| | Emmanuelle Haïm, Ensemble Orchestral de Paris, John Nelson & Stephanie Blythe | Aria: Erbarme dich, sein Gott (from St Matthew Passion BWV244) | |
| | Emmanuelle Haïm, John Nelson, Ensemble Orchestral de Paris & Stephanie Blythe | Saint Matthew Passion, BWV 244: "Erbarme dich, sein Gott" | |
| | John Nelson, Ensemble Orchestral de Paris, Emmanuelle Haïm & Stephanie Blythe | Matthäus-Passion, BWV 244, Pt. 2: No. 39, Aria, "Erbarme dich, mein Gott" (Alto) | |
| | Stephanie Blythe, David Daniels, Ensemble Orchestral de Paris, Emmanuelle Haïm, Martin Isepp & John Nelson | Recitativo e duetto: Madre ... Son nata a lagrimar from Giulio Cesare HWV17) | |
| | Emmanuelle Haïm, Martin Isepp, John Nelson, Ensemble Orchestral de Paris, David Daniels & Stephanie Blythe | Duetto: Son nata a lagrimar | |
| | John Nelson, Ensemble Orchestral de Paris, Martin Isepp, Emmanuelle Haïm, Stephanie Blythe & David Daniels | Giulio Cesare in Egitto, HWV 17, Act 1 Scene 11: Recitativo, "Madre! Mia vita!" - No. 16a, Duetto, "Son nata a lagrimar" (Sesto, Cornelia) | |
| | Elizabeth Futral, Stephanie Blythe, Theo Lebow, Tobias Greenhalgh, Daniel Brevik & St. Louis Symphony | 27, Act IV: "Jury of My Canvas" | |
| | John Nelson, David Daniels, Emmanuelle Haïm, Ensemble Orchestral de Paris, Martin Isepp & Stephanie Blythe | Giulio Cesare, HWV. 17 'Julius Caesar' Act I: Son nata a lagrimar | |
| | John Nelson, Ensemble Orchestral de Paris, Emmanuelle Haïm & Stephanie Blythe | Semele, HWV 58, Act 2 Scene 1: No. 22, Aria, "Hence, Iris hence away" (Juno) | |
| | Mark Schowalter,, Greer Grimsley, Andrea Silvestrelli, Daniel Sumegi, Stephanie Blythe, Seattle Symphony, Seattle Opera Chorus & Asher Fisch | Das Rheingold, Scene 2: "Immer ist Undank Loges Lohn!" | |
| | Bryn Terfel, Dwayne Croft, Adam Diegel, Stephanie Blythe, Eric Owens, Gerhard Siegel, The Metropolitan Opera Orchestra & James Levine | Das Rheingold, Scene 3: Ihr andern harrt bis Abend hier | |
| | Stephanie Blythe, Hugh Smith, Mark Oswald, Pacific Chorale, Pacific Symphony Orchestra & Carl St. Clair | An American Requiem: Libera Me - Not in Our Time | |
| | Tommi Hakala, Stefan Kocán, State Choir 'Latvija', Chor des Bayerischen Rundfunks, Nationaal Jongenskoor, Nationaal Kinderkoor, Netherlands Radio Choir, Mariss Jansons, Stephanie Blythe, Mihoko Fujimura, Het Koninklijk Concertgebouworkest, Camilla Nylund, Christine Brewer, María Espada & Robert Dean Smith | Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: IV. "Accende lumen sensibus" (Live) | |
| | Lucille Beer, Greer Grimsley, Stephanie Blythe, Ric Furman, Seattle Symphony, Seattle Opera Chorus & Asher Fisch | Das Rheingold, Scene 4: "Weiche, Wotan!" | |
| | John Nelson, Emmanuelle Haïm, Ensemble Orchestral de Paris & Stephanie Blythe | St Matthew Passion, BWV. 244, Part 2 No. 47: Erbarme dich, mein Gott | |
| | Elizabeth Futral, Stephanie Blythe, Theo Lebow, Tobias Greenhalgh, Daniel Brevik & St. Louis Symphony | 27, Act II: Scene 1, Chatter | |
| | John Nelson, Emmanuelle Haïm, Ensemble Orchestral de Paris & Stephanie Blythe | St Matthew Passion, BWV. 244, Part II: Erbarme dich, sein Gott | |
| | Stephanie Blythe, Steven Blier & New York Festival Of Song | 'Round Midnight | |
| | John Nelson, David Daniels, Emmanuelle Haïm, Ensemble Orchestral de Paris, Martin Isepp & Stephanie Blythe | Giulio Cesare, HWV 17 (Highlights): Son nata a lagrimar | |
| | Mark Schowalter,, Markus Brück, Greer Grimsley, Ric Furman, Stephanie Blythe, Daniel Sumegi, Seattle Symphony, Seattle Opera Chorus & Asher Fisch | Das Rheingold, Scene 2: "Ein Runenzauber zwingt das Gold zum Reif" | |
| | John Nelson, Ensemble Orchestral de Paris, Emmanuelle Haïm & Stephanie Blythe | Hercules: Recitative & Aria: Where shall I fly? | |
| | Elizabeth Futral, Stephanie Blythe, Theo Lebow, Tobias Greenhalgh, Daniel Brevik & St. Louis Symphony | 27, Act V: "I've Been Called Many Things" | |
