| | Sir Thomas Beecham & Royal Philharmonic Orchestra | Zemire et Azor: Air de Ballet | |
| | Royal Philharmonic Orchestra & Sir Thomas Beecham | Zémire et Azor - Ballet music (1959 Remastered Version): Pantomime (1er Air de ballet) | |
| | Royal Philharmonic Orchestra & Sir Thomas Beecham | Concerto for Flute and Harp In C Major, KV299: II. Andantino | |
| | Royal Philharmonic Orchestra, Beecham Choral Society, Sir Thomas Beecham & Ilse Hollweg | Peer Gynt: Morning | |
| | Royal Philharmonic Orchestra & Sir Thomas Beecham | Concerto for Flute and Harp In C Major, KV299: III. Rondo: Allegro | |
| | Royal Philharmonic Orchestra, Sir Thomas Beecham, Ilse Hollweg & Beecham Choral Society | Peer Gynt: V. Ases Tod | |
| | Royal Philharmonic Orchestra & Sir Thomas Beecham | Concerto for Flute and Harp In C Major, KV299: I. Allegro | |
| | Franz Joseph Haydn & Sir Thomas Beecham | Symphony No.101 in D 'Clock' II: Andante | |
| | Royal Philharmonic Orchestra & Sir Thomas Beecham | Peer Gynt, Suite No. 1, Op. 46: Aese's Death | |
| | Sir Thomas Beecham & Royal Philharmonic Orchestra | Ballet Music from 'Zemire Et Azor' Pantomime (1er Air De Ballet) | |
| | French National Radio Orchestra, Sir Thomas Beecham, French National Radio Chorus, Les Petits Chanteurs de St. François de Versailles, Bernard Plantey, Michel Hamel, Xavier Depraz, Victoria de los Ángeles, Janine Micheau, Nicolai Gedda, Ernest Blanc, Denise Monteil & Monique Linval | Carmen : Ouverture | |
| | Royal Philharmonic Orchestra & Sir Thomas Beecham | Peer Gynt, Suite No. 2, Op. 55: Solveig's Song | |
| | Berliner Philharmoniker & Sir Thomas Beecham | Die Zauberflöte: Overture | |
| | Royal Philharmonic Orchestra, Sir Thomas Beecham & Jack Brymer | Konzert in A Major, K. 622 für Klarinette und Orchester: II. II. Adagio | |
| | Royal Philharmonic Orchestra & Sir Thomas Beecham | Peer Gynt, Suite No. 1, Op. 46: Morning | |
| | Sir Thomas Beecham & London Philharmonic Orchestra | Violin Concerto No. 4 in D Major, KV218: II. Andante | |
| | Royal Philharmonic Orchestra & Sir Thomas Beecham | Peer Gynt, Suite No. 2, Op. 55: Peer Gynt's Homecoming - Stormy Evening On the Sea | |
| | Royal Philharmonic Orchestra & Sir Thomas Beecham | Peer Gynt, Suite No. 2, Op. 55: Arabian Dance | |
| | Royal Philharmonic Orchestra & Sir Thomas Beecham | Peer Gynt, Suite No. 2, Op. 55: Ingrid's Lament | |
| | Royal Philharmonic Orchestra & Sir Thomas Beecham | Peer Gynt, Suite No. 1, Op. 46: In the Hall of the Mountain King | |
| | Royal Philharmonic Orchestra & Sir Thomas Beecham | Peer Gynt, Suite No. 1, Op. 46: Anitra's Dance | |
| | London Philharmonic Orchestra & Sir Thomas Beecham | Fruhlingstimmen (Waltz Voices of Spring) | |
| | Franz Joseph Haydn & Sir Thomas Beecham | Symphony No.103 'Drum Roll' in E flat I: Adagio - Allegro con spirito | |
| | Sir Thomas Beecham & Royal Philharmonic Orchestra | Ballet Music from 'Zemire et Azor': Pantomime (1er Air De Ballet) | |
| | Royal Philharmonic Orchestra, Sir Thomas Beecham & Jack Brymer | Clarinet Concerto in A Major, K. 622: II. Adagio | |
