| | The King's Consort, Robert King, Gillian Fisher & Michael Chance | Stabat mater: I. Duet: Stabat mater dolorosa | |
| | English Baroque Soloists, Gillian Fisher, John Eliot Gardiner & Rosemary Hardy | The Indian Queen Z630: Act 3 "We the Spirits of the Air" [3rd & 4th Aerial Spirits] | |
| | Gillian Fisher, The King's Consort & Robert King | Dido and Aeneas, Z. 626: When I Am Laid in Earth, "Dido's Lament" | |
| | Gillian Fisher, Michael George, Choir of New College Oxford, The King's Consort & Robert King | Come Ye Sons of Art, Away, Z. 323: VIII. See Nature, Rejoicing, Has Shown Us the Way | |
| | English Baroque Soloists, Gillian Fisher, Jennifer Smith & John Eliot Gardiner | King Arthur, Z.628, Act 4: "Two daughters of this aged stream" (Sirens) | |
| | The King's Consort, Robert King, Gillian Fisher & Michael Chance | Stabat mater: IX. Duet: Sancta mater, istud agas | |
| | The King's Consort, Robert King, Rogers Covey-Crump, Gillian Fisher & Tessa Bonner | From Hardy Climes and Dangerous Toils of War, Z. 325: III. As Fame, Great Sir, Before You Ran | |
| | Gillian Fisher, James Bowman & The King's Consort | Se tu non lasci amore: I. Se tu non lasci amore | |
| | John Mark Ainsley, James Bowman, Gillian Fisher, The King's Consort, Charles Pott, Rogers Covey-Crump, Michael George, Nigel Short, Robert King & Evelyn Tubb | Welcome, Welcome, Glorious Morn, Z. 338: XI. Sound, All Ye Spheres; Confirm the Omen, Heav'n | |
| | London Handel Orchestra, Patrizia Kwella, Gillian Fisher & Denys Darlow | Aminta e Fillide, HWV 83: VIII. Al dispetto di sorte crudele | |
| | John Eliot Gardiner, English Baroque Soloists, Gillian Fisher & Jennifer Smith | King Arthur, Z. 628, Act II: "Shepherd, leave decoying" (Shepherdesses) | |
| | Elisabeth Priday, English Baroque Soloists, Gillian Fisher, Jennifer Smith, John Eliot Gardiner, Monteverdi Choir, Paul Elliott & Stephen Varcoe | King Arthur, Z.628, Act 4: "How happy the lover... For love ev'ry creature" (Tenor, Chorus, Nymphs, Men) | |
| | Charles Daniels, Gillian Fisher, James Bowman, Michael George, The King's Consort, Robert Evans, Robert King, Rogers Covey-Crump, Susan Hamilton & Nigel Short | What Shall Be Done in Behalf of the Man?, Z. 341: II. What Shall Be Done in Behalf of the Man? | |
| | Charles Daniels, Charles Pott, Gillian Fisher, James Bowman, The King's Consort, Michael Chance, Michael George, Robert King, Tessa Bonner & John Mark Ainsley | Now Does the Glorious Day Appear, Z. 332: II. Now Does the Glorious Day Appear | |
| | Gillian Fisher, The King's Consort & Robert King | Raise, Raise the Voice, Z. 334: IV: Mark How Readily Each Pliant String | |
| | Gillian Fisher, The London Handel Orchestra & Denys Darlow | The Triumph of Time and Truth, HWV 71, Act 3: V. Air: Pleasure! My Former Ways Resigning (Beauty) | |
| | The King's Consort, Robert King, Gillian Fisher & Paul Goodwin | Come Ye Sons of Art, Away, Z. 323: VI. Bid the Virtues, Bid the Graces | |
| | Ian Partridge, Stephen Varcoe, London Handel Orchestra, Charles Brett, Denys Darlow & Gillian Fisher | The Triumph of Time and Truth, HWV 71, Act I: No. 10, Recit. Our Different Powers We'll Try (Pleasure, Beauty, Time, Counsel) | |
| | The King's Consort, Robert King & Gillian Fisher | Celestial Music Did the Gods Inspire, Z. 322: IV. Thus Virgil's Genius Lov'd the Country Best | |
| | The King's Consort, Robert King, Gillian Fisher, Michael George & Tessa Bonner | Welcome to All the Pleasures, Z. 339: IV. While Joys Celestial Their Bright Souls Invade | |
| | Gillian Fisher, London Handel Orchestra & Denys Darlow | The Triumph of Time and Truth, HWV 71, Act III: No. 8, Recit. O Mighty Truth! Thy Power I See (Beauty) | |
| | The King's Consort, Robert King, Gillian Fisher & Crispian Steele-Perkins | Celebrate This Festival, Z. 321: IV. 'Tis Sacred, Bid the Trumpet Cease | |
| | Ian Partridge, Gillian Fisher, The London Handel Orchestra & Denys Darlow | The Triumph of Time and Truth, HWV 71, Act 2: II. Recitative: Here Pleasure Keeps His Splendid Court (Pleasure/Beauty) | |
| | Gillian Fisher, James Bowman & The King's Consort | Se tu non lasci amore, HWV 193: I. Se tu non lasci amore | |
| | Stephen Varcoe, Edward Higginbottom, Charles Daniels, The King's Consort, Gillian Fisher & Angus Smith | Confitebor Tibi Domine, S. 56: "Sanctum, et terribile nomen ejus" (Quartet) | |
