| | Jean Rigby, Philip Langridge & Steuart Bedford | Canticle II, Op. 51: Abraham and Isaac | |
| | Graham Johnson & Philip Langridge | Volume 1: British Isles - I. The Salley Gardens | |
| | Gerald Finley, Philip Langridge & Steuart Bedford | Canticle IV, Op. 86: Journey of the Magi | |
| | Graham Johnson & Philip Langridge | Volume 1: British Isles - V. The trees they grow so high | |
| | Northern Sinfonia, Philip Langridge & Steuart Bedford | O Waly, Waly | |
| | Elzbieta Szmytka, Sir Simon Rattle, Philip Langridge, Thomas Hampson, Ryszard Minkiewicz, Jadwiga Rappé, Lisa Milne, Andrew Burden, City of Birmingham Symphony Youth Chorus, Adrian Partington, City of Birmingham Symphony Chorus, Simon Halsey & City of Birmingham Symphony Orchestra | King Roger: Hagios! Hagios! (Chorus/Youth Chorus/Archbishop) | |
| | London Philharmonic Choir, London Philharmonic Orchestra, Philip Langridge, Richard Cooke, Teresa Cahill & Vernon Handley | Scenes from The Saga of King Olaf Op. 30, Epilogue (soloists & chorus): As torrents in summer - | |
| | Osian Ellis & Philip Langridge | Canticle V, Op. 89: The Death of Saint Narcissus | |
| | Frank Lloyd, Judi Dench, Philip Langridge & Steuart Bedford | Canticle III, Op. 55: Still Falls the Rain | |
| | Frank Lloyd, Judi Dench, Philip Langridge & Steuart Bedford | The Heart of the Matter (rev. P. Pears, 1983): IV. Song | |
| | Amanda Pitt, David Owen Norris, David Wilson-Johnson, Joanne Thomas & Philip Langridge | Duets: VI. Weep you no more | |
| | Philip Langridge, Royal Philharmonic Orchestra, Huddersfield Choral Society & Sir Charles Mackerras | Messiah (Part One): Recitative "Comfort ye" | |
| | Philip Langridge & Steuart Bedford | If It's Ever Spring Again | |
| | Philip Langridge, Sir Neville Marriner & Academy of St Martin in the Fields | Messiah, HWV 56, Pt. I: No. 2, Comfort Ye My People - No. 3, Every Valley Shall Be Exalted | |
| | Philip Langridge, Steuart Bedford, The Aldeburgh Festival Orchestra & John Rawnsley | The Beggar's Opera, Op. 43 (Realised by Britten) Act II: "Noble Captain, You Are Welcome Once More. Man May Escape from Rope and Gun" | |
| | Felicity Palmer, Margaret Cable, Philip Langridge, Stephen Roberts, Choir of St John’s College, Cambridge, The Wren Orchestra & George Guest | Vesperae solennes de confessore in C, K. 339: VI. Magnificat anima mea (Luc. 1: 46-55) | |
| | Jan DeGaetani, Philip Langridge, Stephen Roberts, David Wilson-Johnson, Sir John Tomlinson, London Sinfonietta & David Atherton | Punch and Judy: Toccata III A | |
| | Claudio Abbado, Berliner Philharmoniker, Liliana Nichiteanu, Eugenia Gorochovskaya, Jan Rozehnal, Robin Gritton, Gerhard Schmidt-Gaden, Anatoly Kotcherga, Valentina Valente, Philip Langridge, Albert Shagidullin, Samuel Ramey, Sergei Larin, Marjana Lipovek, Sergei Leiferkus, Helmut Wildhaber, Gleb Nikolsky, Elena Zaremba, Alexander Fedin, Slovak Philharmonic Chorus Bratislava, Rundfunkchor Berlin & Tölzer Knabenchor | Boris Godunov, Act II: "My little tale is about this and that" | |
