| | Sir Roger Norrington, Orchestra of the Age of Enlightenment & Andreas Scholl | Serse: "Ombra mai fù" | |
| | Andreas Scholl, Orchestra of the Age of Enlightenment & Sir Roger Norrington | Serse, Act I - Ombra mai fu (Largo) | |
| | Orchestra of the Age of Enlightenment, Sir Roger Norrington & David Daniels | Giulio Cesare: Aria: Cara speme, questo core | |
| | Steven Isserlis, Chamber Orchestra of Europe & Sir Roger Norrington | Cello Concerto in C/C-dur/ut majeur H. VIIb:1: II. Adagio | |
| | London Classical Players & Sir Roger Norrington | Symphony No. 7 In a Op. 92: II. Allegretto | |
| | Sir Roger Norrington, Orchestra of the Age of Enlightenment & Andreas Scholl | Orfeo ed Euridice (Orphée et Eurydice) Aria: "Che farò senza Euridice?" | |
| | Sir Roger Norrington & Zürcher Kammerorchester | Symphony No. 87 in A Major, Hob. I:87: IV. Finale. Vivace | |
| | Andreas Schmidt, Sir Roger Norrington, London Classical Players & Catherine Pierard | Die Zauberflöte, K. 620, Act 2: "Pa-pa-pa" (Papageno, Papagena) | |
| | Simon Birchall, Olaf Bär, Schütz Choir of London, Sir Roger Norrington, London Classical Players, Rufus Müller, Anthony Rolfe Johnson & Wolfgang Riedelbauch | Die Zauberflöte, K. 620, Act 1 Scene 13: "Die Weisheitslehre dieser Knaben … O ew’ge Nacht!" (Tamino, Sprecher, Priester) | |
| | Orchestra of the Age of Enlightenment, Sir Roger Norrington & David Daniels | Ariodante: Aria: Scherza infida | |
| | Orchestra of the Age of Enlightenment, Sir Roger Norrington, Roger Montgomery & David Daniels | Giulio Cesare in Egitto: Aria: Va tacito e nascosto | |
| | Coppola E Il Suo Sestetto, London Classical Players & Sir Roger Norrington | Ave verum corpus in D Major, K. 618 | |
| | London Classical Players & Sir Roger Norrington | The Hebrides, 'Fingal's Cave' Op. 26 | |
| | Sir Roger Norrington, Melvyn Tan & London Classical Players | Piano Concerto No. 2 in B-Flat Major, Op. 19: III. Rondo. Molto allegro | |
| | Sebastian Knauer, Sir Roger Norrington & Zürcher Kammerorchester | Piano Concerto in E-Flat Major, Op. 7 No. 5: I. Allegro di molto | |
| | Sir Roger Norrington & Camerata Salzburg | Overture in D major, D. 590, "im italienischen Stile" (In the Italian Style) | |
| | Stuttgart Radio Symphony Orchestra & Sir Roger Norrington | Symphonic Excerpts from Parsifal (arr. E. Leinsdorf): V. Transformation Music | |
| | Daniel Reuss, Christiane Oelze, Christopher Maltmann, Stuttgart Vocal Ensemble, Sir Roger Norrington, Mark Padmore, Frank Bossert, Ralf Lukas, Bernhard Hartmann & Stuttgart Radio Symphony Orchestra | L'enfance Du Christ, Op. 25: La Fuite en Egypte: No. 8: L'adieu Des Bergers a la Saint Famille | |
| | Sir Roger Norrington, Orchestra of the Age of Enlightenment & Andreas Scholl | Orfeo ed Euridice (Orphée et Eurydice): Aria: "Che Farò Senza Euridice?" | |
| | Sir Roger Norrington, Orchestra of the Age of Enlightenment & Andreas Scholl | Serse: "Ombra Mai Fù" | |
| | Stuttgart Radio Symphony Orchestra & Sir Roger Norrington | Symphony No. 1 in C Minor, Op. 68: I. Un poco sostenuto - Allegro | |
| | Sir Roger Norrington, David Daniels & Orchestra of The Age of Enlightenment | Xerxes, HWV 40, Act I: Ombra mai fù | |
| | London Classical Players & Sir Roger Norrington | Music for the Royal Fireworks: III. La paix | |
| | Sir Roger Norrington & Zürcher Kammerorchester | Serenade No. 5 in D Major, K. 204/213a: VII. Andantino grazioso - Allegro | |
| | Sir Roger Norrington & Zürcher Kammerorchester | Symphony No. 85 in B-Flat Major, Hob. I:85 "La reine": IV. Finale. Presto | |
| | Sir Roger Norrington, London Classical Players & John Mark Ainsley | Don Giovanni, K. 527, Act 1: Recitativo. "Come mai creder deggio" (Don Ottavio) | |
| | London Classical Players, Schütz Choir of London & Sir Roger Norrington | Ein Deutsches Requiem Op. 45: VII. Selig Sind Die Toten (Feierlich) | |
