| | Sir Neville Marriner, Dame Janet Baker & Academy of St Martin in the Fields | Bist du bei mir (from the notebook of Anna Magdalena Bach) | |
| | Dame Janet Baker, St. Anthony Singers, English Chamber Orchestra & Anthony Lewis | Dido & Aeneas, Act III: When I am laid in earth... With drooping wings | |
| | Dame Janet Baker, Sir John Barbirolli & London Symphony Orchestra | Sea Pictures, Op. 37: II. In Haven (Capri) | |
| | Dame Janet Baker, Sir John Barbirolli & London Symphony Orchestra | Sea Pictures, Op. 37: IV. Where Corals Lie | |
| | Dame Janet Baker, Sir John Barbirolli & London Symphony Orchestra | Sea Pictures, Op. 37: III. Sabbath Morning at Sea | |
| | Dame Janet Baker, Sir John Barbirolli & London Symphony Orchestra | Sea Pictures, Op. 37: I. Sea Slumber-Song | |
| | Dietrich Fischer-Dieskau, Daniel Barenboim & Dame Janet Baker | Pausanias, the Betrayer of his Country, Incidental Music, Z. 585: No. 2, Song, "My dearest, my fairest" (Arr. for 2 Voices and Piano) | |
| | Dame Janet Baker & Geoffrey Parsons | Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen von meinem Schatz | |
| | Sir Neville Marriner, Dame Janet Baker & Academy of St Martin in the Fields | Bist du bei mir (from the notebook of Anna Magdalena Bach) | |
| | Dame Janet Baker, Philharmonia Orchestra & Sir John Barbirolli | Five Rückert-Lieder (1999 Remastered Version): V: Ich bin der Welt abhanden gekommen | |
| | Dame Janet Baker, Elly Ameling, Academy of St Martin in the Fields, The Choir of King's College, Cambridge, Ian Partridge, John Shirley-Quirk & Sir David Willcocks | Cantata No. 147, BWV 147 'Herz und Mund und Tat und Leben', Part II: Chorale: Jesu bleibet meine Freude (Jesu, joy of man's desiring) (choir) | |
| | Dame Janet Baker, Hallé & Sir John Barbirolli | Kindertotenlieder (Rückert) (1999 Remastered Version): I: Nun will die Sonn' so hell aufgeh'n | |
| | Sir John Barbirolli, London Symphony Orchestra & Dame Janet Baker | Sea Pictures, Op. 37: No. 4, Where Corals Lie | |
| | City of London Sinfonia, Dame Janet Baker, London Symphony Chorus & Richard Hickox | Psalm 42, for Chorus, Soprano and Orchestra, Op. 42: I. Chorus: Wie Der Hirsch Schraeit Nach Frischem Wasser | |
| | Dame Janet Baker, Rafael Kubelik & Symphonieorchester des Bayerischen Rundfunks | Das Lied Von Der Erde: II. Der Einsame Im Herbst | |
| | Dame Janet Baker, Sir John Barbirolli & London Symphony Orchestra | Sea Pictures, Op. 37: V. The Swimmer | |
| | Dame Janet Baker, Martin Isepp, Ambrose Gauntlett & Douglas Whittaker | Where the bee sucks (from "Nine Shakespeare Songs by Thomas Augustine Arne, 1763") | |
| | Dame Janet Baker, Hallé & Sir John Barbirolli | Kindertotenlieder (Rückert) (1999 Remastered Version): IV: Oft denk' ich, sie sind nur augesgangen! | |
| | Sir John Barbirolli, London Symphony Orchestra & Dame Janet Baker | Sea Pictures, Op. 37: No. 2, In Haven. Capri | |
| | Dame Janet Baker & Geoffrey Parsons | Auf Flügeln des Gesanges (from 6 Lieder, Op.34) (2000 Remastered Version) | |
| | English Chamber Orchestra, Anthony Lewis & Dame Janet Baker | Dido and Aeneas, Z. 626, Act III, Scene 2: Lament. "When I Am Laid in Earth" (Dido) | |
| | Dame Janet Baker & André Previn | 4 Ernste Gesänge, Op. 121: No. 3, O Tod, wie bitter bist du | |
| | Dame Janet Baker & Daniel Barenboim | Liederkreis, Op. 39: No. 5, Mondnacht, "Es war, als hätt' der Himmel" (Zart, heimlich) | |
