| | Julius Rudel, New York City Opera Orchestra, Tatiana Troyanos & Benita Valente | Pachabel: Canon | |
| | Julius Rudel, New York City Opera Orchestra, Tatiana Troyanos & Benita Valente | Albinoni: Adagio | |
| | Benita Valente & Lydia Artymiw | Ariettes oubliées, L. 60 (Excerpts): No. 5, Aquarelles I [Green] | |
| | James Conlon, Benita Valente, Marjana Lipovšek, Peter Lindroos, Tom Krause, Rotterdam Philharmonic Orchestra & Slovak Philharmonic Choir | Christus, S. 3, Pt. 3: Easter Hymn | |
| | Benita Valente & Tan Crone | Cancionero de Pedrell: Alala (galicia) | |
| | Benita Valente & Juilliard String Quartet | String Quartet No. 3, Op. 40: IV. Drammatico | |
| | Julia Bogorad, Sharon Isbin & Benita Valente | Rozhinkes mit Mandlen (Arr. Ganz & Barrett) | |
| | Juilliard String Quartet, Jan De Gaetani, Jon Humphrey, Benita Valente, Thomas Paul, Robert Mann, Joel Smirnoff, Samuel Rhodes & Joel Krosnick | The Seven Last Words of Christ on the Cross), for string quartet, H. 3/50-56: Interlude: Largo-Cantabile e mesto (from Quartet in D Major, Op. 76, No. 5; Hob. III: 79) | |
| | Julius Rudel, New York City Opera Orchestra, Benita Valente & Tatiana Troyanos | Mozart: Recitative and Duet: "Deh Vieni Non Tardar" | |
| | Benita Valente & Cynthia Raim | 6 Lieder, Op. 67, TrV 238, 3 Lieder der Ophelia: No. 1, Wie erkenn ich mein Treulieb | |
| | Benita Valente & Tan Crone | Cancionero de Pedrell: Muera Yo†(asturias) | |
| | Scottisch Chamber Orchestra, Joel Revzen & Benita Valente | Songs of Light and Love for Soprano and Chamber Orchestra: No. 5, Evening Walk in France | |
| | Benita Valente & Tan Crone | L'infantament Meravelloos de Schahrazada, Op. 1: Jo Soc el Vas | |
| | Benita Valente, Eastman Philharmonia & David Effron | Rinaldo, HWV 7: Lascia ch'io pianga | |
| | Benita Valente & Tan Crone | L'infantament Meravelloos de Schahrazada, Op. 1: Les Roses de Les Temples | |
| | Benita Valente & Tan Crone | Cancionero de Pedrell: Corrandes (valencia) | |
| | Leonard Slatkin, Benita Valente, Sir Thomas Allen, Philharmonia Orchestra & Philharmonia Chorus | A Sea Symphony (No. 1): IV. The Explorers. Grave e molto adagio: Down from the gardens of Asia descending | |
| | Benita Valente, Mozart Festival Orchestra & Alexander Schneider | Vorrei spiegarvi, o Dio, K. 418 | |
| | Sharon Isbin & Benita Valente | 4 Chansons populaires françaises: No. 4, Marguerite, elle est malade | |
| | Benita Valente & Juilliard String Quartet | String Quartet No. 3, Op. 40: V. Di nuovo contemplativo | |
| | Benita Valente & Lydia Artymiw | Ariettes oubliees: No. 4. Chevaux de bois | |
| | Rudolf Serkin, Benita Valente & Myron Bloom | Auf dem Strom, D. 943, Op. 119 | |
| | Benita Valente & Lydia Artymiw | 5 Melodies de Venise, Op. 58: No. 1. Mandoline | |
| | American Bach Soloists, Benita Valente & Judith Malafronte | Psalm 51 "Tilge, Höchster, meine Sünden", BWV 1083: Andante - Verses 11 - 15 (Soprano, Alto) | |
| | Rudolf Serkin, Marlena Kleinman, Wayne Conner, Benita Valente, Martial Singher & Leon Fleisher | Liebeslieder Walzer, Op. 52: V. Die grüne Hopfenranke | |
| | Leonard Slatkin, Benita Valente, Sir Thomas Allen, Philharmonia Orchestra & Philharmonia Chorus | A Sea Symphony (No. 1): III. Scherzo: The Waves. Allegro brillante | |
| | Juilliard String Quartet, Jan De Gaetani, Jon Humphrey, Benita Valente, Thomas Paul, Robert Mann, Joel Smirnoff, Samuel Rhodes & Joel Krosnick | The Seven Last Words of Christ on the Cross), for string quartet, H. 3/50-56: Sonata VI - Es is vollbracht! (Lento) | |
