| | Harry Bicket, Orchestra of the Age of Enlightenment & Susan Graham | Orphée et Eurydice, Act 3: "J'ai Perdu Mon Eurydice" [Orphée] | |
| | Lynne Dawson, Orchestra of the Age of Enlightenment & René Jacobs | Dido and Aeneas, Z. 626, Act III: Dido "When I Am Laid In Earth" | |
| | Harry Bicket, Lorraine Hunt Lieberson & Orchestra of the Age of Enlightenment | Serse, HWV 40 (Highlights): Ombra mai fù | |
| | Harry Bicket, Lorraine Hunt Lieberson & Orchestra of the Age of Enlightenment | Theodora, HWV 68 (Highlights): As With Rosy Steps the Morn | |
| | Lynne Dawson, Orchestra of the Age of Enlightenment & René Jacobs | Dido & Aeneas, Z. 626, Act III: "When I Am Laid in Earth" (Dido's Lament) | |
| | Harry Bicket, Orchestra of the Age of Enlightenment & Susan Graham | Gluck : Orphée Et Eurydice : Act 3 "J'ai Perdu Mon Eurydice" [Orphée] | |
| | Sir Roger Norrington, Orchestra of the Age of Enlightenment & Andreas Scholl | Serse: "Ombra mai fù" | |
| | Sir Charles Mackerras & Orchestra of the Age of Enlightenment | A Midsummer Night's Dream - Incidental Music Op.61: Wedding March : Allegro vivace | |
| | Dominique Visse, Gerald Finley, John Bowen, Lynne Dawson, Maria Cristina Kiehr, Orchestra of the Age of Enlightenment, René Jacobs, Robin Blaze, Rosemary Joshua, Stephen Wallace & Susan Bickley | Dido and Aeneas, Z. 626, Act III: Chorus "With Dropping Wings Ye Cupids Come" | |
| | Orchestra of the Age of Enlightenment, Nigel Short & Aksel Rykkvin | Jauchzet Gott in allen Landen, BWV 51: Jauchzet Gott in allen Landen | |
| | Elin Manahan Thomas, Orchestra of the Age of Enlightenment & Harry Christophers | Dido and Aeneas, Z. 626: When I Am Laid in Earth ("Dido's Lament") | |
| | Orchestra of the Age of Enlightenment, Nigel Short & Aksel Rykkvin | Bist du bei mir, BWV 508 | |
| | Harry Bicket, Orchestra of the Age of Enlightenment, Kate Royal & Ian Bostridge | L'Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 3 "Il Moderato": No. 39, Duet, "As steals the morn upon the night" (Soprano, Tenor) | |
| | Orchestra of the Age of Enlightenment, Polyphony & Stephen Layton | St John Passion, BWV 245: I. Chorus: Herr, unser Herrscher | |
| | Lynne Dawson, Orchestra of the Age of Enlightenment & René Jacobs | Dido and Aeneas, Z. 626, Act III: Dido "Thy Hand, Belinda" | |
| | Orchestra of the Age of Enlightenment, Nigel Short & Aksel Rykkvin | Ode for the Birthday of Queen Anne, HWV 74: Eternal Source of Light Divine | |
| | Orchestra of the Age of Enlightenment, Nigel Short & Aksel Rykkvin | Rinaldo, HWV 7: Lascia ch'io pianga | |
| | Harry Bicket, Orchestra of the Age of Enlightenment, Kate Royal & Ian Bostridge | Acis and Galatea, HWV 49a, Act 1: No. 9a, Duet, "Happy we!" (Acis, Galatea) | |
| | Harry Bicket, Orchestra of the Age of Enlightenment & Ian Bostridge | Semele, HWV 58, Act 2 Scene 3: No. 29, Air, "Where'er you walk, cool gales shall fan the glade" (Jupiter) | |
| | Orchestra of the Age of Enlightenment, Sigiswald Kuijken & Timothy Brown | Horn Concerto No. 1 in D Major, K. 412: I. Allegro | |
| | Andreas Scholl, Orchestra of the Age of Enlightenment & Sir Roger Norrington | Serse, Act I - Ombra mai fu (Largo) | |
| | Susan Graham | Iphigénie en Tauride, Act 2: "Ô malheureuse Iphigénie" [Iphigénie] | |
| | Orchestra of the Age of Enlightenment, Nigel Short & Aksel Rykkvin | St. John Passion, BWV 245: Ich folge dir gleichfalls | |
| | Harry Bicket, Orchestra of the Age of Enlightenment & Ian Bostridge | Jephtha, HWV 70, Act 3: No. 32, Air, "Waft her, angels, through the skies" (Jephtha) | |
| | Anner Bylsma, Gustav Leonhardt & Orchestra of the Age of Enlightenment | Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai (Cadenza by Bylsma) | |
