| | Harry Bicket, Orchestra of the Age of Enlightenment & Susan Graham | Orphée et Eurydice, Act 3: "J'ai Perdu Mon Eurydice" [Orphée] | |
| | Harry Bicket, Lorraine Hunt Lieberson & Orchestra of the Age of Enlightenment | Serse, HWV 40 (Highlights): Ombra mai fù | |
| | Harry Bicket, Lorraine Hunt Lieberson & Orchestra of the Age of Enlightenment | Theodora, HWV 68 (Highlights): As With Rosy Steps the Morn | |
| | Harry Bicket, Orchestra of the Age of Enlightenment & Susan Graham | Gluck : Orphée Et Eurydice : Act 3 "J'ai Perdu Mon Eurydice" [Orphée] | |
| | Harry Bicket, Orchestra of the Age of Enlightenment, Kate Royal & Ian Bostridge | L'Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 3 "Il Moderato": No. 39, Duet, "As steals the morn upon the night" (Soprano, Tenor) | |
| | Harry Bicket, Orchestra of the Age of Enlightenment, Kate Royal & Ian Bostridge | Acis and Galatea, HWV 49a, Act 1: No. 9a, Duet, "Happy we!" (Acis, Galatea) | |
| | Harry Bicket, Orchestra of the Age of Enlightenment & Ian Bostridge | Semele, HWV 58, Act 2 Scene 3: No. 29, Air, "Where'er you walk, cool gales shall fan the glade" (Jupiter) | |
| | Susan Graham | Iphigénie en Tauride, Act 2: "Ô malheureuse Iphigénie" [Iphigénie] | |
| | Harry Bicket, Orchestra of the Age of Enlightenment & Ian Bostridge | Jephtha, HWV 70, Act 3: No. 32, Air, "Waft her, angels, through the skies" (Jephtha) | |
| | Harry Bicket, Lorraine Hunt Lieberson & Orchestra of the Age of Enlightenment | Theodora, HWV 68 (Highlights): Defend Her Heav'n! | |
| | Alice Coote, The English Concert & Harry Bicket | Alcina, HWV 34, Act II Scene 3: Aria. Mi lusinga il dolce affetto (Ruggiero) | |
| | Harry Bicket, Orchestra of the Age of Enlightenment & Ian Bostridge | Acis and Galatea, HWV 49a, Act 1: No. 7, Air, "Love in her eyes sits playing" (Acis) | |
| | Harry Bicket, Orchestra of the Age of Enlightenment & Ian Bostridge | Acis and Galatea, HWV 49a, Act 2: No. 15, Air, "Love sounds th'alarm" (Acis) | |
| | Kate Royal, Orchestra of the Age of Enlightenment & Harry Bicket | L'Allegro, il Penseroso ed il Moderato (pastoral ode), III. Il Moderato: 39. Duet: As steals the Morn | |
| | Orchestra of the Age of Enlightenment & Harry Bicket | Semele HWV58: Where E're You Walk | |
| | Harry Bicket, Lorraine Hunt Lieberson & Orchestra of the Age of Enlightenment | Serse, HWV 40 (Highlights): Se bramate d'amar, chi vi sdegna | |
| | Harry Bicket, Lorraine Hunt Lieberson & Orchestra of the Age of Enlightenment | Theodora, HWV 68 (Highlights): New Scenes of Joy | |
| | Harry Bicket, Lorraine Hunt Lieberson & Orchestra of the Age of Enlightenment | Theodora, HWV 68 (Highlights): Bane of Virtue, Nurse of Passions | |
| | Harry Bicket, Orchestra of the Age of Enlightenment & Susan Graham | Paride ed Elena, Act 1: "Oh, del mio dolce ardor" [Paride] | |
| | Harry Bicket, Orchestra of the Age of Enlightenment & Ian Bostridge | Samson, HWV 57, Act 1 Scene 2: No. 8, Air, "Total eclipse!" (Samson) | |
| | Harry Bicket, Orchestra of the Age of Enlightenment & Ian Bostridge | Serse, HWV 40, Act 1 Scene 1: No. 1, Recitativo accompagnato, "Frondi tenere e belle" (Serse) | |
| | Harry Bicket, Orchestra of the Age of Enlightenment & Ian Bostridge | Messiah, HWV 56, Pt. 1: No. 3, Air, "Every valley shall be exalted" (Tenor) | |
| | Harry Bicket, Orchestra of the Age of Enlightenment & Ian Bostridge | Messiah, HWV 56, Pt. 1: No. 2, Recitative accompanied, "Comfort ye, my people" (Tenor) | |
| | Harry Bicket, The English Concert, Katharina Spreckelsen & David Daniels | Vergnügte Ruh, beliebte Seelenlust, BWV 170: No. 1, Aria. "Vergnügte Ruh beliebte Seelenlust" | |
