| | John Nelson, Ensemble Orchestral de Paris & Vivica Genaux | Lucrezia Borgia (Highlights): Il Segreto per esser felici | |
| | John Nelson, David Daniels, Emmanuelle Haïm, Ensemble Orchestral de Paris, Martin Isepp & Stephanie Blythe | Giulio Cesare, HWV. 17 'Julius Caesar' Act I: Son nata a lagrimar | |
| | Ensemble Orchestral de Paris, John Nelson & Paul Meyer | Clarinet Concerto in A Major, K. 622: I. Allegro | |
| | John Nelson, Orchestre National de France, Patrizia Ciofi, Gregory Kunde, Laurent Naouri, Marc Mauillon, Jean-François Lapointe, Eric Salha, Eric Huchet, Joyce DiDonato & Ronan Nédélec | Benvenuto Cellini, H. 76, Act I Scene 3: Cellini! Teresa! ne fuyez pas (Teresa/Cellini) | |
| | Ensemble Orchestral de Paris, John Nelson & David Daniels | Semele, HWV. 58, Act I: Your tuneful voice | |
| | John Nelson & Orchestre de l'Opéra National de Lyon | Béatrice et Bénédict, H. 138, Act II: Le vin de Syracuse (Somarone, Chorus) | |
| | John Nelson, Orchestre National de France, Patrizia Ciofi, Laurent Naouri, Gregory Kunde, Marc Mauillon, Eric Salha, Jean-François Lapointe, Eric Huchet, Joyce DiDonato & Ronan Nédélec | Benvenuto Cellini, H. 76, Act I Scene 1: Choeur de masques - Enfin il est sorti (Teresa/Balducci/Cellini/Choeur) | |
| | John Nelson, Ensemble Orchestral de Paris & Vivica Genaux | Lucrezia Borgia: Il Segreto per esser felici | |
| | David Guerrier, Ensemble Orchestral de Paris & John Nelson | Trumpet Concerto in D Major: I. Adagio | |
| | John Nelson, Ensemble Orchestral de Paris & Paul Meyer | Clarinet Concerto in A Major, K. 622: II. Adagio | |
| | David Guerrier, Ensemble Orchestral de Paris & John Nelson | Trumpet Concerto in D Major: I. Adagio | |
| | Ensemble Orchestral de Paris, John Nelson & Vivica Genaux | Lucrezia Borgia: Il Segreto per esser felici (Orsini) | |
| | John Nelson, Orchestre National de France, Patrizia Ciofi, Gregory Kunde, Laurent Naouri, Marc Mauillon, Jean-François Lapointe, Eric Salha, Eric Huchet, Joyce DiDonato & Ronan Nédélec | Benvenuto Cellini, H. 76, Act I Scene 3: Cellini! Teresa! ne fuyez pas (Teresa/Cellini) | |
| | Ensemble Orchestral de Paris, John Nelson & Vivica Genaux | Anna Bolena: E sgombro il loco... Un bacio ancora (Giovanna Seymour) | |
| | Ensemble Orchestral de Paris, John Nelson & Vivica Genaux | Lucrezia Borgia: Nella fatal di Rimini (Orsini) | |
| | John Nelson, Emmanuelle Haïm, Ensemble Orchestral de Paris & Stephanie Blythe | St Matthew Passion, BWV. 244, Part 2 No. 47: Erbarme dich, mein Gott | |
| | John Nelson, Orchestre National de France, Patrizia Ciofi, Gregory Kunde, Laurent Naouri, Marc Mauillon, Jean-François Lapointe, Eric Salha, Eric Huchet, Joyce DiDonato & Ronan Nédélec | Benvenuto Cellini, H. 76, Act I Scene 3: Cellini! Teresa! ne fuyez pas (Teresa/Cellini) | |
| | John Nelson, Orchestre National de France, Patrizia Ciofi, Gregory Kunde, Laurent Naouri, Marc Mauillon, Jean-François Lapointe, Eric Salha, Eric Huchet, Joyce DiDonato & Ronan Nédélec | Benvenuto Cellini, H. 76, Act I Scene 7: Final - Ah, ah maitre drole, ah libertin (Choeur/Teresa/Fieramosca/Balducci) | |
| | John Nelson, Orchestre National de France, Patrizia Ciofi, Gregory Kunde, Laurent Naouri, Marc Mauillon, Jean-François Lapointe, Eric Salha, Eric Huchet, Joyce DiDonato & Ronan Nédélec | Benvenuto Cellini, H. 76, Act I Scene 7: Final - Ah, ah maitre drole, ah libertin (Choeur/Teresa/Fieramosca/Balducci) | |
| | John Nelson, Emmanuelle Haïm, Ensemble Orchestral de Paris & Stephanie Blythe | St Matthew Passion, BWV. 244, Part II: Erbarme dich, sein Gott | |
| | Ensemble Orchestral de Paris, John Nelson, Stephanie Blythe & Emmanuelle Haïm | Semele, HWV. 58, Act II: Iris, Hence away | |
| | Ensemble Orchestral de Paris, John Nelson & Vivica Genaux | Lucrezia Borgia, Act I: Nella fatal di Rimini | |
| | Ensemble Orchestral de Paris, John Nelson & Vivica Genaux | Semiramide, Act II: In si barbara sciagura...Ah Quel giorno ognor rammento | |
| | John Nelson, Orchestre National de France, Patrizia Ciofi, Laurent Naouri, Gregory Kunde, Marc Mauillon, Eric Salha, Jean-François Lapointe, Eric Huchet, Joyce DiDonato & Ronan Nédélec | Benvenuto Cellini, H. 76, Act I Scene 1: Choeur de masques - Enfin il est sorti (Teresa/Balducci/Cellini/Choeur) | |
| | John Nelson, Orchestre National de France, Patrizia Ciofi, Laurent Naouri, Gregory Kunde, Marc Mauillon, Eric Salha, Jean-François Lapointe, Eric Huchet, Joyce DiDonato & Ronan Nédélec | Benvenuto Cellini, H. 76, Act I Scene 1: Choeur de masques - Enfin il est sorti (Teresa/Balducci/Cellini/Choeur) | |
| | John Nelson, David Daniels, Emmanuelle Haïm, Ensemble Orchestral de Paris, Martin Isepp & Stephanie Blythe | Giulio Cesare, HWV 17 (Highlights): Son nata a lagrimar | |
| | Ensemble Orchestral de Paris, John Nelson & David Guerrier | Trumpet Concerto in D Major: II. Allegro moderato | |
| | John Nelson, Ensemble Orchestral de Paris & Vivica Genaux | Lucrezia Borgia, Act II: Il Segreto per esser felici | |
| | John Nelson, Emmanuelle Haïm, Ensemble Orchestral de Paris & Stephanie Blythe | Giulio Cesare, HWV 17 (Highlights): Dall' ondoso periglio ... Aure, deh per pietà | |
