| | Vittorio Gui, Glyndebourne Festival Orchestra, Mirto Picchi, Jean Watson, Francis Loring, Harvey Alan, Paolo Silveri, Glyndebourne Festival Chorus, Alda Noni, Jan Wallace & Ljuba Welitsch | Un ballo in maschera: Act I: Il cenno mio di la con essi attendi (Riccardo) | |
| | The Metropolitan Opera Orchestra, Fritz Reiner & Ljuba Welitsch | Salome, Op. 54: "Es ist kein Laut zu vernehmen" (Salome) | |
| | Ljuba Welitsch | La Bohème: Quando m´en vo | |
| | Erna Schluter, Paul Schoffler, Monica Warner, Walter Widdop, Royal Philharmonic Orchestra, Maud Heaton, Ernst Erbach, Ljuba Welitsch, Sylvia Patriss, Royal Philharmonic Chorus, Sir Thomas Beecham & Gwladys Garside | Elektra, Op. 58, TrV 223: Orest! Orest! Orest! (Elektra, Orest, Tutor) | |
| | Ljuba Welitsch, Orchester der Metropolita Opera New York & Max Rudolf | Vissi D'Arte aus "Tosca" | |
| | Elisabeth Schwarzkopf, Otto Edelmann, Christa Ludwig, Eberhard Wächter, Teresa Stich-Randall, Ljuba Welitsch, Paul Kuen, Kerstin Meyer, Nicolai Gedda, Franz Bierbach, Erich Majkut, Gerhard Unger, Harald Pröglhöf, Karl Friedrich, Anny Felbermayer, Herbert von Karajan, Philharmonia Chorus, Philharmonia Orchestra & Children's Chorus from Loughton High School for Girls and Bancroft's School | Der Rosenkavalier: Akt I, "Ach, du bist wieder da?" | |
| | The Metropolitan Opera Orchestra & Ljuba Welitsch | Die Fledermaus: Klänge der Heimat | |
| | Ljuba Welitsch | Rückert-Lieder: Blicke mir nicht in die Lieder | |
| | Ljuba Welitsch, Orchester der Metropolita Opera New York & Fritz Reiner | Don Ottavio son morta aus "Don Giovanni" | |
| | Ljuba Welitsch, Alessio De Paolis, The Metropolitan Opera Orchestra & Fritz Reiner | Don Giovanni, K. 527: Don Ottavio, son morta! | |
| | Paolo Silveri, Glyndebourne Festival Chorus, Mirto Picchi, Alda Noni, Francis Loring, Ljuba Welitsch, Jean Watson, Jan Wallace, Vittorio Gui, Glyndebourne Festival Orchestra & Harvey Alan | Un ballo in maschera: Act III: Qual e dunque l'eletto? (Renato) | |
| | Elisabeth Schwarzkopf, Otto Edelmann, Christa Ludwig, Eberhard Wächter, Teresa Stich-Randall, Ljuba Welitsch, Paul Kuen, Kerstin Meyer, Nicolai Gedda, Franz Bierbach, Erich Majkut, Gerhard Unger, Harald Pröglhöf, Karl Friedrich, Anny Felbermayer, Herbert von Karajan, Philharmonia Chorus, Philharmonia Orchestra & Children's Chorus from Loughton High School for Girls and Bancroft's School | Der Rosenkavalier: Akt III, "So schnell hat Sie ihn gar so lieb?" | |
| | Ljuba Welitsch | Four Last Songs (Vier letzte Lieder): Beim Schlafengehen | |
| | Paolo Silveri, Ljuba Welitsch, Mirto Picchi, Alda Noni, Glyndebourne Festival Chorus, Jan Wallace, Harvey Alan, Vittorio Gui, Jean Watson, Francis Loring & Glyndebourne Festival Orchestra | Un ballo in maschera: Act III: Ah! Perche qui! Fuggite! (Amelia, Riccardo) | |
| | Wiener Philharmoniker, Rudolf Moralt & Ljuba Welitsch | Pique Dame: Act III - "Es geht auf Mitternacht" (Lisa) | |