| | Harry Bicket, David Daniels & The English Concert | Matthäus-Passion, BWV 244, Pt. 2: No. 52, Aria. "Können Tränen meinen Wangen" | |
| | Lucy Crowe & Harry Bicket | Aminta e Fillide, HWV 83: Aria "Se vago rio" (Aminta) | |
| | Harry Bicket, Lorraine Hunt Lieberson & Orchestra of the Age of Enlightenment | Serse, HWV 40 (Highlights): Frondi tenere e belle | |
| | Renée Fleming, Orchestra of the Age of Enlightenment & Harry Bicket | Serse, HWV 40: Ombra mai fu, "Largo" | |
| | Susan Graham | La clemenza di Tito, Act 2: "Deh, per questo instante solo" [Sesto] | |
| | Harry Bicket, Orchestra of the Age of Enlightenment & Susan Graham | La clemenza di Tito, Act 1: "Parto, parto ma tu, ben mio" [Sesto] | |
| | Marco Vinco, Laura Aikin, Steve Davislim, Marisa Martins, Charles Workman, Ainhoa Garmendia, Jossie Perez, Harry Bicket, Liceu Grand Theatre Chorus, Liceu Grand Theatre Orchestra & Michael Maniaci | L'arbore di Diana, Act I Scene 4: Che sia stata la Dea? (Doristo) | |
| | Paula Murrihy, The English Concert & Harry Bicket | Serse, HWV 40, Act III: Aria. Amor, tiranno Amor (Arsamene) | |
| | Harry Bicket, Lorraine Hunt Lieberson & Orchestra of the Age of Enlightenment | Lucrezia, HWV 145 (Highlights): Già superbo del mio affanno | |
| | The New Company & Harry Bicket | Descendi in hortum nocum | |
| | The English Concert & Harry Bicket | Fantasy-Suite in D Minor: II. Allman | |
| | Harry Bicket, Elizabeth Watts & The English Concert | Mein Herze schwimmt im Blut, BWV 199: VIII. Aria "Wie freudig ist mein Herz" | |
| | English Concert, Harry Bicket, Dame Sarah Connolly & Rosemary Joshua | Solomon, HWV 67, Part I: Welcome as the dawn of day | |
| | Paula Murrihy, The English Concert & Harry Bicket | Serse, HWV 40, Act I: Aria. Non so se sia la speme (Arsamene) | |
| | Paula Murrihy, Lucy Crowe, Mary Bevan, William Dazeley, The English Concert & Harry Bicket | Serse, HWV 40, Act III: Recitativo. Sono vani (Arsamene, Romilda, Atalanta, Elviro) | |
| | Danielle de Niese, The English Concert & Harry Bicket | Cantata No. 202 "Weichet nur, betrübte Schatten" (Wedding Cantata), BWV 202: Sich üben im Lieben | |
| | Emily D'Angelo, Paula Murrihy, The English Concert & Harry Bicket | Serse, HWV 40, Act I: Recitativo. Quel canto a un bell’amor (Serse, Arsamene) | |
| | Harry Bicket, Lorraine Hunt Lieberson & Orchestra of the Age of Enlightenment | Lucrezia, HWV 145 (Highlights): Alla salma infedel porga la pena | |
| | Harry Bicket, Lorraine Hunt Lieberson & Orchestra of the Age of Enlightenment | Theodora, HWV 68 (Highlights): The Clouds Begin to Veil the Hemisphere | |
| | Danielle de Niese, Andreas Scholl, The English Concert & Harry Bicket | Stabat Mater: I. Stabat Mater | |
| | The English Concert, Harry Bicket & Lucy Crowe | Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 1: Aria. L’empio rigor del fato (Rodelinda) | |
| | Susan Graham | Idomeneo, Act 1: "Non ho colpa" [Idamante] | |
| | The English Concert, Harry Bicket & Hugo Hymas | La Resurrezione, HWV 47, Pt. 2 Scene 5: II. Aria. Caro figlio! (John) | |
| | The New Company & Harry Bicket | Quam Pulchri Sunt Gressus Tui | |
| | Marco Vinco, Laura Aikin, Steve Davislim, Marisa Martins, Charles Workman, Ainhoa Garmendia, Michael Maniaci, Jossie Perez, Harry Bicket, Liceu Grand Theatre Chorus & Liceu Grand Theatre Orchestra | L'arbore di Diana, Act II Scene 9: Cessate di spargere (Amore) | |
| | The New Company & Harry Bicket | Vox Patris: Veni de Libano | |