| | Orchestra of the Age of Enlightenment, Sir Roger Norrington & David Daniels | Giulio Cesare: Aria: Cara speme, questo core | |
| | Orchestra of the Age of Enlightenment, Louis Langrée & Natalie Dessay | Die Zauberflöte, K.620: Der Hölle Rache | |
| | Natalie Dessay, Orchestra of the Age of Enlightenment & Louis Langrée | Die Zauberflöte, K. 620, Act 2: "Der Hölle Rache" (Queen of the Night) | |
| | Orchestra of the Age of Enlightenment & Anthony Halstead | Symphony in C Minor, VB 142: III. Allegro assai | |
| | Orchestra of the Age of Enlightenment & Anthony Halstead | Symphony in C Minor, VB 142: II. Andante | |
| | Orchestra of the Age of Enlightenment & Anthony Halstead | Symphony in C Minor, VB 142: I. Larghetto - Allegro | |
| | Choir of New College Oxford, Edward Higginbottom & Orchestra of the Age of Enlightenment | Requiem in D minor, K. 626: Introit: Requiem aeternam (Chorus) | |
| | Bruno Weil, Orchestra of the Age of Enlightenment, Peter Marschik, Guido Mancusi, Arno Hartmann, Wiener Sängerknaben & Chorus Viennesis | Deutsche Messe, D 872 (German Mass): I. Zum Eingang "Wohin soll ich mich wenden" (Vers 1 und 3) | |
| | Orchestra of the Age of Enlightenment & René Jacobs | Venus & Adonis: Overture | |
| | Harry Bicket, Lorraine Hunt Lieberson & Orchestra of the Age of Enlightenment | Theodora, HWV 68 (Highlights): Defend Her Heav'n! | |
| | Elin Manahan Thomas, Orchestra of the Age of Enlightenment & Harry Christophers | Eternal Source of Light Divine (Ode for the Birthday of Queen Anne), HWV 74 | |
| | Harry Bicket, Orchestra of the Age of Enlightenment & Ian Bostridge | Acis and Galatea, HWV 49a, Act 1: No. 7, Air, "Love in her eyes sits playing" (Acis) | |
| | Harry Bicket, Orchestra of the Age of Enlightenment & Ian Bostridge | Acis and Galatea, HWV 49a, Act 2: No. 15, Air, "Love sounds th'alarm" (Acis) | |
| | Catherine Mackintosh, Susan Dent, Timothy Brown, Paul Goodwin & Orchestra of the Age of Enlightenment | Brandenburg Concerto No. 1 in F Major, BWV 1046: I. — | |
| | Kate Royal, Orchestra of the Age of Enlightenment & Harry Bicket | L'Allegro, il Penseroso ed il Moderato (pastoral ode), III. Il Moderato: 39. Duet: As steals the Morn | |
| | Orchestra of the Age of Enlightenment & Harry Bicket | Semele HWV58: Where E're You Walk | |
| | Bruno Weil, Orchestra of the Age of Enlightenment, Peter Marschik, Guido Mancusi, Arno Hartmann, Wiener Sängerknaben & Chorus Viennesis | Deutsche Messe, D 872 (German Mass): V. Zum Sanctus "Heilig" (Vers 1 und 2) | |
| | Harry Bicket, Lorraine Hunt Lieberson & Orchestra of the Age of Enlightenment | Serse, HWV 40 (Highlights): Se bramate d'amar, chi vi sdegna | |
| | Harry Bicket, Lorraine Hunt Lieberson & Orchestra of the Age of Enlightenment | Theodora, HWV 68 (Highlights): New Scenes of Joy | |
| | Harry Bicket, Lorraine Hunt Lieberson & Orchestra of the Age of Enlightenment | Theodora, HWV 68 (Highlights): Bane of Virtue, Nurse of Passions | |
| | Sir Roger Norrington, Orchestra of the Age of Enlightenment & Andreas Scholl | Orfeo ed Euridice (Orphée et Eurydice) Aria: "Che farò senza Euridice?" | |
| | Harry Bicket, Orchestra of the Age of Enlightenment & Susan Graham | Paride ed Elena, Act 1: "Oh, del mio dolce ardor" [Paride] | |
| | Orchestra of the Age of Enlightenment & Rebecca Miller | Symphony in F Major, Wq. 183, No. 3: I. Allegro di molto | |
| | Harry Bicket, Orchestra of the Age of Enlightenment & Ian Bostridge | Samson, HWV 57, Act 1 Scene 2: No. 8, Air, "Total eclipse!" (Samson) | |
| | Harry Bicket, Orchestra of the Age of Enlightenment & Ian Bostridge | Serse, HWV 40, Act 1 Scene 1: No. 1, Recitativo accompagnato, "Frondi tenere e belle" (Serse) | |
