| | Charlotte Hellekant, Marc Minkowski, Les Musiciens du Louvre, Magdalena Kožená, Marijana Mijanovic, Anne Sofie von Otter, Pascal Bertin, Bejun Mehta, Alan Ewing & Jean-Michel Ankaoua | Giulio Cesare in Egitto HWV 17 / Atto terzo: No. 40 Coro e Duetto "Ritorni omai nel nostro core" | |
| | Kevin Smith, John Marsden, Orchestra of the Royal Opera House, Alan Ewing, François Le Roux, Sir John Tomlinson & Elgar Howarth | Gawain, Act I: The Court's Reaction, Gawain Accepts the Challenge. God's Name | |
| | Marijana Mijanovic, Anne Sofie von Otter, Charlotte Hellekant, Jean-Michel Ankaoua, Alan Ewing, Guido Larisch, Michel Maldonado, Pascal Monteilhet, Jory Vinikour & Mirella Giardelli | Giulio Cesare in Egitto HWV 17 / Atto primo: Recitativo "La Reggia Tolomeo t'offre" | |
| | Alan Ewing, Christine Schäfer, Iain Paton, Ian Bostridge, Les Arts Florissants, Patricia Petibon & William Christie | Die Entführung aus dem Serail: Act 3 "Nie werd' ich deine Huld verkennen" [Belmonte, Konstanze, Blonde, Pedrillo, Osmin, Chorus] | |
| | Alan Opie, Alan Ewing, Richard Hickox, London Symphony Orchestra & Matthew Best | Billy Budd, Op. 50, Act II Scene 2: Poor fellow, who could save him? (Mr Redburn, Mr Flint, Mr Ratcliffe) | |
| | Alan Ewing, Peter Tantsits, Birmingham Contemporary Music Group & Thomas Adès | The Importance of Being Earnest, Act I: I Feel Bound to Tell You | |
| | Marijana Mijanovic, Marc Minkowski, Les Musiciens du Louvre, Charlotte Hellekant, Magdalena Kožená, Anne Sofie von Otter, Bejun Mehta, Pascal Bertin, Alan Ewing & Jean-Michel Ankaoua | Giulio Cesare in Egitto HWV 17 / Atto secondo: No. 25 Aria e Coro "Al lampo dell'armi" | |
| | Clare Presland, Hilary Summers, Gavan Ring, Peter Tantsits, Stephen Richardson, Alan Ewing, André de Ridder, Irish National Opera & Irish Chamber Orchestra | Alice's Adventures Under Ground: The Lobster-Quadrille | |
| | Boston Baroque, Martin Pearlman, Alan Ewing, Kurt Streit & Paul Austin Kelly | Der Stein der Weisen, Act II: Nadir, ermord' erst diesen hier | |
| | Benjamin Bevan, Alan Ewing, Katalin Károlyi, Peter Tantsits, Joshua Bloom, Barbara Hannigan, Birmingham Contemporary Music Group & Thomas Adès | The Importance of Being Earnest, Act III: Lady Bracknell | |
| | Boston Baroque, Martin Pearlman, Alan Ewing & Kevin Deas | Der Stein der Weisen, Act II: Fühl' meine Macht | |
| | Alan Ewing, Russian State Symphonic Cappella, Richard Hickox & Spoleto Festival Orchestra | War and Peace, Op. 91, Scene 10: When, oh when was this dreadful business decided? (Kutuzov, Chorus) | |
| | Claudia Boyle, Clare Presland, Hilary Summers, Gavan Ring, Peter Tantsits, Stephen Richardson, Alan Ewing, André de Ridder, Irish National Opera & Irish Chamber Orchestra | Alice's Adventures Under Ground: Jabberwocky in French | |
| | Alan Ewing, Silvia Bossa, Stefania Donzelli, Gianluca Belfiori Doro, Ensemble Musica Rara & Arnold Bosman | Il cantico de'tre fanciulli, Pt. II: Recitativo accompagnato. Quali dal sen (Nabucodonosorre, Anania, Azaria, Misaele) [Live] | |
| | The no breaks | The Communist Revolution (feat. Alan Ewing) | |
| | Alan Ewing, Marc Minkowski & Les Musiciens du Louvre | Giulio Cesare in Egitto HWV 17 / Atto primo: No. 15 Aria "Tu sei il cor di questo core" | |
