| | Garry Magee, Andrew Shore, Clive Bayley, David Parry & Philharmonic Orchestra | Don Giovanni, K. 527, Act II Scene 15: Don Giovanni! (Commendatore, Don Giovanni, Leporello) | |
| | Clive Bayley, David Parry, Academy of St Martin in the Fields, Adriana Cicogna, Elena Monti, Bruno Patricò & Paul Austin Kelly | La romanzesca e l'uomo nero: "M'insulta, corbella!" (Conte, Giappone, Trappolina, Tommaso, Carlino, Chiarina, Fedele) | |
| | David Kempster, Brindley Sherratt, Clive Bayley, Opera Rara Chorus, Sir Mark Elder, Orchestra of the Age of Enlightenment, Joyce El-Khoury, Michael Spyres & Wynne Evans | Les Martyrs, Act 4: "O sainte melodie!" (Pauline, Polyeucte) | |
| | Hallé, Sir Mark Elder, Clive Bayley, Stig Andersen & Yvonne Howard | Die Walküre, Act I Scene II: "Wunder und wilde Märe" (Hunding) | |
| | Simon Keenlyside, Clive Bayley, Richard Hickox & London Symphony Orchestra | Billy Budd, Op. 50, Act II Scene 3: Here! Baby! (Dankser, Billy) | |
| | Ashley Holland, Clive Bayley, Paul Daniel, English National Opera Orchestra, Richard Roberts, Barry Banks, Stuart Kale & Susan Gritton | Falstaff, Act II Scene 2: I'll kill him! I'll slaughter him! (Dr Caius, Ford, Pistol, Bardolph, Nannetta, Fenton) | |
| | David Kempster, Brindley Sherratt, Clive Bayley, Opera Rara Chorus, Sir Mark Elder, Orchestra of the Age of Enlightenment, Joyce El-Khoury, Michael Spyres & Wynne Evans | Les Martyrs, Act 3: "Dieu du tonnerre, Ton front severe Emeut la terre" (Callisthenes, Chorus) | |
| | David Kempster, Brindley Sherratt, Clive Bayley, Sir Mark Elder, Orchestra of the Age of Enlightenment, Joyce El-Khoury, Michael Spyres & Wynne Evans | Les Martyrs, Act 2: "De Decius, notre souverain maitre" (Felix, Severe) | |
| | Hallé, Sir Mark Elder, Iain Paterson, Susan Bickley, Reinhard Hagen, Clive Bayley, David Stout, David Butt Philip & Will Hartmann | Das Rheingold, WWV 86A, Scene 4: "Lieblichste Schwester süsseste Lust!" | |
| | Ashley Holland, Clive Bayley, Paul Daniel, Alice Coote, Rebecca De Pont Davies, English National Opera Orchestra, Yvonne Kenny & Richard Roberts | Falstaff, Act III Scene 2: Buffoon! (Dr Caius, Ford, Bardolph, Pistol, Alice, Quickly, Meg, Chorus) | |
| | Adolph Green, John Treleavan, Neil Jenkins, Jerry Hadley, Lindsay Benson, Richard Suart, Clive Bayley, London Symphony Chorus, London Symphony Orchestra & Leonard Bernstein | Candide, Act I: 9. Auto-da-fé | |
| | Adolph Green, John Treleavan, Neil Jenkins, Jerry Hadley, Lindsay Benson, Richard Suart, Clive Bayley, London Symphony Chorus, London Symphony Orchestra & Leonard Bernstein | Candide, Act I: No. 9, Auto-da-fé | |
| | Alan Opie, Clive Bayley, Geoffrey Mitchell Choir, David Parry & London Philharmonic Orchestra | Il Trovatore, Act II: All is deserted - My hour of joy approaches - My hour of joy approaches (Il balen del suo sorriso) (Count di Luna, Ferrando, Chorus) | |
| | Clive Bayley, David Parry & Opera North Orchestra | Idomeneo, K. 366, Act III: Your love has triumphed. Idomeneo shall rule no more (Voice of Neptune) | |
| | Clive Bayley, David Parry, Enkelejda Shkosa, Philharmonia Orchestra & Elizabeth Futral | Otello, Act 3: "Nessun maggior dolore" (Gondoliere, Desdemona, Emilia) | |
| | William Dazeley, Paul Daniel, Ann Taylor-Morley, English Northern Philharmonia, Mark Holland, Clive Bayley, Paul McCann & Henry Newman | Baa Baa Black Sheep, Act III Scene 3: The Spring Running. Ah, Grey Wolf (Mowgli, Baloo, Akela, Ka, Bagheera, Grey Wolf) | |
| | Neil Jenkins, Jerry Hadley, John Treleavan, Lindsay Benson, Clive Bayley, Richard Suart, Adolph Green, London Symphony Orchestra & Leonard Bernstein | Candide, Act II: No. 25, The Kings' Barcarolle | |
