| | New York Philharmonic, Bruno Walter, The Westminster Choir, Irmgard Seefried, Jennie Tourel, Léopold Simoneau & William Warfield | Requiem in D Minor, K 626: "Dies Irae" | |
| | James Levine & Jennie Tourel | Ich Liebe Dich | |
| | Leonard Bernstein & Jennie Tourel | La Bonne Cuisine (Four Recipes): II. Queues de Boeuf (Ox-tails) | |
| | Jennie Tourel | A Pastoral Song (My Mother Bids Me Bind My Hair) | |
| | Leonard Bernstein, New York Philharmonic, Lili Chookasian, Jennie Tourel, Shirley Verrett-Carter, Richard Tucker, Charles Bressler, Jon Vickers, George London, Ezio Flagello, Donald Bell, Adele Addison, Lucine Amara, Eileen Farrell & Shirley Verrett | Serenade to Music (From "The Merchant of Venice, Act V, Scene 1"): "Look how the floor of heaven is thick inlaid" | |
| | Leonard Bernstein, Jennie Tourel & New York Philharmonic | Jeremiah - Symphony No. 1: III. Lamentation | |
| | Bruno Walter, New York Philharmonic, Irmgard Seefried, Jennie Tourel, Léopold Simoneau, William Warfield & Westminster Choir | Requiem, KV 626: VII. Confutatis | |
| | Jennie Tourel & Eugene Ormandy | Sred shumnovo bala (Amid the Din of the Ball) | |
| | Leonard Bernstein, Jennie Tourel & Columbia Symphony Orchestra | Banalités, FP 107: No. 2, Hôtel | |
| | New York Philharmonic, Bruno Walter, Irmgard Seefried, Jennie Tourel & Léopold Simoneau | Requiem, Kv 626: Viii. Lacrimosa | |
| | Leonard Bernstein, New York Philharmonic & Jennie Tourel | La Mort de Cléopâtre, Scène Lyrique: Recitativo: "Au Comble Des Revers". Moderato | |
| | Jennie Tourel & Leonard Bernstein | Trois mélodies: 2. Daphénéo | |
| | Jennie Tourel & Leonard Bernstein | Fêtes galantes, Set I, L. 80: 1. En Sourdine | |
| | Jennie Tourel & The Metropolitan Opera Orchestra | La Cenerentola: Nacqui all´affanno | |
| | Jennie Tourel & Leonard Bernstein | 6 Romances, Op. 73: No. 5, Amid Sombre Days | |
| | Orchestra del Teatro alla Scala di Milano, Igor Stravinsky, Nell Tangeman, Hugues Cuenod, Emanuel Menkes, Elisabeth Schwarzkopf, Jennie Tourel, Raphael Arie, Robert Rounseville & Otakar Kraus | The Rake's Progress, Act III: "Good people, just a moment" (All, Anne, Baba, Truelove, Rakewell, Shadow) | |
| | Jennie Tourel | Net, tolko tot, kto znal (None But the Lonely Heart) | |
| | Jennie Tourel & Eugene Ormandy | To bïlo ranneyu vesnoy (It Was in Early Spring) | |
| | Jennie Tourel, William Warfield, The Westminster Choir, Bruno Walter, Irmgard Seefried, Léopold Simoneau & New York Philharmonic | Requiem, Mass in D Minor, K. 626: XII. Benedictus | |
| | Jennie Tourel, Léopold Simoneau, Irmgard Seefried, Westminster Choir, New York Philharmonic, William Warfield & Bruno Walter | Requiem in D minor, K. 626: Sequence No. 4: Recordare, Jesu pie (Soprano, Mezzo-soprano, Tenor, Baritone) | |
| | Jennie Tourel, Pietro Cimara & The Metropolitan Opera Orchestra | La Périchole: "O mon cher amant, je te jure" | |
| | Jennie Tourel, Pietro Cimara & The Metropolitan Opera Orchestra | Carmen: "Près Des Remparts de Séville" ("Tais-toi") | |
| | San Francisco Symphony, Pierre Monteux & Jennie Tourel | Il Barbiere di Siviglia: Una voce poco fa (Live) | |
| | Leonard Bernstein, New York Philharmonic, Lili Chookasian, Jennie Tourel, Richard Tucker, Ezio Flagello, George London, Adele Addison, Lucine Amara, Schola Cantorum of New York, The Juilliard Chorus & Columbus Boychoir | Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Tempo I. (Allegro, etwas hastig) | |
