| | Carolyn Sampson & Kristian Bezuidenhout | Arianna a Naxos, Hob. XXVIb:2: No. 4, Ah! Che morir vorrei | |
| | The Sixteen, Harry Christophers & Carolyn Sampson | Messiah, HWV 56, Pt. 3: I know that my redeemer liveth - Air | |
| | The Sixteen, Harry Christophers, Carolyn Sampson & Catherine Wyn-Rogers | Messiah, HWV 56, Pt. 1: He shall feed His flock like a shepherd - Air | |
| | The Sixteen, Harry Christophers & Carolyn Sampson | Messiah, HWV 56, Pt. 2: How beautiful are the feet of them - Air | |
| | Akademie für Alte Musik Berlin, Carolyn Sampson & Daniel Reuss | Solomon: Act III - No. 58 Air. Queen of Sheba "Will the Sun Forget to Streak" | |
| | The Sixteen, Harry Christophers & Carolyn Sampson | Messiah, HWV 56, Pt. 3: Amen - Chorus | |
| | Carolyn Sampson, Collegium Vocale Gent & Philippe Herreweghe | Cantata No. 75, "Die Elenden Sollen Essen", BWV 75: Aria "Ich Nehme Mein Leiden Mit Freuden Auf Mich" | |
| | The Sixteen, Harry Christophers & Carolyn Sampson | Messiah, HWV 56, Pt. 1: Rejoice greatly, O daughter of Zion - Air | |
| | Carolyn Sampson, Cappella Amsterdam, Orchestra of the Eighteenth Century & Daniel Reuss | Ein deutsches Requiem, Op. 45: V. Ihr habt nun Traurigkeit (Live) | |
| | The King's Consort, Carolyn Sampson, Iestyn Davies & Robert King | Esther, HWV 50: Who calls my parting soul from death | |
| | Frans Brüggen, Orchestra of the 18th Century & Carolyn Sampson | St John Passion, BWV 245: Part II: Aria: Zerfliesse, mein Herze (Soprano) | |
| | The Sixteen, Harry Christophers & Carolyn Sampson | Messiah, HWV 56, Pt. 3: Worthy is the Lamb that was slain - Chorus | |
| | Orchestra of the 18th Century, Carolyn Sampson & Frans Brüggen | St John Passion, BWV 245: Part I: Aria: Ich folge dir gleichfalls (Soprano) | |
| | Carolyn Sampson & Matthew Wadsworth | Where The Bee Sucks | |
| | Cappella Amsterdam, Estonian Philharmonic Chamber Choir, Estonian National Symphony Orchestra, Daniel Reuss & Carolyn Sampson | Stabat Mater, FP 148: VI. Vidit suum dulcem natum | |
| | Carolyn Sampson, Cappella Amsterdam, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir & Daniel Reuss | Stabat Mater: XII. Quando corpus morietur | |
| | The King's Consort, Carolyn Sampson, Marianne Beate Kielland & Robert King | Magnificat: Gloria Patri | |
| | The King's Consort, Carolyn Sampson, Marianne Beate Kielland & Robert King | Magnificat: Suscepit Israel | |
| | The King's Consort, Carolyn Sampson, Marianne Beate Kielland & Robert King | Magnificat: Et misericordia | |
| | The King's Consort, Carolyn Sampson, Marianne Beate Kielland & Robert King | Magnificat anima mea | |
| | Robert King, Carolyn Sampson, King's Consort Choir & The King's Consort | Magnificat in G Major | |
| | The King's Consort, Robert King, Carolyn Sampson, Rebecca Outram, Charles Daniels, James Gilchrist, Peter Harvey & Robin Blaze | Was mein Gott will, das gescheh allzeit: I. Was mein Gott will, das gescheh allzeit | |
| | The King's Consort, Robert King, Carolyn Sampson, Rebecca Outram & Robin Blaze | Regina caeli laetare, Z. 134 | |
| | The Sixteen, Harry Christophers & Carolyn Sampson | Messiah, HWV 56, Pt. 3: If God be for us, who can be against us? - Air | |
| | Carolyn Sampson, Rebecca Outram, Rogers Covey-Crump, Daniel Auchincloss, Charles Daniels, James Gilchrist, Robert Evans, Peter Harvey, The King's Consort & Robert King | Laudate Dominum omnes gentes III 1640 | |
| | Carolyn Sampson, The King's Consort, Robert King & Jonathan Cohen | Nisi Dominus, RV 803: VI. Beatus vir | |
