| | Susan Gritton, Lisa Milne, King's Consort Choir, The King's Consort & Robert King | Lauda, Jerusalem, RV 609 | |
| | Elzbieta Szmytka, Sir Simon Rattle, Philip Langridge, Thomas Hampson, Ryszard Minkiewicz, Jadwiga Rappé, Lisa Milne, Andrew Burden, City of Birmingham Symphony Youth Chorus, Adrian Partington, City of Birmingham Symphony Chorus, Simon Halsey & City of Birmingham Symphony Orchestra | King Roger: Hagios! Hagios! (Chorus/Youth Chorus/Archbishop) | |
| | Roger Vignoles & Lisa Milne | Fidelity, Hob. XXVIa:30 | |
| | Susan Gritton, Lisa Milne, The King's Consort & Robert King | Magnificat, RV 610a: VI. Esurientes | |
| | Graham Johnson & Lisa Milne | Spring Is At the Door | |
| | Lisa Milne & Graham Johnson | Three Songs 1926: I. Love and Friendship | |
| | Graham Johnson & Lisa Milne | Mother and Child: VI. Baby | |
| | Vladimir Jurowski, London Philharmonic Orchestra, Lisa Milne, Christopher Maltman, London Philharmonic Choir & Neville Creed | Vom Himmel hoch: Choral "Lob, Ehr sei Gott im höchsten Thron" | |
| | London Philharmonic Orchestra, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt, Andrew Kennedy, Lisa Milne, Anja Kampe, Nathan Vale, Anthony Cleverton, Torsten Kerl, Thomas Blunt & Sir Mark Elder | Fidelio, Op. 72, Act 1: Arie "O wär' ich schon mit dir vereint" | |
| | London Philharmonic Orchestra, Anne Sofie von Otter, The Glyndebourne Chorus, Lisa Milne, Laurent Naouri, Marcus Haddock & Philippe Jordan | Carmen, Act I: No. 5 Habañera. L’amour est un oiseau rebelle (Carmen, Choeur) | |
| | Christopher Maltman, London Philharmonic Choir, Neville Creed, Vladimir Jurowski, London Philharmonic Orchestra & Lisa Milne | The First Nowell: The Salutation Carol | |
| | Christopher Maltman, London Philharmonic Choir, Neville Creed, Vladimir Jurowski, Ruxandra Donose, London Philharmonic Orchestra, Lisa Milne & Andrew Staples | Cantata: Christen, ätzet diesen Tag, BWV 63: Recitativo "O sel'ger Tag!" | |
| | Graham Johnson & Lisa Milne | 4 Songs, Op. 14: A last year's rose | |
| | Hanover Band, Nicholas McGegan, Judith Malafronte & Lisa Milne | Serse, HWV 40, Act II: V'inchino, eccelso Re | |
| | Lisa Milne, BBC Scottish Symphony Orchestra & Osmo Vänskä | Songs for a Winter's Evening: No. 5, Ye Banks and Braes o' Bonnie Doon | |
| | Elzbieta Szmytka, Sir Simon Rattle, Philip Langridge, Thomas Hampson, Ryszard Minkiewicz, Jadwiga Rappé, Lisa Milne, Andrew Burden, City of Birmingham Symphony Youth Chorus, Adrian Partington, City of Birmingham Symphony Chorus, Simon Halsey & City of Birmingham Symphony Orchestra | King Roger: Tajemmych glebin (Shepherd) | |
| | Van Den Plastic | La Femme (feat. Lisa Milne) | |
| | Lisa Milne, Welsh National Opera Chorus, Welsh National Opera Orchestra, Ben Evans, Anthony Negus, Christopher Purves, Peter Hoare, Cameron Jones, Rosie Hay, Leigh Melrose, Samantha Hay, Amanda Baldwin, Tomos Hardy & Sarah Tynan | The Sacrifice: Interlude: Passacaglia | |
| | Sioned Williams & Lisa Milne | The Witchery Milking Croon | |
| | Hanover Band, Nicholas McGegan, Judith Malafronte & Lisa Milne | Serse - Act 2: Recit: Voi Quel Foglio Lasciate a Me Per Prova | |
| | London Philharmonic Orchestra, Anne Sofie von Otter, The Glyndebourne Chorus, Lisa Milne, Laurent Naouri, Marcus Haddock & Philippe Jordan | Carmen, Act I: Dialogue. Où me conduirez-vous ? (Carmen, Don José) | |
| | Nicholas McGegan, Hanover Band, Judith Malafronte & Lisa Milne | Serse, HWV 40, Act 2: Recit: Voi quel foglio lasciate a me per prova | |
| | Roger Vignoles & Lisa Milne | The Mermaid's Song, Hob. XXVIa:25 | |
| | Lisa Milne, Louisa Fuller & Ivan McCready | 3 Pastoral Songs, Op. 22: ii - Cherry valley | |