| | Rudolf Serkin, Benita Valente & Harold Wright | Der Hirt auf dem Felsen, D. 965, Op. 129 | |
| | Benita Valente & Juilliard String Quartet | String Quartet No. 5: III. Scherzo II | |
| | Metamorphosen Chamber Ensemble, Scott Yoo, Peggy Pearson, Mieko Take-Mendez, Alexis Pia Gerlach, Robert Schultz, Benita Valente, Jurij Konje & Jean deMart | Exercises en Route: III. Gooseberries, She Said | |
| | David Del Tredici, Players from the Marlboro Festival, Donald Stewart, Mary Burgess & Benita Valente | Night Conjure-Verse: II. A Memory of The Players In a Mirror at Midnight | |
| | Benita Valente & Lee Luvisi | Myrthen, Op. 25 (Excerpts): No. 7, Die Lotosblume | |
| | Benita Valente & Juilliard String Quartet | String Quartet No. 3, Op. 40: III. Amoroso | |
| | Leonard Bernstein, Elaine Bonazzi, Nancy Williams, Benita Valente & National Symphony Orchestra, Kennedy Center | Songfest: IV. To My Dear and Loving Husband | |
| | Benita Valente & David Effron | Canciones clásicas españolas, Vol. 1 (Excerpts): No. 6, Del cabello más sutil | |
| | Metamorphosen Chamber Ensemble, Robert Schultz, Mieko Take-Mendez, Benita Valente, Jean deMart, Scott Yoo, Alexis Pia Gerlach, Peggy Pearson & Jurij Konje | Exercises en Route: IV. Rattling On | |
| | Julius Rudel, New York City Opera Orchestra, Benita Valente & Tatiana Troyanos | Mozart: Duet, "Ah Perdona Al Primo Affetto" | |
| | Juilliard String Quartet, Jan De Gaetani, Jon Humphrey, Benita Valente, Thomas Paul, Robert Mann, Joel Smirnoff, Samuel Rhodes & Joel Krosnick | The Seven Last Words of Christ on the Cross), for string quartet, H. 3/50-56: Mulier, ecce filius tuus, et tu, ecce mater tua! | |
| | Benita Valente & Tan Crone | Cancionero de Pedrell: Soledad (asturias) | |
| | Benita Valente & Juilliard String Quartet | String Quartet No. 5: IV. Blessed Is the Match | |
| | Benita Valente & Lee Luvisi | Liederalbum für die Jugend, Op. 79: No. 13, Marienwürmchen | |
| | Juilliard String Quartet, Jan De Gaetani, Jon Humphrey, Benita Valente, Thomas Paul, Robert Mann, Joel Smirnoff, Samuel Rhodes & Joel Krosnick | The Seven Last Words of Christ on the Cross), for string quartet, H. 3/50-56: Sonata I - Vater im Himmel, o sieh hernieder vom ewigen Thron! (Largo) | |
| | Lydia Artymiw & Benita Valente | Au bord de l'eau, Op. 8, No. 1 | |
| | Benita Valente, Jon Humphrey, Glenda Maurice & Luis Batlle | From Jewish Folk Poetry, Op. 79: No. 2, Die fursorgliche Tante zur Mutter (The Thoughtful Mother and Aunt) | |
| | Leonard Slatkin, Benita Valente, Sir Thomas Allen, Philharmonia Orchestra & Philharmonia Chorus | A Sea Symphony (No. 1): II. On the Beach at Night, Alone. Largo sostenuto: A vast similitude interlocks all | |
| | Juilliard String Quartet, Jan De Gaetani, Jon Humphrey, Benita Valente, Thomas Paul, Robert Mann, Joel Smirnoff, Samuel Rhodes & Joel Krosnick | The Seven Last Words of Christ on the Cross), for string quartet, H. 3/50-56: Sonata VII - In deine Hand', o Herr, empfehl ich meinen Geist. (Largo) | |
| | Benita Valente, Concerto Soloists Chamber Orchestra of Philadelphia & Michael Korn | Fà la Nana, Bambin | |
| | Benita Valente & Richard Goode | Un moto di gioia mi sento, K. 579 (Arr. for Voice & Piano) | |
| | Rudolf Serkin, Marlena Kleinman, Wayne Conner, Benita Valente, Martial Singher & Leon Fleisher | Liebeslieder Walzer, Op. 52: XIII. Vögelein durchrauscht die Luft | |
| | American Bach Soloists, Benita Valente & Judith Malafronte | Psalm 51 "Tilge, Höchster, meine Sünden", BWV 1083: Largo - Verse 1 (Soprano, Alto) | |
