| | Simon Estes, Carlo Maria Giulini, Berliner Philharmoniker, Sharon Sweet, Vinson Cole, Florence Quivar & Ernst Senff Chor | Messa da Requiem: 2. Rex tremendae | |
| | Sharon Sweet, Sir Neville Marriner, Academy of St Martin in the Fields, Francisco Araiza, Karita Mattila, Simone Alaimo, Marie McLaughlin & Claudio Otelli | Don Giovanni, K.527 / Act 2: "Ah! dov'è il perfido?" | |
| | Sir Colin Davis, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Marilyn Horne, Susan Quittmeyer, Julie Kaufmann, Sharon Sweet, Alan Titus, Frank Lopardo & Oliviero de Fabritiis | Falstaff; Act 3, Scene 1: Provvedi le lanterne | |
| | Sharon Sweet, Wiener Philharmoniker & Claudio Abbado | Gurre-Lieder: 5. Tove: Sterne jubeln | |
| | Sharon Sweet, Sir Neville Marriner, Academy of St Martin in the Fields & Francisco Araiza | Don Giovanni, K.527, Act 1: "Don Ottavio... son morta!" | |
| | Lorin Maazel, Florence Quivar, Brigitte Fassbaender, Richard Leech, Sigmund Nimsgern, Sharon Sweet, Pamela Coburn, Simon Estes, Wolfram Koloseus, Chor der Wiener Staatsoper, Orf-Chor, Arnold Schoenberg Choir, Wiener Sängerknaben & Wiener Philharmoniker | Symphony No. 8 in E-Flat Major "Symphony of a Thousand": II. x) Alles Vergängliche (Chorus mysticus) | |
| | Florence Quivar, Simon Estes, Sharon Sweet, Vinson Cole, Berliner Philharmoniker, Carlo Maria Giulini & Ernst Senff Chor | Messa da Requiem: 2.i. Lacrymosa | |
| | Lorin Maazel, Florence Quivar, Brigitte Fassbaender, Richard Leech, Sigmund Nimsgern, Sharon Sweet, Pamela Coburn, Simon Estes, Wolfram Koloseus, Chor der Wiener Staatsoper, Orf-Chor, Arnold Schoenberg Choir & Wiener Philharmoniker | Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. I. Veni Creator Spiritus: Qui Paraclitus diceris | |
| | Sir Colin Davis, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Alan Titus, Julie Kaufmann, Sharon Sweet, Francesco Ellero d'Argenta, Frank Lopardo, Oliviero de Fabritiis, Ulrich Ress, Marilyn Horne, Susan Quittmeyer & Rolando Panerai | Falstaff; Act 3, Scene 2: Tutto nel mondo è burla | |
| | David Parry, London Philharmonic Orchestra, Sharon Sweet & Helen Williams | Il Trovatore, Part I Scene 2: Come, wait no longer (Inez, Leonora) | |
| | Sharon Sweet, Sir Neville Marriner, Academy of St Martin in the Fields, Karita Mattila, Marie McLaughlin, Francisco Araiza & Claudio Otelli | Don Giovanni, K.527 / Act 1: "Trema, trema scellerato" | |
| | Rafael Frühbeck de Burgos, London Symphony Orchestra & Sharon Sweet | Four Last Songs: III. Going To Sleep | |
| | Rico Saccani, Budapest Philharmonic Orchestra, Sharon Sweet, Vyacheslov Polozov, Dolora Zajick & Alexandru Agache | Il Trovatore: Act IV, "Madre, Non Dormi?" | |
| | Lorin Maazel, Florence Quivar, Brigitte Fassbaender, Richard Leech, Sigmund Nimsgern, Sharon Sweet, Pamela Coburn, Simon Estes, Wolfram Koloseus, Chor der Wiener Staatsoper, Orf-Chor, Arnold Schoenberg Choir & Wiener Philharmoniker | Symphony No. 8 in E-Flat Major "Symphony of a Thousand": I. g) Qui Paraclitus diceris | |
| | Rico Saccani, Budapest Philharmonic Orchestra, Sharon Sweet, Vyacheslov Polozov, Dolora Zajick & Alexandru Agache | Il Trovatore: Act I, "Tacea la Note!..." | |
| | Alan Opie, Clive Bayley, David Parry, London Philharmonic Orchestra, Sharon Sweet, Helen Williams, Dennis O'Neill & Mark le Brocq | Il Trovatore, Part II Scene 2: Oh, can it be, can I believe (Leonora, Count di Luna, Manrico, Inez, Ferrando, Ruiz, Nuns, Retainers, Followers) | |
