| | Esa-Pekka Salonen & Oslo Philharmonic | Peer Gynt, Op. 23: Morning Mood | |
| | Esa-Pekka Salonen & Oslo Philharmonic | Peer Gynt, Op. 23: Morning Mood | |
| | Janine Jansen, Oslo Philharmonic & Klaus Mäkelä | Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | |
| | Janine Jansen, Oslo Philharmonic & Klaus Mäkelä | Violin Concerto in D Minor, Op. 47: II. Adagio di molto | |
| | Janine Jansen, Oslo Philharmonic & Klaus Mäkelä | Violin Concerto in D Minor, Op. 47: I. Allegro moderato | |
| | Janine Jansen, Oslo Philharmonic & Klaus Mäkelä | Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | |
| | Mariss Jansons & Oslo Philharmonic | Andante festivo for Strings and Timpani | |
| | Mariss Jansons & Oslo Philharmonic | Suite No. 2 from Romeo and Juliet, Op. 64ter: I. The Montagues and Capulets | |
| | Barbara Hendricks, Esa-Pekka Salonen, Oslo Philharmonic, Terje Kram & Oslo Philharmonic Choir | Peer Gynt (Excerpts): Ase's Death | |
| | Mariss Jansons & Oslo Philharmonic | Tannhäuser, WWV. 70: Overture | |
| | Esa-Pekka Salonen & Oslo Philharmonic | Morning Mood from Peer Gynt Suite, No. 1 | |
| | Mariss Jansons & Oslo Philharmonic | Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | |
| | Mariss Jansons & Oslo Philharmonic | Symphony No. 3 in C Major, Op. 52: II. Andantino con moto quasi allegretto | |
| | Mariss Jansons & Oslo Philharmonic | Suite No. 1 from Romeo and Juliet, Op. 64bis: I. Folk Dance | |
| | Barbara Hendricks, Esa-Pekka Salonen, Oslo Philharmonic, Terje Kram & Oslo Philharmonic Choir | Peer Gynt (Excerpts): Solvejg's Song | |
| | Mariss Jansons & Oslo Philharmonic | Andante festivo for Strings and Timpani | |
| | Mariss Jansons & Oslo Philharmonic | Suite No. 2 from Romeo and Juliet, Op. 64ter: II. The Young Juliet | |
| | Oslo Philharmonic, Hilary Hahn & Hugh Wolff | Concerto in E Minor for Violin and Orchestra, Op. 64: II. Andante | |
| | Frank Peter Zimmermann, Manfred Honeck & Oslo Philharmonic | Violin Concerto in D Major, Op. 35: III. Finale (Allegro vivacissimo) | |
| | Barbara Hendricks, Esa-Pekka Salonen, Oslo Philharmonic, Terje Kram & Oslo Philharmonic Choir | Peer Gynt (Excerpts): Prelude: Morning Mood | |
| | Barbara Hendricks, Esa-Pekka Salonen, Oslo Philharmonic, Terje Kram & Oslo Philharmonic Choir | Peer Gynt (Excerpts): In the Hall of the Mountain King | |
| | Oslo Philharmonic & Klaus Mäkelä | Symphony No. 6 in D Minor, Op. 104: III. Poco vivace | |
| | Oslo Philharmonic & Klaus Mäkelä | Symphony No. 6 in D Minor, Op. 104: III. Poco vivace | |
| | Mariss Jansons & Oslo Philharmonic | Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo (Opening) | |
| | Oslo Philharmonic & Mariss Jansons | The Sorcerer's Apprentice (Excerpt) | |
| | Truls Mørk, Mariss Jansons & Oslo Philharmonic | Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation VI. Andante | |
| | Mariss Jansons & Oslo Philharmonic | Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo. Vivace | |
| | Mariss Jansons & Oslo Philharmonic | The Rite of Spring, Pt. 1 "Adoration of the Earth": Ritual of the Rival Tribes | |
