| | Alice Coote, The English Concert & Harry Bicket | Alcina, HWV 34, Act II Scene 3: Aria. Mi lusinga il dolce affetto (Ruggiero) | |
| | Alice Coote & Julius Drake | Winterreise, D. 911: Gute Nacht | |
| | Alice Coote & Julius Drake | Erlkönig, D. 328: V. Ich liebe dich, mich reizt deine schöne Gestalt | |
| | New York Philharmonic, Alan Gilbert, New York Choral Artists, Joseph Flummerfelt, Twyla Robinson, Alice Coote, Allan Clayton, Gerald Finley, Jennifer Johnston & Benjamin P. Wenzelberg | Elijah, Oratorio on Words of the Old Testament, Op. 70 : Chorus: Then did Elijah the prophet break forth | |
| | Hallé, Sir Mark Elder & Alice Coote | Sea Pictures, Op. 37: II. In Haven (C. Alice Elgar) | |
| | Ashley Holland, Clive Bayley, Paul Daniel, Alice Coote, Rebecca De Pont Davies, English National Opera Orchestra, Yvonne Kenny & Richard Roberts | Falstaff, Act III Scene 2: Buffoon! (Dr Caius, Ford, Bardolph, Pistol, Alice, Quickly, Meg, Chorus) | |
| | Alice Coote, Nadine Sierra, James Levine & The Metropolitan Opera Orchestra | Idomeneo, K. 366, Act III: Principessa, A' tuoi sguardi | |
| | Choeurs Orfeon Donostiarra, Alice Coote, Natalie Dessay, Paavo Järvi & Frankfurt Radio Symphony | Symphony No. 2 in C Minor 'Resurrection': IV. Urlicht. Sehr feierlich, aber schlicht | |
| | New York Philharmonic, Alan Gilbert, New York Choral Artists, Joseph Flummerfelt, Twyla Robinson, Alice Coote, Allan Clayton, Gerald Finley, Jennifer Johnston & Benjamin P. Wenzelberg | Elijah, Oratorio on Words of the Old Testament, Op. 70 : Chorus: He that shall endure to the end | |
| | Alice Coote & Graham Johnson | Douze Rondels: IX. Les étoiles | |
| | Graham Johnson & Alice Coote | Le secret, Op. 23 No. 3 | |
| | Hallé, Hallé Choir, Sir Mark Elder, Rebecca Evans, Alice Coote, Paul Groves, Jacques Imbrailo, Sean Boyes, Thomas Kelly, Timothy Langston, Thomas Morss, Adam Player, Stefan Berkieta, Matthew Kellett, Graham McCusker & Daniel Shelvey | The Apostles, Op. 49, Pt. 1: III. By the Sea of Galilee, "Turn You to the Stronghold" | |
| | Frankfurt Radio Symphony, hr-Sinfonieorchester, Natalie Dessay, Paavo Järvi, Alice Coote & Orfeón Donostiarra | Symphony No. 2 in C Minor 'Resurrection': V. Finale. Im Tempo des Scherzos | |
| | Alice Coote & Graham Johnson | Love, If You Knew the Light | |
| | Alice Coote & Christian Blackshaw | Myrthen, Op. 25: No. 1, Widmung | |
| | Graham Johnson & Alice Coote | Je te veux | |
| | Alice Coote | Messiah HWV 56, PART 1: O thou that tellest (alto air: Andante) | |
| | Hallé, Sir Mark Elder & Alice Coote | Sea Pictures, Op. 37: IV. Where Corals Lie (Dr Richard Garnett) | |
| | Graham Johnson & Alice Coote | 3 Songs, Op. 15: No. 3, A Song of Shadows | |
| | Alice Coote & Julius Drake | Seligkeit, D. 433: III. Lieber bleib’ ich hier | |
| | Alice Coote, The English Concert & Harry Bicket | Hercules, HWV 60, Act III Scene 3: Aria. Where Shall I Fly? (Dejanira) | |
| | Alice Coote, Caitlin Lynch, David Robertson & The Metropolitan Opera | Two Boys, Act I, Scene 15: Mrs. Wilson? / I know he hears us | |
| | New York Philharmonic, Alan Gilbert, New York Choral Artists, Joseph Flummerfelt, Twyla Robinson, Alice Coote, Allan Clayton, Gerald Finley, Jennifer Johnston & Benjamin P. Wenzelberg | Elijah, Oratorio on Words of the Old Testament, Op. 70 : Final Chorus: And then, then shall your light break forth | |
| | Hallé, Sir Mark Elder, Alice Coote, Paul Groves & Hallé Choir | The Dream of Gerontius, Op. 38, Pt. II: "...Praise to His Name! ...Take Me Away" (Angel / Soul / Chorus) | |
| | Alice Coote & Julius Drake | An den Mond, D. 259: I. Füllest wieder Busch und Tal | |