| | David Parry, London Philharmonic Orchestra & Sharon Sweet | Il Trovatore, Part IV Scene 1: You will see that my devotion (Leonora) | |
| | Sharon Sweet, Sir Neville Marriner & Academy of St Martin in the Fields | Don Giovanni, K.527 / Act 1: "Or sai chi l'onore" | |
| | Sharon Sweet, Carlo Maria Giulini, Berliner Philharmoniker, Florence Quivar & Ernst Senff Chor | Messa da Requiem: 5. Agnus Dei | |
| | Florence Quivar, Sharon Sweet, Vinson Cole, Berliner Philharmoniker & Carlo Maria Giulini | Messa da Requiem: 2.d. Quid sum miser | |
| | Lorin Maazel, Florence Quivar, Brigitte Fassbaender, Richard Leech, Sigmund Nimsgern, Sharon Sweet, Pamela Coburn, Simon Estes, Wolfram Koloseus, Chor der Wiener Staatsoper, Orf-Chor, Arnold Schoenberg Choir, Wiener Sängerknaben & Wiener Philharmoniker | Symphony No. 8 in E-Flat Major "Symphony of a Thousand": I. h) Gloria Patri Domino | |
| | Geoffrey Mitchell Choir, David Parry, London Philharmonic Orchestra, Sharon Sweet, Dennis O'Neill & Mark le Brocq | Il Trovatore, Part III Scene 2: That fierce inferno, her cruel sentence (Manrico, Leonora, Ruiz, Soldiers) | |
| | Karita Mattila, Sir Neville Marriner, Academy of St Martin in the Fields, Simone Alaimo, Francisco Araiza, Sharon Sweet, Marie McLaughlin & Claudio Otelli | Don Giovanni, K.527, Act 2: "Sola, sola in buio loco" | |
| | Alan Opie, David Parry, London Philharmonic Orchestra & Sharon Sweet | Il Trovatore, Part IV Scene 1: The man shall live - He lives! I cannot speak for joy (Count di Luna, Leonora) | |
| | Alan Opie, David Parry, London Philharmonic Orchestra & Sharon Sweet | Il Trovatore, Part IV Scene 1: See all these bitter tears of mine (Leonora, Count di Luna) | |
| | Rafael Frühbeck de Burgos, London Symphony Orchestra & Sharon Sweet | Four Last Songs: IV. At Sunset | |
| | Sir Colin Davis, Symphonieorchester des Bayerischen Rundfunks, Ben Heppner, Sharon Sweet, Eva Marton, Sergei Leiferkus, Jan-Hendrik Rootering, Chor des Bayerischen Rundfunks & Bayerische Staatsopernchor | Lohengrin: Act I: Scene 3: Durch Gottes Sieg ist jetzt dein Leben mein | |
| | David Parry, London Philharmonic Orchestra, Sharon Sweet, Dennis O'Neill & Mark le Brocq | Il Trovatore, Part III Scene 2: When holy church has blessed our love (Manrico, Leonora, Ruiz) | |
| | Sir Colin Davis, Ben Heppner, Sharon Sweet & Symphonieorchester des Bayerischen Rundfunks | Lohengrin: Act III: Scene 2: Höchstes Vertrau'n hast du mir schon zu danken | |
| | Rico Saccani, Budapest Philharmonic Orchestra, Sharon Sweet, Vyacheslov Polozov, Dolora Zajick & Alexandru Agache | Il Trovatore: Act IV, "Udiste? Come Albeggi la Scure Al Figlio..." | |
| | Sir Colin Davis, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Julie Kaufmann, Sharon Sweet, Marilyn Horne & Susan Quittmeyer | Falstaff; Act 2, Scene 2: Gaie comari di Windsor! | |
| | Sir Colin Davis, Marilyn Horne, Susan Quittmeyer, Julie Kaufmann, Sharon Sweet, Chor des Bayerischen Rundfunks & Symphonieorchester des Bayerischen Rundfunks | Falstaff; Act 1, Scene 2: Quell'otre! quel tino! | |
| | Rafael Frühbeck de Burgos, London Symphony Orchestra & Sharon Sweet | Four Last Songs: II. September | |
