| | Alan Titus, Edith Lienbacher, Gosta Winbergh, Herwig Pecoraro, Inga Nielsen, Kurt Moll, Michael Halász & Wolfgang Glashof | Fidelio, Op. 72, Act I No. 2: Aria - O war' ich schon mit dir vereint (Marzelline) | |
| | Gosta Winbergh, Leo Nucci, Guido Fabbris, Mirella Freni, Guido Fabris, Ambrosian Opera Chorus, John McCarthy, Philharmonia Orchestra & Riccardo Muti | Don Pasquale, Act III Sesta Scena: Tornami a dir che m'ami (Norina/Ernesto) | |
| | Alan Titus, Edith Lienbacher, Gosta Winbergh, Herwig Pecoraro, Inga Nielsen, Kurt Moll, Michael Halász & Wolfgang Glashof | Fidelio, Op. 72, Act I No. 3: Quartet - Mir ist so wunderbar (Marzelline, Leonore, Rocco, Jaquino) | |
| | Gosta Winbergh, Mirella Freni, Philharmonia Orchestra & Riccardo Muti | Don Pasquale, Act I Quinta Scena: Pronto io son, purch'io non manchi (Norina/Malatesta) | |
| | Gosta Winbergh, Philharmonia Orchestra & Riccardo Muti | Don Pasquale, Act I Terza Scena: Sogno soave e casto (Ernesto/Pasquale) | |
| | Gosta Winbergh, Philharmonia Orchestra & Riccardo Muti | Don Pasquale, Act I Terza Scena: Ah! Mi fa il destin mendico (Ernesto/Pasquale) | |
| | Marta Schele, Edith Thallaug, Gosta Winbergh, Erland Hagegård & Lucia Negro | Spanisches Liederspiel, Op. 74: VI. Melancholie. Quien viese aquel dia (Soprano) | |
| | Gosta Winbergh, Kent Nagano, Dame Margaret Price & Orchestre de l'Opéra National de Lyon | Ariadne auf Naxos: Wie? kennst du mich denn? (Bacchus/Ariadne) | |
| | Alan Titus, Edith Lienbacher, Gosta Winbergh, Herwig Pecoraro, Inga Nielsen, Kurt Moll, Michael Halász & Wolfgang Glashof | Fidelio, Op. 72, Act II No. 16: Finale - Heil! Heil sei dem Tag! (People and Prisoners) | |
| | Alan Titus, Edith Lienbacher, Gosta Winbergh, Herwig Pecoraro, Inga Nielsen, Kurt Moll, Michael Halász & Wolfgang Glashof | Fidelio, Op. 72, Act I No. 6: March | |
| | Gosta Winbergh, Kurt Moll, Edith Lienbacher, Michael Halász, Hungarian Radio Chorus, Nicolaus Esterházy Sinfonia, Herwig Pecoraro, Kalman Strausz, József Moldvay, Péter Pálinkás, Wolfgang Glashof, Inga Nielsen & Alan Titus | Fidelio, Op. 72: Act II: Duet: O namenlose Freude! | |
| | Gosta Winbergh, Nils Grevillius & Stockholm Royal Opera Orchestra | 6 Songs, Op. 48: No. 4, Guds lov i naturen (Die Ehre Gottes aus der Natur) [Sung in Swedish] [arr. M. Liljefors] | |
| | Orchestra of the Royal Opera House, Gosta Winbergh, Gwynne Howell, Sir Thomas Allen & Bernard Haitink | Die Meistersinger von Nürnberg, Act I: Seid meiner Treue wohl versehen (Live) | |
| | Wolfgang Glashof, Alan Titus, Inga Nielsen, Gosta Winbergh, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Hungarian Radio Chorus, Michael Halász & Nicolaus Esterházy Sinfonia | Fidelio, Op. 72, Act I: Dialogue: Hauptmann! Besteigen Sie mit einem Trompeter (Pizarro, Rocco) | |
| | Wolfgang Glashof, Alan Titus, Inga Nielsen, Gosta Winbergh, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Hungarian Radio Chorus, Michael Halász & Nicolaus Esterházy Sinfonia | Fidelio, Op. 72, Act II: Quartet: Er sterbe! (Pizarro, Florestan, Leonore, Rocco) | |
| | Gosta Winbergh, Richard Lloyd Morgan, Orchestra of the Royal Opera House, Anthony Michaels-Moore, Sir Thomas Allen & Bernard Haitink | Die Meistersinger von Nürnberg, Act I: Merkwurd'ger Fall (Live) | |
