| | Freiburger Barockorchester, Nicholas McGegan, Patricia Spence & Juliana Gondek | Ottone, HWV 15, Act II: Recit "Ah! che più non resisto" | |
| | Francesca Pedaci, Donato di Stefano, Carlo Bosi, Patricia Spence, Carlo Allemano, Elisabetta Scano, Angelo Campori, Swiss Radio Choir & Radio Svizzera Italiana Orchestra | Giulia e Sesto Pompeo, Act I: Tacciono i venti | |
| | Philharmonia Baroque Orchestra, Lisa Saffer, Nicholas McGegan & Patricia Spence | Judas Maccabaeus, HWV 63, Act III: O Lovely Peace | |
| | Alastair Miles, The Ambrosian Singers, Carlo Rizzi, David Barrell, Edita Gruberová, Kim Begley, London Symphony Orchestra, Neil Shicoff, Patricia Spence & Peter Sidhom | La traviata, Act 1 "Che è cio?" | |
| | Alastair Miles, The Ambrosian Singers, Carlo Rizzi, David Barrell, Kim Begley, London Symphony Orchestra & Patricia Spence | La traviata, Act 2 "Di Madride noi siam matadori" | |
| | Nicholas McGegan, Philharmonia Baroque Orchestra & Patricia Spence | Messiah, HWV 56, Part II: He was despised and rejected of men | |
| | Francesca Pedaci, Donato di Stefano, Carlo Bosi, Patricia Spence, Carlo Allemano, Elisabetta Scano, Angelo Campori, Swiss Radio Choir & Radio Svizzera Italiana Orchestra | Giulia e Sesto Pompeo, Act II: Recitativo e Recitativo accompagnato. Vita infelice | |
| | Voices of Ascension Chorus, David Jolley, François Le Roux, Kathleen Bride, Lawrence Dutton, Mark Bleeke, Mark Kruczek, Patricia Spence, Richard Locker, Dennis Keene & Voices of Ascension Orchestra | Mass, Op. 11, "Cum jubilo": I. Kyrie | |
| | Philharmonia Baroque Orchestra, Patricia Spence & Nicholas McGegan | Judas Maccabaeus, HWV 63, Act III: See, See yon Flames | |
| | Alastair Miles, Carlo Rizzi, David Barrell, London Symphony Orchestra & Patricia Spence | La traviata: Act 2 "Avrem lieta di maschere la notte" [Flora, Marchese, Dottore] | |
| | Leonard Slatkin, Vernon Hartman, Linda Hohenfeld, John Cheek, Wendy White, Patricia Spence, Walter Planté & St. Louis Symphony Orchestra | Songfest - A Cycle of American Poems for Six Singers and Orchestra: Closing Hymn: Israfel | |
| | Patricia Spence, Christopher Robson, Roy Goodman & The Parley of Instruments | Artaxerxes, Act 3: II. Recitative. Arbaces! (Artaxerxes/Arbaces) | |
| | Alastair Miles, The Ambrosian Singers, Carlo Rizzi, David Barrell, Edita Gruberová, Kim Begley, London Symphony Orchestra, Neil Shicoff, Patricia Spence & Peter Sidhom | La traviata: Act 1 "Dell'invito trascorsa è già l'ora" [Violetta, Flora, Alfredo, Gastone, Douphol, Marchese, Dottore, Chorus] | |
| | Patricia Spence, Roy Goodman, The Parley of Instruments & Catherine Bott | Artaxerxes, Act 3: XV. Duetto. For Thee I Live, My Dearest (Arbaces/Mandane) | |
| | Patricia Spence, Philharmonia Baroque Orchestra, Nicholas McGegan & Jeffrey Thomas | La Resurrezione, HWV 47, Part II Scene 5: Dove sì frettolosi | |
| | Patricia Spence, Philharmonia Baroque Orchestra & Nicholas McGegan | La Resurrezione, HWV 47, Part II Scene 4: Augelletti, ruscelletti | |
| | Patricia Spence, Roy Goodman & The Parley of Instruments | Artaxerxes, Act 3: III. Air. Water Parted from the Sea (Arbaces) | |
| | Patricia Spence, Ian Partridge, Roy Goodman & The Parley of Instruments | Artaxerxes, Act 1: VI. Recitative. O Cruel Parting! (Arbaces/Artabanes) | |
