| | Eric Barry, George Mosley, Poznan Philharmonic Orchestra & Łukasz Borowicz | Djamileh, WD 27: Duo et couplets | |
| | Eric Barry, George Mosley, Poznan Philharmonic Orchestra & Łukasz Borowicz | Djamileh, WD 27: Mélodrame II | |
| | Carolyn Watkinson, Ruth Holton, George Mosley, English Baroque Soloists & John Eliot Gardiner | Dido and Aeneas, Act 3: "Your counsel all is urged in vain" | |
| | Donna Brown, Della Jones, Derek Lee Ragin, Jonathan Peter Kenny, Michael Chance, George Mosley, Julian Clarkson, English Baroque Soloists & John Eliot Gardiner | Agrippina, Act 2: Di timpani e trombe | |
| | Della Jones, Jonathan Peter Kenny, Derek Lee Ragin, George Mosley, English Baroque Soloists, Michael Chance & John Eliot Gardiner | Agrippina, Act 1: Alle tue piante, o Augusta | |
| | George Mosley, Paul Daniel, Fiona Kimm, Ann Taylor-Morley, English Northern Philharmonia, Malcolm Lorimer, Eileen Hulse & Philip Sheffield | Baa Baa Black Sheep, Act I Scene 2: In the House of Desolation. Punch! Punch! Where are your manners? (Father, Punch, Mother, Judy, Auntirosa, Harry, Captain) | |
| | Michael Chance & George Mosley | My Favourite Sound | |
| | Della Jones, Jonathan Peter Kenny, Alastair Miles, George Mosley, English Baroque Soloists & John Eliot Gardiner | Agrippina, Act 3: Evvi donna più empia? | |
| | Carolyn Watkinson, Jonathan Peter Kenny, George Mosley, Ruth Holton, Monteverdi Choir, English Baroque Soloists & John Eliot Gardiner | Dido and Aeneas, Act 2: "Behold, upon my bending spear" | |
| | Michael Chance & George Mosley | My Favourite Sound | |
| | Michael Chance, George Mosley & Claudia Molitor | My Favourite Sound | |
| | Jennifer Feinstein, Eric Barry, George Mosley, Poznan Philharmonic Orchestra & Łukasz Borowicz | Djamileh, WD 27: Trio et ghazel | |
| | Carolyn Watkinson, Ruth Holton, George Mosley, Monteverdi Choir, English Baroque Soloists & John Eliot Gardiner | Dido and Aeneas, Act 1: "See, your Royal Guest appears" - "If not for mine" | |
| | Della Jones, Jonathan Peter Kenny, Alastair Miles, George Mosley, English Baroque Soloists & John Eliot Gardiner | Agrippina, Act 3: Adorato mio sposo | |
| | Della Jones, Jonathan Peter Kenny, Derek Lee Ragin, George Mosley, English Baroque Soloists & John Eliot Gardiner | Agrippina, Act 1: Voi, che dell'alta Roma.Il tuo figlio | |
| | George Mosley & Andrew Ball | First Known When Lost | |
| | Donna Brown, Della Jones, Derek Lee Ragin, Jonathan Peter Kenny, Michael Chance, George Mosley, English Baroque Soloists & John Eliot Gardiner | Agrippina, Act 2: Coronato il crin d'alloro.Roma, più ch'il trionfo | |
| | Eric Barry, George Mosley, Poznań Chamber Choir, Poznan Philharmonic Orchestra & Łukasz Borowicz | Djamileh, WD 27: Chanson | |
| | Academy of Ancient Music, Paul Goodwin, George Mosley, The Choir of the AAM & Andrew Manze | Funeral Canticle | |
| | George Mosley, Paul Daniel, English Northern Philharmonia, Eileen Hulse, Henry Newman, Mark Holland, Philip Sheffield & Clive Bayley | Baa Baa Black Sheep, Act I Scene 3: At the Council Rock. I am Shere Khan (Shere Khan, Mother Wolf, Father Wolf, Akela, Baloo, Bagheera, Wolves, Others) | |
| | Della Jones, Jonathan Peter Kenny, Derek Lee Ragin, George Mosley, English Baroque Soloists & John Eliot Gardiner | Agrippina, Act 1: Amici, al sen vi stringo | |
| | Donna Brown, Della Jones, Derek Lee Ragin, Michael Chance, Jonathan Peter Kenny, George Mosley, Alastair Miles, English Baroque Soloists & John Eliot Gardiner | Agrippina, Act 2: Signor, quanto il mio core | |
| | George Mosley, Poznan Philharmonic Orchestra & Łukasz Borowicz | Djamileh, WD 27: Mélodrame I | |