| | Gosta Winbergh, Sir John Tomlinson, Orchestra of the Royal Opera House, Sir Thomas Allen, Gwynne Howell, Royal Opera Chorus & Bernard Haitink | Die Meistersinger von Nürnberg, Act I: Ihr Mahnt Mich da Gar Recht (Live) | |
| | Doris Soffel, Richard Bonynge, State College of Music Chamber Choir, Swedish Radio Symphony Orchestra & Gosta Winbergh | Lucrezia Borgia: Act II: Canzone con coro: Il segreto per esser felici (Orsini) | |
| | Wolfgang Glashof, Alan Titus, Inga Nielsen, Gosta Winbergh, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Hungarian Radio Chorus, Michael Halász & Nicolaus Esterházy Sinfonia | Fidelio, Op. 72, Act II: Dialogue: Er erwacht! (Leonore, Rocco, Florestan) | |
| | Orchestra of the Royal Opera House, Gosta Winbergh, Sir John Tomlinson & Bernard Haitink | Die Meistersinger von Nürnberg, Act III: Mein Freund! in holder Jugendzeit (Live) | |
| | Orchestra of the Royal Opera House, Gosta Winbergh, Herbert Lippert, Catherine Wyn-Rogers, Nancy Gustafson & Bernard Haitink | Die Meistersinger von Nürnberg, Act I: Da bin ich. Wer ruft? (Live) | |
| | Gosta Winbergh, Orchestra of the Royal Opera House, Sir John Tomlinson, Gwynne Howell, Nancy Gustafson, Royal Opera Chorus & Bernard Haitink | Die Meistersinger von Nürnberg, Act III: Morgenlich leuchtend im rosigen Schein (Live) | |
| | Ambrosian Opera Chorus, Gosta Winbergh, John McCarthy, Mirella Freni, Philharmonia Orchestra & Riccardo Muti | Don Pasquale, Act III Prima Scena: Vediamo: alla modista cento scudi (Pasquale) | |
| | Doris Soffel, Gosta Winbergh, Richard Bonynge, Swedish Radio Symphony Orchestra & State College of Music Chamber Choir | Lucrezia Borgia: Act II: Duetto: Sei tu? Son io (Orsini, Genaro) | |
| | Ambrosian Opera Chorus, Gosta Winbergh, John McCarthy, Mirella Freni, Philharmonia Orchestra & Riccardo Muti | Don Pasquale, Act III Sesta Scena: Eccomi (Ernesto/Malatesta/Norina/Pasquale) | |
| | Richard Bonynge, State College of Music Chamber Choir, Swedish Radio Symphony Orchestra, Doris Soffel & Gosta Winbergh | Lucrezia Borgia: Act I: Introduzione: Bella Venezia, a mobile (Orsini, Genaro) | |
| | Gosta Winbergh, Philharmonia Orchestra & Riccardo Muti | Don Pasquale, Act I Terza Scena: Prender moglie? ... Sì, signore (Pasquale/Ernesto) | |
| | Orchestra of the Royal Opera House, Gosta Winbergh, Sir John Tomlinson, Sir Thomas Allen, Richard Lloyd Morgan, Alasdair Elliott, Anthony Michaels-Moore & Bernard Haitink | Die Meistersinger von Nürnberg, Act I: Am stillen Herd (Live) | |
| | Orchestra of the Royal Opera House, Sir John Tomlinson, Gwynne Howell, Gosta Winbergh, Royal Opera Chorus & Bernard Haitink | Die Meistersinger von Nürnberg, Act III: Den Zeugen, Denk' es (Live) | |
| | Wolfgang Glashof, Alan Titus, Inga Nielsen, Gosta Winbergh, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Hungarian Radio Chorus, Michael Halász & Nicolaus Esterházy Sinfonia | Fidelio, Op. 72, Act II: Duet: O namenlose Freude! (Leonore, Florestan) | |
| | Gosta Winbergh, Leo Nucci, Guido Fabbris, Mirella Freni, Guido Fabris, Ambrosian Opera Chorus, John McCarthy, Philharmonia Orchestra & Riccardo Muti | Don Pasquale, Act III Seconda Scena: Via, caro sposino (Norina/Pasquale) | |
| | Gosta Winbergh, Mirella Freni, Philharmonia Orchestra & Riccardo Muti | Don Pasquale, Act II Prima Scena: E se fia che ad altro oggetto (Ernesto) | |
| | Gosta Winbergh, Nils Grevillius & Stockholm Royal Opera Orchestra | Tonerna | |
