| | Lois Marshall & William Aide | Dichterliebe, Op. 48: VI. Im Rhein, Im Heiligen Strome | |
| | Lois Marshall & William Aide | Liederkreis, Op. 39: I. In Der Fremde | |
| | Judy Loman & Lois Marshall | Come again | |
| | Royal Philharmonic Orchestra, Sir Thomas Beecham & Lois Marshall | Die Entführung aus dem Serail, K. 384, Act II: Rezitativ. "Welcher Wechsel" - Arie. "Traurigkeit" (Konstanze) | |
| | Lois Marshall & William Aide | Dichterliebe, Op. 48: XV. Aus Alten Marchen Winkt Es | |
| | Lois Marshall, Sir Thomas Beecham, Royal Philharmonic Orchestra, Alexander Young, Elsie Morrison, John Cameron & Beecham Choral Society | Solomon, HWV 67: Part II: Swell the full chorus to Solomon's praise (Chorus of Priests) | |
| | Judy Loman & Lois Marshall | The Wakeful Nightingale | |
| | Lois Marshall, Sir Thomas Beecham, Royal Philharmonic Orchestra, Alexander Young, Elsie Morrison, John Cameron & Beecham Choral Society | Solomon, HWV 67: Part III: Air and Chorus: Now a diff'rent measure try (Solomon, Israelites) | |
| | Lois Marshall, Sir Thomas Beecham, Royal Philharmonic Orchestra, Alexander Young, Elsie Morrison, John Cameron & Beecham Choral Society | Solomon, HWV 67: Overture | |
| | Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum, Lois Marshall & Hertha Töpper | Mass in B Minor, BWV 232: Christe eleison | |
| | John Cameron, Elsie Morison, Lois Marshall, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham & Alexander Young | Solomon (2005 Remastered Version): Chorus: From the East unto to the West | |
| | Lois Marshall & William Aide | Liederkreis, Op. 39: X. Zwielicht Im Walde | |
| | Judy Loman & Lois Marshall | Have You Seen But a Whyte Lillie Grow | |
| | Lois Marshall, Sir Thomas Beecham, Royal Philharmonic Orchestra, Alexander Young, Elsie Morrison, John Cameron & Beecham Choral Society | Solomon, HWV 67: Part III: Air: Ev'ry sight these eyes behold (Queen of Sheba) | |
| | Lois Marshall, Judy Loman & Benjamin Britten | At the Mid-Hour of Night | |
| | John Cameron, Elsie Morison, Lois Marshall, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham & Alexander Young | Solomon (2005 Remastered Version): Recitative: Double chorus: Praise the Lord | |
| | John Cameron, Elsie Morison, Lois Marshall, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham & Alexander Young | Solomon (2005 Remastered Version): Air & Chorus: Now a diff'rent measure try | |
| | Lois Marshall, Royal Philharmonic Orchestra & Sir Thomas Beecham | Solomon, HWV 67, Pt. I: Recitative. Thy Harmony's divine, great King! (Queen of Sheba) | |
| | John Cameron, Elsie Morison, Lois Marshall, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham & Alexander Young | Solomon (2005 Remastered Version): Overture | |
| | Royal Philharmonic Orchestra, Sir Thomas Beecham & Lois Marshall | L'enlèvement au sérail, K. 384, Act II: "Welche Welchsel... Traurigkeit" (Konstanze) | |
| | Lois Marshall & William Aide | Liederkreis, Op. 39: IX. Wehmut | |
| | Royal Philharmonic Orchestra, Sir Thomas Beecham, Gerhard Unger, Gottlob Frick, Léopold Simoneau & Lois Marshall | L'enlèvement au sérail, K. 384, Act II: "Es geht doch nichts" (Pedrillo, Osmin, Belmonte, Konstanze) | |
| | Lois Marshall & Greta Kraus | Die Schone Mullerin, Op. 25, D. 795: No. 1. Das Wandern | |
| | John Cameron, Elsie Morison, Lois Marshall, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham & Alexander Young | Solomon (2005 Remastered Version): Double Chorus: Your harps & cymbals sound | |
| | Lois Marshall, Sir Thomas Beecham, Royal Philharmonic Orchestra, Alexander Young, Elsie Morrison, John Cameron & Beecham Choral Society | Solomon, HWV 67: Part III: Recitative: Then, at once, from rage remove (Solomon, Chorus of Israelites) | |
| | Arturo Toscanini, Nan Merriman, Lois Marshall, Eugene Conley, Jerome Hines, NBC Symphony Orchestra & Robert Shaw Chorale | Missa Solemnis, Op. 123: V. Agnus Dei | |
