| | Gächinger Kantorei Stuttgart, Klaus Häger, Helmuth Rilling, Stuttgart Bach Collegium, Donna Brown, Claudia Schubert & Marcus Ullmann | Vesperae Solennes de Confessore, K. 339: Laudate Dominum | |
| | Klaus Häger, Donna Brown, Marcus Ullmann, Helmuth Rilling, Gächinger Kantorei Stuttgart, Stuttgart Bach Collegium & Claudia Schubert | Mass No. 16 In C Major, K. 317, "Kronungsmesse" (Coronation Mass): Agnus Dei | |
| | Claudia Schubert, Stuttgart Bach Collegium, Gächinger Kantorei Stuttgart, Helmuth Rilling, Marcus Ullmann, Donna Brown & Klaus Häger | Mass No. 16 In C Major, K. 317, "Kronungsmesse" (Coronation Mass): Benedictus | |
| | Klaus Häger, Donna Brown, Marcus Ullmann, Helmuth Rilling, Gächinger Kantorei Stuttgart, Claudia Schubert & Stuttgart Bach Collegium | Mass No. 16 In C Major, K. 317, "Kronungsmesse" (Coronation Mass): Gloria | |
| | Michael Volle, Monica Groop, Donna Brown, Oregon Bach Festival Choir, Helmuth Rilling, Oregon Bach Festival Orchestra & James Taylor | Mass No. 5 In a Flat Major, D. 678: Agnus Dei: Dona Nobis Pacem | |
| | Monica Groop, James Taylor, Donna Brown, Michael Volle, Oregon Bach Festival Choir, Oregon Bach Festival Orchestra & Helmuth Rilling | Mass No. 5 In a Flat Major, D. 678: Agnus Dei: Dona Nobis Pacem | |
| | Donna Brown, Marcus Ullmann, Klaus Häger, Gächinger Kantorei Stuttgart, Claudia Schubert, Helmuth Rilling & Stuttgart Bach Collegium | Mass No. 16 In C Major, K. 317, "Kronungsmesse" (Coronation Mass): Kyrie | |
| | Roberto Sacca, Cornelia Kallisch, Donna Brown, Alastair Miles, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Handel - Messiah, K. 572: Part II: Chorus: Surely, He Hath Borne Our Griefs | |
| | Roberto Sacca, Cornelia Kallisch, Donna Brown, Alastair Miles, Helmuth Rilling, Gächinger Kantorei Stuttgart & Stuttgart Bach Collegium | Messiah, HWV 56: Accompanied Recitative. Und alsobald war da bei dem Engel (Soprano) [arr. W.A. Mozart, K. 572] | |
| | Choeur de l'Opéra de Lyon, Kent Nagano, Hélène Jossoud, Orchestre de l'Opéra de Lyon, Donna Brown, Gilles Ragon & Laurence Dale | Rodrigue et Chimène, L. 80, Act 1: "Fourbis le glaive ; Holà, garçons !" (Rodrigue, Chimène, Chorus, Hernan, Iñez) [Arr. Langham Smith & Orch. Denisov] | |
| | Roberto Sacca, Cornelia Kallisch, Donna Brown, Alastair Miles, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Der Messias (Messiah), K. 572 (arr. W.A. Mozart): Aria: O Du, Die Wonne Verkundet In Zion (Soprano) | |
| | Donna Brown, Julian Clarkson, English Baroque Soloists & John Eliot Gardiner | Agrippina, Act 2: Pur al fine ti ritrovo! | |
| | Donna Brown, Monica Groop, James Taylor, Michael Volle, Oregon Bach Festival Choir, Oregon Bach Festival Orchestra & Helmuth Rilling | Mass No. 5 in A-Flat Major, D. 678: Gloria. Quoniam tu solus sanctus | |
| | Donna Brown, Orquestra Sinfônica do Estado de São Paulo & Roberto Minczuk | Bachianas brasileiras No. 5: II. Dance (Martelo): Allegretto | |
| | Donna Brown & Margaret Maria | Sunset | |
| | Donna Brown, Yariv Aloni & Jane Coop | 2 Gesänge, Op. 91: No. 1, Gestillte Sehnsucht | |