| | Alan Opie, Clive Bayley, David Parry, London Philharmonic Orchestra, Sharon Sweet, Helen Williams, Dennis O'Neill & Mark le Brocq | Il Trovatore, Part II Scene 2: Oh, can it be, can I believe (Leonora, Count di Luna, Manrico, Inez, Ferrando, Ruiz, Nuns, Retainers, Followers) | |
| | Garry Magee, Andrew Shore, Clive Bayley, David Parry & Philharmonic Orchestra | Don Giovanni, K. 527, Act II Scene 11: Ah! Ah! This is perfect! (Don Giovanni, Leporello, Commendatore) | |
| | Alan Opie, Clive Bayley, David Parry & London Philharmonic Orchestra | Il Trovatore, Part II Scene 2: In the stars that shine above me (Count di Luna, Ferrando) | |
| | William Dazeley, Clive Bayley, Opera North Chorus, Richard Farnes, Opera North Orchestra & Julian Gavin | Don Carlos, Act I Scene 1: God who has brought us together (Don Carlos, Rodrigo, Old Monk, Chorus of Friars) | |
| | Clive Bayley, Richard Hickox & English Northern Philharmonia | Troilus and Cressida, Act III: Cressid, daughter… (Calkas) | |
| | Hallé, Sir Mark Elder, Iain Paterson, Reinhard Hagen, Clive Bayley & Will Hartmann | Das Rheingold, WWV 86A, Scene 4: "Halt, du Gieriger! Gönne mir auch was!" | |
| | Adolph Green, Leonard Bernstein, London Symphony Chorus, John Treleavan, London Symphony Orchestra, Neil Jenkins, Jerry Hadley, Lindsay Benson, Richard Suart & Clive Bayley | Candide, Act I: Auto-da-fé | |
| | Clive Bayley, Geoffrey Mitchell Choir, David Parry, Dennis O'Neill & Philharmonia Orchestra | Lucia di Lammermoor, Act III: Such misfortune! (Edgardo, Raimondo, Chorus) | |
| | Andrew Shore, Clive Bayley, Paul Daniel, English National Opera Orchestra & Richard Roberts | Falstaff, Act I Scene 1: Are you acquainted with a merchant whose name is Ford? (Falstaff, Bardolph, Pistol) | |
| | Alan Opie, Clive Bayley, Geoffrey Mitchell Choir, David Parry & London Philharmonic Orchestra | Il Trovatore, Part II Scene 2: The hour has come, no more delay (Ferrando, Count di Luna, Retainers) | |
| | Andrew Shore, Clive Bayley, English National Opera Chorus, Paul Daniel, English National Opera Orchestra & Richard Roberts | Falstaff, Act I Scene 1: Your bill, sir (Landlord, Falstaff, Bardolph, Pistol) | |
| | David Kempster, Brindley Sherratt, Clive Bayley, Opera Rara Chorus, Sir Mark Elder, Orchestra of the Age of Enlightenment, Joyce El-Khoury, Michael Spyres & Wynne Evans | Les Martyrs, Act 3: "Lui-meme a voulu son supplice" (Felix, Pauline, Callisthenes, Chorus, Polyeucte, Severe, Nearque) | |
| | Hallé, Sir Mark Elder, Iain Paterson, Susan Bickley, Emma Bell, Reinhard Hagen, Clive Bayley, David Stout, David Butt Philip & Will Hartmann | Das Rheingold, WWV 86A, Scene 4: "So sind wir den fertig!" | |
| | David Kempster, Brindley Sherratt, Clive Bayley, Opera Rara Chorus, Sir Mark Elder, Orchestra of the Age of Enlightenment, Joyce El-Khoury, Michael Spyres & Wynne Evans | Les Martyrs, Act 4: "Grands dieux!" (Severe, Felix, Pauline, All) | |
| | Andrew Shore, Clive Bayley, Paul Daniel, English National Opera Orchestra & Richard Roberts | Falstaff, Act II Scene 1: We're converted, we've reverted (Bardolph, Pistol, Falstaff) | |
| | Clive Bayley, Richard Hickox, Yvonne Howard, English Northern Philharmonia, Arthur Davies, Nigel Robson & Judith Howarth | Troilus and Cressida, Act I: I haunt her beauty like a naked soul… (Troilus, Pandarus, Calkas, Cressida, Evadne) | |
| | Andrew Shore, Ashley Holland, Clive Bayley, Paul Daniel, English National Opera Orchestra & Richard Roberts | Falstaff, Act II Scene 1: Good sir, may God be with you! (Ford, Falstaff, Bardolph, Pistol) | |