| | Lois Marshall, Anthony Bernard & London Symphony Orchestra | Samson, HWV 57, Act III: Let the bright Seraphim in burning row | |
| | Royal Philharmonic Orchestra, Sir Thomas Beecham, Léopold Simoneau, Lois Marshall, Ilse Hollweg, Gerhard Unger, Gottlob Frick & Beecham Choral Society | Die Entführung aus dem Serail, K. 384, Act III: Finale. "Nie werd' ich deine Huld verkennen" (Belmonte, Konstanze, Blonde, Pedrillo, Osmin, Janitscharen) | |
| | Lois Marshall & William Aide | Dichterliebe, Op. 48: XIV. Allnachtlich Im Traume | |
| | Lois Marshall, Sir Thomas Beecham, Royal Philharmonic Orchestra, Alexander Young, Elsie Morrison, John Cameron & Beecham Choral Society | Solomon, HWV 67: Part III: Air: How green our fertile pastures look! (Solomon) | |
| | Lois Marshall, Sir Thomas Beecham, Royal Philharmonic Orchestra, Alexander Young, Elsie Morrison, John Cameron & Beecham Choral Society | Solomon, HWV 67: Part III: Recitative: Thrice happy King! (Zadok) | |
| | Lois Marshall, Nan Merriman, Eugene Conley, Jerome Hines, NBC Symphony Orchestra, Robert Shaw Chorale & Arturo Toscanini | Missa solemnis in D Major, Op. 123: I. Kyrie (Live) | |
| | Judy Loman & Lois Marshall | Kismul's Galley | |
| | Lois Marshall & William Aide | Dichterliebe, Op. 48: II. Aus Meinen Tranen Spriessen | |
| | Sir Thomas Beecham, Royal Philharmonic Orchestra, Lois Marshall, Ilse Hollweg, Léopold Simoneau, Gerhard Unger & Gottlib Frick | Die Entführung aus dem Serail, K 384 | |
| | Lois Marshall & William Aide | Frauenliebe Und -leben, Op. 42: VII. an Meinem Herzen, an Meiner Brust | |
| | Sir Thomas Beecham, Royal Philharmonic Orchestra, Lois Marshall, Ilse Hollweg, Léopold Simoneau, Gerhard Unger & Gottlib Frick | Die Entführung aus dem Serail, K 384 | |
| | Lois Marshall, Ilse Hollweg, Gerhard Unger, Léopold Simoneau, Gottlob Frick, Beecham Choral Society, Royal Philharmonic Orchestra & Sir Thomas Beecham | Die Entführung aus dem Serail, K. 384, Act III: Nie werd' ich deine Huld verkennen | |
| | Anton Kuerti & Lois Marshall | Winterreise, Op. 89, D. 911: Gefror'ne Tranen | |
| | Judy Loman & Lois Marshall | The Christ Child Lullaby | |
| | John Cameron, Elsie Morison, Lois Marshall, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham & Alexander Young | Solomon (2005 Remastered Version): Recitative: When thou art absent from my sight | |
| | Lois Marshall, Sir Thomas Beecham, Royal Philharmonic Orchestra, Alexander Young, Elsie Morrison, John Cameron & Beecham Choral Society | Solomon, HWV 67: Part II: From the censer curling rise (Chorus) | |
| | Oscar Shumsky, Lois Marshall & Bach Aria Group | Gott, man lobet dich in der Stille, BWV 120: Gott, man lobet dich in der Stille | |
| | Lois Marshall, Anthony Bernard, London Symphony Orchestra & Hubert Dawkes | The Creation (Die Schopfung), Hob. XXI:2, Part I: With verdure clad the fields appear (Nun beut die Flur das frische Grun) | |
| | Anton Kuerti & Lois Marshall | Winterreise, Op. 89, D. 911: Der Lindenbaum | |
| | Lois Marshall, Sir Thomas Beecham, Royal Philharmonic Orchestra, Alexander Young, Elsie Morrison, John Cameron & Beecham Choral Society | Solomon, HWV 67: Part III: Air: Golden columns, fair and bright (Zadok) | |
| | Royal Philharmonic Orchestra, Sir Thomas Beecham, Lois Marshall, Léopold Simoneau, Gerhard Unger & Ilse Hollweg | L'enlèvement au sérail, K. 384, Act II: "Ach Belmonte!" (Konstanze, Belmonte, Pedrillo, Blonde) | |
| | John Cameron, Elsie Morison, Lois Marshall, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham & Alexander Young | Solomon (2005 Remastered Version): Recitative: Adieu, fair Queen | |
| | John Cameron, Elsie Morison, Lois Marshall, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham & Alexander Young | Solomon (2005 Remastered Version): Duet: Welcome as the dawn of day | |
| | John Cameron, Elsie Morison, Lois Marshall, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham & Alexander Young | Solomon (2005 Remastered Version): Recitative: Next the tortured soul release | |
