| | April Cantelo, Helen Watts, London Symphony Orchestra & Sir Colin Davis | Béatrice et Bénédict, H.138, Act I: "Vous soupirez, madame?" | |
| | April Cantelo, Helen Watts, London Symphony Orchestra & Sir Colin Davis | Béatrice et Bénédict: "Vous soupirez, madame?" - "Nuit paisible et sereine!" | |
| | April Cantelo, English Chamber Orchestra & Raymond Leppard | 12 English Songs with Their Symphonies: No. 3, Hark, Hark! The Lark | |
| | April Cantelo, Helen Watts, Robert Tear, Forbes Robinson, Choir of St John’s College, Cambridge, Sir Stephen Cleobury, Academy of St Martin in the Fields & George Guest | Mass No. 13 in B-Flat Major, Hob. XXII:13 "Schöpfungsmesse": III. Credo | |
| | April Cantelo, Shirley Minty, Ian Partridge, Christopher Keyte, Choir of St John’s College, Cambridge, Academy of St Martin in the Fields & George Guest | Mass in B-Flat Major, Hob. XXII:10 "Missa Sancti Bernardi von Offida" (Heiligmesse) [Ed. Landon, Füssl & Landon]: 2. Gloria | |
| | April Cantelo & Paul Hamburger | The Rider Victory, Op. 11: No. 4, Confirmation | |
| | Sir Malcolm Sargent, Glyndebourne Festival Chorus, Pro Arte Orchestra, George Baker, Ian Wallace, Alexander Young, Owen Brannigan, John Cameron, Monica Sinclair, Marjorie Thomas, April Cantelo, Heather Harper & Elsie Morison | Iolanthe, or The Peer and the Peri: Act II, Soon as we may | |
| | April Cantelo, Helen Watts & Viola Tunnard | Irlande (9 Mélodies), Op. 2: Hélène (Gounet) | |
| | Una Hale, April Cantelo, Anna Pollak, Peter Pears, Thomas Hemsley, Chorus and Orchestra of The English Opera Group & Sir Charles Mackerras | Ruth, Op. 50, Scene 3: "Master!" | |
| | The English Opera Group Orchestra, Benjamin Britten, Trevor Anthony, Peter Pears, April Cantelo, Michael Ingram, Marilyn Baker, Robin Fairhurst, Gabrielle Soskin, Lyn Vaughan, David Hemmings & Nancy Thomas | Let's Make an Opera, Op. 45, Pt. 3 "The Little Sweep", Scene 3: Ensemble. "Morning Sammy" (Children, Sammy, Miss Baggott, Tom, Alfred) | |
| | April Cantelo, Shirley Minty, Ian Partridge, Christopher Keyte, Academy of St Martin in the Fields, Choir of St John’s College, Cambridge & George Guest | Mass in B-Flat Major, 'Missa Sancti Bernardi von Offida' (Heiligmesse), Hob. XXII:10 (Ed. Landon, Füssl & Landon): 3. Credo | |
| | Una Hale, April Cantelo, Anna Pollak, Peter Pears, Thomas Hemsley, Chorus and Orchestra of The English Opera Group & Sir Charles Mackerras | Ruth, Op. 50, Scene 1: Prelude | |
| | English Chamber Orchestra, Benjamin Britten, April Cantelo, Sheila Amit, Anne Pashley, Stephen Terry, Catherine Wilson & Joseph Ward | Albert Herring, Opera in 3 Acts Op. 39: "Quickly! Quickly, Come Along!" | |
| | April Cantelo, Helen Watts & Viola Tunnard | Irlande, Op. 2, H 38: 2. Hélène | |
| | April Cantelo, Wilfred Brown, English Chamber Orchestra & Sir Charles Mackerras | The Indian Queen, Z. 630 - Prologue: Wake Quivera, wake | |
| | Sir Andrew Davis, April Cantelo, Helen Gelmar, Christopher Keyte, English Chamber Orchestra, Ian Partridge, James Bowman, The Choir of King's College, Cambridge & Sir David Willcocks | Messe de minuit pour Noël H9 (Organ Interludes & Offertoire by Nicholas-Antoine Lebègue, c1631-1702): Kyrie | |
| | The English Opera Group Orchestra, Benjamin Britten, April Cantelo, Michael Ingram, Marilyn Baker, Robin Fairhurst, Gabrielle Soskin, Lyn Vaughan & David Hemmings | Let's Make an Opera "The Little Sweep", Op. 45: Ensemble. "Is He Wounded?" (Children, Sammy) | |
| | Una Hale, April Cantelo, Anna Pollak, Peter Pears, Thomas Hemsley, Chorus and Orchestra of The English Opera Group & Sir Charles Mackerras | Ruth, Op. 50, Scene 3: "Announcer" | |