| | Andrew Shore, Ashley Holland, Clive Bayley, Paul Daniel, Rebecca De Pont Davies, English National Opera Orchestra, Richard Roberts & Yvonne Kenny | Falstaff, Act III Scene 2: Who goes there? (Falstaff, Bardolph, Pistol, Ford, Quickly, Alice, Nannetta, Meg, Chorus) | |
| | Clive Bayley, Paul Daniel, Philharmonia Orchestra & Stuart Kale | Wozzeck, Act II Scene 2: Hey, Wozzeck! (Doctor, Captain) | |
| | Clive Bayley, David Parry, Academy of St Martin in the Fields, Adriana Cicogna, Barry Banks, Bruce Ford & Paul Austin Kelly | La romanzesca e l'uomo nero: "Vi prego, avanti avanti" (Giappone, Carlino, Il Conte, Fedele, Chiarina, Trappolina, Tommaso) | |
| | Brindley Sherratt, Clive Bayley, Opera Rara Chorus, Sir Mark Elder, Orchestra of the Age of Enlightenment & Joyce El-Khoury | Les Martyrs, Act 2: "D'ou te vient, mon enfant, cette sombre tristess" (Felix, Pauline) | |
| | Peter Sidhom, Clive Bayley, Geoffrey Mitchell Choir, David Parry, Philharmonia Orchestra, Dennis O'Neill, Jane Eaglen & Mary Plazas | Turandot, SC 91: How pale you look, O stranger! (Turandot, The Unknown Prince, Liu, Ping, Timur, Chorus) | |
| | Hallé, Sir Mark Elder, Ben Goldscheider, Simon O'Neill, Clive Bayley & Malin Christensson | Siegfried, Act II: [Horn Calls] Haha! Da hätte mein Lied [feat. Simon O’Neill, Clive Bayley, Malin Christensson & Ben Goldscheider] | |
| | Richard Hickox, London Symphony Orchestra, Quentin Hayes, Simon Keenlyside, Francis Egerton, Clive Bayley, Timothy DuFore & London Symphony Chorus | Billy Budd, Op. 50, Act I Scene 1: Starry Vere we call him (Donald, Billy, Red Whiskers, Dansker, Bosun, Chorus) | |
| | Garry Magee, Andrew Shore, Clive Bayley, David Parry & Philharmonic Orchestra | Don Giovanni, K. 527, Act II Scene 11: Oh most respected monument (Leporello, Don Giovanni, Commendatore) | |
| | Ashley Holland, Clive Bayley, Paul Daniel, English National Opera Orchestra, Richard Roberts, Barry Banks, Stuart Kale & Susan Gritton | Falstaff, Act II Scene 2: When I catch you … (Ford, Dr Caius, Quickly, Meg, Bardolph, Pistol, Fenton, Nannetta, Chorus, Alice) | |
| | Alan Opie, Clive Bayley, Chorus Of Opera North, Richard Hickox, English Northern Philharmonia, Arthur Davies & Judith Howarth | Troilus and Cressida, Act III: She has brought shame upon her father! (Calkas, Diomede, Troilus, Cressida, Chorus) | |
| | Alan Opie, Clive Bayley, Geoffrey Mitchell Choir, David Parry, Anne Mason & London Philharmonic Orchestra | Il Trovatore, Part III Scene 1: Though my life was poor and lowly (Azucena, Ferrando, Count di Luna, Guards) | |
| | Adolph Green, John Treleavan, Neil Jenkins, Jerry Hadley, Lindsay Benson, Richard Suart, Clive Bayley, London Symphony Chorus, London Symphony Orchestra & Leonard Bernstein | Candide: Auto-da-fé | |
| | Clive Bayley, Richard Hickox & English Northern Philharmonia | Troilus and Cressida, Act III: Cressid, daughter… (Calkas) | |
| | Hallé, Sir Mark Elder, Iain Paterson, Susan Bickley, Emma Bell, Clive Bayley, David Stout, David Butt Philip & Reinhard Hagen | Das Rheingold, WWV 86A, Scene 2: "Sanft schloss Schlaf dein Aug’" | |
| | Paul Daniel, English Northern Philharmonia, Malcolm Lorimer & Clive Bayley | Baa Baa Black Sheep, Act II Scene 1: The Ways of Man. Little brother, how often must I tell you? (Bagheera, Mowgli) | |
| | Ashley Holland, Clive Bayley, Paul Daniel, English National Opera Orchestra, Stuart Kale, Richard Roberts & Barry Banks | Falstaff, Act I Scene 2: You'll gather from his boasting (Bardolph, Ford, Pistol, Dr Caius, Fenton) | |