| | Alice Coote, David Robertson, Dennis Petersen & The Metropolitan Opera Orchestra | Two Boys, Act II, Scene 1: Even senseless crimes make sense | |
| | Alice Coote & Graham Johnson | Now Sleeps the Crimson Petal, Op. 3 No. 2 | |
| | Alice Coote, Burkhard Fritz, Marc Albrecht & Nederlands Philharmonisch Orkest | Das Lied von der Erd: II. Der Einsame im Herbst (The Lonely One in Autumn) | |
| | Alice Coote, Corydon Orchestra, Corydon Singers, Wynford Evans, Paul Robinson, Rebecca Evans & Matthew Best | Hugh the Drover, Act I: Pt. 5. As I Was A-Walking One Morning in Spring | |
| | Wynford Evans, Corydon Orchestra, Paul Robinson, Corydon Singers, Matthew Best, Alice Coote & Rebecca Evans | Hugh the Drover: Act 1 V. As I Was a-Walking One Morning in Spring | |
| | Alice Coote, Carolyn Sampson, Emmanuelle Haïm, european voices, Ian Bostridge, Le Concert d'Astrée, Pascal Bertin, Paul Agnew & Sonia Prina | L'Orfeo, SV 318, Act II: Ritornello | |
| | Julius Drake & Alice Coote | Im Frühling, D. 882: c. Es wandeln nur sich Will und Wahn | |
| | Alice Coote & Graham Johnson | Les nuits d'été, Op. 7: II. Le spectre de la rose | |
| | Alice Coote & Graham Johnson | The Country Lover: IV. The Early Morning | |
| | Alice Coote & Julius Drake | Im Frühling, D. 882: III. Es wandeln nur sich Will und Wahn | |
| | Alice Coote & Graham Johnson | Banalités, FP 107: No. 2, Hôtel | |
| | Graham Johnson & Alice Coote | Les nuits d'été, H. 81b: Le spectre de la rose, H. 83b | |
| | Alice Coote & Julius Drake | Erlkönig, D. 328: III. Du liebes Kind, komm, geh mit mir! | |
| | Robert King, The King's Consort & Alice Coote | The Choice of Hercules, HWV 69: No. 19, Recit. Mount, Mount the Steep Ascent (Virtue) | |
| | Alice Coote & Christian Blackshaw | Dichterliebe, Op. 48: No. 16, Die alten, bösen Lieder | |
| | New York Philharmonic, Alan Gilbert, New York Choral Artists, Joseph Flummerfelt, Twyla Robinson, Alice Coote, Allan Clayton, Gerald Finley, Jennifer Johnston & Benjamin P. Wenzelberg | Elijah, Oratorio on Words of the Old Testament, Op. 70 : Recitative (Elijah) and Chorus (Priests of Baal): Call him louder! For he is a god | |
| | New York Philharmonic, Alan Gilbert, New York Choral Artists, Joseph Flummerfelt, Twyla Robinson, Alice Coote, Allan Clayton, Gerald Finley, Jennifer Johnston & Benjamin P. Wenzelberg | Elijah, Oratorio on Words of the Old Testament, Op. 70 : Overture | |
| | Alice Coote & Graham Johnson | Hypochondriacus | |
| | Graham Johnson & Alice Coote | Chère nuit | |
| | Graham Johnson & Alice Coote | Banalités, FP 107: No. 4, Voyage à Paris | |
| | New York Philharmonic, Alan Gilbert, New York Choral Artists, Joseph Flummerfelt, Twyla Robinson, Alice Coote, Allan Clayton, Gerald Finley, Jennifer Johnston & Benjamin P. Wenzelberg | Elijah, Oratorio on Words of the Old Testament, Op. 70 : Duet and Chorus (The People, Two Women): Lord, bow Thine ear to our prayer! | |
| | Alice Coote & Christian Blackshaw | Lieder und Gesänge I, Op. 27: No. 2, Dem roten Röslein gleicht mein Lieb | |
| | Choeurs Orfeon Donostiarra, Alice Coote, Natalie Dessay, Paavo Järvi & Frankfurt Radio Symphony | Symphony No. 2 in C Minor 'Resurrection': V. Finale. Im Tempo des Scherzos | |
| | New York Philharmonic, Alan Gilbert, New York Choral Artists, Joseph Flummerfelt, Twyla Robinson, Alice Coote, Allan Clayton, Gerald Finley, Jennifer Johnston & Benjamin P. Wenzelberg | Elijah, Oratorio on Words of the Old Testament, Op. 70 : Arioso (Elijah): For the mountains shall depart | |
| | Alice Coote & Julius Drake | An den Mond, D. 296: b. Breitest über mein Gefild | |