| | Stéphane Lemelin & Donna Brown | Fantoches, L. 21 | |
| | Roberto Sacca, Cornelia Kallisch, Donna Brown, Alastair Miles, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Der Messias (Messiah), K. 572 (arr. W.A. Mozart): Durch Seine Wunden Sind Wir Geheilet (Chorus) | |
| | Stéphane Lemelin & Donna Brown | Regret, L. 55 | |
| | Roberto Sacca, Cornelia Kallisch, Donna Brown, Alastair Miles, Helmuth Rilling, Gächinger Kantorei Stuttgart & Stuttgart Bach Collegium | Messiah, HWV 56: Accompanied Recitative. Wenn Gott ist für uns (Soprano) [arr. W.A. Mozart, K. 572] | |
| | Donna Brown, John Eliot Gardiner, Monteverdi Choir, Sally Bruce-Payne, English Baroque Soloists, Peter Butterfield & Gerald Finley | Mass in B-Flat Major, Hob. XXII:12 "Theresienmesse": Benedictus | |
| | John Eliot Gardiner, Monteverdi Choir, Donna Brown, Sally Bruce-Payne, English Baroque Soloists, Peter Butterfield & Gerald Finley | Mass in D Minor, Hob. XXII:11 "Missa in angustiis" ("Nelson Mass"): Qui tollis peccata mundi | |
| | Donna Brown, John Eliot Gardiner, Monteverdi Choir, Sally Bruce-Payne, English Baroque Soloists, Peter Butterfield & Gerald Finley | Mass in D Minor, Hob. XXII:11 "Missa in angustiis" ("Nelson Mass"): Kyrie | |
| | Roberto Sacca, Cornelia Kallisch, Donna Brown, Alastair Miles, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Der Messias (Messiah), K. 572 (arr. W.A. Mozart): Aria: Wie Lieblich Ist Der Boten Schritt (Soprano) | |
| | Roberto Sacca, Cornelia Kallisch, Donna Brown, Alastair Miles, Helmuth Rilling, Gächinger Kantorei Stuttgart & Stuttgart Bach Collegium | Messiah, HWV 56: Und er wird reinigen die Kinder Levi (Chorus) [arr. W.A. Mozart, K. 572] | |
| | Donna Brown, John Eliot Gardiner, Monteverdi Choir, Sally Bruce-Payne, English Baroque Soloists, Peter Butterfield & Gerald Finley | Mass No. 12 - 'Theresienmesse' in B-Flat Hob. XXII/12 (1799): III. Gratias | |
| | Roberto Sacca, Cornelia Kallisch, Donna Brown, Alastair Miles, Helmuth Rilling, Gächinger Kantorei Stuttgart & Stuttgart Bach Collegium | Messiah, HWV 56: Machet das Tor weit (Chorus) [arr. W.A. Mozart, K. 572] | |
| | Donna Brown, English Baroque Soloists & John Eliot Gardiner | Agrippina, Act 2: Col peso del tuo amor | |
| | Roberto Sacca, Cornelia Kallisch, Donna Brown, Alastair Miles, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Der Messias (Messiah), K. 572 (arr. W.A. Mozart): Aria: Ich Weiss, Dass Mein Erloser Lebet (Soprano) | |
| | John Eliot Gardiner, English Baroque Soloists & Donna Brown | Scylla et Glaucus, Op. 11, Act 3: "Ta gloire dans ces lieux t'appelle" (Scylla) | |
| | Roberto Sacca, Cornelia Kallisch, Donna Brown, Alastair Miles, Helmuth Rilling, Gächinger Kantorei Stuttgart & Stuttgart Bach Collegium | Messiah, HWV 56: Recitative. Der da wohnet im Himmel (Tenor) [arr. W.A. Mozart, K. 572] | |
| | Kent Nagano, Orchestre de l'Opéra de Lyon, Donna Brown & Laurence Dale | Rodrigue et Chimène, L. 80, Act 1: "Vous enfin !" (Rodrigue, Chimène) [Arr. Langham Smith & Orch. Denisov] | |