| | Elisabeth Schwarzkopf, Martha Modl, Thomas Voigt, Ljuba Welitsch & Leonie Rysanek | Prima La Donna: Schwarzkopf | |
| | The Metropolitan Opera Orchestra, Fritz Reiner, Hans Hotter, Ljuba Welitsch & Brian Sullivan | Salome, Op. 54: "Niemals, Tochter Babylons" (Jochanaan, Salome, Narraboth) | |
| | The Metropolitan Opera Orchestra & Ljuba Welitsch | Der Zigeunerbaron: O habet acht | |
| | Elisabeth Schwarzkopf, Otto Edelmann, Christa Ludwig, Eberhard Wächter, Teresa Stich-Randall, Ljuba Welitsch, Paul Kuen, Kerstin Meyer, Nicolai Gedda, Franz Bierbach, Erich Majkut, Gerhard Unger, Harald Pröglhöf, Karl Friedrich, Anny Felbermayer, Herbert von Karajan, Philharmonia Chorus, Philharmonia Orchestra & Children's Chorus from Loughton High School for Girls and Bancroft's School | Der Rosenkavalier: Akt II, "Ohne mich, ohne mich jeder Tag dir zu bang" | |
| | Ljuba Welitsch | Four Songs, Op. 43: Von Ewiger Liebe | |
| | Ljuba Welitsch | Four Songs, Op. 43: Die Mainacht | |
| | Wiener Philharmoniker, Wilhelm Furtwängler, Tito Gobbi, Anton Dermota & Ljuba Welitsch | Don Giovanni, K. 527, Act I Scene 11: Mi par ch'oggi il demonio (Remastered 2022) [Live] | |
| | Leonie Rysanek, Elisabeth Schwarzkopf, Martha Modl, Thomas Voigt & Ljuba Welitsch | Prima La Donna: Manner | |
| | Glyndebourne Festival Orchestra, Jean Watson, Francis Loring, Paolo Silveri, Glyndebourne Festival Chorus, Alda Noni, Ljuba Welitsch, Vittorio Gui, Mirto Picchi, Harvey Alan & Jan Wallace | Un ballo in maschera: Act III: Il messaggio entri! (Renato) | |
| | Wilhelm Furtwängler, Wiener Philharmoniker, Ljuba Welitsch & Anton Dermota | Don Giovanni, K.527, IWM 167, Act I: "Fuggi, crudele, fuggi!" (Donna Anna, Don Ottavio) | |
| | The Metropolitan Opera Orchestra & Ljuba Welitsch | Don Giovanni: Crudele? - Non mi dir | |
| | Ljuba Welitsch & Paul Ulanowsky | Rückert-Lieder: 2. Blicke mir nicht in die Lieder | |
| | Paolo Silveri, Ljuba Welitsch, Glyndebourne Festival Chorus, Mirto Picchi, Alda Noni, Francis Loring, Jean Watson, Jan Wallace, Vittorio Gui, Glyndebourne Festival Orchestra & Harvey Alan | Un ballo in maschera: Act I: Ogni cura si doni al diletto (Riccardo) | |
| | Philharmonia Orchestra, Herbert von Karajan, Eberhard Wächter, Ljuba Welitsch & Gerhard Unger | Le chevalier à la rose, Op. 59, Act II: "Ein ernster Tag, ein grosser Tag" (Faninal, Marianne, Steward) | |
| | Elisabeth Schwarzkopf, Otto Edelmann, Christa Ludwig, Eberhard Wächter, Teresa Stich-Randall, Ljuba Welitsch, Paul Kuen, Kerstin Meyer, Nicolai Gedda, Franz Bierbach, Erich Majkut, Gerhard Unger, Harald Pröglhöf, Karl Friedrich, Anny Felbermayer, Herbert von Karajan, Philharmonia Chorus, Philharmonia Orchestra & Children's Chorus from Loughton High School for Girls and Bancroft's School | Der Rosenkavalier: Akt III, "Introduction" | |
| | Ramon Vinay, Margaret Harshaw, Ljuba Welitsch, The Metropolitan Opera Orchestra & Emil Cooper | Aïda, Act I: Quale insolita gioia nel to sguardo! (Live) | |
