| | The Pleeth Cello Octet & Jill Gomez | Bachianas brasileiras No. 5: I. Aria (Cantilena): Adagio | |
| | Jill Gomez, Academy of St Martin in the Fields & Sir Neville Marriner | Acis and Galatea, HWV 49, Act II: Heart, the Seat of Soft Delight | |
| | Jill Gomez & John Constable | Invocations: IV. Drought | |
| | Thomas Carey, Sir Colin Davis, Orchestra of the Royal Opera House, Covent Garden, Robert Tear, Jill Gomez, Raimund Herincx, Yvonne Minton & Josephine Barstow | The Knot Garden, Act I "Confrontation": "Do, Do Not, Do Not Torment Me" | |
| | Jill Gomez, Sir Neville Marriner & Academy of St Martin in the Fields | Acis and Galatea, Act II: Must I my Acis still bemoan | |
| | Martin Jones & Jill Gomez | My Heart Belongs To Daddy | |
| | Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson | Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 7: Nineteen seventy: Interlude Fifty-eight, seventy-nine (Duchess) | |
| | Jill Gomez & John Constable | Invocations: III. Separation | |
| | Jill Gomez, Benjamin Luxon, John Mitchinson, Philharmonia Orchestra & Vilem Tausky | Miss Julie, Act II: I'm Ready Now, Jean | |
| | James Bowman, Norman Bailey, City of London Sinfonia, Jill Gomez, John Graham-Hall, Henry Herford, Richard Hickox, Della Jones, Donald Maxwell, Crispian Steele-Perkins, Adrian Thompson, Penelope Walker, Lilian Watson, Trinity Boys' Choir, Andrew Gallacher, Robert Horn, Simon Hart, Gregory Pierre, Andrew Mead, Nicholas Watson, Dexter Fletcher, Roger Bryson & Richard Suart | A Midsummer Night's Dream Op. 64, ACT TWO: On the ground, sleep sound (Fairies) | |
| | Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson | Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 3: Nineteen thirty-six: Interlude - Scene 4: Nineteen fifty-three ...mm...ah!...How may I help you? (Duchess/Laundryman/Other Guest) | |
| | Jill Gomez, Benjamin Luxon, Philharmonia Orchestra & Vilem Tausky | Miss Julie, Act I: There's a New Dance Starting | |
| | Jill Gomez, Benjamin Luxon, John Mitchinson, Philharmonia Orchestra & Vilem Tausky | Miss Julie, Act II: What the Devil Is That? | |
| | Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson | Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6: Nineteen fifty-five: So that is all (Duchess/Rubberneckers) | |
| | Richard Hickox, City of London Sinfonia & Jill Gomez | Songs after Edith Sitwell: IV. Old Sir Faulk (Arr. for Solo Voices and Orchestra by Christopher Palmer) | |
| | Jill Gomez, Bournemouth Sinfonietta & John Carewe | Cantiga, Op. 45: I. I Have Almost Forgotten the Beginning of Love... | |
| | Jill Gomez, Bournemouth Sinfonietta & John Carewe | Cantiga, Op. 45: No. 2, High on the Border with Castile | |
| | Rachel Yakar, Rita Dams, Jill Gomez, Max van Egmond, Il Complesso Barocco & Alan Curtis | Admeto, re di Tessaglia (1997 Remastered Version), ACT 1, Scene 9: Trasimede/Meraspe/Antigona: Aria: Se l'arco avessi, e i strali | |
| | Robert Tear, Sir Colin Davis, Orchestra of the Royal Opera House, Covent Garden, Thomas Carey & Jill Gomez | The Knot Garden, Act I "Confrontation": "If You Think We're Waxworks, You Ought To Play" | |
| | Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson | Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6: Nineteen fifty-five: Interlude (Orchestra) | |
| | Jill Gomez & Peter Manning | Suite for Voice and Violin, W195: II. Quéro ser alégre. Vagaroso e calmo | |
| | Jill Gomez, Sir Neville Marriner, Academy of St Martin in the Fields & Robert Tear | Acis and Galatea, Act II: The flocks shall leave the mountains | |
