shane Lowrencev, Takesha Meshé Kizart, Taryn Fiebig, Opera Australia Chorus, Australian Opera and Ballet Orchestra, Shao-Chia Lu & Giacomo Puccini | La Boheme - Act 2: La Ritirata - Caro! | |
| | Scott Davie & Taryn Fiebig | Liederkreis, Op. 39: 4. Die Stille | |
| | Taryn Fiebig, Peter Coleman-Wright, Rachelle Durkin, Australian Opera and Ballet Orchestra, Claire Lyon, Clifford Plumpton, Patrick Summers, Sian Pendry & Wolfgang Amadeus Mozart | The Marriage of Figaro - Act 3: Eh cospettaccio! è questo l'ufficiale | |
| | Ji-Min Park, Shane Lowrencev, Takesha Meshé Kizart, Taryn Fiebig, Australian Opera and Ballet Orchestra, Shao-Chia Lu & Giacomo Puccini | La Boheme - Act 4: Oh Dio! Mimì! | |
| | Ensemble Battistin, Sara Macliver & Taryn Fiebig | Motet du très St Sacrement (Motet for Holy Communion): IV. Gravement: O mysterium adorabile (O mystery to be worshipped) | |
| | Ensemble Battistin & Taryn Fiebig | Céphale et Aurore: "Mais que dis-je?" | |
| | Taryn Fiebig & Andrew Greene | Barb'ry Allen (Arr. by Jake Heggie) | |
| | Scott Davie & Taryn Fiebig | Lupe’s Waltz | |
| | Teddy Tahu Rhodes, Taryn Fiebig, Peter Coleman-Wright, Rachelle Durkin, Sian Pendry, Australian Opera and Ballet Orchestra, Patrick Summers & Wolfgang Amadeus Mozart | The Marriage of Figaro - Act 4: Pian pianin le andrò più presso | |
| | Teddy Tahu Rhodes, Taryn Fiebig, Warwick Fyfe, Peter Coleman-Wright, Australian Opera and Ballet Orchestra, Jacqueline Dark, Kanen Breen, Patrick Summers & Wolfgang Amadeus Mozart | The Marriage of Figaro - Act 3: Riconosci in questo amplesso | |
| | Scott Davie & Taryn Fiebig | Liederkreis, Op. 39: 9. Wehmut | |
| | Ensemble Battistin & Taryn Fiebig | Les Bains de Toméry: V. Récitatif: Et vous, dont le pouvoir s’étend sur tout le monde (And you, whose power extends to the whole world) | |
| | Ensemble Battistin & Taryn Fiebig | Motet du très St Sacrement (Motet for Holy Communion): VI. Gracieusement: Tali pastus alimento (Fed on such food) | |
| | Teddy Tahu Rhodes, Taryn Fiebig, Warwick Fyfe, Peter Coleman-Wright, Rachelle Durkin, Australian Opera and Ballet Orchestra, Clifford Plumpton, Jacqueline Dark, Kanen Breen, Patrick Summers, Sian Pendry & Wolfgang Amadeus Mozart | The Marriage of Figaro - Act 2: Esci, ormai, garzon malnato | |
| | Ensemble Battistin & Taryn Fiebig | Céphale et Aurore: "Elle dit, et le Dieu qui répand la lumière de son char argenté" | |
| | Ensemble Battistin & Taryn Fiebig | Motet du très St Sacrement (Motet for Holy Communion): II. Récitatif: In hoc sacramento mirabilis (In this marvellous sacrament) | |
| | Taryn Fiebig & Scott Davie | 9 Lives (A Song Cycle About Cats): No. 7, The Cat Has a Nervous Ear | |
