| | Stephen Richardson, Philharmonia Chorus, Matthias Bamert, Stephen Layton, Leslie Pearson, Philharmonic Orchestra & Neill Archer | Lenten Meditations, Part II: My song is love unknown (Tenor, Chorus) | |
| | David Wilson-Johnson, Philharmonia Chorus, David Hill, Matthias Bamert & Philharmonic Orchestra | The Trees So High: I. Adagio - (Molto) moderato | |
| | Philharmonia Chorus, Walter Weller, Philharmonic Orchestra & Cynthia Haymon | Symphony No. 2 in B-Flat Major, Op. 52, MWV A 18, "Lobgesang": VII. Die Nacht ist vergangen (Chorus) | |
| | Stephen Richardson, Philharmonia Chorus, Matthias Bamert, Stephen Layton, Leslie Pearson, Philharmonic Orchestra & Neill Archer | Lenten Meditations, Part II: Behold the time draweth nigh (Tenor, Bass, Chorus) | |
| | Philharmonia Chorus, Walter Weller, Philharmonic Orchestra, Cynthia Haymon & Alison Hagley | Symphony No. 2 in B-Flat Major, Op. 52, MWV A 18, "Lobgesang": V. Ich harrete des Herrn (Sopranos I & II, Chorus) | |
| | Philharmonia Chorus, Neeme Järvi, Linda Finnie & Philharmonia Orchestra | Ivan the Terrible, Op. 116: X. Song of the Beaver, "Ephrosynia's Lullaby" | |
| | Otto Klemperer, Philharmonia Orchestra & Philharmonia Chorus | Messiah, HWV 56, Part II: Accompagnato. "He was Cut off the Land of the Living" (Tenor) | |
| | Philharmonia Chorus, Neeme Järvi & Philharmonia Orchestra | Ivan the Terrible, Op. 116, V. Tartars and Canoneers: I. Allegro moderato | |
| | Philharmonia Chorus, Neeme Järvi & Philharmonia Orchestra | Ivan the Terrible, Op. 116, III. Wedding: I. Allegro fastoso | |
| | Otto Klemperer, Philharmonia Orchestra & Philharmonia Chorus | Messiah, HWV 56, Part I: Aria. "But who may Abide the Day of his Coming" (Bass) | |
| | Philharmonia Chorus, Walter Weller & Philharmonic Orchestra | Symphony No. 2 in B-Flat Major, Op. 52, MWV A 18, "Lobgesang": X. Ihr Völker! bringet her dem Herrn Ehre und Macht (Chorus) | |
| | Otto Klemperer, Philharmonia Orchestra & Philharmonia Chorus | Messiah, HWV 56, Part I: Chorus. "For Unto us a Child is Born" | |
| | Otto Klemperer, Philharmonia Orchestra & Philharmonia Chorus | Messiah, HWV 56, Part II: Aria. "Why do the Nations so Furiously Rage Together" (Bass) | |
| | Philharmonia Chorus, Neeme Järvi & Philharmonia Orchestra | Ivan the Terrible, Op. 116, III. Wedding: II. Andante | |
| | Otto Klemperer, Philharmonia Orchestra & Philharmonia Chorus | Messiah, HWV 56, Part I: Aria. "O Thou that Tellest good tidings to Zion" (Alto) | |
| | BBC Symphony Chorus, Crouch End Festival Chorus, Philharmonia Chorus, BBC Symphony Orchestra, Gerald Finley, Leon Botstein & Trinity Boys Choir | A World Requiem, Op. 60, Part I: II. Pronuntiatio (Baritone, Chorus) | |
| | Otto Klemperer, Philharmonia Orchestra & Philharmonia Chorus | Messiah, HWV 56, Part II: Aria. "How Beautiful are the Feet" (Soprano) | |
| | Otto Klemperer, Philharmonia Orchestra & Philharmonia Chorus | Messiah, HWV 56, Part II: Chorus. "The Lord gave the Word" | |
| | Otto Klemperer, Philharmonia Orchestra & Philharmonia Chorus | Messiah, HWV 56, Part II: Aria. "He was Despised and Rejected of Men" (Alto) | |
| | Philharmonia Chorus, Neeme Järvi, Philharmonia Orchestra & Gennady Rozhdestvensky | Cantata for the 20th Anniversary of the October Revolution, Op. 74: VI. Revolution | |
| | Philharmonia Chorus, Walter Weller & Philharmonic Orchestra | Symphony No. 2 in B-Flat Major, Op. 52, MWV A 18, "Lobgesang": IV. Sagt es, die ihr erlöst seid vor dem Herrn (Chorus) | |
| | Otto Klemperer, Philharmonia Orchestra & Philharmonia Chorus | Messiah, HWV 56, Part I: Aria. "He Shall Feed his Flock like a Shepherd" (Soprano) | |
| | Philharmonia Chorus, Walter Weller & Philharmonic Orchestra | Symphony No. 2 in B-Flat Major, Op. 52, MWV A 18, "Lobgesang": VIII. Nun danket alle Gott (Chorus) | |
| | Otto Klemperer, Philharmonia Orchestra & Philharmonia Chorus | Messiah, HWV 56, Part I: Recitative. "Behold! A Virgin shall Conceive" (Alto) | |