| | Donna Brown, Alastair Miles, English Baroque Soloists & John Eliot Gardiner | Agrippina, Act 1: Ma, oh ciel, mesta e confusa | |
| | Stéphane Lemelin & Donna Brown | Berceuse, L.93: Il était une fois une fée qui avait un beau sceptre | |
| | Roberto Sacca, Cornelia Kallisch, Donna Brown, Alastair Miles, Helmuth Rilling, Gächinger Kantorei Stuttgart & Stuttgart Bach Collegium | Messiah, HWV 56: Hirtenmusik (arr. W.A. Mozart, K. 572) | |
| | Donna Brown & Stéphane Lemelin | Beau soir, L. 6 | |
| | Roberto Sacca, Cornelia Kallisch, Donna Brown, Alastair Miles, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Der Messias (Messiah), K. 572 (arr. W.A. Mozart): Amen (Chorus) | |
| | John Eliot Gardiner, English Baroque Soloists, Donna Brown & Howard Crook | Scylla et Glaucus, Op. 11, Act 1: "Ciel, dans ces mêmes yeux je lis votre colère" (Glaucus, Scylla) | |
| | Donna Brown & Françoise Tillard | 5 Lieder, Op. 10: No. 3 in E-Flat Major, Abendbild | |
| | Donna Brown, John Eliot Gardiner, Monteverdi Choir, Sally Bruce-Payne, English Baroque Soloists, Peter Butterfield & Gerald Finley | Mass in D Minor, Hob. XXII:11 "Missa in angustiis" ("Nelson Mass"): Benedictus | |
| | Donna Brown, Derek Lee Ragin, Michael Chance, English Baroque Soloists & John Eliot Gardiner | Agrippina, Act 3: Attendo qui Nerone e Claudio ancora | |
| | Donna Brown, Della Jones, Alastair Miles, Julian Clarkson, English Baroque Soloists & John Eliot Gardiner | Agrippina, Act 1: Che mai farò!.E quando mai i frutti.Pur al fin si riandò | |
| | Donna Brown, Roxana Constantinescu, Oregon Bach Festival Choir, Oregon Bach Festival Orchestra & Helmuth Rilling | Mass No. 13 in B-Flat Major, Hob. XXII:13 "Schöpfungsmesse": IIIc. Credo. Et resurrexit | |
| | Donna Brown, Orquestra Sinfônica do Estado de São Paulo & Roberto Minczuk | Bachianas Brasileiras No. 5: I. Aria (Cantilena): Adagio | |
| | Marcus Ullmann, Klaus Häger, Gächinger Kantorei Stuttgart, Helmuth Rilling, Claudia Schubert, Donna Brown & Stuttgart Bach Collegium | Exsultate Jubilate, K. 165: Fulget Amica Dies | |
| | Roberto Sacca, Cornelia Kallisch, Donna Brown, Alastair Miles, Helmuth Rilling, Gächinger Kantorei Stuttgart & Stuttgart Bach Collegium | Messiah, HWV 56: Aria. Warum entbrennen die Heiden (Bass) [arr. W.A. Mozart, K. 572] | |
| | Roberto Sacca, Cornelia Kallisch, Donna Brown, Alastair Miles, Gächinger Kantorei Stuttgart, Helmuth Rilling & Stuttgart Bach Collegium | Der Messias (Messiah), K. 572 (arr. W.A. Mozart): Kommt Her Und Seht Das Lamm! (Chorus) | |
| | Helmuth Rilling, Oregon Bach Festival Orchestra, Michael Volle, Oregon Bach Festival Choir, Donna Brown, James Taylor & Monica Groop | Mass No. 5 In a Flat Major, D. 678: Kyrie | |
| | Stéphane Lemelin & Donna Brown | Musique, L. 44 | |
| | Roberto Sacca, Cornelia Kallisch, Donna Brown, Alastair Miles, Helmuth Rilling, Gächinger Kantorei Stuttgart & Stuttgart Bach Collegium | Messiah, HWV 56: Aria. Das Volk, das im Dunkeln wandelt (Bass) [arr. W.A. Mozart, K. 572] | |