| | Richard Hickox, City of London Sinfonia & Philip Langridge | Peter Grimes, Op. 33, Act II Scene 2: Go there! (Peter) | |
| | Josephine Barstow, Philip Langridge, Richard Van Allan, Welsh National Opera Orchestra & Sir Charles Mackerras | Gloriana, Op. 53, Act II Scene 3: 36. The Queen's Announcement | |
| | Philip Langridge, Berliner Philharmoniker & Claudio Abbado | The Diary of One Who Disappeared, JW V/12 (Orch. Zítek and Sedláček, Sung in German): No. 21, Vater, dam Tag' fluch ich | |
| | Radoslav Kvapil & Philip Langridge | Biblical Songs: By The Rivers Of Babylon | |
| | Josephine Barstow, Sir Charles Mackerras, Welsh National Opera Orchestra & Philip Langridge | Gloriana, Op. 53: 15. Second Lute Song | |
| | Richard Hickox, City of London Sinfonia & Philip Langridge | Peter Grimes, Op. 33, Act I Scene 2: Now the Great Bear and Pleiades (Peter) | |
| | Richard Hickox, City of London Sinfonia & Philip Langridge | Death in Venice, Op. 88, Act II Scene 17: The Departure. Ah, no! (Aschenbach) | |
| | Philip Langridge, Royal Philharmonic Orchestra, Huddersfield Choral Society & Sir Charles Mackerras | Messiah (Part One): Aria "Every Valley" | |
| | London Symphony Orchestra, Philip Langridge & Richard Hickox | Dies natalis, Op. 8: II. Rhapsody (Recitativo Stromentato) | |
| | Luba Orgonasova, Neeme Järvi, Gothenburg Symphony Orchestra, Nathalie Stutzmann & Philip Langridge | From Jewish Folk Poetry, Op. 79: VIII. Winter | |
| | Eileen Hulse, Dame Felicity Lott, Philip Langridge, Sam Pay, Phyllis Cannan, Steuart Bedford & Aldeburgh Festival Ensemble | The Turn of the Screw, Op. 54: Act II: Variation 12: Quint | |
| | Felicity Palmer, City of London Sinfonia, Richard Hickox & Philip Langridge | Savitri, Op. 25: V. Once I Knew Maya | |
| | Christopher Cornall, Sir Charles Mackerras, Welsh National Opera Orchestra, Philip Langridge, Jonathan Summers, Bryn Terfel & Chorus of the Welsh National Opera | Gloriana, Op. 53: 2. The Tornament | |
| | Philip Langridge, David Atherton, London Sinfonietta, Benjamin Luxon & Michael Rippon | Das Berliner Requiem: VI. Great Hymn of Thanksgiving (da capo) | |
| | Felicity Palmer, Margaret Cable, Philip Langridge, Stephen Roberts, Choir of St John’s College, Cambridge, The Wren Orchestra & George Guest | Vesperae solennes de confessore in C, K. 339: II. Confitebor tibi, Domine (Ps. 110 / 111) | |
| | Elzbieta Szmytka, Andrea Rost, Philip Langridge, Ulrich Großrubatscher, Nicolai Ghiaurov, Walter Zeh, Franz Wimmer, Richard Novak, Pavel Kamas, Wiener Philharmoniker, Claudio Abbado, Wiener Staatsopernchor & Peter Burian | From the House of the Dead, JW I/11, Act II: Mil'y, mil'y, Aljejo! | |
| | Pierre Boulez, BBC Singers, BBC Symphony Orchestra, Denis Wicks, Helen Watts, Michael Rippon, Orpheus Boys' Choir & Philip Langridge | Moses und Aron (Continued): Feierlich (Takt/bar 320) | |