| | Orchestra del Teatro alla Scala di Milano, Igor Stravinsky, Jennie Tourel, Robert Rounseville, Otakar Kraus, Hugues Cuenod, Elisabeth Schwarzkopf & Coro del Teatro alla Scala di Milano | The Rake's Progress, Act III, Scene 1: "Sold! Annoyed!" (Baba, Rakewell, Shadow, Sellem, Anne, Chorus) | |
| | Leonard Bernstein, New York Philharmonic, Felicia Montealegre, Jennie Tourel, Camerata Singers & Columbus Boychoir | Kaddish, Symphony No. 3 (To the Beloved Memory of John F. Kennedy): I. Invocation. Kaddish 1 | |
| | Maurice Abravanel, Columbia Orchestra & Jennie Tourel | Les Contes d'Hoffmann: Barcarolle | |
| | Leonard Bernstein, Jennie Tourel & New York Philharmonic | Kindertotenlieder: 3. Wenn dein Mütterlein | |
| | James Levine & Jennie Tourel | La Sagesse Et un Tresor | |
| | New York Philharmonic, Lili Chookasian, Jennie Tourel, Shirley Verrett-Carter, Richard Tucker, Charles Bressler, Jon Vickers, George London, Ezio Flagello, Donald Bell, Adele Addison, Lucine Amara, Eileen Farrell & Leonard Bernstein | The Merchant of Venice, Act V "Serenade to Music": Look how the floor of heaven. . . | |
| | Franz Liszt, James Levine & Jennie Tourel | "Comment" Disaient-Ils | |
| | Leonard Bernstein, New York Philharmonic & Jennie Tourel | La Mort de Cléopâtre, Scène Lyrique: Allegro Vívace Con Impeto | |
| | Leonard Bernstein, New York Philharmonic, Felicia Montealegre, Jennie Tourel, Camerata Singers & Columbus Boychoir | Kaddish, Symphony No. 3 (To the Beloved Memory of John F. Kennedy): III. Scherzo. Kaddish 3. Finale | |
| | Jennie Tourel & Leonard Bernstein | La Bonne Cuisine (Four Recipes): III. Taveuk Gueunksis | |
| | John Ardoin & Jennie Tourel | Interview: Jennie Tourel Talks about Changes in Singing | |
| | Jennie Tourel & Leonard Bernstein | Oh! Quand je dors, S. 282 | |
| | Jennie Tourel, Leonard Bernstein & New York Philharmonic | Symphony No. 1 "Jeremiah": II. Profanation | |
| | New York Philharmonic, Bruno Walter, The Westminster Choir, Irmgard Seefried, Jennie Tourel, Léopold Simoneau & William Warfield | Requiem in D Minor, K 626: "Rex Tremendae" | |
| | George Reeves & Jennie Tourel | In the Silence of the Night, Op. 4, No. 3 | |
| | Leonard Bernstein, Jennie Tourel & New York Philharmonic | Jeremiah - Symphony No. 1: I. Prophecy | |
| | Jennie Tourel, William Warfield, The Westminster Choir, Bruno Walter, Irmgard Seefried, Léopold Simoneau & New York Philharmonic | Requiem, Mass in D Minor, K. 626: XIV. Lux Aeterna | |
| | Leonard Bernstein, Jennie Tourel & New York Philharmonic | Symphony No. 1 "Jeremiah": III. Lamentation | |
| | Leonard Bernstein, New York Philharmonic, Jennie Tourel, Lee Venora & Collegiate Chorale | Symphony No. 2 in C Minor "Resurrection": IV. "Urlicht" - Sehr feierlich, aber schlicht | |
| | New York Philharmonic, Bruno Walter, The Westminster Choir, Irmgard Seefried, Jennie Tourel, Léopold Simoneau & William Warfield | Requiem in D Minor, K 626: "Lacrymosa" | |
| | Jennie Tourel, Pietro Cimara & The Metropolitan Opera Orchestra | La Périchole : Ah! Quel dîner je viens de faire! | |
| | Westminster Choir, New York Philharmonic, William Warfield, Jennie Tourel, Léopold Simoneau, Bruno Walter & Irmgard Seefried | Requiem in D minor, K. 626: Kyrie eleison (Chorus) | |
| | Jennie Tourel, Columbia Symphony Orchestra & Jean Morel | Carmen, Act II: Chanson bohème. "Les tringles des sistres tintaient" (Carmen) | |
| | James Levine & Jennie Tourel | Trois Chansons de Bilitis: Le Tombeau Des Naiades | |
| | Jennie Tourel & Eugene Ormandy | Zabit tak skoro (To Forget So Soon) | |
| | Jennie Tourel | Mignon's Lied, S.275 | |