| | Lisa Milne, Sir Charles Mackerras, Hillevi Martinpelto, Magdalena Kožená, Ronald Schneider & David Watkin | La clemenza di Tito, K. 621: "Felice Me!" - "Ancora Mi Schernisce?" | |
| | Lisa Milne & Sioned Williams | An Eriskay Love Lilt (Arr. Kennedy-Fraser) | |
| | Welsh National Opera Chorus, Anthony Negus, Welsh National Opera Orchestra, Lisa Milne & Peter Hoare | The Sacrifice, Act I Scene 4: I toast my wife. My wife! Ye gods! (Mal, Sian, Chorus) | |
| | Lisa Milne & Malcolm Martineau | Ariettes oubliées, CD 63a: No. 6, Aquarelles II. Spleen | |
| | Concerto Caledonia & Lisa Milne | Remember Me My Deir | |
| | London Philharmonic Orchestra, Anne Sofie von Otter, The Glyndebourne Chorus, Lisa Milne, Laurent Naouri, Marcus Haddock & Philippe Jordan | Carmen: Entr’acte II | |
| | Graham Johnson & Lisa Milne | 3 Songs 1926: No. 1, Love and Friendship | |
| | London Philharmonic Orchestra, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt, Andrew Kennedy, Lisa Milne, Anja Kampe, Nathan Vale, Anthony Cleverton, Torsten Kerl, Thomas Blunt & Sir Mark Elder | Fidelio, Op. 72, Act 1: Duett "Jetzt, Alter, jetzt hat es Eile!" | |
| | Sioned Williams & Lisa Milne | The Ship at Sea | |
| | Lisa Milne, Welsh National Opera Chorus, Welsh National Opera Orchestra, Ben Evans, Christopher Purves, Leigh Melrose, Cameron Jones, Peter Hoare, Samantha Hay, Amanda Baldwin, Tomos Hardy, Anthony Negus, Sarah Tynan & Rosie Hay | The Sacrifice: Act I Scene 4: The moon became a man today (The Birds) | |
| | Christopher Maltman, London Philharmonic Choir, Neville Creed, Vladimir Jurowski, Ruxandra Donose, London Philharmonic Orchestra, Lisa Milne & Andrew Kennedy (tenor) | The Seven Last Words of our Saviour on the Cross, Hob. XX: 2: VI. Es ist vollbracht | |
| | Sioned Williams & Lisa Milne | Kishmul's Galley (Arr. Kennedy-Fraser) | |
| | Hanover Band, Nicholas McGegan, Jennifer Smith & Lisa Milne | Serse, HWV 40, Act 1: Recit: "Al fin sarete sposa al vostro Serse" | |
| | London Philharmonic Orchestra, Anne Sofie von Otter, The Glyndebourne Chorus, Lisa Milne, Laurent Naouri, Marcus Haddock & Philippe Jordan | Carmen, Act II: Bel officier ! (Carmen, Le Remendado, Le Dancaïre, Don José, Frasquita, Mercédès, Choeur) | |
| | Roger Vignoles & Lisa Milne | Pleasing Pain, Hob. XXVIa:29 | |
| | Malcolm Martineau & Lisa Milne | Ariettes oubliées, CD 63a: No. 3, L'ombre des arbres | |
| | Lisa Milne, Louisa Fuller & Ivan McCready | 3 Pastoral Songs, Op. 22: i - I will go with my father a-ploughing | |
| | Hanover Band, Nicholas McGegan, Judith Malafronte & Lisa Milne | Serse - Act 2: Recit: V'inchino, Eccelso Re | |
| | Lisa Milne, Scottish Chamber Orchestra & Sir Charles Mackerras | La clemenza di Tito, K. 621, Act II: "S'altro che lagrime" | |
| | Marin Alsop, Royal Scottish National Orchestra & Lisa Milne | Hymn to the Earth: IV. Soprano Solo (Hour of Youth, Springtime of Life) | |
| | Van Den Plastic | La Chute (feat. Lisa Milne) | |
| | Vladimir Jurowski, London Philharmonic Orchestra, Lisa Milne, Christopher Maltman, London Philharmonic Choir & Neville Creed | The First Nowell: In Bethlehem City | |
| | London Philharmonic Orchestra, Peter Coleman-Wright, The Glyndebourne Chorus, Henry Waddington, Brindley Sherratt, Andrew Kennedy, Lisa Milne, Anja Kampe, Nathan Vale, Anthony Cleverton, Torsten Kerl, Thomas Blunt & Sir Mark Elder | Fidelio, Op. 72, Act 2: Duett "Nur hurtig fort, nur frisch gegraben" | |
| | Roger Vignoles & Lisa Milne | O Tuneful Voice, Hob. XXVIa:42 | |
| | Lisa Milne & Sioned Williams | The Ship at Sea (Arr. Kennedy-Fraser) | |
| | Peter Rose, London Philharmonic Choir, Neville Creed, Neeme Järvi, Karen Cargill, London Philharmonic Orchestra, Lisa Milne & Peter Auty (tenor) | Requiem, Op. 89, B. 165: Quid sum miser | |