| | Stephen Stubbs, Karina Gauvin, Paul O'Dette, Carolyn Sampson, Olivier Laquerre, Colin Balzer, Aaron Engebreth, Mireille Lebel, Amanda Forsythe, Aaron Sheehan, Yulia van Doren, Teresa Wakim, Boston Early Music Festival Chorus, Boston Early Music Festival Orchesra, Jason McStoots, Matthew Shaw, Ricard Bordas & Jose Lemos | Psyche: Act IV Scene 2: Air Des Demons | |
| | Stephen Stubbs, Karina Gauvin, Paul O'Dette, Carolyn Sampson, Olivier Laquerre, Colin Balzer, Aaron Engebreth, Mireille Lebel, Amanda Forsythe, Aaron Sheehan, Yulia van Doren, Teresa Wakim, Boston Early Music Festival Chorus, Boston Early Music Festival Orchesra, Jason McStoots, Matthew Shaw, Ricard Bordas & Jose Lemos | Psyche: Act IV Scene 2: Ou Penses-tu Porter Tes Pas (The 3 Furies, Psyche, One Fury) | |
| | Carolyn Sampson, Ruth Brauer-Kvam, Wiener Sängerknaben, Wiener Singverein, Yutaka Sado & Tonkünstler-Orchester | Symphony No. 3 "Kaddish" (Narrated in German): IIIa. Scherzo - IIIb. Kaddish 3 - IIIc. Finale | |
| | Carolyn Sampson & Joseph Middleton | Deux chants d'Ariel: No. 2, Un peu animé. Où butine l'abeille je butine aussi | |
| | Carolyn Sampson, James Gilchrist, King's Consort Choir, Peter Harvey, Robert King, Hilary Summers & The King's Consort | Missa in honorem Sanctae Ursulae, MH 546 "Chiemsee-Messe": IV. Sanctus | |
| | Mahan Esfahani & Carolyn Sampson | Willst du dein Herz mir schenken, BWV 518 "Aria di Giovannini" | |
| | Carolyn Sampson, Tapiola Sinfonietta & Pascal Rophé | Chants d'Auvergne, Series 5 (Version for Soprano & Orchestra) [Excerpts]: No. 3, Là-haut, sur le rocher | |
| | Carolyn Sampson, Robin Blaze, Bach Collegium Japan & Masaaki Suzuki | Tilge, Höchster, meine Sünden, BWV 1083 (After Pergolesi's Stabat Mater): No. 6, Siehe! ich bin in Sünd empfangen | |
| | The King's Consort, Robert King, Carolyn Sampson & Joanne Lunn | Laudate pueri, RV 602: V. Suscitans a terra | |
| | Carolyn Sampson, The King's Consort & Robert King | Era conforto, HWV113 | |
| | Jeffrey Skidmore, Carolyn Sampson & Ex Cathedra | Dardanus, RCT 35, Prologue: Menuet en rondeau – Si l'Amour coûte des soupirs | |
| | Collegium Vocale Gent, Philippe Herreweghe, Ingeborg Danz, Carolyn Sampson & Mark Padmore | Tönet, ihr Pauken! Erschallet, Trompeten!, BWV 214: IX. Chorus "Blühet, ihr Linden in Sachsen, wie Zedern!" | |
| | Carolyn Sampson, Le Concert Lorrain & Anne-Catherine Bucher | Cantates Françoises / Zéphie et Flore: V. Arie: Triomphez, Dieu du jour | |
| | Carolyn Sampson, Wroclaw Baroque Orchestra, Paul McCreesh, Ben Palmer & Gabrieli | The Seasons, Hob. XXI:3, II. Summer: No. 15, How Refreshing to the Senses (Aria) | |
| | Carolyn Sampson & Matthew Wadsworth | Pavan III In C Minor | |
| | Rebecca Outram, James Bowman, Michael George, Robert King, The King's Consort, Carolyn Sampson & Charles Daniels | Die Turteltaube lässt sich hören: IV. Gelobet sei Gott und der Vater | |
| | Carolyn Sampson & Joseph Middleton | 7 Chansons grises: No. 5, L'heure exquise | |
| | Carolyn Sampson, Emmanuelle Haïm, Ian Bostridge, Le Concert d'Astrée & Patrizia Ciofi | L'Orfeo, SV 318, Act I: Muse honor di Parnasso (Ninfa) | |
| | Carolyn Sampson & Joseph Middleton | Ariettes oubliées, L. 60: No. 4, Chevaux de bois | |
| | The King's Consort, Carolyn Sampson & Robert King conductor | Celebrate this festival: 'Tis sacred, bid the trumpet cease | |
| | Carolyn Sampson, Theatre of the Ayre, Jonathan Manson & Laurence Cummings | The Fairy Queen, Z. 629, Act 5: Hark! The Echoing Air | |
| | Carolyn Sampson & Matthew Wadsworth | Greensleeves | |
| | Dunedin Consort, John Butt & Carolyn Sampson | Ode for St Cecilia’s Day, HWV 76: VII. Aria. What Passion Cannot Music Raise and Quell! | |
| | The King's Consort & Carolyn Sampson | 9 German Arias, HWV 202-210: No. 4, Süße Stille, sanfte Quelle, HWV 205 | |