| | Schütz Choir of London, Philip Jones Brass Ensemble & Sir Roger Norrington | Mass No. 2 in E Minor, WAB 27: VI. Agnus Dei | |
| | Sir Roger Norrington, Stuttgart Radio Symphony Orchestra, SWR Vokalensemble Stuttgart & MDR Rundfunkchor | Grande messe des morts, Op. 5, H. 75 "Requiem": II. Dies iræ | |
| | Sir Roger Norrington, Melvyn Tan & London Classical Players | Piano Concerto No. 3 in C Minor, Op. 37: I. Allegro con brio | |
| | Sir Roger Norrington & Stuttgart Radio Symphony Orchestra | Symphony No. 1 in C Minor, Op. 68: I. Un poco sostenuto - Allegro | |
| | Sir Roger Norrington, Nancy Argenta, Peter Thorley, Alastair Miles, Catherine Robbin, John Mark Ainsley, London Classical Players & Schütz Choir of London | Requiem in D Minor, K. 626: III. Sequenz: No. 7, Amen | |
| | Andreas Schmidt, Schütz Choir of London, Sir Roger Norrington, London Classical Players & Dawn Upshaw | Die Zauberflöte, K. 620, Act 1 Scene 15: "Es lebe Sarastro! Sarastro lebe!" (Die Gefolge, Papageno, Pamina) | |
| | Ian Partridge, Eric Stannard, Heinrich Schütz Choir, Philip Jones Brass Ensemble, Keith Harvey, William Waterhouse, Rodney Slatford, Charles Spinks & Sir Roger Norrington | Historia der Geburt Jesu Christi, SWV 435 (1664): Da berief Herodes die Weisen | |
| | Stuttgart Radio Symphony Orchestra & Sir Roger Norrington | Variations on an Original Theme, Op. 36 "Enigma": Var. 5, R.P.A. (Live) | |
| | Sir Roger Norrington, Stuttgart Radio Symphony Orchestra & Chor des Leipziger Rundfunks | Benvenuto Cellini, Op. 23, H. 76, Act III "Mercrèdi des cendres" (Weimar Version): Scene 1, A l’atelier rentrons sans plus attendre [Live] | |
| | Sir Roger Norrington, London Classical Players & Lynn Dawson | Don Giovanni, K. 527, Act 1: Aria. "Ah, fuggi il traditor" (Donna Elvira) | |
| | Deborah Voigt, Orchestra of St. Luke’s, Orchestra of St. Luke's & Sir Roger Norrington | Stabat mater: Inflammatus et accensus | |
| | Sir Roger Norrington, Stuttgart Radio Symphony Orchestra, Franz Hawlata & Chor des Leipziger Rundfunks | Benvenuto Cellini, Op. 23, H. 76, Act II "Mardi gras" (Weimar Version): Scene 12, Ah ! Ah ! très bien, le plaisant visage ! [Live] | |
| | Sir Roger Norrington, Melvyn Tan & London Classical Players | Piano Concerto No. 2 in B-Flat Major, Op. 19: I. Allegro con brio | |
| | Sebastian Knauer, Sir Roger Norrington & Zürcher Kammerorchester | Piano Concerto in E-Flat Major, Op. 7 No. 5: III. Allegro | |
| | London Classical Players & Sir Roger Norrington | Water Music Suite No. 1 in F Major: II. Adagio e Staccato | |
| | Sir Roger Norrington & London Classical Players | Symphony No. 2 in C Major, J. 51: I. Allegro | |
| | Sir Roger Norrington, Stuttgart Radio Symphony Orchestra, SWR Vokalensemble Stuttgart & MDR Rundfunkchor | Grande messe des morts, Op. 5, H. 75 "Requiem": V. Quærens me | |
| | London Classical Players & Sir Roger Norrington | Symphony No. 4 in D Minor Op. 120: IV. Langsam - Lebhaft | |
| | Sebastian Knauer, Sir Roger Norrington & Zürcher Kammerorchester | Piano Concerto No. 27 in B-Flat Major, K. 595: I. Allegro | |
| | Stuttgart Radio Symphony Orchestra & Sir Roger Norrington | Symphony No. 104 in D Major, Hob. I:104 "Salomon": III. Menuetto. Allegro (Live) | |
| | South West German Radio Symphony Orchestra & Sir Roger Norrington | Symphony No. 40 In G Minor, K. 550: I. Molto Allegro | |
| | Stuttgart Vocal Ensemble, Sir Roger Norrington, Christopher Maltmann, Stuttgart Radio Symphony Orchestra, Christiane Oelze, Mark Padmore, Frank Bossert, Daniel Reuss, Bernhard Hartmann & Ralf Lukas | L'enfance Du Christ, Op. 25: L'arrivee a Sais: No. 13: Trio | |
| | Sir Roger Norrington, Melvyn Tan & London Classical Players | Piano Concerto No. 23 in A Major, K. 488: II. Adagio | |