| | Claudio Abbado, Berliner Philharmoniker, Anatoly Kotcherga, Jan Rozehnal, Robin Gritton, Gerhard Schmidt-Gaden, Liliana Nichiteanu, Valentina Valente, Eugenia Gorochovskaya, Philip Langridge, Albert Shagidullin, Samuel Ramey, Sergei Larin, Marjana Lipovek, Sergei Leiferkus, Helmut Wildhaber, Gleb Nikolsky, Elena Zaremba, Alexander Fedin, Slovak Philharmonic Chorus Bratislava, Rundfunkchor Berlin & Tölzer Knabenchor | Boris Godunov, Prologue, Scene 2: "My soul is sad" | |
| | London Symphony Orchestra, Philip Langridge & Richard Hickox | Dies natalis, Op. 8: V. The Salutation (Aria) | |
| | Eva Gilhofer, Francis Travis, Basler Sinfonie Orchester, Hans Riediker, Schola Cantorum Stuttgart, Dorothy Dorow, Philip Langridge & Heinz Holliger | Siebengesang für Oboe, Orchestra, Voices and Loudspeaker: X. Quarter = 48 "Windesstille der Seele" | |
| | John Constable & Philip Langridge | Ich Scheide | |
| | Ann Murray, Steuart Bedford, The Aldeburgh Festival Orchestra & Philip Langridge | The Beggar's Opera, Op. 43 (Realised by Britten) Act I: "O! What Pain It Is to Part!" | |
| | Claudio Abbado, Sergei Larin, Jan Rozehnal, Robin Gritton, Gerhard Schmidt-Gaden, Anatoly Kotcherga, Liliana Nichiteanu, Valentina Valente, Eugenia Gorochovskaya, Philip Langridge, Albert Shagidullin, Samuel Ramey, Marjana Lipovek, Sergei Leiferkus, Helmut Wildhaber, Gleb Nikolsky, Elena Zaremba, Alexander Fedin, Slovak Philharmonic Chorus Bratislava, Rundfunkchor Berlin, Tölzer Knabenchor & Berliner Philharmoniker | Boris Godunov, Act III, Scene 2: "At midnight, in the garden, by the fountain" | |
| | Philip Langridge & Graham Johnson | Sängers Morgenlied, D. 165 | |
| | Academy of St Martin in the Fields Chorus, Philip Langridge, Sir Neville Marriner & Academy of St Martin in the Fields | Messiah, HWV 56, Pt. II: No. 34, Unto Which of the Angels - No. 35, Let All the Angels | |
| | François Le Roux, John Eliot Gardiner, English Baroque Soloists & Philip Langridge | Les Boréades, Act 2: "J'aperçois ce mortel" (Adamas, Abaris) | |
| | Graham Johnson & Philip Langridge | Auf der Riesenkoppe, D. 611 | |
| | Philip Langridge, Brigitte Balleys, Berliner Philharmoniker & Claudio Abbado | The Diary of One Who Disappeared: Übersetzung: Max Brod: XI. "Vor der Heidin Wangen" / "From the rip'ning Cornfield" (Alt, Tenor) | |
| | Ann Murray, Anton Scharinger, Barbara Bonney, Charlotte Margiono, Isabel Rey, Kevin Langan, Netherlands Opera Chorus, Nikolaus Harnoncourt, Petra Lang, Philip Langridge, Het Koninklijk Concertgebouworkest & Thomas Hampson | Le nozze di Figaro, Act 4: "Pace, pace, mio dolce tesoro" (Il Conte, Susanna, Figaro) | |
| | Hans Franzen, Nikolaus Harnoncourt, Concentus Musicus Wien, Philip Langridge & Werner Hollweg | Ottavo libro di madrigali "Guerrieri et amorosi": No. 6, Ogni amante è guerrier, SV 151 | |
| | Janice Watson, Sir Charles Mackerras, Welsh National Opera Orchestra, Philip Langridge & Chorus of the Welsh National Opera | Gloriana, Op. 53: 40. Essex's Intrusion | |
| | David Atherton, London Sinfonietta, Philip Langridge & Kenneth Bowen | King Priam, Act I Scene 2: Divine go-between, that's who I am (Hermes, Paris) | |