| | English Baroque Soloists, Gillian Fisher & John Eliot Gardiner | King Arthur, Z.628, Act 1: "The lot is cast" (Soprano) | |
| | The King's Consort, Robert King, Robert Evans, Nigel Short, Michael George, Mary Seers, Mark Padmore, James Bowman, Gillian Fisher & Andrew Tusa | Love's Goddess Sure Was Blind, Z. 331: VIII. May She to Heaven Late Return | |
| | Gillian Fisher, Ian Partridge, The London Handel Orchestra & Denys Darlow | The Triumph of Time and Truth, HWV 71, Act 3: X. Recitative: Pleasure, Too Long Associates We Have Been (Beauty/Pleasure) | |
| | The King's Consort, Robert King, Gillian Fisher & Tessa Bonner | Celebrate This Festival, Z. 321: III. Britain Now Thy Cares Beguile | |
| | Gillian Fisher, The King's Consort & Robert King | Salve Regina in A Minor: I. Salve Regina | |
| | Robert King, The King's Consort & Gillian Fisher | Dido and Aeneas, Z. 626: When I Am Laid in Earth | |
| | Gillian Fisher, Paul Goodwin, The King's Consort & Robert King | Come Ye Sons of Art, Away, Z. 323: VI. Bid the Virtues, Bid the Graces | |
| | Charles Pott, Gillian Fisher, James Bowman, Jonathan Kenny, The King's Consort, Robert King, Rogers Covey-Crump, Rufus Muller, Tessa Bonner & Michael George | Fly, Bold Rebellion, Z. 324: III. Rivers from Their Channels Turned | |
| | Gillian Fisher, Ian Partridge, Charles Brett, The London Handel Orchestra & Denys Darlow | The Triumph of Time and Truth, HWV 71, Act 3: VI. Recitative: Since the Immortal Mirror I Possess (Beauty/Pleasure/Counsel) | |
| | Gillian Fisher, James Bowman & The King's Consort | Troppo cruda: II. Ma la speme lusinghiera | |
| | The King's Consort, Robert King, Charles Daniels, Gillian Fisher & James Bowman | Now Does the Glorious Day Appear, Z. 332: IX. Our Dear Religion, with Our Law's Defence | |
| | Ingrid Seifert, Gillian Fisher & Edward Higginbottom | Benefac Domine | |
| | Charles Pott, Gillian Fisher, James Bowman, John Mark Ainsley, Michael Chance, Michael George, Robert King, Tessa Bonner, The King's Consort & Charles Daniels | Arise, My Muse, Z. 320: III. Ye Sons of Music Raise Your Voices High | |
| | Charles Pott, Gillian Fisher, James Bowman, Jonathan Kenny, The King's Consort, Robert King, Rogers Covey-Crump, Rufus Muller, Tessa Bonner & Michael George | Sound the Trumpet, Beat the Drum, Z. 335: II. Sound the Trumpet, Beat the Drum | |
| | Catherine Denley, Gillian Fisher, The London Handel Orchestra & Denys Darlow | O come chiare e belle, HWV 143: XII. Recitative: Di stupor, di diletto (Tebro/Gloria) | |
| | Gillian Fisher, The London Handel Orchestra & Denys Darlow | The Triumph of Time and Truth, HWV 71, Act 3: XII. Recitative: Farewell; – Now Truth, Descending from the Sky (Beauty) | |
| | Gillian Fisher, James Bowman, The King's Consort & Robert King | Ode for the Birthday of Queen Anne, "Eternal Source of Light Divine": VI. Kind Health Descends On Downy Wings | |
| | Monteverdi Choir, John Eliot Gardiner, English Baroque Soloists & Gillian Fisher | King Arthur, Z. 628, Act II: "Hither, this way, this way bend" (Philidel, Chorus) | |
| | The King's Consort, Robert King & Gillian Fisher | Great Parent, Hail to Thee!, Z. 327: IX. Thy Royal Patron Sung: Repair | |
| | Gillian Fisher, The London Handel Orchestra & Denys Darlow | O come chiare e belle, HWV 143: IX. Aria: Tornami a vagheggiar (Gloria) | |
| | Gillian Fisher, David Hill, Choir of Winchester Cathedral, Libby Crabtree & The Brandenburg Consort | Anthem for the Foundling Hospital: The people will tell of their wisdom | |
| | John Eliot Gardiner, English Baroque Soloists & Gillian Fisher | King Arthur, Z. 628, Act 1: Song. "The Lot Is Cast, and Tanfan Pleas'd" (Priestess) | |
| | Jonathan Kenny, Michael George, Robert King, Rogers Covey-Crump, James Bowman, The King's Consort, Charles Daniels, Charles Pott, Gillian Fisher & Tessa Bonner | From Hardy Climes and Dangerous Toils of War, Z. 325: IV. Wake Then, My Muse, Wake Instruments and Voice | |
| | Mark Padmore, Mary Seers, Michael George, Andrew Tusa, Gillian Fisher, James Bowman, Nigel Short, Robert Evans, Robert King & The King's Consort | Raise, Raise the Voice, Z. 334: II. Raise, Raise the Voice, All Instruments Obey | |
| | Gillian Fisher, James Bowman & The King's Consort | Tanti strali al sen mi scocchi, HWV 197: II. Ma se l'alma sempre geme | |