| | Eberhard Wächter, Ljuba Welitsch, Erich Majkut, Gerhard Unger, Herbert von Karajan, Philharmonia Chorus, Philharmonia Orchestra & Children's Chorus from Loughton High School for Girls and Bancroft's School | Der Rosenkavalier: Akt II, "Ein ernster Tag, ein großer Tag" | |
| | Richard Tucker, Ljuba Welitsch, Max Rudolf & The Metropolitan Opera Orchestra | Tosca, Act I: Perchè chiuso? - Mia gelosa | |
| | Herbert von Karajan, Ljuba Welitsch, Philharmonia Chorus, Philharmonia Orchestra & Teresa Stich-Randall | Der Rosenkavalier, Op. 59, Act 2: "In dieser feierlichen Stunde der Prüfung" (Sophie, Marianne, Lauffer) | |
| | Elisabeth Schwarzkopf, Martha Modl, Thomas Voigt, Ljuba Welitsch & Leonie Rysanek | Prima La Donna: Introduction | |
| | Elisabeth Schwarzkopf, Martha Modl, Thomas Voigt, Ljuba Welitsch & Leonie Rysanek | Prima La Donna: Maria Callas | |
| | Ernest Lush & Ljuba Welitsch | Zigeunerlieder, Nr.103: Brauner Bursche | |
| | Ljuba Welitsch, The Metropolitan Opera Orchestra & Fritz Reiner | Salome, Op. 54, TrV 215: Ah! Du wolltest mich nicht deinen Mund küssen lassen, Jochanaan! | |
| | Alfred Poell, Erich Kunz, Wilhelm Furtwängler, Wiener Philharmoniker, Elisabeth Schwarzkopf, Irmgard Seefried, Ljuba Welitsch & Anton Dermota | Don Giovanni, K.527, IWM 167, Act II: "Ah, dov'è il perfido?" (Donna Elvira, Zerlina, Don Ottavio, Masetto, Donna Anna, Leporello) | |
| | Philharmonia Orchestra, Herbert von Karajan, Otto Edelmann, Christa Ludwig, Teresa Stich-Randall, Ljuba Welitsch & Gerhard Unger | Le chevalier à la rose, Op. 59, Act II: "Hab' nichts dawider" (Ochs, Octavian, Sophie, Marianne, Steward) | |
| | Paolo Silveri, Glyndebourne Festival Chorus, Alda Noni, Francis Loring, Jean Watson, Jan Wallace, Ljuba Welitsch, Vittorio Gui, Glyndebourne Festival Orchestra, Mirto Picchi & Harvey Alan | Un ballo in maschera: Act II: Amico, gelosa t'affido una cura (Riccardo, Renato) | |
| | Ljuba Welitsch, Vienna State Opera Orchestra & Rudolf Moralt | Die Dubarry: Ich schenk' mein Herz | |
| | Ljuba Welitsch | Songs, Op. 63: Meine Liebe ist Grün | |
| | Philharmonia Orchestra & Ljuba Welitsch | Aida: Ritorna vincitor! | |
| | Ernest Lush & Ljuba Welitsch | Zigeunerlieder, Nr.103: Kommt dir manchmal in den Sinn | |
| | Wiener Philharmoniker, Rudolf Moralt & Ljuba Welitsch | Der Zarewitsch: "Einer wird kommen" | |
| | Vittorio Gui, Glyndebourne Festival Orchestra, Francis Loring, Paolo Silveri, Glyndebourne Festival Chorus, Jan Wallace, Ljuba Welitsch, Mirto Picchi, Alda Noni, Harvey Alan & Jean Watson | Un ballo in maschera: Act III: E tu ricevi il mio! (Renato) | |
| | Paul Ulanowsky & Ljuba Welitsch | sung in russian: The drunken Miller | |
| | Ljuba Welitsch & Philharmonia Orchestra | Aida: Ritorna Vincitor! | |
| | Ljuba Welitsch, Ramon Vinay, Margaret Harshaw, The Metropolitan Opera Chorus, The Metropolitan Opera Orchestra & Emil Cooper | Aïda, Act IV: O terra addio, addio valle di pianti (Live) | |