| | English Chamber Orchestra, John Noble, Benjamin Britten, Johanna Peters, Sylvia Fisher, April Cantelo, Edgar Evans & Owen Brannigan | Albert Herring, Op. 39, Act 1: The first suggestion on my list | |
| | Sir Malcolm Sargent, Glyndebourne Festival Chorus, Pro Arte Orchestra, George Baker, Ian Wallace, Alexander Young, Owen Brannigan, John Cameron, Monica Sinclair, Marjorie Thomas, April Cantelo, Heather Harper & Elsie Morison | Iolanthe, or The Peer and the Peri: Act II, If you go in you're sure to win | |
| | Alfred Deller, April Cantelo, Wilfred Brown, Eileen McLoughlin, Gerald English & Maurice Bevan | Madrigals: No. 6, Good Morrow, Fair Ladies | |
| | George Baker, Alexander Young, Glyndebourne Chorus, John Cameron, Pro Arte Orchestra, Sir Malcolm Sargent, April Cantelo, Heather Harper, Elsie Morison, Glyndebourne Festival Chorus & Peter Gellhorn | Iolanthe (or, The Peer and the Peri) (1987 Remastered Version), Act I: The Law is the true embodiment (Lord Chancellor, Peers) | |
| | George Baker, John Cameron, Alexander Young, Ian Wallace, Glyndebourne Chorus, April Cantelo, Heather Harper, Pro Arte Orchestra, Elsie Morison, Sir Malcolm Sargent, Glyndebourne Festival Chorus & Peter Gellhorn | Iolanthe (or, The Peer and the Peri) (1987 Remastered Version), Act I: The lady of my love (Strephon, Queen, Lord Chancellor, Tolloller, Mountararat, Fairies, Peers) | |
| | George Baker, Elsie Morison, Alexander Young, John Cameron, Pro Arte Orchestra, Sir Malcolm Sargent, April Cantelo, Heather Harper, Glyndebourne Festival Chorus & Peter Gellhorn | Iolanthe (or, The Peer and the Peri) (1987 Remastered Version), Act I: None shall part us from each other (Phyllis, Strephon) | |
| | George Baker, Alexander Young, Pro Arte Orchestra, Sir Malcolm Sargent, John Cameron, April Cantelo, Heather Harper, Elsie Morison, Glyndebourne Festival Chorus & Peter Gellhorn | Iolanthe (or, The Peer and the Peri) (1987 Remastered Version), Act II: When all night long a chap remains (Sentry Song) (Private Willis) | |
| | George Baker, Ian Wallace, John Cameron, April Cantelo, Heather Harper, Elsie Morison, Alexander Young, Glyndebourne Chorus, Marjorie Thomas, Monica Sinclair, Peter Gellhorn, Pro Arte Orchestra & Sir Malcolm Sargent | Iolanthe [three numbers] (1991 Remastered Version), Act II: Soon as we may (all) | |
| | April Cantelo, Helen Watts, Robert Tear, Barry McDaniel, Sir Stephen Cleobury, Academy of St Martin in the Fields & George Guest | Missa in tempore belli, Hob. XXII:9 "Paukenmesse": V. Benedictus | |
| | Alfred Deller, April Cantelo, Wilfred Brown, Eileen McLoughlin, Gerald English & Maurice Bevan | Madrigals: No. 8, Though Philemela Lost Her Love | |
| | English Chamber Orchestra, Sylvia Fisher, Benjamin Britten, April Cantelo, Johanna Peters, Edgar Evans, John Noble, Owen Brannigan, Sheila Rex, Sir Peter Pears, Sheila Amit, Anne Pashley & Stephen Terry | Albert Herring, Op. 39, Act 1: We bring great news to you | |
| | George Baker, Elsie Morison, Alexander Young, Ian Wallace, John Cameron, Glyndebourne Chorus, April Cantelo, Pro Arte Orchestra, Heather Harper, Sir Malcolm Sargent, Glyndebourne Festival Chorus & Peter Gellhorn | Iolanthe (or, The Peer and the Peri) (1987 Remastered Version), Act I: To you I give my heart (Phyllis, Tolloller, Mountararat, Peers, Strephon) | |
| | Kalmar Chamber Orchestra London, Sir Michael Tippett, The Ambrosian Singers, Alfred Deller, Wilfred Brown, Maurice Bevan & April Cantelo | Hail, Bright Cecilia, Z. 328 "Ode to Saint Cecilia": Recitative - Chorus. "Hail! Bright Cecilia" | |