| | Crouch End Festival Chorus, Philharmonia Chorus, Leon Botstein, BBC Symphony Orchestra, Jeanne-Michele Charbonnet, Stuart Skelton, Trinity Boys Choir & Gerald Finley | A World Requiem, Op. 60, Part II: XII. Elysium (Soprano, Tenor, Chorus) | |
| | David Wilson-Johnson, Philharmonia Chorus, David Hill, Matthias Bamert & Philharmonic Orchestra | The Trees So High: II. Andante tranquillo | |
| | BBC Symphony Chorus, Crouch End Festival Chorus, Philharmonia Chorus, Leon Botstein, BBC Symphony Orchestra, Stuart Skelton, Trinity Boys Choir & Gerald Finley | A World Requiem, Op. 60, Part II: XIV. Angeli (Tenor, Chorus) | |
| | Otto Klemperer, Philharmonia Orchestra & Philharmonia Chorus | Messiah, HWV 56, Part III: Aria. "I Know that my Redeemer Liveth" (Soprano) | |
| | Francesco d'Avalos, Philharmonic Orchestra, Hilary Summers & Philharmonia Chorus | Maria di Venosa, Part II: Scene VIII. A balcony of the Palace of the Viceroy during the ball, | |
| | Otto Klemperer, Philharmonia Orchestra & Philharmonia Chorus | Messiah, HWV 56, Part I: Recitative. "Then Shall the Eyes of the Blind be Opened" (Soprano) | |
| | Otto Klemperer, Philharmonia Orchestra & Philharmonia Chorus | Messiah, HWV 56, Part II: Accompagnato. "Thy Rebuke Hath Broken His Heart" (Tenor) | |
| | Otto Klemperer, Philharmonia Orchestra & Philharmonia Chorus | Messiah, HWV 56, Part I: Chorus. "And the Glory, the Glory of the Lord" | |
| | Philharmonia Chorus, Neeme Järvi, Philharmonia Orchestra & Gennady Rozhdestvensky | Cantata for the 20th Anniversary of the October Revolution, Op. 74: IV. A Tight Little Band | |
| | Philharmonia Chorus, Walter Weller, Philharmonic Orchestra, Cynthia Haymon & Alison Hagley | Symphony No. 2 in B-Flat Major, Op. 52, MWV A 18, "Lobgesang": V. Ich harrete des Herrn (Sopranos I & II, Chorus) | |
| | Otto Klemperer, Philharmonia Orchestra & Philharmonia Chorus | Messiah, HWV 56, Part II: Aria. "But thou did’st not Leave his Soul in Hell" (Tenor) | |
| | Philharmonia Chorus, Neeme Järvi & Philharmonia Orchestra | Ivan the Terrible, Op. 116, III. Wedding: III. Allegro fastoso | |
| | Stephen Richardson, Philharmonia Chorus, Matthias Bamert, Stephen Layton, Leslie Pearson, Philharmonic Orchestra & Neill Archer | Lenten Meditations, Part II: My song is love unknown (Tenor, Chorus) | |
| | Philharmonia Chorus, Neeme Järvi, Philharmonia Orchestra & Gennady Rozhdestvensky | Cantata for the 20th Anniversary of the October Revolution, Op. 74: I. Prelude | |
| | Otto Klemperer, Philharmonia Orchestra & Philharmonia Chorus | Messiah, HWV 56, Part I: Chorus. "O Thou That Tellest" | |
| | Otto Klemperer, Philharmonia Orchestra & Philharmonia Chorus | Messiah, HWV 56, Part I: Chorus. "And he shall Purify" | |
| | Otto Klemperer, Philharmonia Orchestra & Philharmonia Chorus | Messiah, HWV 56, Part II: Chorus. "Let us Break their Bonds Asunder" | |
| | Philharmonia Chorus, Neeme Järvi, Simon Halsey, Philharmonic Orchestra & Boris Berman | Credo | |
| | Otto Klemperer, Philharmonia Orchestra & Philharmonia Chorus | Messiah, HWV 56, Part I: Pifa. Larghetto e mezzo piano (Orchestra) | |
| | Otto Klemperer, Philharmonia Orchestra & Philharmonia Chorus | Messiah, HWV 56, Part II: Chorus. "He Trusted in God" | |
| | Otto Klemperer, Philharmonia Orchestra & Philharmonia Chorus | Messiah, HWV 56, Part I: Aria. "The People that Walked in Darkness" (Bass) | |
| | Stephen Richardson, Philharmonia Chorus, Matthias Bamert, Stephen Layton, Leslie Pearson, Philharmonic Orchestra & Neill Archer | Lenten Meditations, Part I: A babe in Bethlem's manger laid (Chorus) | |
| | Evgeny Svetlanov, Philharmonia Chorus & Philharmonia Orchestra | Alexander Nevsky, Op. 78: VII. Alexander's Entry into Pskov | |
| | David Wilson-Johnson, Philharmonia Chorus, David Hill, Matthias Bamert & Philharmonic Orchestra | The Trees So High: IV. Adagio | |
| | Evgeny Svetlanov, Philharmonia Chorus & Philharmonia Orchestra | Alexander Nevsky, Op. 78: III. The Crusaders in Pskov | |
| | Otto Klemperer, Philharmonia Orchestra & Philharmonia Chorus | Messiah, HWV 56, Part I: Accompagnato. "Thus Saith the Lord of Hosts" (Bass) | |