| | Voices of Ascension Chorus, David Jolley, François Le Roux, Kathleen Bride, Lawrence Dutton, Mark Bleeke, Mark Kruczek, Patricia Spence, Richard Locker, Dennis Keene & Voices of Ascension Orchestra | Requiem, Op. 9: IV. Sanctus | |
| | Alastair Miles, The Ambrosian Singers, Carlo Rizzi, David Barrell, Edita Gruberová, Kim Begley, London Symphony Orchestra, Neil Shicoff, Patricia Spence & Peter Sidhom | La traviata: Act 1 "Che è cio?" [Violetta, Flora, Alfredo, Gastone, Douphol, Marchese, Dottore, Chorus] | |
| | Leonard Slatkin, St. Louis Symphony Orchestra, Linda Hohenfeld, Wendy White & Patricia Spence | Songfest (A Cycle of American Poems for Six Singers and Orchestra): Three Ensembles. VI. To My Dear and Loving Husband | |
| | Patricia Spence, Ian Partridge, Roy Goodman & The Parley of Instruments | Artaxerxes, Act 2: III. Recitative. So Far My Great Resolve Succeeds (Artabanes/Arbaces) | |
| | Christopher Robson, The Parley of Instruments, Roy Goodman & Patricia Spence | Artaxerxes, Act III: No. 2, Recit. Arbaces! (Artaxerxes/Arbaces) | |
| | Patricia Spence, Roy Goodman, The Parley of Instruments & Catherine Bott | Artaxerxes, Act 3: IV. Recitative. Nor Here My Searching Eyes Can Find Mandane (Arbaces/Mandane) | |
| | Voices of Ascension Chorus, David Jolley, François Le Roux, Kathleen Bride, Lawrence Dutton, Mark Bleeke, Mark Kruczek, Patricia Spence, Richard Locker, Dennis Keene & Voices of Ascension Orchestra | Requiem, Op. 9: I. Introit | |
| | Patricia Spence, Philharmonia Baroque Orchestra, Nicholas McGegan, Judith Nelson & Jeffrey Thomas | La Resurrezione, HWV 47, Part II Scene 5: Cleofe, Giovanni, udite | |
| | Leonard Slatkin, St. Louis Symphony Orchestra, Vernon Hartman, Linda Hohenfeld, John Cheek, Wendy White, Patricia Spence & Walter Planté | Songfest (A Cycle of American Poems for Six Singers and Orchestra): Sextet. VIII. "if you can't eat you got to" | |
| | Patricia Spence, Philharmonia Baroque Orchestra, Nicholas McGegan & Judith Nelson | La Resurrezione, HWV 47, Part I Scene 2: Concedi, o Maddalena | |
| | Leonard Slatkin, Vernon Hartman, Linda Hohenfeld, John Cheek, Wendy White, Patricia Spence, Walter Planté & St. Louis Symphony Orchestra | Songfest - A Cycle of American Poems for Six Singers and Orchestra: Opening Hymn. To the Poem | |
| | Patricia Spence, Roy Goodman & The Parley of Instruments | Artaxerxes, Act 2: IV. Air. Disdainful You Fly Me (Arbaces) | |
| | Leonard Slatkin, Linda Hohenfeld, Wendy White, Patricia Spence & St. Louis Symphony Orchestra | Songfest - A Cycle of American Poems for Six Singers and Orchestra: Three Ensembles: To My Dear and Loving Husband | |
| | Alastair Miles, The Ambrosian Singers, Carlo Rizzi, David Barrell, Edita Gruberová, Fabrizio Visentin, Kim Begley, London Symphony Orchestra, Neil Shicoff, Patricia Spence & Peter Sidhom | La traviata: Act 2 "Alfredo! Voi!" [Violetta, Flora, Alfredo, Gastone, Douphol, Marchese, Dottore, Domestico, Chorus] | |
| | Philharmonia Baroque Orchestra, Patricia Spence & Nicholas McGegan | Judas Maccabaeus, HWV 63, Act I: Tis liberty, dear Liberty Alone | |
| | Patricia Spence, Philharmonia Baroque Orchestra, Nicholas McGegan, Judith Nelson & Jeffrey Thomas | La Resurrezione, HWV 47, Part I Scene 2: Ma dinne, e sarà vero | |