| | April Cantelo, Helen Watts, Robert Tear, Barry McDaniel, Choir of St John’s College, Cambridge, Sir Stephen Cleobury, Academy of St Martin in the Fields & George Guest | Missa in tempore belli, Hob. XXII:9 "Paukenmesse": VI. Agnus Dei | |
| | Alfred Deller, April Cantelo, Wilfred Brown, Eileen McLoughlin, Gerald English & Maurice Bevan | Madrigals: No. 17, I Follow, Lo, the Footing | |
| | English Chamber Orchestra, Benjamin Britten, Sheila Rex, Owen Brannigan, Catherine Wilson, Edgar Evans, April Cantelo, John Noble & Stephen Terry | Albert Herring, Op. 39, Act 3: Have you found him? | |
| | English Chamber Orchestra, Benjamin Britten, April Cantelo & John Noble | Albert Herring, Op. 39, Act 2: My heart leaps up with joy | |
| | April Cantelo, Shirley Minty, Ian Partridge, Christopher Keyte, Choir of St John’s College, Cambridge, Academy of St Martin in the Fields & George Guest | Mass in B-Flat Major, 'Missa Sancti Bernardi von Offida' (Heiligmesse), Hob. XXII:10 (Ed. Landon, Füssl & Landon): 2. Gloria | |
| | April Cantelo, Ian Wallace, Lionel Salter & Joseph Horovitz | Metamorphosis on a Bed-Time Theme (Allegro commerciale in modo televisione) | |
| | April Cantelo, George Guest, Academy of St Martin in the Fields, Helen Watts, Robert Tear, Barry McDaniel & Sir Stephen Cleobury | Missa in Tempore Belli "Paukenmesse", Hob. XXII:9 in C: Benedictus | |
| | April Cantelo, London Symphony Orchestra & Sir Colin Davis | Béatrice et Bénédict, H.138, Act I: "Je vais le voir" | |
| | Una Hale, April Cantelo, Anna Pollak, Peter Pears, Thomas Hemsley, Chorus and Orchestra of The English Opera Group & Sir Charles Mackerras | Ruth, Op. 50, Scene 1: "Once More I See Your Green and Golden Hills, O Judah" | |
| | Kalmar Chamber Orchestra London, Sir Michael Tippett, Maurice Bevan & April Cantelo | Hail, Bright Cecilia, Z. 328 "Ode to St. Cecilia": Duet. "Hark, Each Tree" | |
| | Alfred Deller, April Cantelo, Wilfred Brown, Eileen McLoughlin, Gerald English & Maurice Bevan | Madrigals: No. 14, Fire! Fire! My Heart! | |
| | April Cantelo, George Guest, Choir of St John’s College, Cambridge, Helen Watts, Academy of St Martin in the Fields, Robert Tear, Barry McDaniel & Sir Stephen Cleobury | Missa in Tempore Belli "Paukenmesse", Hob. XXII:9 in C: Agnus Dei | |
| | April Cantelo & Raymond Leppard | A Collection of New Songs: Take, O Take Those Lips Away | |
| | April Cantelo, Marjorie Thomas, David Galliver, John Cameron, London Mozart Players, Harry Blech & Harry Blech Choir | Mass in C Major, K. 317 "Coronation": Credo | |
| | April Cantelo, Marjorie Thomas, David Galliver, London Mozart Players, Harry Blech, Harry Blech Choir & Thomas Hemsley | Salve Regina in G Minor, Hob. XXIIIb:2: Eia, ergo, advocata nostra | |
| | Una Hale, April Cantelo, Anna Pollak, Peter Pears, Thomas Hemsley, Chorus and Orchestra of The English Opera Group & Sir Charles Mackerras | Ruth, Op. 50, Scene 3: "Go Now, My Daughter" | |
| | April Cantelo, George Guest, Choir of St John’s College, Cambridge, Helen Watts, Academy of St Martin in the Fields, Robert Tear, Forbes Robinson & Sir Stephen Cleobury | Mass in B-Flat Major, Hob. XXII:13 "Schöpfungsmesse": Agnus Dei | |
| | Una Hale, April Cantelo, Anna Pollak, Peter Pears, Thomas Hemsley, Chorus and Orchestra of The English Opera Group & Sir Charles Mackerras | Ruth, Op. 50: Announcer | |
| | Una Hale, April Cantelo, Anna Pollak, Peter Pears, Thomas Hemsley, Chorus and Orchestra of The English Opera Group & Sir Charles Mackerras | Ruth, Op. 50: Introduction to Scene 2 by Lord Harewood | |