| | Rico Saccani, Budapest Philharmonic Orchestra, Sharon Sweet, Vyacheslov Polozov, Dolora Zajick & Alexandru Agache | Il Trovatore: Act II, "Vedi! Le Fosche Notturne...Stride la Vampa!" | |
| | Rico Saccani, Budapest Philharmonic Orchestra, Sharon Sweet, Vyacheslov Polozov, Dolora Zajick & Alexandru Agache | Il Trovatore: Act III, "In Braccio Al Mio Rival!" | |
| | Florence Quivar, Carlo Maria Giulini, Berliner Philharmoniker, Ernst Senff Chor, Simon Estes, Sharon Sweet & Vinson Cole | Messa da Requiem: 2. Lacrymosa | |
| | Sir Colin Davis, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Alan Titus, Sharon Sweet, Marilyn Horne, Susan Quittmeyer, Rolando Panerai, Francesco Ellero d'Argenta, Oliviero de Fabritiis & Ulrich Ress | Falstaff; Act 3, Scene 2: Ruzzola, ruzzola | |
| | Sir Colin Davis, Symphonieorchester des Bayerischen Rundfunks, Jan-Hendrik Rootering, Sharon Sweet & Männerchor | Lohengrin: Act I: Scene 2: Seht hin! Sie naht, die hart Beklagte! | |
| | Sharon Sweet, Sir Neville Marriner & Academy of St Martin in the Fields | Don Giovanni, K.527 / Act 2: "Non mi dir, bell'idol mio" | |
| | Sharon Sweet, Sir Neville Marriner & Academy of St Martin in the Fields | Don Giovanni, K.527, Act 1: "Or sai chi l'onore" | |
| | Vinson Cole, Carlo Maria Giulini, Berliner Philharmoniker, Simon Estes, Sharon Sweet, Florence Quivar & Ernst Senff Chor | Messa da Requiem: 1. Requiem | |
| | Simone Alaimo, Sir Neville Marriner, Academy of St Martin in the Fields, Karita Mattila, Francisco Araiza, Sharon Sweet, Sir Thomas Allen, Marie McLaughlin & Claudio Otelli | Don Giovanni, K.527 / Act 1: "Da bravi, via, ballate" | |
| | Sir Colin Davis, Symphonieorchester des Bayerischen Rundfunks, Ben Heppner, Sharon Sweet, Jan-Hendrik Rootering, Chor des Bayerischen Rundfunks & Bayerische Staatsopernchor | Lohengrin: Act I: Scene 3: Nun sei bedankt, mein lieber Schwan! | |
| | Sir Colin Davis, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Julie Kaufmann, Sharon Sweet & Marilyn Horne | Falstaff; Act 2, Scene 2: Giunta all'Albergo della Giarrettiera | |
| | Sir Colin Davis, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Marilyn Horne, Susan Quittmeyer, Julie Kaufmann & Sharon Sweet | Falstaff; Act 1, Scene 2: Alice-Meg-Nannetta | |
| | Sir Colin Davis, Symphonieorchester des Bayerischen Rundfunks, Ben Heppner, Sharon Sweet, Eva Marton, Sergei Leiferkus, Jan-Hendrik Rootering, Chor des Bayerischen Rundfunks & Bayerische Staatsopernchor | Lohengrin: Act II: Scene 5: Welch ein Geheimnis muß der Held bewahren? | |
| | Lorin Maazel, Florence Quivar, Brigitte Fassbaender, Richard Leech, Sigmund Nimsgern, Sharon Sweet, Pamela Coburn, Simon Estes, Chor der Wiener Staatsoper, Orf-Chor, Arnold Schoenberg Choir & Wiener Philharmoniker | Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. I. Veni Creator Spiritus: Infirma nostri corporis | |
| | Geoffrey Mitchell Choir, David Parry, London Philharmonic Orchestra, Dennis O'Neill & Sharon Sweet | Il Trovatore, Part IV Scene 1: Lord, have mercy upon a soul departing (Miserere d'un'alma già vicina), "Miserere" (Leonora, Manrico, Chorus) | |
| | David Parry, London Philharmonic Orchestra & Sharon Sweet | Il Trovatore, Part IV Scene 1: Breeze of night, go seek him (Leonora) | |
| | Sir Colin Davis, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Julie Kaufmann, Sharon Sweet, Marilyn Horne & Susan Quittmeyer | Falstaff; Act 1, Scene 2: Falstaff m'ha canzonata | |