| | Philippa Hyde, Patricia Spence, Ian Partridge, Roy Goodman, The Parley of Instruments, Richard Edgar-Wilson, Catherine Bott & Christopher Robson | Artaxerxes, Act II: No. 11, Recit. Ye Solid Pillars of the Persian Empire (Artaxerxes/Mandane/Artabanes/Rimenes/Semira/Arbaces) | |
| | Patricia Spence, Roy Goodman, The Parley of Instruments & Catherine Bott | Artaxerxes, Act 1: II. Recitative. Still Silence Reigns Around (Mandane/Arbaces) | |
| | Voices of Ascension Chorus, David Jolley, François Le Roux, Kathleen Bride, Lawrence Dutton, Mark Bleeke, Mark Kruczek, Patricia Spence, Richard Locker, Dennis Keene & Voices of Ascension Orchestra | Notre Pere, Op. 14 | |
| | Francesca Pedaci, Donato di Stefano, Carlo Bosi, Patricia Spence, Carlo Allemano, Elisabetta Scano, Angelo Campori, Swiss Radio Choir & Radio Svizzera Italiana Orchestra | Giulia e Sesto Pompeo, Act I: Recitativo accompagnato. Alfin io posso | |
| | Francesca Pedaci, Donato di Stefano, Carlo Bosi, Patricia Spence, Carlo Allemano, Elisabetta Scano, Angelo Campori, Swiss Radio Choir & Radio Svizzera Italiana Orchestra | Giulia e Sesto Pompeo, Act II: Recitativo e Recitativo accompagnato. Un cupo silenzio | |
| | Patricia Spence, Roy Goodman & The Parley of Instruments | Artaxerxes, Act 1: VII. Air. Amid a Thousand Racking Woes (Arbaces) | |
| | Philharmonia Baroque Orchestra, Nicholas McGegan & Patricia Spence | Judas Maccabaeus, HWV 63, Act III: Father of Heav'n! | |
| | Freiburger Barockorchester, Nicholas McGegan, Drew Minter, Lisa Saffer, Patricia Spence & Ralf Popken | Ottone, HWV 15, Act II: Recit "Odo gente" | |
| | Roy Goodman, The Parley of Instruments, Catherine Bott, Richard Edgar-Wilson, Ian Partridge, Patricia Spence, Philippa Hyde & Christopher Robson | Artaxerxes, Act I: No. 16, Recit. Where Do I Fly? (Mandane/Artaxerxes/Artabanes/Semira/Rimenes/Arbaces) | |
| | Patricia Spence, Philharmonia Baroque Orchestra & Nicholas McGegan | La Resurrezione, HWV 47, Part II Scene 4: Vedo il Ciel che più sereno | |
| | Nicholas McGegan, Philharmonia Baroque Orchestra & Patricia Spence | Messiah, HWV 56, Part II: O Death, where is thy sting? [recitative] (alternate version) | |
| | Leonard Slatkin, Vernon Hartman, Linda Hohenfeld, John Cheek, Wendy White, Patricia Spence, Walter Planté & St. Louis Symphony Orchestra | Songfest - A Cycle of American Poems for Six Singers and Orchestra: Sextet: If You Can't Eat You Got To | |
| | Philharmonia Baroque Orchestra, Nicholas McGegan & Patricia Spence | Judas Maccabaeus, HWV 63, Appendix, Act II: Sweet are thy Words | |
| | Philharmonia Baroque Orchestra, Patricia Spence, Lisa Saffer & Nicholas McGegan | Judas Maccabaeus, HWV 63, Act I: From this Dread Scene | |
| | Voices of Ascension Chorus, David Jolley, François Le Roux, Kathleen Bride, Lawrence Dutton, Mark Bleeke, Mark Kruczek, Patricia Spence, Richard Locker, Dennis Keene & Voices of Ascension Orchestra | Requiem, Op. 9: III. Domine Jesu Christe | |
| | Francesca Pedaci, Donato di Stefano, Carlo Bosi, Patricia Spence, Carlo Allemano, Elisabetta Scano, Angelo Campori, Swiss Radio Choir & Radio Svizzera Italiana Orchestra | Giulia e Sesto Pompeo, Act II: Recitativo. Tu da me fuggi | |