| | Gosta Winbergh, Kent Nagano, Dame Margaret Price & Orchestre de l'Opéra National de Lyon | Ariadne auf Naxos: Ich grüße dich, du Bote aller Boten! (Ariadne/Bacchus) | |
| | Gosta Winbergh, Mirella Freni, Philharmonia Orchestra & Riccardo Muti | Don Pasquale, Act II Quinta Scena: Pria di partir, signore (Ernesto/Pasquale/Malatesta/Norina) | |
| | Gosta Winbergh, Kent Nagano, Dame Margaret Price & Orchestre de l'Opéra National de Lyon | Ariadne auf Naxos: Das waren Zauberworte! (Ariadne/Bacchus) | |
| | Gosta Winbergh, Leo Nucci, Guido Fabbris, Mirella Freni, Guido Fabris, Ambrosian Opera Chorus, John McCarthy, Philharmonia Orchestra & Riccardo Muti | Don Pasquale, Act III Terza Scena: Che interminabile andirivieni! (Coro) | |
| | Gosta Winbergh, Mirella Freni, Philharmonia Orchestra & Riccardo Muti | Don Pasquale, Act II Quinta Scena: Ah! E rimasto là impietrato (Malatesta/Pasquale/Norina/Ernesto) | |
| | Wolfgang Glashof, Alan Titus, Inga Nielsen, Gosta Winbergh, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Hungarian Radio Chorus, Michael Halász & Nicolaus Esterházy Sinfonia | Fidelio, Op. 72, Act I: Dialogue: Marzelline? Marzelline? (Rocco, Marzelline, Jaquino, Leonore) | |
| | Nancy Gustafson, Gosta Winbergh, Orchestra of the Royal Opera House, Catherine Wyn-Rogers, Michael Druiett & Bernard Haitink | Die Meistersinger von Nürnberg, Act II: Geliebter, spare den Zorn! (Live) | |
| | Stockholm Royal Opera Orchestra, Okko Kamu, Anita Soldh & Gosta Winbergh | Maskarade, FS 39, Act III: Roser! Roser! | |
| | Herbert Lippert, Gosta Winbergh, Orchestra of the Royal Opera House, Royal Opera Chorus & Bernard Haitink | Die Meistersinger von Nürnberg, Act I: David! Was stehst? (Live) | |
| | Orchestra of the Royal Opera House, Gosta Winbergh, Sir John Tomlinson, Sir Thomas Allen, Nancy Gustafson & Bernard Haitink | Die Meistersinger von Nürnberg, Act II: Jerum! Jerum! (Live) | |
| | Gosta Winbergh, Alan Titus, Edith Lienbacher, Herwig Pecoraro, Inga Nielsen, Michael Halász, Hungarian Radio Chorus, Kurt Moll & Nicolaus Esterházy Sinfonia | Fidelio, Op. 72: Act II: Duet: O namenlose Freude! | |
| | Gosta Winbergh, Elisabeth Söderström, Stig Westerberg & Stockholm Philharmonic Orchestra | Symphony No. 4 in C minor, Op. 39, "From the Outskirts of the Archipelago (Fran Havsbandet)" | |
| | Wolfgang Glashof, Alan Titus, Inga Nielsen, Gosta Winbergh, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Hungarian Radio Chorus, Michael Halász & Nicolaus Esterházy Sinfonia | Fidelio, Op. 72, Act I: Finale: O welche Lust (Chorus of Prisoners) | |
| | Marta Schele, Gosta Winbergh, Erland Hagegård & Lucia Negro | Der Hochzeitsbraten, Op. 104, D. 930 | |
| | Wolfgang Glashof, Alan Titus, Inga Nielsen, Gosta Winbergh, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Hungarian Radio Chorus, Michael Halász & Nicolaus Esterházy Sinfonia | Fidelio, Op. 72, Act I: Dialogue: Hore Fidelio! (Rocco, Marzelline) | |
| | Wolfgang Glashof, Alan Titus, Inga Nielsen, Gosta Winbergh, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Hungarian Radio Chorus, Michael Halász & Nicolaus Esterházy Sinfonia | Fidelio, Op. 72, Act II: Finale: Heil! Heil sei dem Tag! (People and Prisoners) | |
| | Wolfgang Glashof, Alan Titus, Inga Nielsen, Gosta Winbergh, Kurt Moll, Michael Halász & Nicolaus Esterházy Sinfonia | Fidelio, Op. 72, Act II: Quartet: Er sterbe! | |