| | George Mosley & Iain Burnside | To Bed: No. 5, With My Whip | |
| | Alastair Miles, Della Jones, Derek Lee Ragin, Donna Brown, Anne Sofie von Otter, Michael Chance, Jonathan Peter Kenny, George Mosley, Julian Clarkson, English Baroque Soloists & John Eliot Gardiner | Agrippina, Act 3: Lieto il Tebro increspi l'onda | |
| | George Mosley, English Baroque Soloists & John Eliot Gardiner | Agrippina, Act 1: La mia sorte fortunata | |
| | Academy of Ancient Music, The Choir of the AAM, Andrew Manze, Paul Goodwin & George Mosley | Petra: a ritual dream | |
| | Michael Chance, Pauline Tinsley, George Mosley, Monteverdi Choir, English Baroque Soloists & John Eliot Gardiner | Ode for St Cecilia's Day, "Welcome to all the pleasures", Z339 - original version: Welcome to all pleasures | |
| | Jennifer Feinstein, Eric Barry, George Mosley, Poznan Philharmonic Orchestra & Łukasz Borowicz | Djamileh, WD 27: Scène et choeur | |
| | Academy of Ancient Music, Paul Goodwin, George Mosley, The Choir of the AAM & Andrew Manze | Petra: a ritual dream | |
| | Della Jones, Michael Chance, Jonathan Peter Kenny, Derek Lee Ragin, Alastair Miles, George Mosley, Julian Clarkson, English Baroque Soloists & John Eliot Gardiner | Agrippina, Act 1: Ma qual di liete trombe.Allegrezza, allegrezza!.Che sento! | |
| | George Mosley, Paul Daniel, Ann Taylor-Morley, English Northern Philharmonia, Malcolm Lorimer, Clive Bayley, Mark Holland & Paul McCann | Baa Baa Black Sheep, Act I Scene 1: A Passage from India. Punch! Punch! Punch! (Judy, Punch, Meeta, Bhini, Salaam-Captain, Father, Mother) | |
| | George Mosley, William Dazeley, Paul Daniel, Ann Taylor-Morley, English Northern Philharmonia, Clive Bayley, Mark Holland & Eileen Hulse | Baa Baa Black Sheep, Act II Scene 2: Akela Misses His Kill. Free (Mowgli, Wolves, Akela, Shere Khan, Baloo, Ka, Bagheera, Mother Wolf, Father Wolf, Grey Wolf) | |
| | George Mosley, Poznan Philharmonic Orchestra & Łukasz Borowicz | Djamileh, WD 27: Couplets | |
| | Donna Brown, Della Jones, Derek Lee Ragin, Michael Chance, Jonathan Peter Kenny, George Mosley, Julian Clarkson, English Baroque Soloists & John Eliot Gardiner | Agrippina, Act 2: Nulla sperar da me.E tu, Poppea.Tuo ben è 'l troNo. Sotto il lauro ch'hai sul crine | |
| | Della Jones, George Mosley, English Baroque Soloists & John Eliot Gardiner | Agrippina, Act 2: Se ben nemica sorte | |
| | George Mosley & Iain Burnside | Cease Sorrows Now | |
| | George Mosley & Iain Burnside | Blackbirds and Thrushes | |
| | Della Jones, George Mosley, English Baroque Soloists & John Eliot Gardiner | Agrippina, Act 1: Per cosí grande impresa | |
| | Michael Chance, Ruth Holton, Nicola Jenkin, Pauline Tinsley, George Mosley, Monteverdi Choir, English Baroque Soloists & John Eliot Gardiner | Ode for St Cecilia's Day, "Welcome to all the pleasures", Z339 - original version: While joys celestial | |
| | George Mosley, Paul Daniel, Ann Taylor-Morley, English Northern Philharmonia, Eileen Hulse, Malcolm Lorimer, Mark Holland & Clive Bayley | Baa Baa Black Sheep, Act I Scene 4: The Education of Mowgli. I will feed him (Mother Wolf, Father Wolf, Ka, Baloo, Bagheera, Grey Wolf, Mowgli, Chorus) | |
| | Jonathan Peter Kenny, George Mosley, English Baroque Soloists & John Eliot Gardiner | Agrippina, Act 2: Dunque noi siam traditi? | |
| | Academy of Ancient Music, George Mosley, Paul Goodwin, Andrew Manze & The Choir of the AAM | Funeral Canticle | |
| | George Mosley, English Baroque Soloists & John Eliot Gardiner | Agrippina, Act 2: Col raggio placido | |
| | George Mosley & Iain Burnside | The Roman Centurion's Song | |