| | Martin Jones & Jill Gomez | Miss Otis Regrets | |
| | John Constable & Jill Gomez | Warning | |
| | John Whitfield & Jill Gomez | Les Illuminations Op. 18: IIIb. Antique | |
| | John Constable & Jill Gomez | Girls of Bordeaux | |
| | John Whitfield & Jill Gomez | Les Illuminations Op. 18: V. Marine | |
| | The Pleeth Cello Octet & Jill Gomez | Bachianas brasileiras No. 5: II. Dansa (Martelo): Allegretto | |
| | Jill Gomez, Academy of St Martin in the Fields & Sir Neville Marriner | Acis and Galatea, HWV 49, Act I: As When the Dove Laments her Love | |
| | Thomas Hemsley, Sir Colin Davis, Orchestra of the Royal Opera House, Covent Garden, Yvonne Minton & Jill Gomez | The Knot Garden, Act I "Confrontation": "So, If I Dream" | |
| | Jill Gomez, Benjamin Luxon, Philharmonia Orchestra & Vilem Tausky | Miss Julie, Act II: My Mother Got Drunk | |
| | John Constable & Jill Gomez | Diva of 'The Empire' | |
| | Jill Gomez, Della Jones, Benjamin Luxon, Philharmonia Orchestra & Vilem Tausky | Miss Julie, Act II: What's All This Mean | |
| | Martin Jones & Jill Gomez | The Physician | |
| | Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson | Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 3: Nineteen thirty-six: Come here (Duchess/Waiter) | |
| | Jill Gomez & Peter Manning | Suite for Voice and Violin: III. Sertaneja (Animado e espritoso) | |
| | Jill Gomez, City of Birmingham Symphony Orchestra & Sir Simon Rattle | Quatre chansons françaises, for Soprano: IV. Chanson d'automne | |
| | Jill Gomez, Academy of St Martin in the Fields & Sir Neville Marriner | Acis and Galatea, HWV 49, Act II: Cease, oh Cease, Thou Gentle Youth | |
| | Jill Gomez, Benjamin Luxon, Philharmonia Orchestra & Vilem Tausky | Miss Julie, Act I: You Know Why I Came Here Tonight? | |
| | Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson | Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 3: Nineteen thirty-six: What have you got there? | |
| | Martin Jones & Jill Gomez | Night & Day | |
| | Barry Wordsworth, Jill Gomez & The Markham and Nettle Piano Duo | Peanut Vendor (Arr. Alexander) | |
| | Jill Gomez & Peter Manning | Suite for Voice and Violin: I. A menina e a canção (Un pouco moderato) | |
| | Rachel Yakar, Rene Jacobs, Jill Gomez, Max van Egmond, Rita Dams, Alan Curtis, Il Complesso Barocco, Ulrik Cold & James Bowman | Admeto, re di Tessaglia, ACT 2, Scene 4: Antigona: Recitativo: Per me si strugge Trasimede, o Dio | |
| | Richard Hickox, City of London Sinfonia & Jill Gomez | Songs after Edith Sitwell: II. Through Gilded Trellises (Arr. for Solo Voices and Orchestra by Christopher Palmer) | |
| | Jill Gomez, Benjamin Luxon, Philharmonia Orchestra & Vilem Tausky | Miss Julie, Act II: If I Only Had Enough Money | |
| | Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson | Powder Her Face (an Opera in two acts) Op.14, Act II, Scene 6: Nineteen fifty-five: Order. Silence | |
| | Jill Gomez, Niall Morris, Thomas Adès & Valdine Anderson | Powder Her Face (an Opera in two acts) Op.14, ACT I, Scene 5: Nineteen fifty-three: Is Daddy squiffy? | |
| | Henry Herford, Richard Hickox, Della Jones, City of London Sinfonia, Jill Gomez & John Graham-Hall | A Midsummer Night's Dream, Op. 64, Act 1: "Stay, Thou Thou Kill Me" (Helena, Demetrius, Lysander, Hermia) | |
| | Jill Gomez, Della Jones, Benjamin Luxon, Philharmonia Orchestra & Vilem Tausky | Miss Julie, Act I: Kristin! Kristin, Kristin! | |