| | Hallé, Sir John Barbirolli & Dame Janet Baker | Ich bin der Welt abhanden gekommen | |
| | London Symphony Orchestra, Sir John Barbirolli & Dame Janet Baker | Sea Pictures, Op.37: I. Sea Slumber-Song (2004) | |
| | Gerald Moore & Dame Janet Baker | Wiegenlied (Schlafe, schlafe) D.498 | |
| | Gerald Moore & Dame Janet Baker | Migon III (Nur wer die Sehsucht kennt) D877 No. 4 | |
| | Gerald Moore & Dame Janet Baker | Mignon II (So lasst mich scheinen) D 877 No. 3 | |
| | Gerald Moore & Dame Janet Baker | Mignon I (Heiss' mich nicht reden) D 877 No. 2 | |
| | Gerald Moore & Dame Janet Baker | Suleika I D720 | |
| | Dame Janet Baker, Sir John Barbirolli & Philharmonia Orchestra | Les Nuits d'été Op. 7 (1998 Remastered Version): Le Spectre de la Rose | |
| | Sir John Barbirolli, London Symphony Orchestra & Dame Janet Baker | Sea Pictures, Op. 37: No. 3, A Sabbath Morning at Sea | |
| | City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Dame Janet Baker, John Mitchinson & Sir Simon Rattle | The Dream of Gerontius Op. 38, PART 2: Softly and gently (Angel) | |
| | Dame Janet Baker & Gerald Moore | Ave Maria, Op. 52 No. 6, D. 839 | |
| | Elly Ameling, Dame Janet Baker, Ian Partridge, John Shirley-Quirk, The Choir of King's College, Cambridge, Academy of St Martin in the Fields & Sir David Willcocks | Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147: Jesus bleibet meine Freude (choir) | |
| | Dame Janet Baker & Geoffrey Parsons | Après un rêve, Op. 7 No. 1 | |
| | The St. Anthony Singers, Dame Janet Baker, Anthony Lewis & English Chamber Orchestra | Dido and Aeneas: But Death.When I Am Laid.With Drooping Wings. | |
| | Dame Janet Baker & Gerald Moore | Wiegenlied, D. 498 | |
| | Dame Janet Baker & Gerald Moore | Ave Maria, D. 839 | |
| | Dame Janet Baker, Elizabeth Bainbridge, English Chamber Orchestra & Benjamin Britten | The Rape of Lucretia, Op. 37: Flowers bring to every year | |
| | Dame Janet Baker & Gerald Moore | 4 Lieder, Op. 27, TrV 170: No. 4, Morgen!, "Und morgen wird die Sonne wieder scheinen" (Langsam) | |
| | Dame Janet Baker, Philomusica of London & Charles Farncombe | Rodelinda, HWV 19, Act III (Sung in English): Con opra giusta [Live] | |
| | Elly Ameling, Dame Janet Baker, Peter Schreier, Dietrich Fischer-Dieskau & Gerald Moore | An die Sonne, D. 439 | |
| | Dame Janet Baker & Geoffrey Parsons | Spleen, Op. 51 No. 3 | |
| | Dame Janet Baker, Academy of St Martin in the Fields & Sir Neville Marriner | Bereite dich, Zion from Christmas Oratorio, BWV 248 | |
| | Dame Janet Baker & Gerald Moore | Ave Maria, D. 839 | |
| | Robert Lloyd, Richard Van Allan, Robert Tear, Dame Janet Baker, London Symphony Orchestra & Sir Colin Davis | Béatrice et Bénédict, Act II: "Approcher, Claudio!" | |
| | Ileana Cotrubas, Dame Janet Baker, Peter Gottlieb, London Philharmonic Orchestra & Raymond Leppard | La Calisto - Realization by Raymond Leppard, Act 1: Chi non ti crederebbe | |
| | The Ambrosian Singers, Dame Janet Baker, Eric Chadwick, Hallé Choir, Hallé, John McCarthy, Sheffield Philharmonic Chorus & Sir John Barbirolli | The Dream of Gerontius, Op.38 (2007 Remastered Version), Part II: Dispossessed, aside thrust, chucked down (chorus, Angel) | |
| | Dame Janet Baker, Bath Festival Orchestra & Yehudi Menuhin | Cantata No.169 'Gott soll allein mein Herz haben': Aria: Gott soll allein meine Herze haben | |