| | André de Ridder, Claudia Boyle, Alan Ewing, Clare Presland, Hilary Summers, Gavan Ring, Peter Tantsits, Stephen Richardson, Irish National Opera & Irish Chamber Orchestra | Alice's Adventures Under Ground: The White Queen Running Across the Country... “Look, Look!” | |
| | Alan Ewing, Peter Tantsits, Birmingham Contemporary Music Group & Thomas Adès | The Importance of Being Earnest, Act I: Are Your Parents Living? | |
| | Consort Of Musicke, Anthony Rooley, Dame Emma Kirkby, Evelyn Tubb, Alan Ewing, Andrew King, Mary Nichols & Paul Agnew | Madrigals Book 2, SV. 57: Non m'è grave'l morire | |
| | Martyn Hill, Susan Bickley, Alison Wells, Alan Ewing, Simon Joly Chorale, Robert Craft, Tristan Fry Percussion Ensemble & International Piano Quartet | Les noces (The Wedding): Scene I - The Tresses (At the Bride's House) | |
| | Gabrieli, Alan Ewing & Paul McCreesh | The Judgement of Solomon: "God, Give Your Judgement to the King..." | |
| | Alan Ewing, Marc Minkowski & Les Musiciens du Louvre | Giulio Cesare in Egitto HWV 17 / Atto secondo: No. 20 Aria "Se a me non sei crudele" | |
| | Gabrieli, Alan Ewing & Paul McCreesh | The Judgement of Solomon: "Give This Woman the Living Child, for this is His Mother!" | |
| | Magdalena Kožená, Marc Minkowski, Les Musiciens du Louvre, Anne Sofie von Otter, Bejun Mehta, Pascal Bertin, Jean-Michel Ankaoua & Alan Ewing | Giulio Cesare in Egitto HWV 17 / Atto primo: No. 1 Coro "Viva, viva il nostro Alcide!" | |
| | Peter Tantsits, Alan Ewing, Joseph Hart, Birmingham Contemporary Music Group & Thomas Adès | The Importance of Being Earnest, Act III: I Am Miss Cardew's Guardian | |
| | Benjamin Bevan, Alan Ewing, Joshua Bloom, Katalin Károlyi, Peter Tantsits, Birmingham Contemporary Music Group & Thomas Adès | The Importance of Being Earnest, Act I: Freude, schöner Götterfunken | |
| | Martyn Hill, Susan Bickley, Alison Wells, Alan Ewing, Simon Joly Chorale, Robert Craft, Tristan Fry Percussion Ensemble & International Piano Quartet | Les noces (The Wedding): Scene II - At the Bridegroom's House | |
| | John Marsden, Alan Ewing, Orchestra of the Royal Opera House, Kevin Smith, Richard Greager, Penelope Walmsley-Clark, Omar Ebrahim, Marie Angel, Royal Opera Chorus & Elgar Howarth | Gawain, Act I: Tableau Ib. Winter. Night. Here Is Your Second Birth | |
| | Benjamin Bevan, Alan Ewing, Joshua Bloom, Katalin Károlyi, Peter Tantsits, Birmingham Contemporary Music Group & Thomas Adès | The Importance of Being Earnest, Act I: Lady Bracknell and Miss Fairfax | |
| | Alan Ewing, Kevin Deas & Jane Giering-De Haan | Der Stein der Weisen, Act II: Dialogue (11) | |
| | Peter Tantsits, Hilary Summers, Alan Ewing, Birmingham Contemporary Music Group & Thomas Adès | The Importance of Being Earnest, Act III: Is This the Handbag? | |
| | Alan Ewing, Martin Pearlman & Boston Baroque | The Beneficent Dervish, Act III: Aria. Bald wird auch dieser Traum | |
| | André de Ridder, Claudia Boyle, Clare Presland, Hilary Summers, Gavan Ring, Peter Tantsits, Stephen Richardson, Alan Ewing, Irish National Opera & Irish Chamber Orchestra | Alice's Adventures Under Ground: “Remember Who You Are! Goodbye.” | |
| | Silvia Bossa, Stefania Donzelli, Gianluca Belfiori Doro, Ilia Aramayo Sandivari, Alan Ewing, Ars Cantica Choir, Ensemble Musica Rara & Arnold Bosman | Il cantico de'tre fanciulli, Pt. II: Finale. La grand' opra (All) [Live] | |