| | Sir Thomas Beecham & Royal Philharmonic Orchestra | Concerto for Flute and Harp in C Major, KV299: II. Andantino | |
| | Anthony Pini, London Philharmonic Orchestra & Sir Thomas Beecham | Morning - Peer Gynt | |
| | French National Radio Orchestra, Sir Thomas Beecham, French National Radio Chorus, Les Petits Chanteurs de St. François de Versailles, Bernard Plantey, Michel Hamel, Xavier Depraz, Victoria de los Ángeles, Janine Micheau, Nicolai Gedda, Ernest Blanc, Denise Monteil & Monique Linval | Carmen : Quand je vous aimerai... L'amour est un oiseau rebelle | |
| | London Philharmonic Orchestra & Sir Thomas Beecham | Violin Concerto No. 4 In D Major, KV 218: III. Rondo: Allegro | |
| | London Philharmonic Orchestra & Sir Thomas Beecham | Violin Concerto No. 4 In D Major, KV 218: I. Allegro | |
| | Royal Philharmonic Orchestra & Sir Thomas Beecham | North Country Sketches: Autumn, the Wind Soughs in the Trees | |
| | Royal Phlharmonic Orchestra, Sir Thomas Beecham & Gabriel Fauré | Pavane, Op. 50 | |
| | Royal Philharmonic Orchestra & Sir Thomas Beecham | Bacchanale from "Samson and Delilah" | |
| | Franz Joseph Haydn & Sir Thomas Beecham | Symphony No.101in D 'Clock' III: Menuetto e Trio: Allegretto | |
| | Franz Joseph Haydn & Sir Thomas Beecham | Symphony No.101 in D 'Clock' I: Adagio - Presto | |
| | Jack Brymer, Sir Thomas Beecham & Royal Philharmonic Orchestra | Clarinet Concerto in A Major, K. 622: II. Adagio | |
| | Royal Philharmonic Orchestra & Sir Thomas Beecham | Zémire et Azor - Ballet music (1959 Remastered Version): Finale (Ali's ariette, "Je suis encore tremblant") | |
| | Royal Philharmonic Orchestra & Sir Thomas Beecham | Pavane, Op. 50 | |
| | Sir Thomas Beecham & Royal Philharmonic Orchestra | Symphony No. 31 in D, K.297. "Paris": II. Andantino | |
| | Victoria de los Ángeles, Nicolai Gedda & Sir Thomas Beecham | Carmen: Act One: 6. Habanera: L’amour est un oiseau rebelle | |
| | Sir Thomas Beecham, French National Radio Orchestra & Lalo | Symphony in G minor: IV. 4th movement: Allegro | |
| | Sir Thomas Beecham, French National Radio Orchestra & Lalo | Symphony in G minor: III. 3rd movement, Adagio | |
| | Sir Thomas Beecham, French National Radio Orchestra & Lalo | Symphony in G minor: II. 2nd movement, Vivace | |
| | Sir Thomas Beecham, French National Radio Orchestra & Lalo | Symphony in G minor: I. 1st movement, Andante - Allegro non troppo | |
| | Sir Thomas Beecham, French National Radio Orchestra & Sir Eugene Goossens | Symphony in G Minor: IV. Allegro | |
| | Sir Thomas Beecham, French National Radio Orchestra & Sir Eugene Goossens | Symphony in G Minor: III. Adagio | |
| | Sir Thomas Beecham, French National Radio Orchestra & Sir Eugene Goossens | Symphony in G Minor: II. Vivace | |
| | Sir Thomas Beecham, French National Radio Orchestra & Sir Eugene Goossens | Symphony in G Minor: I. Andante - Allegro Non Troppo | |
| | Royal Philharmonic Orchestra, Sir Thomas Beecham & Frederick Delius | A Song Before Sunrise | |
| | Royal Philharmonic Orchestra & Sir Thomas Beecham | On Hearing the First Cuckoo In Spring | |