| | Mariss Jansons & Oslo Philharmonic | Unter Donner und Blitz, Op. 324 | |
| | Mariss Jansons & Oslo Philharmonic | Pictures at an Exhibition: I. Promenade No. 1 | |
| | Oslo Philharmonic, Vasily Petrenko & Kirill Gerstein | Symphony No. 1, Op. 26: IV. Vivace | |
| | Studio Chorus, Ingrid Bjoner, Eva Gustavson, Karen Marie Flagstad, Beate Asserson, Unni Bugge-Hanssen, Kirsten Flagstad, Per Grönnberg, Waldemar Johnsen, Oslo Philharmonic, Egil Nordsjø, Oivin Fjeldstad, Norwegian State Radio Orchestra & Set Svanholm | Gotterdammerung (Twilight of the Gods): Act I Scene 1: Nun hor, Hagen (Gunther, Hagen) | |
| | Karen Marie Flagstad, Oslo Philharmonic, The Norwegian State Opera Orchestra & Chorus & Øivin Fjelstad | Götterdämmerung, Prolog: Treu beratner Verträge Runern (Zweiter Norn) | |
| | Mariss Jansons & Oslo Philharmonic | Die Walküre, Act III: Ride of the Valkyries | |
| | Mariss Jansons & Oslo Philharmonic | Symphony No. 2 in C Minor, Op. 17, TH 25, "Little Russian": IV. Finale. Moderato assai - Allegro vivo | |
| | Oslo Philharmonic & Vasily Petrenko | Romeo and Juliet, Op. 64, Act I: No. 2, Romeo | |
| | Mariss Jansons & Oslo Philharmonic | Symphony No. 6 in B Minor, Op. 74, TH 30, "Pathétique": IV. Finale. Adagio lamentoso | |
| | Truls Mørk, Mariss Jansons & Oslo Philharmonic | Cello Concerto in B Minor, Op. 104, B. 191: III. Finale. Allegro moderato | |
| | Oslo Philharmonic, Hilary Hahn & Marek Janowski | Concerto for Violin and Orchestra No. 1 in A Minor, Op. 77: I. Nocturne. Moderato | |
| | Mariss Jansons & Oslo Philharmonic | 1812 Overture in E-Flat Major, Op. 49 | |
| | Oslo Philharmonic, Martin Grubinger & John Axelrod | Das War Schon!: II. Mon Tres Cher Pere | |
| | Set Snavholm, Oslo Philharmonic, The Norwegian State Opera Orchestra & Chorus & Øivin Fjelstad | Götterdämmerung, Act III: Brünnhilde, heilege Braut! (Siegfried) | |
| | Oslo Philharmonic, Waldemar Johnsen, Oivin Fjeldstad, Norwegian State Radio Orchestra, Egil Nordsjø, Set Svanholm, Unni Bugge-Hanssen, Kirsten Flagstad, Beate Asserson, Karen Marie Flagstad, Studio Chorus, Per Grönnberg, Eva Gustavson & Ingrid Bjoner | Gotterdammerung (Twilight of the Gods): Act III Scene 2: Hoiho! (Hagen, Vassals, Siegfried) | |
| | Oslo Philharmonic & Mariss Jansons | Symphony No. 7 in E Minor: V. Rondo - Finale: Allegro Ordinario - Allegro Moderato Ma Energico | |
| | Oslo Philharmonic & Olari Elts | Sweet Pieces: VIII. | |
| | Mariss Jansons & Oslo Philharmonic | Symphony No. 2 in D Major, Op. 43: III. Vivacissimo (Attacca) | |
| | Oslo Philharmonic & Vasily Petrenko | Romeo and Juliet, Op. 64, Act I: No. 7, The Duke’s Command | |
| | Mariss Jansons & Oslo Philharmonic | Bachianas brasileiras No. 2, W247: IV. Toccata | |
| | Kirsten Flagstad, Oslo Philharmonic, The Norwegian State Opera Orchestra & Chorus & Øivin Fjelstad | Götterdämmerung, Act II: Heil'ge Götter, himmlische Lenker (Brünnhilde) | |
| | Oslo Philharmonic & Øivind Fjeldstad | The Land Of Suspence, Op. 19 | |