| | Peter Tantsits, Alan Ewing, Birmingham Contemporary Music Group & Thomas Adès | The Importance of Being Earnest, Act I: What Should I Do? (Reprise) | |
| | Charlotte Hellekant, Anne Sofie von Otter, Bejun Mehta, Alan Ewing, Guido Larisch, Michel Maldonado, Pascal Monteilhet, Jory Vinikour & Mirella Giardelli | Giulio Cesare in Egitto HWV 17: Recitativo "Sire, Con Sesto, Il Figlio" | |
| | Charlotte Hellekant, Bejun Mehta, Alan Ewing, Guido Larisch, Michel Maldonado, Pascal Monteilhet, Jory Vinikour & Mirella Giardelli | Giulio Cesare in Egitto HWV 17: Recitativo "Bella, Placa Lo Sdegno!" | |
| | Boston Baroque, Martin Pearlman, Alan Ewing, Judith Lovat, Sharon Baker, Kurt Streit & Paul Austin Kelly | Der Stein der Weisen, Act II: Nadir! Nadir, der Sieg ist dein | |
| | Magdalena Kožená, Marc Minkowski, Les Musiciens du Louvre, Anne Sofie von Otter, Bejun Mehta, Pascal Bertin, Jean-Michel Ankaoua & Alan Ewing | Giulio Cesare in Egitto HWV 17: No. 1 Coro "Viva, Viva Il Nostro Alcide!" | |
| | Sir John Tomlinson, Penelope Walmsley-Clark, Orchestra of the Royal Opera House, Kevin Smith, Richard Greager, John Marsden, Omar Ebrahim, Alan Ewing, Marie Angel, Anne Howells & Elgar Howarth | Gawain, Act I: Gawain Decapitates the Green Knight. God's Name! | |
| | Charlotte Hellekant, Alan Ewing, Guido Larisch, Michel Maldonado, Pascal Monteilhet, Jory Vinikour & Mirella Giardelli | Giulio Cesare in Egitto HWV 17 / Atto secondo: Recitativo "Bella, non lagrimare" | |
| | Alan Ewing, Joshua Bloom, Barbara Hannigan, Birmingham Contemporary Music Group & Thomas Adès | The Importance of Being Earnest, Act III: Pretty Child! | |
| | London Symphony Orchestra, Sir Colin Davis, Petra Lang, Ben Heppner, Tigran Martirossian, Peter Mattei, Alan Ewing, Isabelle Cals, London Symphony Chorus, Guang Yang & Bulent Bezduz | Les Troyens, Act I, No. 8: Chatiment effroyable | |
| | Alan Ewing, Guido Larisch, Michel Maldonado, Pascal Monteilhet, Jory Vinikour & Mirella Giardelli | Giulio Cesare in Egitto HWV 17: Recitativo "In Tal Modi Si Premia" | |
| | Richard Hickox, London Symphony Orchestra, Alan Opie, Matthew Best, Alan Ewing, London Symphony Chorus & Stephen Westrop | Billy Budd, Op. 50, Act II Scene 4: Down all hands! (Mr Redburn, Mr Flint, Mr Ratcliffe, Chorus) | |
| | Gabrieli, Alan Ewing & Paul McCreesh | The Judgement of Solomon: "Divide the Child!" | |
| | Claudia Boyle, Hilary Summers, Gavan Ring, Peter Tantsits, Stephen Richardson, Alan Ewing, Clare Presland, André de Ridder, Irish National Opera & Irish Chamber Orchestra | Alice's Adventures Under Ground: The Garden of Live Flowers... Chorus of Daisies | |
| | Alan Ewing, Graeme Broadbent, Sir Charles Mackerras, Rebecca De Pont Davies, Philharmonia Orchestra & Andrew Rees | Salome, Op. 54, TrV 215, Scene 1: How fair the royal Princess Salome looks tonight (Narraboth, Page, First Soldier, Second Soldier) | |
| | Charlotte Hellekant, Marc Minkowski, Les Musiciens du Louvre, Magdalena Kožená, Marijana Mijanovic, Anne Sofie von Otter, Pascal Bertin, Bejun Mehta, Alan Ewing & Jean-Michel Ankaoua | Giulio Cesare in Egitto HWV 17: No. 40 Coro e Duetto "Ritorni Omai Nel Nostro Core" | |
| | Claudia Boyle, Gavan Ring, Peter Tantsits, Clare Presland, Hilary Summers, Stephen Richardson, Alan Ewing, André de Ridder, Irish National Opera & Irish Chamber Orchestra | Alice's Adventures Under Ground: “Which Way? Which Way?” | |