| | Mark Schowalter,, Ric Furman, Markus Brück, Stephanie Blythe, Andrea Silvestrelli, Greer Grimsley, Seattle Symphony, Seattle Opera Chorus & Asher Fisch | Das Rheingold, Scene 4: "Fasolt und Fafner nahen von fern" | |
| | Stephanie Blythe & Craig Terry | Sally: Look for the Silver Lining (arr. S. Blythe and C. Terry) | |
| | Greer Grimsley, Mark Schowalter,, Markus Brück, Ric Furman, Stephanie Blythe, Richard Paul Fink, Dennis Petersen, Seattle Symphony, Seattle Opera Chorus & Asher Fisch | Das Rheingold, Scene 2: "Auf, Loge, hinab mit mir!" | |
| | Stephanie Blythe, Steven Blier & New York Festival Of Song | The Jonathan Larson Project: Hosing the Furniture | |
| | Ric Furman, Markus Brück, Daniel Sumegi, Andrea Silvestrelli, Greer Grimsley, Wendy Bryn Harmer, Stephanie Blythe, Seattle Symphony, Seattle Opera Chorus & Asher Fisch | Das Rheingold, Scene 2: "Zu mir, Freia!" | |
| | Stephanie Blythe & Kayo Iwama | Four Songs from the Beauty Intolerable Songbook: IV. Love, though for this | |
| | New York Philharmonic, Alan Gilbert & Stephanie Blythe | One Sweet Morning, for Mezzo-Soprano and Orchestra: II. Patroclus — | |
| | Elizabeth Futral, Stephanie Blythe, Theo Lebow, Tobias Greenhalgh, Daniel Brevik & St. Louis Symphony | 27, Act II: Scene 2, Doughboy | |
| | Elizabeth Futral, Stephanie Blythe, Theo Lebow, Tobias Greenhalgh, Daniel Brevik & St. Louis Symphony | 27, Act III: "How Would You Choose?" | |
| | Emmanuelle Haïm, John Nelson, Ensemble Orchestral de Paris & Stephanie Blythe | Serse: Aria: Ombra mai fu | |
| | David Daniels, Emmanuelle Haïm, Ensemble Orchestral de Paris, John Nelson, Martin Isepp & Stephanie Blythe | Recitativo e duetto: Madre ... Son nata a lagrimar from Giulio Cesare HWV17) | |
| | John Nelson, Ensemble Orchestral de Paris, Emmanuelle Haïm & Stephanie Blythe | Hercules, HWV 60, Act 3 Scene 3: Recitative accompanied, "Where shall I fly!" (Dejanira) | |
| | John Nelson, David Daniels, Emmanuelle Haïm, Martin Isepp, Stephanie Blythe & Ensemble Orchestral de Paris | Giulio Cesare in Egitto, HWV 17, Act I: Son nata a lagrimar | |
| | Tommi Hakala, Netherlands Radio Choir, Mariss Jansons, Mihoko Fujimura, Stephanie Blythe, Het Koninklijk Concertgebouworkest, Camilla Nylund, Christine Brewer & Robert Dean Smith | Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: I. "Veni, creator spiritus" (I) [Live] | |
| | John Nelson, Emmanuelle Haïm, Stephanie Blythe & Ensemble Orchestral de Paris | Serse, HWV. 40, Act I: Ombra mai fu | |
| | Ensemble Orchestral de Paris, John Nelson, Stephanie Blythe & Emmanuelle Haïm | Semele, HWV. 58, Act II: Iris, Hence away | |
| | Lisa Vroman & Stephanie Blythe | A Boy Like That / I Have a Love | |
| | Stephanie Blythe & Kayo Iwama | Four Songs from the Beauty Intolerable Songbook: II. She is Overheard Singing | |
| | Seattle Symphony, Seattle Opera Chorus, Asher Fisch, Greer Grimsley & Stephanie Blythe | Die Walküre, Act II: "Nichts lerntest du, wollt’ ich dich lehren" | |
| | Greer Grimsley, Stephanie Blythe, Mark Schowalter,, Seattle Symphony, Seattle Opera Chorus & Asher Fisch | Das Rheingold, Scene 4: "Abendlich strahlt" | |
| | Stephanie Blythe & Craig Terry | The Thrill is Gone (arr. S. Blythe and C. Terry) | |
| | Stephanie Blythe, Steven Blier & New York Festival Of Song | The Cradle Will Rock: Nickel Under My Foot | |
| | Stephanie Blythe, Steven Blier & New York Festival Of Song | Hit the Road | |
| | Stephanie Blythe, William Burden, Steven Blier & New York Festival Of Song | Oh Gee! | |
| | Elizabeth Futral, Stephanie Blythe, Theo Lebow, Tobias Greenhalgh, Daniel Brevik & St. Louis Symphony | 27, Act V: Introduction, "There Once Lived Two Women" | |
| | Patricia Bardon, Bryn Terfel, Stephanie Blythe, Adam Diegel, The Metropolitan Opera Orchestra & James Levine | Das Rheingold, Scene 4: Weiche, Wotan, weiche! | |
| | Seattle Symphony, Seattle Opera Chorus, Asher Fisch & Stephanie Blythe | Die Walküre, Act II: "So ist es denn aus mit den ewigen Göttern" | |
| | Stephanie Blythe & Craig Terry | Please Be Kind (arr. S. Blythe and C. Terry) | |
